CHAPTER XIII.

Holding the delicate little figure clasped close to her breast, Julie had hurriedly carried the child down the stairs. She felt as if she were in an intoxication of indignation, contempt, defiance, and triumph; her lips, which touched the child's locks, trembled, and her heart beat so that she could hardly draw her breath. It was not until she had reached the lower hall, and saw the eyes of the hotel people fixed upon her, that she recovered her composure again, and letting little Frances slide down on her feet she fastened on her hat and cloak for her. The child had not spoken a word thus far. But now, when she saw the traveling carriage standing packed and ready before the door, she clung tight to Julie again, begging in a low voice that they should hurry away. She seemed to fear that they would stop her even now, and drive off with her in the carriage. Julie quieted her, ordered a drosky to be called, and told the driver to drive home.

They sat nestled close up to one another, and were silent. Once only the child turned to her protectress and asked:

"Will she travel off without me now?"

"Don't think any more about it," Julie answered, kissing her on the forehead. "You are with me now. Are you happy?"

The child nodded and stroked Julie's hand. But one could see from her eyes that her thoughts were still busy with what had passed.

When they reached home Julie found a note, which Fridolin had brought, containing a few lines from Jansen, written in pencil. He hoped he should be able to see her before the day was over, and she mustn't feel any anxiety about him. This made her very happy. She decided to let him find his child with her, particularly as the weather was raw and it did not seem advisable to put Frances, who was feverish from weeping, into a damp drosky again. So she sent old Erich to the foster-mother, with a note in which she asked permission to keep the little one with her overnight. She wanted to do this, she said, in order to surprise the father; and having dispatched the letter she enjoyed herself playing with the child, whose affections she now felt as if she had thoroughly won and deserved. She made a cup of chocolate, and looked on while it eagerly drank it; for it had not touched the sweetmeats Lucie had given it.

She acknowledged such an evident interposition of friendly powers in all that she had just passed through, and the good gods seemed to have taken the part of her love and hopes so earnestly, that she had no doubt but what the remaining difficulties would be also satisfactorily solved.

In this opinion she was shaken, though only for a moment, by the news Frances's foster-mother brought. That good woman was still full of the fright that had been caused by the supposed abduction of the child, and had no sooner received Erich's message than she set out to convince herself with her own eyes that at all events the worst had not happened, and that little Frances was in safety. The excitement of the last few hours, the self-reproach she felt, and the thought of the consequences that might follow, had so worked upon her that, at the sight of the child smiling a welcome to her, she burst into tears and could with difficulty be quieted. As for the permission, she said she no longer had any right whatsoever to give such a thing, now that it appeared that the child had not been safe from such an invasion under her own roof; and if the father should withdraw all his confidence from her she felt she would have no right to complain.

"Let me have her just for this night," Julie begged. "I have a presentiment that Jansen must return to-night, and then he will be so rejoiced to find us together. After to-morrow, you shall once more enjoy your mother's privileges without stint, until I take your place with still better rights."

But her presentiment deceived her.

The child was put to bed early, and, with its head resting on Julie's pillow, had long since dropped off to sleep in the midst of a loving chat with its "beautiful mamma." Julie sat and listened to the storm, starting to her feet every time she heard a man's step approach the house. But the hours slipped by, and she remained alone. At last, about midnight, she gave up all hope. She dismissed her old servant, noiselessly undressed herself, and lay down on the bed by the side of the sleeping child. It was long before she closed her eyes.

When she awoke next morning her little bedfellow soon roused herself, and was very much surprised not to find herself in her accustomed place. The preceding day, with its adventures, only floated before her like a confused dream. She had a strange dislike to asking Julie how it had all come about, but allowed Julie to dress her, amid much petting and caressing, and to carry her home. Julie herself was depressed, and felt her confidence in the helping powers of fate much shaken. She resigned little Frances to the foster-mother, and then immediately started for the studio.

The weather had cleared, and a warm though pale winter sun shone down upon the streets, covered with a thin layer of snow. The long walk did Julie good. When she finally reached the house, her cheeks were glowing, her blood was quickened, and her spirits had recovered their former confidence. She was, therefore, all the more alarmed to find four well-known figures in the courtyard, all of whom greeted her with a look of profound distress--Angelica, Rosenbusch, Kohle, and Fridolin, the janitor. They were standing in a group, and appeared to be eagerly discussing something, when Julie's sudden arrival frightened them apart.

