Index of Names and Matters

Accompagnato—style, [95]
Adam, L., [160], [186], [192]
Agricola, M., 43 (see [Erratum])
Alkan, [317]
Ansorge, [301]
Arcadelt, [8 note]
Aria, [72]
Arne, T. A., [38]
Aston, [27]
Attaignant, [42]
Baake, [191]
Bach, Friedemann, [138]
Bach, John Christian, [94], [148], [159]
Bach, John Sebastian, [91] ff.
Life, [93]
His contrapuntal method, [94]
Accompagnato, [95]
Style of work, [96]
Construction of his pieces, [96]
Technique, [116]
Clavier method, [118]
Bach and the Hammer-clavier, [122]
Original editions of, [102]
Toccatas, [98]
Symphonies and Inventions, [97]
Fugues, [100]
“Art of Fugue,” [103]
Wohltemperiertes Klavier, [102], [112], [113], [116], [119]
Chromatic Fantasia, [103]
Other Fantasias, [109], [110]
Partitas, [104]
English Suites, [106]
Overture in French Style, [120]
Italian Concerto, [109]
Preludes, [112]
Programme-music, [114]
Goldberg Variations, [117]
Other mentions, [148], [163], [326]
Bach, Philip Emanuel, [128] ff.
Life, [138]
The “Versuch,” [139]
“Manieren,” [140]
Harmonies, [144]
Melody, [144]
Works, [143]
Amalia-sonatas, [145]
Barth, [306]
“Bebung,” [20], [119]
Bechstein, [310]
Beethoven, [157] ff.
Reformer, [158]
Tragedy in Music of, [169]
Concertos, [170]
Scherzi, [169]
Forms, [171]
Style of playing, [183]
Sonatas in detail, [175] ff.
Bembo, Pietro, [77]
Benedict, [191]
Bennett, Sterndale, [268]
Berger, Ludwig, [184], [191], [193]
Berger, Wilhelm, [323]
Bertini, [205]
Besardus, [12]
Bird, William, [27]-31
Carman’s Whistle, [31]
Bischoff, [307], [316]
Blow, John, [38]
Blüthner, [310]
Böhner, [245]
Bösendorfer, [310]
Bononcini, [74]
Borodin, [320]
Borwick, [300]
Brahms, [322]
Brendel, Franz, [322]
Breslaur, [304]
Broadwood, [133], [169]
Bülow, Hans von, [296]
Bull, John, [32], [34], [36], [71 note]
King’s Hunt, [35]
Busoni, [301]
Buxtehude, [92]
Caccini, [75]
Carissimi, [78]
Carreño, Madame, [303]
Cavalieri, [77]
Cavalli, [75]
Chabrier, [319]
Chambonnières, [52]
Chaminade, Cécile, [319]
Chopin, [256] ff.
Etudes, [203], [263]
Chopin and Hummel, [261]
Life, [258]
Works, [262]
Playing, [257]
Clavichord, the, [19], [20], [89], [91], [124]
Clavicymbal, [23], [81]
Clauss-Savardy, [293]
Clementi, [190], [208]
Group of his followers, [191], [193]
Collard, [193]
Compass of clavier, etc., [19]-22, [24], [211]
Concertos, [109], [151], [170], [319], etc.
Contests, musical, [91], [161], [163]
Corelli, [78], [82]
Counterpoint, [9], [79], [84], [85]
Couperin, François, [53] ff.
Content of his pieces, [56]
Forms, [55]
L’art de toucher le clavécin, [63], [64]
Couperin, Louise, [59]
Couplet in Rondo, [55], [147] note
Cramer, [194], [210]
Cristofori, [121], [122], [133]
Cui, [320]
Czerny, [190], [216]
Da Capo, [84]
D’Agoult, [276]
D’Albert, Eugene, [307], [324]
Dance
Old English, [18]
First instrumental dances, [15], [42]
French danseuses, [43] ff.
Oldest books of dances, [52]
Old dance forms, [55]
Allemand, etc.
