CHAPTER IV.

THE LITTLE COUNTESS.

26th September.

The chateau of Malouet is a massive and rather vulgar construction, which dates some one hundred years back. Fine avenues, a court of honor of a handsome style, and an ancient park impart to it, however, an aspect truly seigneurial.

The old marquis came to receive me at the foot of the stoop, passed his arm under mine, and after leading me through a long maze of corridors, introduced me into a vast drawing-room, where almost complete obscurity prevailed; I could only vaguely distinguish, by the intermittent blaze of the hearth, some twenty persons of both sexes, scattered here and there in small groups. Thanks to this blessed twilight, I effected safely my entrance, which had at a distance offered itself to my imagination, under a solemn and somewhat alarming light. I had barely time to receive the compliment of welcome which Madame de Malouet addressed me in a feeble but penetrating voice. She took my arm almost at once to pass into the dining-room, having resolved, it appears, to refuse no mark of consideration to a pedestrian of such surprising agility.

Once at the table and in the bright light, I was not long in discovering that my feats of the previous day had by no means been forgotten, and that I was the center of general attention; but I stood bravely this cross-fire of curious and ironical glances, intrenched on the one hand behind a mountain of flowers that ornamented the center of the table, and on the other assisted in my defensive position by the ingenious kindness of my neighbor. Madame de Malouet is one of those rare old women whom superior strength of mind or great purity of soul has preserved against despair at the fatal hour of the fortieth year, and who have saved from the wreck of their youth a single waif, itself a supreme charm, grace. Small, frail, her face pale and withered from the effects of habitual suffering, she justifies exactly her husband's expression: "She is a breath, a breath that exhales intelligence and good-nature!" Not a shadow of any pretension unbecoming her age, an exquisite care of her person without the faintest trace of coquetry, a complete oblivion of her departed youth, a sort of bashfulness at being old, and a touching desire, not to please, but to be forgiven; such is my adorable marquise. She has traveled much, read much, and knows Paris well. I roamed with her through one of those rapid conversations in which two minds whirl and for the first time seek to become acquainted, rambling from one pole to the other, touching lightly upon all things, disputing gayly, and happy to agree.

Monsieur de Malouet seized the opportunity of the removal of the colossal dish that separated us, to ascertain the condition of my relations with his wife. He seemed satisfied at our evident good intelligence, and raising his sonorous and cordial voice:

"Monsieur," he said to me, "I have spoken to you of my two rival cooks; now is the time to justify the reputation of high discernment which I have attributed to you in the minds of these artists.

"Alas! I am about to lose the oldest, and without doubt the most skillful, of these masters—the illustrious Jean Rostain. It was he, sir, who, on his arrival from Paris, two years ago, made this remarkable speech to me: 'A man of taste, Monsieur le Marquis, can no longer live in Paris; they practice there now, a certain romantic style of cooking which will lead us Heaven knows where!' In short, sir, Rostain is a classic; this singular man has an opinion of his own! Well! you have just tasted in succession two entremets dishes of which cream forms the essential foundation; according to my idea, these dishes are both a success; but Rostain's work has struck me as greatly superior. Ah, ah! sir, I am curious to know if you can of your own accord and upon that simple indication, assign to each tree its fruit, and render unto Cæsar what belongs to Cæsar. Ah, ah, let us see if you can!"

I cast a furtive glance at the remnants of the two dishes to which the marquis had just called my attention, and I had no hesitation in designating as "classic" the one that was surmounted with a temple of cupid, and a figure of that god in polychromatic pastry.

"A hit!" exclaimed the marquis. "Bravo! Rostain shall hear of it, and his heart will rejoice. Ah! monsieur, why has it not been my good fortune to receive you in my house a few days sooner? I might perhaps have kept Rostain, or, to speak more truly, Rostain might perhaps have kept me; for I cannot conceal the fact, gentlemen hunters, that you are not in the good graces of the old chef, and I am not far from attributing his departure with whatever pretexts he may choose to color it, to the annoyance he feels at your complete indifference. Thinking it might be agreeable to him, I informed him, a few weeks ago, that our hunting-meetings were about to secure him a concourse of connoisseurs worthy of his talents."

"Monsiuer le Marquis will excuse me," replied Rostain with a melancholy smile, "if I do not share his illusions; in the first place, the hunter devours and does not eat; he brings to the table the stomach of a man just saved from shipwreck, iratum ventrem, as Horace says, and swallows up without choice and without reflection, gulæ parens, the most serious productions of an artist; in the second place, the violent exercise of the chase has developed in such guests an inordinate thirst, which they generally slake without moderation. Now, Monsieur le Marquis is not ignorant of the opinion of the ancients on the excessive use of wine during meals; it blunts the taste—ersurdant vina palatum! Nevertheless, Monsieur le Marquis may rest assured that I shall labor to please his guests with my usual conscientiousness, though with the painful certainty of not being understood."

