PostscriptList of Full-page EngravingsIndex of Names and Matters
- Accompagnato—style, [95]
- Adam, L., [160], [186], [192]
- Agricola, M., 43 (see [Erratum])
- Alkan, [317]
- Ansorge, [301]
- Arcadelt, [8 note]
- Aria, [72]
- Arne, T. A., [38]
- Aston, [27]
- Attaignant, [42]
- Baake, [191]
- Bach, Friedemann, [138]
- Bach, John Christian, [94], [148], [159]
- Bach, John Sebastian, [91] ff.
- Life, [93]
- His contrapuntal method, [94]
- Accompagnato, [95]
- Style of work, [96]
- Construction of his pieces, [96]
- Technique, [116]
- Clavier method, [118]
- Bach and the Hammer-clavier, [122]
- Original editions of, [102]
- Toccatas, [98]
- Symphonies and Inventions, [97]
- Fugues, [100]
- “Art of Fugue,” [103]
- Wohltemperiertes Klavier, [102], [112], [113], [116], [119]
- Chromatic Fantasia, [103]
- Other Fantasias, [109], [110]
- Partitas, [104]
- English Suites, [106]
- Overture in French Style, [120]
- Italian Concerto, [109]
- Preludes, [112]
- Programme-music, [114]
- Goldberg Variations, [117]
- Other mentions, [148], [163], [326]
- Bach, Philip Emanuel, [128] ff.
- Life, [138]
- The “Versuch,” [139]
- “Manieren,” [140]
- Harmonies, [144]
- Melody, [144]
- Works, [143]
- Amalia-sonatas, [145]
- Barth, [306]
- “Bebung,” [20], [119]
- Bechstein, [310]
- Beethoven, [157] ff.
- Reformer, [158]
- Tragedy in Music of, [169]
- Concertos, [170]
- Scherzi, [169]
- Forms, [171]
- Style of playing, [183]
- Sonatas in detail, [175] ff.
- Bembo, Pietro, [77]
- Benedict, [191]
- Bennett, Sterndale, [268]
- Berger, Ludwig, [184], [191], [193]
- Berger, Wilhelm, [323]
- Bertini, [205]
- Besardus, [12]
- Bird, William, [27]-31
- Carman’s Whistle, [31]
- Bischoff, [307], [316]
- Blow, John, [38]
- Blüthner, [310]
- Böhner, [245]
- Bösendorfer, [310]
- Bononcini, [74]
- Borodin, [320]
- Borwick, [300]
- Brahms, [322]
- Brendel, Franz, [322]
- Breslaur, [304]
- Broadwood, [133], [169]
- Bülow, Hans von, [296]
- Bull, John, [32], [34], [36], [71 note]
- King’s Hunt, [35]
- Busoni, [301]
- Buxtehude, [92]
- Caccini, [75]
- Carissimi, [78]
- Carreño, Madame, [303]
- Cavalieri, [77]
- Cavalli, [75]
- Chabrier, [319]
- Chambonnières, [52]
- Chaminade, Cécile, [319]
- Chopin, [256] ff.
- Etudes, [203], [263]
- Chopin and Hummel, [261]
- Life, [258]
- Works, [262]
- Playing, [257]
- Clavichord, the, [19], [20], [89], [91], [124]
- Clavicymbal, [23], [81]
- Clauss-Savardy, [293]
- Clementi, [190], [208]
- Group of his followers, [191], [193]
- Collard, [193]
- Compass of clavier, etc., [19]-22, [24], [211]
- Concertos, [109], [151], [170], [319], etc.
- Contests, musical, [91], [161], [163]
- Corelli, [78], [82]
- Counterpoint, [9], [79], [84], [85]
- Couperin, François, [53] ff.
- Content of his pieces, [56]
- Forms, [55]
- L’art de toucher le clavécin, [63], [64]
- Couperin, Louise, [59]
- Couplet in Rondo, [55], [147] note
- Cramer, [194], [210]
- Cristofori, [121], [122], [133]
- Cui, [320]
- Czerny, [190], [216]
- Da Capo, [84]
- D’Agoult, [276]
- D’Albert, Eugene, [307], [324]
- Dance
- Old English, [18]
- First instrumental dances, [15], [42]
- French danseuses, [43] ff.
- Oldest books of dances, [52]
- Old dance forms, [55]
- Allemand, etc.