"What has happened?" she cried to them. "Has he returned? For God's sake, what has happened?"

"Dear Fräulein," said Rosenbusch, who was the first to stammer out an answer, "we know as little as you what has happened; but he has returned, and last night too, and not very late either; he gave back his horse to the stable-keeper himself; or, at all events, when I inquired about it early this morning, the two animals stood in the stalls, but the hostlers knew nothing of their riders. 'Well,' thought I to myself, 'that affair passed off better than we had a right to expect,' and hurried over here. But when I asked Fridolin, he knew nothing except that the 'professor' must have returned, for he had not been able to open the door of the studio; the key was inside, and he had received no answer to his knocking. In the mean time, as the sun rose quite high, I thought he certainly must have slept enough, and I also knocked and gave him good-morning through the keyhole. No answer. The marble-cutters, who wanted to get into the saints' studio, found the door locked likewise; and after waiting for a time, they went away again. As time went on I began to think there was something very odd about it all. So I climbed up to the window on the garden side, and looked into the ateliers--first into his own. Everything there was in the best of order, only there was no trace of him. So I climbed down again, and then up to the other window--well, in there things looked oddly enough. Just picture it, Fräulein: all his worthy saints, with the exception of the models which he had made himself, were smashed into fragments; and what was worse than all, in the midst of all this wreck I saw him--our poor friend--stretched out on the floor as if he were lying on the softest mattress; don't be frightened, Fräulein, he is alive and conscious, but so tired apparently that he cannot even rouse himself enough to go into the other studio and lie down on the sofa. For, upon my beating a most devilish reveille upon the closed window and shouting out his name, he raised himself half up, made a motion with his hand for me to leave him in peace, and then sank back again on the heap of fragments, with nothing under his head but a corner of his cloak."

He broke off, as he saw Julie turn away hastily and hasten toward the building. Angelica was about to follow, but she made a sign that she wanted to go alone, and hurriedly entered the house.

Inside, she listened for a moment at the door of the "saint-factory;" as all was quiet she knocked with a trembling hand and called Jansen's name. Immediately after the door opened, and he stood before her.

He was wrapped in his cloak, his hair hung disheveled about his temples, all the blood seemed to have left his face, and his eyes had neither a wild nor a sad look; but their tired, wandering gaze pained Julie more than the most passionate excitement.

"It is you!" he said. "You are a little too early for me. I, as you see--won't you come in? To be sure, it doesn't look very inviting here--I have been clearing out a little, and because I did it in the dark--"

She had to exert all her strength in order to cast an apparently composed look around the room.

"What harm have these innocent figures done you?" she asked, closing the door behind her.

"Innocent?--ha, ha! They only pretend to be so. In reality they all have the devil in them, in spite of their saints' halo. Not a single one of them is really innocent. I ought to know that best, for I made them. And I tell you, the reflection from the snow outside made it bright enough for me to see the lie grinning from these stupid faces. So I made an end of it and smashed them all to bits--another lie wiped out of the world. I have been doing things by halves long enough; the other half always avenges itself. Now I feel better again, especially since I have seen you."

He pressed her hand: his voice sounded hoarse and strained; his eyes were bloodshot. She had to forcibly keep down her tears, as she stepped over the wreck upon the floor.

"I am glad that it all lies behind you now," she said. "I can feel with you how it must pain you to make something in which your whole heart is not interested. But come away from this destruction. We will make a fire in the studio, and talk. Did you know that little Frances spent the night with me? The darling child! It was hard for me to give her back to the foster-mother. But then it won't be for long now."

He made no answer, but submissively allowed himself to be led away without raising his eyes from the ground. While she kindled the fire, he sat on the sofa, his arms hanging down between his knees, and began to hum a tune as if in accompaniment to the music made by the crackling flames in the iron stove. He did not appear to notice that she had again stepped to his side. It was not until she bent over, threw her arms round his neck, and, with the tears streaming down her face, kissed him again and again, that he became conscious of what was passing; and, even then, he seemed to see everything as if through a mist.

