LETTER II
TO A GENIUS CARELESS IN MONEY MATTERS.
Danger of carelessness—Inconveniences of poverty unfavorable to the Intellectual Life—Necessity advances men in industrial occupations, but disturbs and interrupts the higher intellectual life—Instances in science, literature, and art—Careers aided by wealth—Mr. Ruskin—De Saussure—Work spoiled by poverty in the doing—The central passion of men of ability is to do their work well—The want of money the most common hindrance to excellence of work—De Sénancour—Bossuet—Sainte-Beuve—Shelley—Wordsworth—Scott—Kepler—Tycho Brahe—Schiller—Goethe—Case of an eminent English philosopher, and of a French writer of school-primers—Loss of time in making experiments on public taste—Surtout ne pas trop écrire—Auguste Comte—The reaction of the intellectual against money-making—Money the protector of the intellectual life.
I have been anxious for you lately, and venture to write to you about the reasons for this anxiety.
You are neither extravagant nor self-indulgent, yet it seems to me that your entire absorption in the higher intellectual pursuits has produced in you, as it frequently does, a carelessness about material interests of all kinds which is by far the most dangerous of all tempers to the pecuniary well-being of a man. Sydney Smith declared that no fortune could stand that temper long, and that we are on the high road to ruin the moment we think ourselves rich enough to be careless.
Let me observe, to begin with, that although the pursuit of wealth is not favorable to the intellectual life, the inconveniences of poverty are even less favorable to it. We are sometimes lectured on the great benefits of necessity as a stimulant to exertion, and it is implied that comfortable people would go much farther on the road to distinction if they were made uncomfortable by having to think perpetually about money. Those who say this confound together the industry of the industrial and professional classes, and the labors of the more purely intellectual. It is clear that when the labor a man does is of such a nature that he will be paid for it in strict proportion to the time and effort he bestows, the need of money will be a direct stimulus to the best exertion he may be capable of. In all simple industrial occupations the need of money does drive a man forwards, and is often, when he feels it in early life, the very origin and foundation of his fortune. There exists, in such occupations, a perfect harmony between the present necessity and the ultimate purpose of the life. Wealth is the object of industry, and the first steps towards the possession of it are steps on the chosen path. The future captain of industry, who will employ thousands of workpeople and accumulate millions of money, is going straight to his splendid future when he gets up at five in the morning to work in another person’s factory. To learn to be a builder of steam-vessels, it is necessary, even when you begin with capital, to pass through the manual trades, and you will only learn them the better if the wages are necessary to your existence. Poverty in these cases only makes an intelligent man ground himself all the better in that stern practical training which is the basis of his future career. Well, therefore, may those who have reached distinguished success in fields of practical activity extol the teachings of adversity. If it is a necessary part of your education that you should hammer rivets inside a steam-boiler, it is as well that your early habits should not be over-dainty. So it is observed that horny hands, in the colonies, get gold into them sooner than white ones.
Even in the liberal professions young men get on all the better for not being too comfortably off. If you have a comfortable private income to begin with, the meagre early rewards of professional life will seem too paltry to be worth hard striving, and so you will very likely miss the more ample rewards of maturity, since the common road to success is nothing but a gradual increase. And you miss education at the same time, for practice is the best of professional educators, and many successful lawyers and artists have had scarcely any other training. The daily habit of affairs trains men for the active business of the world, and if the purpose of their lives is merely to do what they are doing or to command others to do the same things, the more closely circumstances tie them down to their work, the better.
But in the higher intellectual pursuits the necessity for immediate earning has an entirely different result. It comes, not as an educator, but as an interruption or suspension of education. All intellectual lives, however much they may differ in the variety of their purposes, have at least this purpose in common, that they are mainly devoted to self-education of one kind or another. An intellectual man who is forty years old is as much at school as an Etonian of fourteen, and if you set him to earn more money than that which comes to him without especial care about it, you interrupt his schooling, exactly as selfish parents used to do when they sent their young children to the factory and prevented them from learning to read. The idea of the intellectual life is an existence passed almost entirely in study, yet preserving the results of its investigations. A day’s writing will usually suffice to record the outcome of a month’s research.
