ILLUSTRATIONS
Chinese Screen Panel by Pieter Mijer and Emile Weeckers | Frontispiece | |
| FACING PAGE | ||
| Javanese Kain Kapala | [2] | |
Enlarged Detail of Native Sarong | [4] | |
Native Design Showing European Influence | [14] | |
Pure Native Design Adapted for European Use | [14] | |
Conventional Fish Design by Chris Lebeau | [26] | |
Geometrical Fish Design by Chris Lebeau | [28] | |
Stork Panel by Chris Lebeau | [30] | |
Flamingo Curtain by Pieter Mijer | [30] | |
The Use of Batik in Interior Decoration | [32] | |
Dyeing of Textile | [34] | |
Cleaning the Tjanting | [34] | |
Floral Design Entirely Executed with a Brush | [36] | |
Various Types of Tjantings | [46] | |
Scarf Batiked by Hazel Burnham Slaughter | [50] | |
The Right Way to Hold the Tjanting | [54] | |
The Use of the Brush for Filling Spaces | [54] | |
Tank for Separating Wax from Gasoline | [58] | |
“Spring” by C. Bertram Hartman and Pieter Mijer | [64] | |
By following the arrows in the above chart it willeasily be seen which colours should be mixed together in order toproduce a given colour and the various lengths of the connecting linesindicate about the proportion in which the dyes should be used | [68] | |
Successive Stages in the Making of a Batik | [74] | |
Successive Stages in the Making of a Batik | [76] | |
The Use of Batik for Costume | [78] | |
Sorceress by Arthur Crisp and Pieter Mijer | [80] | |
BATIKS, AND
HOW TO MAKE THEM
BATIKS, AND HOW TO MAKE THEM