Dandrieu, [49], [65]
D’Anglebert, [40], [65]
Dawson, [300]
Diémer, [302], [309]
D’Indy, Vincent, [319]
Diruta, [24], [80]
Döhler, [291], [293]
Donizetti, [202]
Dorn, H., [191]
Dreyschock, [293]
Dubois, [319]
Dumont, [65]
Dupont, [306]
Durante, [89]
Dussek, [159], [163] ff.
Duysen, [310]
Eberl, [183], [190]
Eckard, Joh., [48]
Eckard (Paris), [160]
Elizabeth, Queen, [3], [4]
Elsner, [265]
English Music, [6], [14], [16], [27]-39, [38 note], [82 note]
English relations to French music, [15], [41]
Erard, [133]
Ertmann, Baroness, [160]
Essipoff, Madame, [293]
Étude, [203] ff.
Fantasia, Old English, [16], [82 note], [101 note]
Fantasia, Italian, [80]
Fantasia, free, [145] F. senza tempo, [143]
Farnaby, [37]
Farrenc, [52]
Fauré, [319]
Field, [159], [193], [265]
Fingering, in old times, [26], [81], [116]
Fischer, [303]
Fleischer, Oskar, [41]
Fortbien, [133]
Franck, C., [319]
French Characteristic Pieces, [132], [148]
Frescobaldi, [73], [79], [80], [92]
Freund, [306]
Friederici, [133]
Friedheim, [301]
Froberger, [92]
Gabrieli, [15], [26], [79], [92]
Gabrilowitsch, [301]
Gade, [321]
Galilei, Vincenzio, [77]
Gallot, [51]
Galuppi, [89]
Gasparini, [70]
Gaultier, [41], [50]
Gelinek, [161], [183]
General Bass (see Thorough Bass), [284]
Germer, [307]
Gibbons, [7], [16], [37]
Glasounow, [320]
Gorlier, [15]
Graf Pianos, [182]
Gravicymbel, [133]
Greulich, [191]
Grieg, [321]
Guicciardi, Julia, [160]
Hackebrett (dulcimer), [121]
Handel, [74], [138]
Hässler, [159]
Hammer-klavier, [121], [312]
Harpsichord, [22], [24], [78 note]
Hartvigson, [300]
Hasler, [92]
Hasse, [14]
Hausmann, [309]
Haydn, [149], [159]
Hebenstreit, [121], [122]
Heller, Stephen, [318], [319]
Henselt, [318]
Herz, [201]
Heymann, [301]
Hiller, Ferdinand, [191], [317]
Hofmann, Jos., [301]
Hüllmandel, [192]
Hummel, [190], [193], [211], [212] ff.
Hünten, [201]
Hurdy-gurdy, [21]
Ibach, [310]
Improvisation, [161], [162] (Mozart), [198]
In Bach’s time, [130]
In 1800, [161], [198], [211]
Irmler, [310]
Isaac, [92]
Italian Forms, [78]-80
Chamber Music, [78]
Jadin, [192]
Jaell, [293]
Janko, [308]
Jannequin, [48], [49], [50], [61]
Jedliczka, [306]
Jensen, Adolf, [322]
Joseffy, [306]
Judenkunig, [11]
Kalkbrenner, [190], [192], [198], [218]
Kaps, [310]
Karr, [201]
“Kenner und Liebhaber,” [143]
Keyboard, [24 note]
Kienzl, [323], [324]
Kirchner, [318]
Kirnberger, [131]
Kittl, [191]
Kjerulf, [322]
Klauwell, [304]
Klavier (see Pianoforte), [18], [21], [23], [121]
“Klavierlehrer,” paper, [305]
Kleeberg, [293]
Klengel, [193]
Klindworth, [306]
Knabe, [310]
Koch, [315]
Köhler, [189]
Kontski, [190], [201]
Kozeluch, [190], [210]
Krebs, [145]
Kuhnau, [92]
“Quacksalver,” [129]
“Biblical Stories,” [119]
Kullak, Ad., [306]
Kullak, Franz, [306]
Kullak, Th., [191], [304], [306]
Lacombe, [319]
Lasso, Orlando, [26], [37]
Le Begue, [65]
Lebert, [306]
Leschetizki, [308]
Liadoff, [320]
Lipawsky, [161]
Liszt, [193], [264], [271], [287] ff.
