CHAPTER XVII LITERATURE OUT OF SCHOOL AND READING OTHER THAN LITERATURE

Were it not for appearing captious or extravagant, one would like to say that in these days of cheap and easy books, and amidst the temptations of the free libraries, the problem is that of keeping the children from reading too much, rather than of inducing them to read enough. This is particularly true of children in our large American cities, whom we must, in our first generation of city-dwelling, guard against eye-strain, and nerve-strain, and library-air, and physical inactivity of all sorts. Luckily, our generation has learned some things about the educational processes that have tended to lessen materially the danger of over-reading. In many homes, and to many children out of school, books and magazines have hitherto been a sort of opiate, from the point of view of the child deadening the hungry sensibilities and lulling the stifled activities; and from the point of view of the parent securing silence and providing an apparently innocuous occupation. This is all too little changed now, though more and more homes are providing opportunity and encouragement for other occupations: shop and studio, and more abundant material and opportunity for play. In the cities the public playgrounds and gymnasiums—and all too rarely the public workshop and studio for children—begin to share with the public library the task of safely taking care of the children out of school.

But there will always be time for reading, and by all means the legitimate share of the children's time should be given to it. The so-called supplementary reading given them by the school is largely, I take it, a question of the much reading that will make the process easier, and not a matter of accumulating facts, or of acquiring a wider knowledge of literature. In many schools that I have observed it is often unwisely and carelessly chosen, so far as the literary share of it is concerned. It should be selected partly for its bearing upon the fact-studies, and not wholly made up of things of the literary kind. The bearings of the question of the school's supplementary reading are not literary, or, so far as they are, they have been discussed in other connections.

Every child should ideally have free access to a collection of books got together with reference to his needs and tastes. It may be serviceable to indicate the kind and number of books that might be included in such a library of a child up to his fourteenth year.

There should be in such a collection several biographies. On the whole, let them be of the older, idealizing type, not of the modern young university instructor's virtuously iconoclastic type. Children get at their history first through heroic and dramatic figures and events. In their earlier years it is the imagination that appropriates the images and events of history. It is therefore only good pedagogy to present the figures on their heroic and ideal side. Let these biographies include the record of different sorts of men—a statesman, a pioneer, a preacher, a soldier, an explorer, an inventor, a missionary, a business man, a man of letters—so that many types of character and kinds of experience may be reflected.

As the children grow older, they will dip into history for the images—the persons and detachable events. The search for facts and philosophy will come many years later. Some tempting books of history should appear on their shelves; The Dutch Republic, The Conquest of Mexico, Parkman's romantic narratives, and John Fiske's; if possible the illustrated edition of Green's History of the English People. Most of the history they get from their own reading, however, should be what they get from the biographies of the central figures in the events—Columbus, William of Orange, Francis Drake, and all the other picturesque and heroic persons. Other historical reading would best be done under guidance and in connection with the work in school.

There should be a few books of travel and exploration. Among these there should be some of the original sources, if possible the Bradford Journal, the Jesuit Relations, the Lewis and Clark Journals. Froissart and Marco Polo should be included; the fable-making travelers perform a very useful function. To these may be added a few most recent explorations—African, Arctic, Andean, Thibetan.

Children, barring the exceptional child, will not read formal science; but it may develop or help on a desirable taste and interest to have some of the many pretty out-door books in their collection—not romances of the wild, but simpler treatises about the things to be found in the door-yard and the home woodland. And when a child develops a taste or a gift in any scientific direction, he should have access, as easy as possible, to some good reference books suited to his needs. All children should have access to some of the more popular technical and scientific journals which give interesting accounts of current discoveries and inventions.

By way of nature and animal books we will include the Jungle Books, an expurgated edition of Reynard the Fox, Aesop's Fables, and, of course, Uncle Remus. Other semi-scientific nature-writers will doubtless appear in most collections of children's books—and may do no harm.

A book of Greek myth seriously and beautifully told should be accessible. No other myth is so beautiful or so imaginative, or so artistically put together. The children do not need to have to do with many myths until they know something about interpreting them. Of course, they should have access to the Bible in some attractive form. A large illustrated edition—Doré's or Tissot's—will please and instruct them from their earliest days. This is one of the cases in which pictures—good and imaginative pictures—form a desirable gateway into a realm where the children are not naturally at home, and where they need the help of a great and serious artist in finding their way. Of course, poor and materialistic pictures are a misfortune, especially those that attempt to body forth preternatural events and supernatural beings. Doré's pictures are not undesirable, because they often help a child to a noble and imaginative conception of a thing he is himself powerless to construct; while Tissot's are good because they set forth with beauty and richness of detail the many phases of life which the child must try to image in reading the Hebrew stories—from the nomadic simplicity of the saga of pastoral Abraham to the luxurious refinements of the Romanized and cosmopolitan Jerusalem.