- Dandrieu, [49], [65]
- D’Anglebert, [40], [65]
- Dawson, [300]
- Diémer, [302], [309]
- D’Indy, Vincent, [319]
- Diruta, [24], [80]
- Döhler, [291], [293]
- Donizetti, [202]
- Dorn, H., [191]
- Dreyschock, [293]
- Dubois, [319]
- Dumont, [65]
- Dupont, [306]
- Durante, [89]
- Dussek, [159], [163] ff.
- Duysen, [310]
- Eberl, [183], [190]
- Eckard, Joh., [48]
- Eckard (Paris), [160]
- Elizabeth, Queen, [3], [4]
- Elsner, [265]
- English Music, [6], [14], [16], [27]-39, [38 note], [82 note]
- English relations to French music, [15], [41]
- Erard, [133]
- Ertmann, Baroness, [160]
- Essipoff, Madame, [293]
- Étude, [203] ff.
- Fantasia, Old English, [16], [82 note], [101 note]
- Fantasia, Italian, [80]
- Fantasia, free, [145] F. senza tempo, [143]
- Farnaby, [37]
- Farrenc, [52]
- Fauré, [319]
- Field, [159], [193], [265]
- Fingering, in old times, [26], [81], [116]
- Fischer, [303]
- Fleischer, Oskar, [41]
- Fortbien, [133]
- Franck, C., [319]
- French Characteristic Pieces, [132], [148]
- Frescobaldi, [73], [79], [80], [92]
- Freund, [306]
- Friederici, [133]
- Friedheim, [301]
- Froberger, [92]
- Gabrieli, [15], [26], [79], [92]
- Gabrilowitsch, [301]
- Gade, [321]
- Galilei, Vincenzio, [77]
- Gallot, [51]
- Galuppi, [89]
- Gasparini, [70]
- Gaultier, [41], [50]
- Gelinek, [161], [183]
- General Bass (see Thorough Bass), [284]
- Germer, [307]
- Gibbons, [7], [16], [37]
- Glasounow, [320]
- Gorlier, [15]
- Graf Pianos, [182]
- Gravicymbel, [133]
- Greulich, [191]
- Grieg, [321]
- Guicciardi, Julia, [160]
- Hackebrett (dulcimer), [121]
- Handel, [74], [138]
- Hässler, [159]
- Hammer-klavier, [121], [312]
- Harpsichord, [22], [24], [78 note]
- Hartvigson, [300]
- Hasler, [92]
- Hasse, [14]
- Hausmann, [309]
- Haydn, [149], [159]
- Hebenstreit, [121], [122]
- Heller, Stephen, [318], [319]
- Henselt, [318]
- Herz, [201]
- Heymann, [301]
- Hiller, Ferdinand, [191], [317]
- Hofmann, Jos., [301]
- Hüllmandel, [192]
- Hummel, [190], [193], [211], [212] ff.
- Hünten, [201]
- Hurdy-gurdy, [21]
- Ibach, [310]
- Improvisation, [161], [162] (Mozart), [198]
- In Bach’s time, [130]
- In 1800, [161], [198], [211]
- Irmler, [310]
- Isaac, [92]
- Italian Forms, [78]-80
- Chamber Music, [78]
- Jadin, [192]
- Jaell, [293]
- Janko, [308]
- Jannequin, [48], [49], [50], [61]
- Jedliczka, [306]
- Jensen, Adolf, [322]
- Joseffy, [306]
- Judenkunig, [11]
- Kalkbrenner, [190], [192], [198], [218]
- Kaps, [310]
- Karr, [201]
- “Kenner und Liebhaber,” [143]
- Keyboard, [24 note]
- Kienzl, [323], [324]
- Kirchner, [318]
- Kirnberger, [131]
- Kittl, [191]
- Kjerulf, [322]
- Klauwell, [304]
- Klavier (see Pianoforte), [18], [21], [23], [121]
- “Klavierlehrer,” paper, [305]
- Kleeberg, [293]
- Klengel, [193]
- Klindworth, [306]
- Knabe, [310]
- Koch, [315]
- Köhler, [189]
- Kontski, [190], [201]
- Kozeluch, [190], [210]
- Krebs, [145]
- Kuhnau, [92]
- “Quacksalver,” [129]
- “Biblical Stories,” [119]
- Kullak, Ad., [306]
- Kullak, Franz, [306]
- Kullak, Th., [191], [304], [306]
- Lacombe, [319]
- Lasso, Orlando, [26], [37]
- Le Begue, [65]
- Lebert, [306]
- Leschetizki, [308]
- Liadoff, [320]
- Lipawsky, [161]
- Liszt, [193], [264], [271], [287] ff.