Locatelli, [82]
Loeilly, [65]
Löschhorn, [191]
Logier, [190]
Louis Ferdinand, Prince, [164]
Lully, [44]
Lütschg, [301]
Lute in Middle Ages, [11], [77]
Madrigal, [8], [15], [37 note]
Marcello, [76]
Marchand, [91]
Marius, [122]
Marpurg, [130]
M’Dowell, [322]
Mela, Domenico des, [314]
Mendelssohn, [152], [198], [249] ff., [250 note]
Menter, Sophie, [293]
Merulo, [79] and [note]
Meyerbeer, [194]
Monochord, [19], [42 note], [77]
Monteverde, [79]
Moore, Graham, [322]
Morley, Thomas, [37]
Mortier de Fontaine, [293]
Moscheles 152, [196], [198], [221]
Moskowski, [306], [325] f.
Mozart, [151]
Mozart and the piano, [135]
Clavier concerts, [151]
Sonatas, [153] ff.
Miscellaneous, [161]
Müller, A. E., [190]
Mulliner Book, [27]
Munday, John, [36], [93]
Mussorgsky, [320]
Naprawnik, [320]
Neitzel, [316]
Octave, “short”, [24 note]
Opera, Italian, [13], [74] ff.
Operatic Fantasias, [200]
Organ, in Middle Ages, [10] ff.
Ornamentations, [12], [20], [34], [41], [57] and [note], [83] and [note]
In Bull and Byrd, [29]
Couperin, [57]
Bach, [108]
P. E. Bach, [140] ff.
End of 18th cent., [150]
Oury, Madame, [191]
Pachelbel, [92]
Pachmann, [301]
Paderewski, [301], [324]
Paganini, [207], [282]
Pape, [133]
Paradies, [89]
“Parthenia” (also see Addendum, [p. 328]), [16]
Pasquini, [70], [81]
Pauer, Ernst, [191]
Paul, Oskar, [18]
Pedal, [136], [188], ([156, picture])
With Dussek, [164]
Adam, [186]
Hummel, [186]
Pedal Clavier, [120]
Penna, Lorenzo, [24]
Peri, [75], [79]
Periodicals, musical, [131]
Phillipps, Peter, [37] and [note]
Pianoforte
Modern factories, [309] ff.
History of the instrument, [121], [122], [136]
Viennese and English mechanism, [134], [136], [190]
Socially, [134], [303]
As furniture, [313] f.
Pianos de luxe, [315]
Piano and Opera, [201], [326]
Piano and Orchestra, [150], [199]
Prices of pianos, [135], [137], [316]
Piano instruction, [190], [304]
Conservatoriums, [305]
Hammerclavier, invention of, [121]
“Cottage” Piano, [314] ([156], [312], [313], pictures)
Pièce Croisée, [58], [61]
Pixis, [187], [191]
Plaidy, [189], [306]
Planté, [301]
Pleyel, [133], [159]
Pleyel, Madame, [191]
Pollini, [191]
Porpora, [89]
Pradher, [192]
Programme-Music, old, [49], [92], [93], [132]
Proksch, [191]
Prosniz, [28], [328]
Purcell, [82 note]
Raff, [323]
Raif, [306]
Rameau, [65], [66], [86], [92]
Reading, the Monk of, [15]
Rebel, [45]
Registers or “stops” of Clavier, [23]
Reincke, [92]
Reisenauer, [301]
Repetition, principle of, [72]
Rheinberger, [323]
Richardson, Ferdinand, [37]
Riemann, [307]
Ries, [191]
Rimsky-Korsakoff, [320]
Risler, [190], [301]
Romantic School, [224]
Rondo, Old French, [147 note]
In Philip Emm. Bach, [147]
In Beethoven, [174]
Rondo and Sonata, [145]
Rosellen, [201]
Rosenhain, [293]
Rosenthal, [301]
Rossi, Michael Angelo, [82]
Rubinstein, Anton, [294] ff.