The little scholar should find on his shelves Lanier's King Arthur, Pyle's Robin Hood, Palmer's Odyssey, some translation of the Iliad; in short, some form of each of the great hero-tales; a selected few of Scott's romances—Ivanhoe, Quentin Durward, Guy Mannering, Anne of Geierstein; a few of Cooper's; Robinson Crusoe, Don Quixote, William Morris' prose tales, a pair of Quiller-Couch's, and as many of Joseph Conrad's; these might constitute his romances. But unless he is a very unusual child, he will never read in these masters, if he is given masses of cheap and easy reading, such as the Henty books and the Alger series; or if he finds in his mother's sitting-room a stack of "the season's best sellers" and the ten-cent magazines. The cheap and easy style and the commonplace material of this sort of books offer the line of least resistance to the young reader. They flow into his mind without effort on his part, while, if he would apprehend the masters, he must actively co-operate with them at every step, arousing his best powers to comprehend their expressions and to grasp their ideas. One would hesitate to say that there is absolutely no use for books of the Henty and Alger type. One can imagine a child whose every bent was against reading, being enticed to begin by some such easy and commonplace experience. And one can imagine their being useful to wean children away from really vicious books. In a certain boys' club I know, organized in a social settlement, which was really a reorganization of a gang, these particular books were for a year or so an acceptable substitute for the bloody romances they had been reading. Many of those boys have never passed beyond them; but to many others they were, as was hoped, stepping-stones to better things. There is no place for them in the ideal collection of children's books. Certain books, harmless and as recreation even desirable, will inevitably make their appearance on the children's shelves—Miss Alcott's, Mrs. Richards', and others of the many series of girls' books and boys' books; they are doubtless innocent enough, and to be discouraged only when they keep the children from something better worth while; to be encouraged, on the other hand, only for those children who must be tempted by easy reading into any habit of using books. To be sure, you will probably find that your child has found one of them, perhaps a whole series, to which for a certain period she seems to have given her whole heart; but if treated with wisdom this symptom will disappear, and you will find her at some surprisingly early day re-reading the tournament at Ashby, and patronizingly alluding to the time when she was enslaved to "The Little General" series, or the "Under the Roses" or the "Eight Half-Sisters" series, or any other particular juveniles, as "when I was a child."

In the matter of fairy-tales one must discriminate and renounce quite resolutely. It is not good for a child who has early mastered that edged tool of reading to have access to all fairy-tales and all kinds of fairy-tales. Eschew all the modern ones. Of course, if you have a personal friend who has written a book of them, for reasons other than literary your children will read them. But as to those you choose freely for them let them have Grimm and Perrault, and the Arabian Nights, and after a while Andersen; which, together with what they will pick up here and there in magazines and in their friends' houses, will be enough.

For poetry, the child should have on his own shelves some pretty edition of the Nursery Rhymes, The Child's Garden, some really good collection of little things—The Posy Ring, for example, Henley's Lyra Heroica, Lang's The Blue Poetry Book, Allingham's Book of Ballads. For the rest he should be read to from the poets themselves, and as soon as he is old enough, sent to the volumes of the poets for his reading. As in school so at home the children should hear their poetry read until they acquire some real degree of expertness as readers. Children who can not understand at all, poetry which they read silently, will delight in it read aloud.

This little collection should contain the classic nonsense, but not all kinds of inartistic fooling and rude fun. There should be Alice in Wonderland and Through the Looking-Glass (always the one with Tenniel's pictures). We must remember that Alice is very delicate art, and that its final and deepest appeal is to the mature person. Certain very imaginative children take to it as a fanciful tale at the moment of ripeness; others miss it then, and must wait until the wonderful dream-psychology of it, and the delicate satire of its parodies can make their appeal to them as older persons. Lear's Nonsense Rhymes in judicious doses every child should have; "John Gilpin's Ride;" certain of the Bab Ballads; a little of Oliver Heresford's delightful foolishness. Among the folk- and fairy-tales he will find many comic bits whose kind or degree of humor will suit him admirably in his younger years. In Clouston's Book of Noodles may be found a mine of such funny tales. The Peterkin Papers is the best of modern noodle-tales. No family can be brought up without the help of Strewel Peter, nor should they miss Little Black Sambo. Most American children are enchanted with the fun of Tom Sawyer and Huck Finn though one must sadly acknowledge that it is woven into back-grounds of a sensational kind not at all improving to an unformed taste.

One cannot feel that parodies are in general good for children; though, after they have had a good share of serious enjoyment out of their fairy-tales, and especially if they seem too much or too long absorbed in them, they ought to have The Rose and the Ring and Prince Prigio.

