THREE SCENES IN THE TYROL
You are standing on a narrow, thread-like road, which has barely room to draw itself along between the rocky bank of the River Inn, and the base of a frowning buttress of the Solstein, which towers many hundred feet perpendicularly above you. You throw your head far back and look up; and there you have a vision of a plumed hunter, lofty and chivalrous in his bearing, who is bounding heedlessly on after a chamois to the very verge of a precipice. Mark!—he loses his footing—he rolls helplessly from rock to rock! There is a pause in his headlong course. What is it that arrests him? Ah! he puts forth his mighty strength, and clings, hand and foot, with the grip of despair, to a narrow ledge of rock, and there he hangs over the abyss! It is the Emperor Maximilian! The Abbot of Wiltau comes forth from his cell, sees an imperial destiny suspended between heaven and earth, and, crossing himself with awe, bids prayers be put up for the welfare of a passing soul.
Hark! there is a wild cry ringing through the upper air! Ha! Zyps of Zirl, thou hunted and hunting outlaw, art thou out upon the heights at this fearful moment? Watch the hardy mountaineer! He binds his crampons on his feet,—he is making his perilous way towards his failing Emperor;—now bounding like a hunted chamois; now creeping like an insect; now clinging like a root of ivy; now dropping like a squirrel:—he reaches the fainting monarch just as he relaxes his grasp on the jutting rock. Courage, Kaiser!—there is a hunter's hand for thee, a hunter's iron-shod foot to guide thee to safety. Look! They clamber up the face of the rock, on points and ledges where scarce the small hoof of the chamois might find a hold; and the peasant-folk still maintain that an angel came down to their master's rescue. We will, however, refer the marvellous escape to the interposing hand of a pitying Providence.
Zyps, the outlaw, becomes Count Hallooer von Hohenfeldsen—"Lord of the wild cry of the lofty rock;" and in the old pension-list of the proud house of Hapsburg may still be seen an entry to this effect: that sixteen florins were paid annually to one "Zyps of Zirl." As you look up from the base of the Martinswand, you may, with pains, distinguish a cross, which has been planted on the narrow ledge where the Emperor was rescued by the outlaw.
There is another vision, an imperial one also. The night is dark and wild. Gusty winds come howling down from the mountain passes, driving sheets of blinding rain before them, and whirling them round in hissing eddies. At intervals the clouds are rent asunder, and the moon takes a hurried look at the world below. What does she see? and what do we hear? for there are other sounds stirring besides the ravings of the tempest, in that wild cleft of the mountains, which guard Innsbruck, on the Carinthian side.
There is a hurried tramp of feet, a crowding and crushing up through the steep and narrow gorge, a mutter of suppressed voices, a fitful glancing of torches, which now flare up bravely enough, now wither in a moment before the derisive laugh of the storm. At the head of the melée there is a litter borne on the shoulders of a set of sure-footed hunters of the hills; and around this litter is clustered a moving constellation of lamps, which are anxiously shielded from the rude wrath of the tempest. A group of stately figures, wrapped in rich military cloaks, with helms glistening in the torch-light, and plumes streaming on the wind, struggle onward beside the litter.
And who is this reclining there, his teeth firmly set to imprison the stifled groan of physical anguish? He is but fifty-three years of age, but the lines of premature decay are ploughed deep along brow and cheek, while his yellow locks are silvered and crisped with care. Who can mistake that full, expansive forehead, that aquiline nose, that cold, stern blue eye, and that heavy, obstinate, Austrian underlip, for other than those of the mighty Emperor Charles V? And can this suffering invalid, flying from foes who are almost on the heels of his attendants, jolted over craggy passes in midnight darkness, buffeted by the tempest, and withered by the sneer of adverse fortune—can this be the Emperor of Germany, King of Spain, Lord of the Netherlands, of Naples, of Lombardy, and the proud chief of the golden Western World? Yes, Charles, thou art reading a stern lesson by that fitful torch-light; but thy strong will is yet unbent, and thy stern nature yet unsoftened.
And who is the swift "avenger of blood" who is following close as a sleuth-hound on thy track? It is Maurice of Saxony—a match for thee in boldness of daring, and in strength of will. But Charles wins the midnight race; and yet, instead of bowing before Him whose "long-suffering would lead to repentance," he ascribes his escape to the "star of Austria," ever in the ascendant, and mutters his favourite saying, "Myself, and the lucky moment."
One more scene: it is the year 1809. Bonaparte has decreed in the secret council chamber, where his own will is his sole adviser, that the Tyrol shall be cleared of its troublesome nest of warrior-hunters. Ten thousand French and Bavarian soldiers have penetrated as far as the Upper Innthal, and are boldly pushing on towards Prutz.
But the mountain-walls of this profound valley are closing gloomily together, as if they would forbid even the indignant river to force its wild way betwixt them. Is there a path through the frowning gorge other than that rocky way which is fiercely held by the current? Yes, there is a narrow road, painfully grooved by the hand of man out of the mountain side, now running along like a gallery, now dropping down to the brink of the stream. But the glittering array winds on. There is the heavy tread of the foot-soldiers, the trampling of horse, the dull rumble of the guns, the waving and flapping of the colours, and the angry remonstrance of the Inn. But all else is still as a midnight sleep, except, indeed, when the eagles of the crag, startled from their eyries, raise their shrill cry as they spread their living wings above the gilded eagles of France.
Suddenly a voice is heard far up amid the mists of the heights—not the eagle's cry this time—not the freak of a wayward echo—but human words, which say "Shall we begin?" Silence! It is a host that holds its breath and listens. Was it a spirit of the upper air parleying with its kind? If so, it has its answer countersigned across the dark gulf. "Noch nicht!"—"Not yet!" The whole invading army pause: there is a wavering and writhing in the glittering serpent-length of that mighty force which is helplessly uncoiled along the base of the mountain. But hark! the voice of the hills is heard again, and it says "Now!"
Now, then, descends the wild avalanche of destruction, and all is tumult, dismay, and death. The very crags of the mountain side, loosened in preparation, come bounding, thundering down. Trunks and roots of pine trees, gathering speed on their headlong way, are launched down upon the powerless foe, mingled with the deadly hail of the Tyrolese rifles. And this fearful storm descends along the whole line at once. No marvel that two-thirds of all that brilliant invading army are crushed to death along the grooved pathway, or are tumbled, horse and man, into the choked and swollen river.
Enough of horrors! Who would willingly linger on the hideous details of such a scene? Sorrowful that man should come, with his evil ambitions and his fierce revenges, to stain and to spoil such wonders of beauty as the hand of the Creator has here moulded. Sorrowful that man, in league with the serpent, should writhe into such scenes as these, and poison them with the virus of sin.
Richter
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
... Let her know her place;
She is the second, not the first,
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child.
Tennyson