THE SOUL APPRECIATES THE BEAUTIFUL BY AN AESTHETIC SENSE.
3. The soul appreciates beauty by an especially ordered faculty, whose sole function it is to appreciate all that concerns beauty, even when the other faculties take part in this judgment. Often the soul makes her (aesthetic) decisions by comparison with the form of the beautiful which is within her, using this form as a standard by which to judge. But what agreement can anything corporeal have with what is incorporeal? For example, how can an architect judge a building placed before him as beautiful, by comparing it with the Idea which he has within himself? The only explanation can be that, on abstracting the stones, the exterior object is nothing but the interior form, no doubt divided within the extent of the matter, but still one, though manifested in the manifold? When the senses perceive in an object the form which combines, unites and dominates a substance which lacks shape, and therefore is of a contrary nature; and if they also perceive a shape which distinguishes itself from the other shapes by its elegance, then the soul, uniting these multiple elements, fuses them, comparing them to the indivisible form which she bears within herself, then she pronounces their agreement, kinship and harmony with that interior type.