| FIG. | | PAGE |
| 1. | TRANSITIONAL GOTHIC SUIT AT MUNICH | [Frontispiece] |
| | | Face |
| 2. | GREAT HELMS AT BERLIN | [48] |
| 3. | MOUNTED SUIT WITH BARDS, IN THE KUNGL. LIFRUSTKAMMAR COLLECTION, STOCKHOLM | [67] |
| 4. | SHARFRENNEN AT MINDEN IN 1545 | [88] |
| 5. | SUIT AT DRESDEN FOR SHARFRENNEN, DATE 1554 | [88] |
| 6. | TILTING SUIT AT NUREMBERG, FOR THE GERMAN GESTECH | [90] |
| 7. | TILTING SUIT FOR THE ITALIAN COURSE (WELSCHES GESTECH) | [91] |
| 8. | AN ITALIAN COURSE AT AUGSBURG IN 1510 (WELSCHES GESTECH) | [91] |
| 9. | ARMOUR FOR THE FREITURNIER AT DRESDEN | [92] |
| 10. | REINFORCING PIECES FOR THE TOURNAMENT | [95] |
| 11. | DO.DO.DO. | [95] |
| 12. | TILTING HELM AT HAUGHTON CASTLE, NORTHUMBERLAND | [96] |
| 13. | SALLADS, ETC. | [98] |
| 14. | BRAYETTE IN CHAIN-MAIL, AT BERLIN | [109] |
| 15. | PAGEANT SHIELD, FORMERLY IN THE COLLECTION OF PRINCE CARL OF PRUSSIA | [113] |
| 16. | EFFIGY OF RICHARD BEAUCHAMP, EARL OF WARWICK, IN ST. MARY’S CHURCH, WARWICK | [119] |
| 17. | GOTHIC SUIT AT SIGMARINGEN | [120] |
| 18. | GOTHIC SUIT AT BERLIN | [122] |
| 19. | GOTHIC SUIT, IN THE AUTHOR’S COLLECTION | [124] |
| 20. | FLUTED MAXIMILIAN SUIT AT BERLIN | [127] |
| 21. | FLUTED MAXIMILIAN SUIT AT MUNICH | [128] |
| 22. | FLUTED MAXIMILIAN SUIT, WITH GROTESQUE HELMET | [128] |
| 23. | PLAIN MAXIMILIAN SUIT, IN THE AUTHOR’S COLLECTION | [128] |
| 24. | MOUNTED MAXIMILIAN SUIT, WITH BARDS | [130] |
| 25. | SUIT WITH LAMBOYS, IN THE AUTHOR’S COLLECTION | [130] |
| 26. | SUIT BY PETER VON SPEYER OF ANNABERG, DATED 1560 | [135] |
| 27. | PLAIN DEMI-SUIT, IN THE AUTHOR’S COLLECTION | [136] |
| 28. | BLACK AND WHITE DEMI-SUIT, IN THE AUTHOR’S COLLECTION | [137] |
| 29. | LATE SUIT AT MUNICH, 1590–1620 | [137] |
| 30. | LATE SUIT AT BRANCEPETH CASTLE, DURHAM | [138] |
| ENRICHED ARMOUR. |
| 31. | SUITS BY JÖRG SEUSENHOFER, OF INNSBRUCK | [141] |
| 32. | CUIRASS AND TASSETS AT DRESDEN | [141] |
| 33. | SUIT AT ALNWICK CASTLE, NORTHUMBERLAND | [142] |
| 34. | SOME DETAILS OF THE SUIT AT ALNWICK CASTLE | [144] |
| 35. | SUIT BY LUCIO PICCININO, OF MILAN | [144] |
| 36. | REPOUSSÉ ARMOUR AT BERLIN | [145] |
| 37. | SUIT OF THE DUC D’OSUNA | [146] |
| 38. | SOME DETAILS OF THE OSUNA SUIT | [147] |
| 39. | SUIT BY ANTON PEFFENHAUSER, AT MADRID | [148] |
| WEAPONS. |
| 40. | ENRICHED SWORD, SECOND HALF SIXTEENTH CENTURY | [156] |
| 41. | HAND-GUNS, RENAISSANCE WORK | [157] |
| 42. | TWO-HANDED SWORDS, FLAMBERGES, AND DAGGERS | [166] |
| 43. | ANELACE AT BERLIN | [176] |
| 44. | SWORD OF CHARLES V., ABOUT 1530 | [168] |
| 45. | RAPIERS—GERMAN, SPANISH, AND ITALIAN | [169] |
| 46. | SCHIAVONA, IN THE AUTHOR’S COLLECTION | [173] |
| 47. | CROSSBOWS AND QUARRELS | [185] |
| 48. | PRINCIPLE OF THE BALLISTA | [204] |
| 49. | STAFF AND CLUB WEAPONS, ETC. | [204] |
| 50. | EARLY ARTILLERY | [210] |
| 51. | EARLY HAND-GUNS | [228] |