"What are you crying for?" he asked, in surprise. "Am I not quite cheerful and sensible? You, surely, are not afraid of me? Don't be afraid, the worst is over. Last night, it is true, if any one had said to me, 'Stamp with your foot on the ground and the whole world will fall in ruins and bury you and all that is good and beautiful,' I believe I would have done it. Well, those poor innocents there had to bear the brunt of my fury; and now a little child might lead me by a string."

"Won't you tell me how it all happened?"

"What would be the use? It is vile. It's bad enough that two persons know of it besides myself. Besides, it can't be changed. Don't you know that you must never draw the iron out of the wound unless you want the man to bleed to death? What time is it? Is it evening or morning? I believe I am hungry. The animal in man is immortal, and outlives all the nobler impulses. Pardon me for talking so. The words fall from my lips; I cannot hold them back."

"I will go up to Angelica's room--she always has a little supply on hand--or shall we go to my house?"

"No matter about it. I feel a disgust for all food. Hunger and disgust at the same time--a fine outlook for life! But it's no wonder. When one has nourished himself with something that appears perfectly innocent, and suddenly discovers that it has been gathered from the vilest refuse--"

She seated herself beside him on the sofa, and laid her arm on his shoulder; but he seemed to be quite unmoved by her touch, though usually her slightest caress would fairly intoxicate him.

"You must tell me all!" she whispered, stroking his rigid face, while the tears rolled down her cheeks. "Are we not one? Is not your life mine, just as everything I am and have belongs to you? And yet you would keep something from me, because it might give me pain! I demand my full half of your pain, or I shall begin to doubt whether I was ever anything more to you than a living picture in which your eyes found pleasure."

He slowly shook his head. "I must make an end of that, too," he said, as if to himself. "I must have done with this half-way work. But that pains me more; and it is not the beautiful image that must be dashed to pieces, but he who moulded it out of clay. Ha, ha! As if it did not follow that everything which comes from the earth must go back to the earth again. A fine thought that, a truly charming prospect--ha, ha!"

"Speak sensibly, dearest! Now I can't understand a word."

"Well, then, to speak sensibly, I must go away--the sooner the better. Do you understand what that means? I, myself--to tell the truth--I don't quite understand it yet; but that comes from my weariness. As soon as I have had a good sleep--"

"Go away! And why go away? And where to?"

"Why? You ask strange questions, dearest. As if we ever knew why we live, why the sun shines on us today and to-morrow the storm rages. And where it whirls us to--what matters it? Do you believe that any spot will be dearer to me than another where I have to do without you?"

"Without me? You are raving! O my God!--the--but I am crazy to let myself be frightened by anything so--so impossible!"

"Yes, yes!" he said, in a hollow voice, and with a bitter smile; "impossible. So many things seem to us, until those two great magicians, chance and crime, complete the trick, and make the impossible only too actual. I candidly confess to you that, when my sound reason leaves me for a moment, I also hear a voice within me crying: 'It is impossible!' And yet it must be so--and we can do nothing but kick our bleeding heels against the thorns of fate. What is the matter with you all at once? You have let your arm fall from my shoulder. Are you angry with me, poor woman, because I am a beaten man? Say yourself what is there left for us to do but to renounce and despair? Because I am so quiet with it all, do you think I have grown cold overnight? But it is only, as I said, because all strength has left me; even the strength to feel the deadliest pains. Let me sleep an hour, and then you will be satisfied with the pitiable way in which my heart will behave."

He attempted to rise, but sank back again on his couch. Just at this moment a knock was heard. They heard Angelica's voice on the landing-place outside: "Only a word, Julie; I have something to give you."

Julie arose, and opened the door. Immediately she returned to Jansen, who sat there perfectly indifferent, bearing a letter in her hand.

"It is for you," she said. "It is Felix's handwriting. Will you open it? I think you had better first go home with me and rest awhile, and try to eat and sleep. You must have pretty well talked over everything last night, so that it is hardly probable the letter can contain anything new or important."

"Do you think so?" he said, in a peculiar tone. "Because we were friends, I suppose you think that each of us must know all about the other. Well, then, my poor darling, open the letter yourself, and you will get at the tricks by which chance has made the impossible possible. Read it, read it whatever it is, it can't tell me anything more that is worth knowing!"

Breathlessly, she tore open the envelope; and standing at the window, leaning her trembling figure against the sill for support, she read the following lines.