4. The marriage ceremony.
Among the Birjhias a trunk of mahua with two branches is erected in the marriage-shed, and on this a dagger is placed in a winnowing-fan filled with rice, the former representing the bridegroom and the latter the bride. The bride first goes round the post seven times alone, and then the bridegroom, and after this they go round it together. A plough is brought and they stand upon the yoke, and seven cups of water having been collected from seven different houses, four are poured over the bridegroom and three over the bride. Some men climb on to the top of the shed and pour pots of water down on to the couple. This is now said to be done only as a joke. Next morning two strong men take the bridegroom and bride, who are usually grown up, on their backs, and the parties pelt each other with unhusked rice. Then the bridegroom holds the bride in his arms from behind and they stand facing the sun, while some old man ties round their feet a thread specially spun by a virgin. The couple stand for some time and then fall to the ground as if dazzled by his rays, when water is again poured over their bodies to revive them. Lastly, an old man takes the arrow from the top of the marriage-post and draws three lines with it on the ground to represent the Hindu trinity, Brahma, Vishnu and Siva, and the bridegroom jumps over these holding the bride in his arms. The couple go to bathe in a river or tank, and on the way home the bridegroom shoots seven arrows at an image of a sāmbhar deer made with straw. At the seventh shot the bride’s brother takes the arrow, and running away and hiding it in his cloth lies down at the entrance of the bridegroom’s house. The couple go up to him, and the bridegroom examines his body with suspicion, pretending to think that he is dead. He draws the arrow out of his cloth and points to some blood which has been previously sprinkled on the ground. After a time the boy gets up and receives some liquor as a reward. This procedure may perhaps be a symbolic survival of marriage by capture, the bridegroom killing the bride’s brother before carrying her off, or more probably, perhaps, the boy may represent a dead deer. In some of the wilder tracts the man actually waylays and seizes the girl before the wedding, the occasion being previously determined, and the women of her family trying to prevent him. If he succeeds in carrying her off they stay for three or four days in the forest and then return and are married.