ILLUSTRATIONS

Chinese Screen Panel by Pieter Mijer and Emile Weeckers

Frontispiece
FACING
PAGE
Javanese Kain Kapala[2]

Enlarged Detail of Native Sarong

[4]

Native Design Showing European Influence

[14]

Pure Native Design Adapted for European Use

[14]

Conventional Fish Design by Chris Lebeau

[26]

Geometrical Fish Design by Chris Lebeau

[28]

Stork Panel by Chris Lebeau

[30]

Flamingo Curtain by Pieter Mijer

[30]

The Use of Batik in Interior Decoration

[32]

Dyeing of Textile

[34]

Cleaning the Tjanting

[34]

Floral Design Entirely Executed with a Brush

[36]

Various Types of Tjantings

[46]

Scarf Batiked by Hazel Burnham Slaughter

[50]

The Right Way to Hold the Tjanting

[54]

The Use of the Brush for Filling Spaces

[54]

Tank for Separating Wax from Gasoline

[58]

“Spring” by C. Bertram Hartman and Pieter Mijer

[64]

By following the arrows in the above chart it willeasily be seen which colours should be mixed together in order toproduce a given colour and the various lengths of the connecting linesindicate about the proportion in which the dyes should be used

[68]

Successive Stages in the Making of a Batik

[74]

Successive Stages in the Making of a Batik

[76]

The Use of Batik for Costume

[78]

Sorceress by Arthur Crisp and Pieter Mijer

[80]

BATIKS, AND
HOW TO MAKE THEM

BATIKS, AND HOW TO MAKE THEM