THE KINDNESS OF FRAU WAGNER
“Did you find her the imperious old lady she is said to be?”
“Not at all. She welcomed me most heartily; and, when I told her that I had come to see if I could not sing there, she seemed much pleased. She treated me like a daughter, explained all that she was trying to do, and gave me a world of encouragement. Finally, I arranged to sing and create ‘Elsa’ after my own idea of it, during the season following the one then approaching.
“Meanwhile I came to New York to fulfill my contract for the season of 1894-1895. While doing that, I made a study of Wagner’s, and, indeed, of all German music; and, when the season was over, went back and sang it.”
Madame Nordica has found her work very exacting. For it she has needed a good physique; her manner of study sometimes calling for an extraordinary mental strain:—
“I remember once, during my season under Augustus Harris, that he gave a garden party, one Sunday, to which several of his company were invited,—myself included. When the afternoon was well along, he came to me and said: ‘Did you ever sing “Valencia” in “The Huguenots?”’ I told him I had not.
“‘Do you think you could learn the music and sing it by next Saturday night?’
“I felt a little appalled at the question, but ventured to say that I could. I knew that hard work would do it.
“‘Then do,’ he replied; ‘for I must have you sing it.’
“The De Reszkes, Jean and Edouard, were near at the time, and offered to assist me. ‘Try it,’ they said, and so I agreed. We began rehearsals, almost without study, the very next day, both the De Reszkes prompting me, and by Friday they had me letter-perfect and ready to go on. Since the time seemed so peculiarly short, they feared for me, and, during the performance, stationed themselves, one in either wing, to reassure me. Whenever I approached near to either side of the stage, it was always to hear their repeated ‘Be calm!’ whispered so loud that the audience could almost hear it. Yet I sang easily, never thinking of failure.”