Necessity, instead of advancing your studies, stops them. Whenever her harsh voice speaks it becomes your duty to shut your books, put aside your instruments, and do something that will fetch a price in the market. The man of science has to abandon the pursuit of a discovery to go and deliver a popular lecture a hundred miles off, for which he gets five pounds and his railway fare. The student of ancient literature has to read some feeble novel, and give three days of a valuable life to write an anonymous review which will bring him two pounds ten. The artist has to leave his serious picture to manufacture “pot-boilers,” which will teach him nothing, but only spoil his hands and vitiate the public taste. The poet suspends his poem (which is promised to a publisher for Christmas, and will be spoiled in consequence by hurry at the last) in order to write newspaper articles on subjects of which he has little knowledge and in which he takes no interest. And yet these are instances of those comparatively happy and fortunate needy who are only compelled to suspend their intellectual life, and who can cheer themselves in their enforced labor with the hope of shortly renewing it. What of those others who are pushed out of their path forever by the buffets of unkindly fortune? Many a fine intellect has been driven into the deep quagmire, and has struggled in it vainly till death came, which but for that grim necessity might have scaled the immortal mountains.
This metaphor of the mountains has led me, by a natural association of ideas, to think of a writer who has added to our enjoyment of their beauty, and I think of him the more readily that his career will serve as an illustration—far better than any imaginary career—of the very subject which just now occupies my mind. Mr. Ruskin is not only one of the best instances, but he is positively the very best instance except the two Humboldts, of an intellectual career which has been greatly aided by material prosperity, and which would not have been possible without it. This does not in the least detract from the merit of the author of “Modern Painters,” for it needed a rare force of resolution, or a powerful instinct of genius, to lead the life of a severe student under every temptation to indolence. Still it is true that Mr. Ruskin’s career would have been impossible for a poor man, however gifted. A poor man would not have had access to Mr. Ruskin’s materials, and one of his chief superiorities has always been an abundant wealth of material. And if we go so far as to suppose that the poor man might have found other materials perhaps equivalent to these, we know that he could not have turned them to that noble use. The poor critic would be immediately absorbed in the ocean of anonymous periodical literature; he could not find time for the incubation of great works. “Modern Painters,” the result of seventeen years of study, is not simply a work of genius but of genius seconded by wealth. Close to it on my shelves stand four volumes which are the monument of another intellectual life devoted to the investigation of nature. De Saussure, whom Mr. Ruskin reverences as one of his ablest teachers, and whom all sincere students of nature regard as a model observer, pursued for many laborious years a kind of life which was not, and could not be, self-supporting in the pecuniary sense. Many other patient laborers, who have not the celebrity of these, work steadily in the same way, and are enabled to do so by the possession of independent fortune. I know one such who gives a whole summer to the examination of three or four acres of mountain-ground, the tangible result being comprised in a few memoranda, which, considered as literary material, might (in the hands of a skilled professional writer) just possibly be worth five pounds.
Not only do narrow pecuniary means often render high intellectual enterprises absolutely impossible, but they do what is frequently even more trying to the health and character, they permit you to undertake work that would be worthy of you if you might only have time and materials for the execution of it, and then spoil it in the doing. An intellectual laborer will bear anything except that. You may take away the very table he is writing upon, if you let him have a deal board for his books and papers; you may take away all his fine editions, if you leave him common copies that are legible; you may remove his very candlestick, if you leave him a bottle-neck to stick his candle in, and he will go on working cheerfully still. But the moment you do anything to spoil the quality of the work itself, you make him irritable and miserable. “You think,” says Sir Arthur Helps, “to gain a good man to manage your affairs because he happens to have a small share in your undertaking. It is a great error. You want him to do something well which you are going to tell him to do. If he has been wisely chosen, and is an able man, his pecuniary interest in the matter will be mere dust in the balance, when compared with the desire which belongs to all such men to do their work well.” Yes, this is the central passion of all men of true ability, to do their work well; their happiness lies in that, and not in the amount of their profits, or even in their reputation. But then, on the other hand, they suffer indescribable mental misery when circumstances compel them to do their work less well than they know that, under more favorable circumstances, they would be capable of doing it. The want of money is, in the higher intellectual pursuits, the most common hindrance to thoroughness and excellence of work. De Sénancour, who, in consequence of a strange concatenation of misfortunes, was all his life struggling in shallows, suffered not from the privations themselves, but from