After uttering these words, Rostain draped himself in his toga, cast to heaven the look of an unappreciated genius, and left my study.

"I would have thought," I said to the marquis, "that you would have spared no sacrifice to retain that great man."

"You judge me correctly, sir," replied Monsieur de Malouet; "but you'll see that he carried me to the very limits of impossibility. Precisely a week ago, Monsieur Rostain, having solicited a private audience, announced to me that he found himself under the painful necessity of leaving my service. 'Heavens! Monsieur Rostain to leave my service! And where do you expect to go?' 'To Paris.' 'What! to Paris! But you had shaken upon the great Babylon the dust of your sandals! The decadence of taste, the increasing development of the romantic cuisine! Such are your own words, Rostain!' He replied: 'Doubtless, Monsieur le Marquis; but provincial life has bitter trials which I had not foreseen!' I offered him fabulous wages; he refused. 'Come, my good fellow, what is the matter? Ah! I see, you don't like the scullery-maid; she disturbs your meditations by her vulgar songs; very well, consider her dismissed! That is not enough? Is it Antoine, then, who is objectionable? I'll discharge him! Is it the coachman? I'll send him away!' In short, I offered him, gentlemen, the whole household as a holocaust. But, at all these prodigious concessions, the old chef shook his head with indifference. But finally, I exclaimed, 'in the name of Heaven, Monsieur Rostain, do explain!' 'Mon Dieu! Monsieur le Marquis,' then said Jean Rostain, 'I must confess to you that it is impossible for me to live in a place where I find no one to play a game of billiards with me!' Ma foi! it was a little too much!" added the marquis, with a cheerful good-nature.

"I could not really offer to play billiards with him myself! I had to submit. I wrote at once to Paris, and last evening a young cook arrived, who wears a mustache and gave his name as Jacquemart (of Bordeaux). The classic Rostain, in a sublime impulse of artistic pride, volunteered to assist Monsieur Jacquemart (of Bordeaux) in his first effort, and that's how, gentlemen, I was able to-day to serve this great eclectic dinner, of which, I fear, we will alone, monsieur and myself, have appreciated the mysterious beauties."

Monsieur de Malouet rose from the table as he was concluding the story of Rostain's epic. After coffee, I followed the smokers into the garden. The evening was magnificent. The marquis led me away along the main avenue, the fine sand of which sparkled in the moonlight between the dense shadows of the tall chestnuts. While talking with apparent carelessness, he submitted me to a sort of examination upon a variety of subjects, as if to make sure that I was worthy of the interest he had so gratuitously manifested toward me up to this time. We were far from agreeing on all points; but, gifted both with sincerity and good-nature, we found almost as much pleasure in arguing as we did in agreeing. That epicurean is a thinker; his thought, always generously inclined, has assumed, in the solitude where it has developed itself, a peculiar and paradoxical turn. I wish I could give you an idea of it.

As we were returning to the chateau, we heard a great noise of voices and laughter, and we saw at the foot of the stoop some ten or twelve young men who were jumping and bounding, as if trying to reach, without the help of the steps, the platform that crowns the double staircase. We were enabled to understand the explanation of these passionate gymnastics as soon as the light of the moon enabled us to distinguish a white dress on the platform. It was evidently a tournament of which the white dress was to crown the victor. The young lady (had she not been young, they would not have jumped so high) was leaning over the balustrade, exposing boldly to the dew of an autumn night, and to the kisses of Diana, her flower-wreathed head and her bare shoulders; she was slightly stooping down, and held out to the competitors an object somewhat difficult to discern at a distance; it was a slender cigarette, the delicate handiwork of her white fingers and her rosy nails. Although there was nothing in the sight that was not charming, Monsieur de Malouet probably found in it something he did not like, for his tone of cheerful good-humor became suddenly shaded with a perceptible tint of annoyance, when he murmured:

"There it is again! I was sure of it! It is the Little Countess!"

It is hardly necessary for me to add that I had recognized, in the Little Countess, my Amazon with the blue plume, who, with or without plume, seems to have always the same disposition. She recognized me perfectly also, on her side, as you'll see directly. At the moment when we were reaching, Monsieur Malouet and myself, the top of the stoop, leaving the rival pretenders to vie and struggle with increasing ardor, the little countess, intimidated perhaps by the presence of the marquis, resolved to put an end to the scene, and thrust abruptly her cigarette into my hand, saying:

"Here! it's for you! After all, you jump better than any of them."

And she disappeared after this parting shaft, which possessed the double advantage of hitting at once both the victor and the vanquished.

This was, so far as I am concerned, the last noticeable episode of the evening. After a game or two of whist, I pretended a little fatigue, and Monsieur de Malouet had the kindness to escort me in person to a pretty little room, hung with chintz and contiguous to the library. I was disturbed during part of the night by the monotonous sound of the piano and the rumbling noise of the carriages, indications of civilization which made me regret more bitterly than ever my poor Thebais.