- Locatelli, [82]
- Loeilly, [65]
- Löschhorn, [191]
- Logier, [190]
- Louis Ferdinand, Prince, [164]
- Lully, [44]
- Lütschg, [301]
- Lute in Middle Ages, [11], [77]
- Madrigal, [8], [15], [37 note]
- Marcello, [76]
- Marchand, [91]
- Marius, [122]
- Marpurg, [130]
- M’Dowell, [322]
- Mela, Domenico des, [314]
- Mendelssohn, [152], [198], [249] ff., [250 note]
- Menter, Sophie, [293]
- Merulo, [79] and [note]
- Meyerbeer, [194]
- Monochord, [19], [42 note], [77]
- Monteverde, [79]
- Moore, Graham, [322]
- Morley, Thomas, [37]
- Mortier de Fontaine, [293]
- Moscheles 152, [196], [198], [221]
- Moskowski, [306], [325] f.
- Mozart, [151]
- Mozart and the piano, [135]
- Clavier concerts, [151]
- Sonatas, [153] ff.
- Miscellaneous, [161]
- Müller, A. E., [190]
- Mulliner Book, [27]
- Munday, John, [36], [93]
- Mussorgsky, [320]
- Naprawnik, [320]
- Neitzel, [316]
- Octave, “short”, [24 note]
- Opera, Italian, [13], [74] ff.
- Operatic Fantasias, [200]
- Organ, in Middle Ages, [10] ff.
- Ornamentations, [12], [20], [34], [41], [57] and [note], [83] and [note]
- In Bull and Byrd, [29]
- Couperin, [57]
- Bach, [108]
- P. E. Bach, [140] ff.
- End of 18th cent., [150]
- Oury, Madame, [191]
- Pachelbel, [92]
- Pachmann, [301]
- Paderewski, [301], [324]
- Paganini, [207], [282]
- Pape, [133]
- Paradies, [89]
- “Parthenia” (also see Addendum, [p. 328]), [16]
- Pasquini, [70], [81]
- Pauer, Ernst, [191]
- Paul, Oskar, [18]
- Pedal, [136], [188], ([156, picture])
- With Dussek, [164]
- Adam, [186]
- Hummel, [186]
- Pedal Clavier, [120]
- Penna, Lorenzo, [24]
- Peri, [75], [79]
- Periodicals, musical, [131]
- Phillipps, Peter, [37] and [note]
- Pianoforte
- Modern factories, [309] ff.
- History of the instrument, [121], [122], [136]
- Viennese and English mechanism, [134], [136], [190]
- Socially, [134], [303]
- As furniture, [313] f.
- Pianos de luxe, [315]
- Piano and Opera, [201], [326]
- Piano and Orchestra, [150], [199]
- Prices of pianos, [135], [137], [316]
- Piano instruction, [190], [304]
- Conservatoriums, [305]
- Hammerclavier, invention of, [121]
- “Cottage” Piano, [314] ([156], [312], [313], pictures)
- Pièce Croisée, [58], [61]
- Pixis, [187], [191]
- Plaidy, [189], [306]
- Planté, [301]
- Pleyel, [133], [159]
- Pleyel, Madame, [191]
- Pollini, [191]
- Porpora, [89]
- Pradher, [192]
- Programme-Music, old, [49], [92], [93], [132]
- Proksch, [191]
- Prosniz, [28], [328]
- Purcell, [82 note]
- Raff, [323]
- Raif, [306]
- Rameau, [65], [66], [86], [92]
- Reading, the Monk of, [15]
- Rebel, [45]
- Registers or “stops” of Clavier, [23]
- Reincke, [92]
- Reisenauer, [301]
- Repetition, principle of, [72]
- Rheinberger, [323]
- Richardson, Ferdinand, [37]
- Riemann, [307]
- Ries, [191]
- Rimsky-Korsakoff, [320]
- Risler, [190], [301]
- Romantic School, [224]
- Rondo, Old French, [147 note]
- In Philip Emm. Bach, [147]
- In Beethoven, [174]
- Rondo and Sonata, [145]
- Rosellen, [201]
- Rosenhain, [293]
- Rosenthal, [301]
- Rossi, Michael Angelo, [82]
- Rubinstein, Anton, [294] ff.