Picture-books and illustrated books are another independent little problem. It is a curious fact that it is not the beautiful lithographs of birds and animals, flocks and landscapes, children in irreproachable Russian dresses and short socks, seated in the corner of ancestral mahogany sofas, refreshing themselves from antique silver porringers, that the little living heads hang over by the hour on the nursery floor. It is much more likely to be the thunderous landscapes of the old Dutch woodcuts in Great-grandmama's Bible, the queer, chaotic, symbolistic plates of the Mother-Play; the wonderful prints of Comenius' Orbis Pictus; the casualties of John Leech's hunting fields. True, they delight in the charming details of all Kate Greenaway's books; and Walter Crane's pictures so rich in color and beautiful detail give ceaseless joy; but one must confess that they are a bit inclined to "shy" at pictures they know to be intended for them. Every nursery that can compass it should have as many as possible of the books illustrated in color by Boutet de Monvel. The children should never see comic illustrations of their nursery rhymes and stories. They are all banal as wit and trashy as art, substituting an ugly and distorted image for the possibly beautiful one the child might have made for himself. After they have passed out of infancy, they do not need pictures in their stories. The black-and-white print is inadequate when color and movement should be a part of the image, and children should have the discipline of relying entirely on themselves in visualizing the images of the text. There should also be in the "little library," or accessible to the little readers in the big one, beside the illustrated Bible, the one big volume of Shakespeare with Gilbert's pictures—an inexhaustible mine of life and art; Engelmann and Anderson's Atlas of the Homeric Poems, a Dictionary of Classical Antiquities, and an encyclopedia that the older children can use, should have a place on these shelves.

It is so often said as to amount to a mere convention that the best possible literary experience for a child is to be turned loose to browse (they always say "browse") in a grown-up library. One always finds a malicious pleasure in detecting in these people (and they are always to be found in great plenty) those baby impressions, still uncorrected that they got of many books in the course of their browsing. Of course, in a house where there are many books the children will experiment, will taste of many dishes, and possibly devour many things not intended for them. From some of these they will take no serious harm, while in many other cases they will get a permanent warp of judgment or of feeling. It would seem to me wise to guide the child in his explorations, giving him plenty of those grown-up things that you believe to be good for him, and heading him off as long as possible from the others. For all your caution, however, children will be found buried in Tom Jones, mousing about in Montaigne, chuckling over Tristram Shandy, and befuddling themselves with Ghosts and Anna Karénina. In these cases we can only hope that nature has mercifully ordained that, not having the necessary apperception experience, they will not get at the real truth of these books, and that they will have the luck—rare, to be sure—to remove and correct their mistaken impressions in some subsequent reading.

The ideal co-operation between home, school, Sunday school, and library is yet to be brought about; teacher and parents can do much to promote it. As a step toward this co-operation they should provide every child who reads in a library with a list of books. The imaginative books in the list given out by the public libraries are practically all juveniles, apparently chosen mainly for the purpose of amusing children who have no books in their homes. These things are undoubtedly amusing; they are superficially appetizing; and they have the same effect that the soda fountain at the corner drug-shop has upon the children's appetite for true nourishment—they take the edge off his hunger so that he has no relish for his bread and butter, though he has had nothing to eat but a hint of cheap flavor, a dash of formaldehyde, a spoonful of poor milk, and a glassful of effervescence. The lists given by parents and teachers may change all this, but only if they include good things, beautiful and interesting enough to make these wasteful juveniles seem unattractive.

Every schoolroom in which the children are old enough to be interested, and every family should devise a method of digesting the news of the world every day or every week, so that the children may have some knowledge of current events. Of course, there are children who cannot be kept from reading the morning paper—crimes, sports, and all. Such a child's family should choose its newspaper with all possible care Every self-respecting family where there are children should be willing to submit to the very small sacrifice of foregoing the Sunday paper, to save the little people from the flood of commonplace, of triviality, and of ribaldry that overwhelms them from these monstrous productions.

Perhaps no well-brought-up child would be quite well equipped if he has not had The Youth's Companion and St. Nicholas in his childhood; but it is a mistake to let them linger too long in these periodicals, whose contents are somewhat fragmentary as literature, and not quite large enough or full enough as to current events and interests. It is wise to turn the children as soon as possible to the mature and more thorough magazines, among which should be included a technical and scientific journal. By all means do not subject them to the temptation of the various story-magazines—those cheap and easy chronicles of the questionable affairs of undergraduates and chorus girls, of Nietzschean superhumanity gone to seed, of imitations of the imitated psychology of the wild, all rendered in the English of third-year college themes. If the adult members of the family must have these things, let them be kept, along with "the season's best sellers," out of easy reach of the children.

It should not need to be said that there has been no attempt in the foregoing discussion to recommend every good thing, or to give an exhaustive list of such things in any one line; no more has there been an effort to give warning of all things undesirable, but merely, as in the whole book, to state the underlying principles of choice, with just enough specific examples to make clear their application.