the vague feeling that they stunted his intellectual growth; and any experienced student of human nature must be aware that De Sénancour was right. With larger means he would have seen more of the world, and known it better, and written of it with riper wisdom. He said that the man “who only saw in poverty the direct effect of the money-privation, and only compared, for instance, an eight-penny dinner to one that cost ten shillings, would have no conception of the true nature of misfortune, for not to spend money is the least of the evils of poverty.” Bossuet said that he “had no attachment to riches, and still if he had only what is barely necessary, if he felt himself narrowed, he would lose more than half his talents.” Sainte-Beuve said, “Only think a little what a difference there is in the starting point and in the employment of the faculties between a Duc de Luynes and a Sénancour.” How many of the most distinguished authors have been dependent upon private means, not simply for physical sustenance, but for the opportunities which they afforded of gaining that experience of life which was absolutely essential to the full growth of their mental faculties. Shelley’s writings brought him no profit whatever, and without a private income he could not have produced them, for he had not a hundred buyers. Yet his whole time was employed in study or in travel, which for him was study of another kind, or else in the actual labor of composition. Wordsworth tried to become a London journalist and failed. A young man called Raisley Calvert died and left him 900l.; this saved the poet in Wordsworth, as it kept him till the publication of the “Lyrical Ballads,” and afterwards other pieces of good luck happened to him, so that he could think and compose at leisure. Scott would not venture to devote himself to literature until he had first secured a comfortable income outside of it. Poor Kepler struggled with constant anxieties, and told fortunes by astrology for a livelihood, saying that astrology as the daughter of astronomy ought to keep her mother; but fancy a man of science wasting precious time over horoscopes! “I supplicate you,” he writes to Mœstlin, “if there is a situation vacant at Tübingen, do what you can to obtain it for me, and let me know the prices of bread and wine and other necessaries of life, for my wife is not accustomed to live on beans.” He had to accept all sorts of jobs; he made almanacs, and served any one who would pay him. His only tranquil time for study was when he lived in Styria, on his wife’s income, a tranquillity that did not last for long, and never returned. How different is this from the princely ease of Tycho Brahe, who labored for science alone, with all the help that the ingenuity of his age could furnish! There is the same contrast, in a later generation, between Schiller and Goethe. Poor Schiller “wasting so much of his precious life in literary hack-work, translating French books for a miserable pittance;” Goethe, fortunate in his pecuniary independence as in all the other great circumstances of his life, and this at a time when the pay of authors was so miserable that they could hardly exist by the pen. Schiller got a shilling a page for his translations. Merck the publisher offered three pounds sterling for a drama of Goethe. “If Europe praised me,” Goethe said, “what has Europe done for me? Nothing. Even my works have been an expense to me.”
The pecuniary rewards which men receive for their labor are so absurdly (yet inevitably) disproportionate to the intellectual power that is needed for the task, and also to the toil involved, that no one can safely rely upon the higher intellectual pursuits as a protection from money-anxieties. I will give you two instances of this disproportion, real instances, of men who are known to me personally. One of them is an eminent Englishman of most remarkable intellectual force, who for many years past has occupied his leisure in the composition of works that are valued by the thinking public to a degree which it would be difficult to exaggerate. But this thinking public is not numerous, and so in the year 1866 this eminent philosopher, “unable to continue losing money in endeavoring to enlighten his contemporaries, was compelled to announce the termination of his series.” On the other hand, a Frenchman, also known to me personally, one day conceived the fortunate idea that a new primer might possibly be a saleable commodity. So he composed a little primer, beginning with the alphabet, advancing to a, b, ab; b, a, ba; and even going so far in history as to affirm that Adam was the first man and Abraham the father of the faithful. He had the wisdom to keep the copyright of this little publication, which employed (in the easiest of all imaginable literary labor) the evenings of a single week. It has brought him in, ever since, a regular income of 120l. a year, which, so far from showing any signs of diminution, is positively improving. This success encouraged the same intelligent gentleman to compose more literature of the same order, and he is now the enviable owner of several other such copyrights, all of them very valuable; in fact as good properties as house-leases in London. Here is an author who, from the pecuniary point of view, was incomparably more successful than Milton, or Shelley, or Goethe. If every intellectual man could shield his higher life by writing primers for children which should be as good as house-leases, if the proverb Qui peut le plus peut le moins were a true proverb, which it is not, then of course all men of culture would be perfectly safe, since they all certainly know the contents of a primer. But you may be able to write the most learned philosophical treatise and still not be able to earn your daily bread.
