6. Occupation.
The Chitāris pursue their old trade, principally in Nāgpur city, where the taste for wall-paintings still survives; and they decorate the walls of houses with their crude red and blue colours. But they have now a number of other avocations. They paint pictures on paper, making their colours from the tins of imported aniline dyeing-powders which are sold in the bazar; but there is little demand for these. They make small pictures of the deities which the people hang on their walls for a day and then throw away. They also paint the bodies of the men who pretend to be tigers at the Muharram festival, for which they charge a rupee. They make the clay paper-covered masks of monkeys and demons worn by actors who play the Rāmlīla or story of Rāma on the Rāmnaomi festival in Chait (March); they also make the tāzias or representations of the tomb of Hussain and paper figures of human beings with small clay heads, which are carried in the Muharram procession. They make marriage crowns; the frames of these are of conical shape with a half-moon at the top, made from strips of bamboo; they are covered with red paper picked out with yellow and green and with tinfoil, and are ornamented with borders of date-palm leaves. The crowns cost from four annas to a rupee each. They make the artificial flowers used at weddings; these are stuck on a bamboo stick and at the arrival and departure of the bridegroom are scrambled for by the guests, who take them home as keepsakes or give them to their children for playthings. The flowers copied are the lotus, rose and chrysanthemum, and the imitations are quite good. Sometimes the bridegroom is surrounded by trays or boxes of flowers, carried in procession and arranged so as to look as if they were planted in beds. Other articles made by the Chitrakār are paper fans, paper globes for hanging to the roofs of houses, Chinese lanterns made either of paper or of mica covered with paper, and small caps of velvet embroidered with gold lace. At the Akti festival[6] they make pairs of little clay dolls, dressing them as male and female, and sell them in red lacquered bamboo baskets, and the girls take them to the jungle and pretend that they are married. Formerly the Chitrakārs made clay idols for temples, but these have been supplanted by marble images imported from Jaipur. The Jīngars make the cloth saddles on which natives ride, and some of them bind books, the leather for which is made from goat-skin, and is not considered so impure as that made from the hides of cattle. But one class of them, who are considered inferior, make leather harness from cow-hide and buffalo-hide.
[1] A corruption for Viswakarma, the divine artificer and architect.
[2] The story, however, really belongs to northern India. Usha is the goddess of dawn.
[3] Krishna’s mother.
[4] Little white flowers like jasmine. This simile would be unlikely to occur to the ordinary observer who sees a Hindu child crying.
[5] Tori balayān leun. For explanation see above.
[6] Commencement of the agricultural year.