12. Images of the Tirthakārs.
In the temples are placed the images of Tirthakārs, either of brass, marble, silver or gold. The images may be small or life-size or larger, and the deities are represented in a sitting posture with their legs crossed and their hands lying upturned in front, the right over the left, in the final attitude of contemplation prior to escape from the body and attainment of paradise. There may be several images in one temple, but usually there is only one, though a number of temples are built adjoining each other or round a courtyard. The favourite Tirthakārs found in temples are Rishab Deva, the first; Anantnāth, the fourteenth; Santnāth, the sixteenth; Nemnāth, the twenty-second; Pārasnāth, the twenty-third; and Vardhamāna or Mahāvīra, the twenty-fourth.[13] As already stated only Mahāvīra and perhaps Parasnāth, his preceptor, were real historical personages, and the remainder are mythical. It is noticeable that to each of the Tirthakārs is attached a symbol, usually in the shape of an animal, and also a tree, apparently that tree under which the Tirthakār is held to have been seated at the time that he obtained release from the body. And these animals and trees are in most cases those which are also revered and held sacred by the Hindus. Thus the sacred animal of Rishab Deva is the bull, and his tree the banyan; that of Anantnāth is the falcon or bear, and his tree the holy Asoka;[14] that of Santnāth is the black-buck or Indian antelope, and his tree the tun or cedar;[15] the symbol of Nemnāth is the conch shell (sacred to Vishnu), but his tree, the vetasa, is not known; the animal of Pārasnāth is the serpent or cobra and his tree the dhātaki;[16] and the animal of Mahāvīra is the lion or tiger and his tree the teak tree. Among the symbols of the other Tirthakārs are the elephant, horse, rhinoceros, boar, ape, the Brāhmani duck, the moon, the pīpal tree, the lotus and the swastik figure; and among their trees the mango, the jāmun[17] and the champak.[18] Most of these animals and trees are sacred to the Hindus, and the elephant, boar, ape, cobra and tiger were formerly worshipped themselves, and are now attached to the principal Hindu gods. Similarly the asoka, pīpal, banyan and mango trees are sacred, and also the Brāhmani duck and the swastik sign. It cannot be supposed that the Tirthakārs simply represent the deified anthropomorphic emanations from these animals, because the object of Vardhamāna’s preaching was perhaps like that of Buddha to do away with the promiscuous polytheism of the Hindu religion. But nevertheless the association of the sacred animals and trees with the Tirthakārs furnished a strong connecting link between them and the Hindu gods, and considerably lessens the opposition between the two systems of worship. The god Indra is also frequently found sculptured as an attendant guardian in the Jain temples. The fourteenth Tirthakār, Anantnāth, is especially revered by the people because he is identified with Gautama Buddha.