MR. HAMERTON'S WORKS.

"The style of this writer is a truly admirable one, light and picturesque, without being shallow, and dealing with all subjects in a charming way. Whenever our readers see or hear of one of Mr. Hamerton's books, we advise them to read it."—Springfield Republican.

THE INTELLECTUAL LIFE. Square 12mo. Price $2.00.

"Not every day do we take hold of a book that we would fain have always near us, a book that we read only to want to read again and again, that is so vitalized with truth, so helpful in its relation to humanity, that we would almost sooner buy it for our friend than spare him our copy to read. Such a book is 'The Intellectual Life,' by Philip Gilbert Hamerton, itself one of the rarest and noblest fruits of that life of which it treats. (Here we must beg the pardon of our younger readers, since what we have to say about this book is not for them, but for their parents, and older brothers and sisters, though we can have no better wish for them than that they may soon be wise and thoughtful enough to enjoy it too.)

"Just how much this book would be worth to each individual reader it would be quite impossible to say, but we can hardly conceive of any human mind, born with the irresistible instincts toward the intellectual life, that would not find in it not only ample food for deep reflection, but also living waters of the sweetest consolation and encouragement.

"We wonder how many readers of this noble volume, under a sense of personal gratitude, have stopped to exclaim with its author, in a similar position, 'Now the only Crœsus that I envy is he who is reading a better book than this.'"—From the Children's Friend.

THOUGHTS ABOUT ART. New Edition, Revised, with Notes and an Introduction. "Fortunate is he who at an early age knows what art is."—Goethe. Square 12mo. Price $2.00.

"The whole volume is adapted to give a wholesome stimulus to the taste for art, and to place it in an intelligent and wise direction. With a knowledge of the principles, which it sets forth in a style of peculiar fascination, the reader is prepared to enjoy the wonders of ancient and modern art, with a fresh sense of their beauty, and a critical recognition of the sources of their power."—New York Tribune.

"Beginning with a recommendation to capable artists to write on art, and illustrating his arguments on this point by some forcible illustrations, Mr. Hamerton proceeds to discuss the different styles of painting, defines the place of landscape among the fine arts, treats of the relation between photography and painting, makes some curious comparisons between word-painting and color-painting, speaks of the painter in his relation to society, and finally offers some practical and valuable suggestions concerning picture-buying and the choice of furniture of artistic patterns for our houses. All these subdivisions of the general subject are touched airily and pleasantly, but not flippantly, and the book is delightful from beginning to end."—New York Commercial Advertiser.

A PAINTER'S CAMP. A new edition, in 1 vol. 16mo Price $1.50. Square 12mo. Price $2.00.

"We are not addicted to enthusiasm, but the little work before us is really so full of good points that we grow so admiring as to appear almost fulsome in its praise.... It has been many a day since we have been called upon to review a work which gave us such real pleasure."—Philadelphia Evening Telegraph.

"If any reader whose eye chances to meet this article has read 'The Painter's Camp,' by Mr. Philip Gilbert Hamerton, he will need but little stimulus to feel assured that the same author's work, entitled 'Thoughts about Art,' is worth his attention. The former, I confess, was so unique that no author should be expected to repeat the sensation produced by it. Like the 'Adventures of Robinson Crusoe,' or the 'Swiss Family Robinson,' it brought to maturer minds, as those do to all, the flavor of breezy out-of-door experiences,—an aroma of poetry and adventure combined. It was full of art, and art-discussions too; and yet it needed no rare technical knowledge to understand and enjoy it."—Joel Benton.

"They ('A Painter's Camp' and 'Thoughts about Art') are the most useful books that could be placed in the hands of the American art public. If we were asked where the most intelligent, the most trustworthy, the most practical, and the most interesting exposition of modern art and cognate subjects is to be found, we should point to Hamerton's writings."—The Atlantic Monthly.

THE UNKNOWN RIVER: An Etcher's Voyage of Discovery. With an original Preface for the American edition, and thirty-seven plates etched by the author. One elegant 8vo volume, bound in cloth, extra, gilt, and gilt edges. Price $6.00. (A cheaper edition now ready.)

"Wordsworth might like to come back to earth for a summer, and voyage with Philip Gilbert Hamerton down some 'Unknown River! If this supposition seem extravagant to any man, let him buy and read 'The Unknown River, an Etcher's Voyage of Discovery,' by P. G. Hamerton. It is not easy to write soberly about this book while fresh from its presence. The subtle charm of the very title is indescribable; it lays hold in the outset on the deepest romance in every heart; it is the very voyage we are all yearning for. When, later on, we are told that this 'Unknown River' is the Arroux, in the eastern highlands of France, that it empties into the Loire, and has on its shores ancient towns of historic interest, we do not quite believe it. Mr. Hamerton has flung a stronger spell by his first word than he knew.

"It is not too much to say that this book is artistically perfect, perfectly artistic, and a poem from beginning to end; the phrasing of its story is as exquisite as the etching of its pictures; each heightens the other; each corroborates the other; and both together blend in harmonious and beautiful witness to what must have been one of the most delicious journeys ever made by a solitary traveller. The word solitary, however, has no meaning when applied to Hamerton, poet, painter, adventurous man, all in one, and with a heart for a dog! There is no empty or barren spot on earth for such as he. The book cannot be analyzed nor described in any way which will give strangers to it any idea of its beauty."—Scribner's Monthly.

CHAPTERS ON ANIMALS. With Twenty Illustrations by J. Veyrassat and Karl Bodmer. Square 12mo. Price $2.00.

"This is a choice book. No trainer of animals, no whipper-in of a kennel, no master of fox-hounds, no equine parson, could have written this book. Only such a man as Hamerton could have written it, who, by virtue of his great love of art, has been a quick and keen observer of nature, who has lived with and loved animal nature, and made friends and companions of the dog and horse and bird. And of such, how few there are! We like to amuse ourselves for an idle moment with any live thing that has grace and color and strength. We like to show our wealth in fine equipages; to be followed by a fond dog at our heel, to hunt foxes and bag birds, but we like all this merely in the way of ostentation or personal pleasure. But as for caring really for animals, so as to study their happiness, to make them, knowing us, love us, so as to adapt ourselves to themselves, is quite another thing. Mr. Hamerton has observed to much purpose, for he has a curious sympathy with the 'painful mystery of brute [Transcriber's note: This is where the text ends.]