The Setting
The setting of the entire Masque is architectural and scenic, not a background of natural landscape as in the case of most outdoor pageants. Being constructed technically for performance, on a large scale, by night only, its basic appeals are to the eye, through expert illusions of light and darkness, architectural and plastic line, the dance, color, and pageantry of group movements; to the ear, through invisible choirs and orchestra, stage instrumental music and voices of visible mass-choruses [in the Interludes only].
As indicated by the accompanying diagram [Time Chart][8] of its Inner Structure, the Masque Proper is enacted by a comparatively few [about thirty] professional actors, who use the spoken word to motivate the large-scale pantomime of their action; the Interludes [which use no spoken word, but only dance, pageantry, miming, and choruses] are performed by community participants [to the number of thousands]; the Epilogue utilizes both kinds of performers.
Corresponding to this Inner Structure, the Outer Structure consists of three architectural planes or acting stages [all interdependent]: a modified form of Elizabethan stage, [here called “the Middle Stage—B”] consisting of a raised platform [to which steps lead up from a ground-circle, eight feet below] provided with a smaller, curtained Inner Stage [A—under a balcony, on which the upper visions appear, and above which the concealed orchestra and choirs are located]. This Inner Stage is two feet higher than the Middle Stage, from which ramps lead up to it. Shutting it off from the other, its “Cloudy Curtains,” when closed, meet at the centre; when they are open, the inner Shakespearean scenes [visions in the mind of Prospero] are then revealed within.
Between the raised Middle Stage and the audience lies the Ground-Circle—in form like the “orchestra” of a Greek theatre. Here the community Interludes take place around a low central Altar, from which rises a great hour-glass, flowing with luminous sands. This ground-circle is the place of the Yellow Sands, the outer wave-lines of which are bordered by the deep blue of the space beyond. The circle itself, representing the magic isle of Prospero [the temporal place of his art], is mottled with shadowy contours of the continents of the world.
Beneath the middle stage, and between the broad spaces of the steps which lead up to it from the ground-circle, is situated, at centre, the mouth of Caliban’s cell, which thus opens directly upon the Yellow Sands.
All of these features of the setting, however, are invisible when the Masque begins, and are only revealed as the lightings of the action disclose them.
GROUND·PLAN
FOR·AUDITORIUM·AND·STAGE
OF·SHAKESPEARE·MASQUE
A·INNER·STAGE·SHAKESPEARE·SCENES
B·MIDDLE·STAGE·ACTION·OF·MASQUE·PROPER·
C·OUTER·STAGE·(ON·THE·YELLOW·SANDS)·ACTION·OF·INTERLUDES·