- Rubinstein, Nicolas, [300]
- Ruckers, [23], [137], [314]
- Rudolf, Archduke, [191]
- Rudorff, [306]
- Rust, F. W., [163]
- Saint-Saëns, [319]
- Sand, George, [260]
- Sauer, [301]
- Scarlatti, Alessandro, [76], [88]
- Scarlatti, Domenico, [69] ff.
- Sonatas, [86]
- Technique, [88], [89]
- Cat’s Fugue, [89]
- Scharwenka, Xaver and Philip, [306], [324]
- Schiedmayer, [310]
- Schmitt, Aloys, [191], [192]
- Schobert, [160]
- Scholz, Bernhard, [306]
- Schröter, [122]
- Schubert, [225]
- Miscellaneous, [226]
- “Wanderer” Fantasia, [226]
- Op. 78, [227]
- Impromptus and “Moments,” [228], [229]
- Schulhoff, [191]
- Schumann, [231]
- Schumann and Schubert, [229] ff.
- Jean Paul, [232]
- Bach, [243]
- E. T. A. Hoffmann, [245]
- Life, [236]
- Clara, [236], [237]
- “Zeitschrift,” [238]
- Works, [231] ff., [238] ff.
- Miscellaneous, [249]
- Schwarz, Max, [306]
- Schytte, [322], [326]
- Senfl, [92]
- Shakespeare and Music, [5], [6], [7]
- Silbermann, [122], [134], [137]
- Siloti, [301]
- Sinding, [322]
- Sonata
- Sonata “da camera” and “da chiesa,” [78 note], [84]
- Old Italian, [86]
- Scarlatti, [86] and [note]
- Kuhnau, [92]
- Sonata and Suite, [107]
- 18th century, [110]
- Sonata and Rondo, [145]
- Philip Emm. Bach, [143] ff.
- Haydn, [150]
- Mozart, [153]
- Beethoven, [170] ff.
- Spath, [135]
- Spinet, [6], [24], [90]
- Spitta, [102], [116]
- Starck, [306]
- Stavenhagen, [301]
- Steibelt, [162]
- Stein, [137]
- Steinway, [310]
- Stenhammer, [322]
- Sterkel, [210]
- Strauss, Richard, [323]
- Streicher, [134]
- Streicher, Nanette, [160]
- Sucher, [303]
- Suite, (see Dance) [106], etc., and see [Addendum]
- Suspensions in Couperin, [57]
- Sweelinck, virginal pieces, [26], [37]
- Swietens, Van, [163]
- Szalit, Paula, [301]
- Tadema, Alma, [315]
- Tallis, [27], [32]
- Taubert, [191]
- Tausig, [300], [306]
- Technique, (see under), [187]-190, [209]
- Couperin, [64]
- Ph. Emm. Bach, [143]
- Fingering, [116]
- Keyboard, etc., [24], [26]
- Tedesco, [191]
- Temperament, equal and unequal, [101 note], [102]
- Thalberg, [197]
- Thilo, [307]
- Thoroughbass, [78], [79]
- Thumb, technique of, [139] ff.
- Tielmann, Sufato, [48]
- Tinctoris, [14]
- Tischer, [128]
- Titles of drawing-room pieces, [59], [200]
- Titles (allegorical, etc.) of old pieces, [42], [51], [59] ff.
- Tomaschek, [191]
- Tschaïkowski, [319]
- Türk, D. G., [185]
- Turini, the elder, [86]
- Turini, the younger, [89]
- Variations, Old English, [33], etc.
- Venetian instrumental music, [13], [26]
- Viadana, [78]
- Viennese musical life, [160]
- Villoing, [190] (line 8; omitted)
- Vinci, L., [76]
- Virdung, [20]
- Virgil, [307]
- Virginal, [6], [18], [81]
- Virginal Books, [15], [16], [27], [28]
- Virtuoso and Teacher, [64], [192], [305]
- Life of, [193].
- Virtuosos playing together, [198]
- Virtuosos and Concerts, [299]
- Vivaldi, [82]
- Volkmann, [318]
- Volkslied in Masses and Motets, [8]
- Vollweiler, [191]
- Wagner (instruments), [137]
- Wallace, [299]
- Wanhal-Vanhall, [190]
- Weber, Dionysius, [191]
- Weber, C. M., [206], [218]
- Weitzmann, [28], [328]
- Wendling, [309]
- Westermayer, [310]
- Widor, [319]
- Willaert, [79]
- Wilmers, [191]
- Wölffl, [161], [183], [190]
- Wolfsohn, [300]
- Wüllner, [306]
- Zimmermann, [317]
- Zumpe, [133]