Rubinstein, Nicolas, [300]
Ruckers, [23], [137], [314]
Rudolf, Archduke, [191]
Rudorff, [306]
Rust, F. W., [163]
Saint-Saëns, [319]
Sand, George, [260]
Sauer, [301]
Scarlatti, Alessandro, [76], [88]
Scarlatti, Domenico, [69] ff.
Sonatas, [86]
Technique, [88], [89]
Cat’s Fugue, [89]
Scharwenka, Xaver and Philip, [306], [324]
Schiedmayer, [310]
Schmitt, Aloys, [191], [192]
Schobert, [160]
Scholz, Bernhard, [306]
Schröter, [122]
Schubert, [225]
Miscellaneous, [226]
“Wanderer” Fantasia, [226]
Op. 78, [227]
Impromptus and “Moments,” [228], [229]
Schulhoff, [191]
Schumann, [231]
Schumann and Schubert, [229] ff.
Jean Paul, [232]
Bach, [243]
E. T. A. Hoffmann, [245]
Life, [236]
Clara, [236], [237]
“Zeitschrift,” [238]
Works, [231] ff., [238] ff.
Miscellaneous, [249]
Schwarz, Max, [306]
Schytte, [322], [326]
Senfl, [92]
Shakespeare and Music, [5], [6], [7]
Silbermann, [122], [134], [137]
Siloti, [301]
Sinding, [322]
Sonata
Sonata “da camera” and “da chiesa,” [78 note], [84]
Old Italian, [86]
Scarlatti, [86] and [note]
Kuhnau, [92]
Sonata and Suite, [107]
18th century, [110]
Sonata and Rondo, [145]
Philip Emm. Bach, [143] ff.
Haydn, [150]
Mozart, [153]
Beethoven, [170] ff.
Spath, [135]
Spinet, [6], [24], [90]
Spitta, [102], [116]
Starck, [306]
Stavenhagen, [301]
Steibelt, [162]
Stein, [137]
Steinway, [310]
Stenhammer, [322]
Sterkel, [210]
Strauss, Richard, [323]
Streicher, [134]
Streicher, Nanette, [160]
Sucher, [303]
Suite, (see Dance) [106], etc., and see [Addendum]
Suspensions in Couperin, [57]
Sweelinck, virginal pieces, [26], [37]
Swietens, Van, [163]
Szalit, Paula, [301]
Tadema, Alma, [315]
Tallis, [27], [32]
Taubert, [191]
Tausig, [300], [306]
Technique, (see under), [187]-190, [209]
Couperin, [64]
Ph. Emm. Bach, [143]
Fingering, [116]
Keyboard, etc., [24], [26]
Tedesco, [191]
Temperament, equal and unequal, [101 note], [102]
Thalberg, [197]
Thilo, [307]
Thoroughbass, [78], [79]
Thumb, technique of, [139] ff.
Tielmann, Sufato, [48]
Tinctoris, [14]
Tischer, [128]
Titles of drawing-room pieces, [59], [200]
Titles (allegorical, etc.) of old pieces, [42], [51], [59] ff.
Tomaschek, [191]
Tschaïkowski, [319]
Türk, D. G., [185]
Turini, the elder, [86]
Turini, the younger, [89]
Variations, Old English, [33], etc.
Venetian instrumental music, [13], [26]
Viadana, [78]
Viennese musical life, [160]
Villoing, [190] (line 8; omitted)
Vinci, L., [76]
Virdung, [20]
Virgil, [307]
Virginal, [6], [18], [81]
Virginal Books, [15], [16], [27], [28]
Virtuoso and Teacher, [64], [192], [305]
Life of, [193].
Virtuosos playing together, [198]
Virtuosos and Concerts, [299]
Vivaldi, [82]
Volkmann, [318]
Volkslied in Masses and Motets, [8]
Vollweiler, [191]
Wagner (instruments), [137]
Wallace, [299]
Wanhal-Vanhall, [190]
Weber, Dionysius, [191]
Weber, C. M., [206], [218]
Weitzmann, [28], [328]
Wendling, [309]
Westermayer, [310]
Widor, [319]
Willaert, [79]
Wilmers, [191]
Wölffl, [161], [183], [190]
Wolfsohn, [300]
Wüllner, [306]
Zimmermann, [317]
Zumpe, [133]