Consider, too, the lamentable loss of time which people of high culture incur in making experiments on public taste, when money becomes one of their main objects. Whilst they are writing stories for children, or elementary educational books which people of far inferior attainment could probably do much better, their own self-improvement comes to a standstill. If it could only be ascertained without delay what sort of work would bring in the money they require, then there would be some chance of apportioning time so as to make reserves for self-improvement; but when they have to write a score of volumes merely to ascertain the humor of the public, there is little chance of leisure. The life of the professional author who has no reputation is much less favorable to high culture than the life of a tradesman in moderately easy circumstances who can reserve an hour or two every day for some beloved intellectual pursuit.
Sainte-Beuve tells us that during certain years of his life he had endeavored, and had been able, so to arrange his existence that it should have both sweetness and dignity, writing from time to time what was agreeable, reading what was both agreeable and serious, cultivating friendships, throwing much of his mind into the intimate relations of every day, giving more to his friends than to the public, reserving what was most tender and delicate for the inner life, enjoying with moderation; such for him was the dream of an intellectual existence in which things truly precious were valued according to their worth. And “above all,” he said, above all his desire was not to write too much, “surtout ne pas trop écrire.” And then comes the regret for this wise, well-ordered life enjoyed by him only for a time. “La nécessité depuis m’a saisi et m’a contraint de renoncer à ce que je considérais comme le seul bonheur ou la consolation exquise du mélancolique et du sage.”
Auguste Comte lamented in like manner the evil intellectual consequences of anxieties about material needs. “There is nothing,” he said, “more mortal to my mind than the necessity, pushed to a certain degree, to have to think each day about a provision for the next. Happily I think little and rarely about all that; but whenever this happens to me I pass through moments of discouragement and positive despair, which if the influence of them became habitual would make me renounce all my labors, all my philosophical projects, to end my days like an ass.”
There are a hundred rules for getting rich, but the instinct of accumulation is worth all such rules put together. This instinct is rarely found in combination with high intellectual gifts, and the reason is evident. To advance from a hundred pounds to a thousand is not an intellectual advance, and there is no intellectual interest in the addition of a cipher at the bankers’. Simply to accumulate money that you are never to use is, from the intellectual point of view, as stupid an operation as can be imagined. We observe, too, that the great accumulators, the men who are gifted by nature with the true instinct, are not usually such persons as we feel any ambition to become. Their faculties are concentrated on one point, and that point, as it seems to us, of infinitely little importance. We cannot see that it signifies much to the intellectual well-being of humanity that John Smith should be worth his million when he dies, since we know quite well that John Smith’s mind will be just as ill-furnished then as it is now. In places where much money is made we easily acquire a positive disgust for it, and the curate seems the most distinguished gentleman in the community, with his old black coat and his seventy pounds a year. We come to hate money-matters when we find that they exclude all thoughtful and disinterested conversation, and we fly to the society of people with fixed incomes, not large enough for much saving, to escape the perpetual talk about investments. Our happiest hours have been spent with poor scholars, and artists, and men of science, whose words remain in the memory and make us rich indeed. Then we dislike money because it rules and restrains us, and because it is unintelligent and seems hostile, so far as that which is unintelligent can be hostile. And yet the real truth is that money is the strong protector of the intellectual life. The student sits and studies, too often despising the power that shelters him from the wintry night, that gives him roof and walls, and lamp, and books, and fire. For money is simply the accumulated labor of the past, guarding our peace as fleets and armies guard the industry of England, or like some mighty fortress-wall within which men follow the most peaceful avocations. The art is to use money so that it shall be the protector and not the scatterer of our time, the body-guard of the sovereign Intellect and Will.