9. Funeral rites.
The dead are usually buried, two pice being first thrown into the grave to buy the site. The body is laid on its back, naked and with the head pointing to the south. The earth is mixed with briars and thorns while being filled in so as to keep off hyenas, and stones are placed over the grave. No fixed period of mourning is observed, but after the lapse of some days, the deceased’s family or relatives go to the burial-place, taking with them a piece of turmeric. This they cut into strips, and, placing them in a leaf-cup, pour water over them. As the water falls on the tomb, a god is called to witness that this day the dead man’s spirit has been sent to live with the ancestors. The pieces of turmeric are then tied in a cloth which, after receiving an oblation of fowl’s blood, is suspended from the main beam of the house, this being considered the dwelling-place of the departed. This ceremony, called Pitar Miloni, is the first rite for the admission of the deceased with the spirits of his ancestors, and is preliminary to the final ceremony of Sedoli which may be performed at any time between four months and fifteen years after the death. But until it is complete the spirit of the deceased has not been laid finally to rest and has the power of sending aches and pains to molest the bodies of its living relatives. Each sept has a place in which the Sedoli rites must be performed, and however far the Korku may have wandered from the original centre of his tribe, he must return there to set his father’s spirit at rest and enable it to join the ancestral ghosts. When the Sedoli is to be performed an unblemished teak or salai[16] tree is selected and wrapped round with a thread, while seven circuits of it are made and a bottle of liquor and two pice are offered as purchase money. It is then cut down and brought home, and from it a smooth stake called mūnda is fashioned, 24 to 30 inches high, and squared or pointed at the top, often being arrow-headed. On it are carved representations of the sun and moon, a spider and a human ear, and below these a figure representing the principal person in whose honour the stake is erected, on horseback with weapons in his hand. The proper method is to have one mūnda for each ancestor, but poor persons make one do for several and their figures are then carved below. But care must be taken that the total number of figures representing the dead does not exceed that of the members of the family who have died during the period for which the Sedoli is performed. For in that case another person is likely to die for each extra figure. The little bags of turmeric representing the ancestors are then taken from the main beam of the house and carried with the mūnda to the burial-place. There a goat is sacrificed and these articles are besmeared with its blood, after which a feast is held accompanied by singing and dancing. Next day the party again go to the burial-place and plant the mūnda in it, placing two pice in the hole beneath it. They then proceed to the riverside, and, making a little ball from the flesh of the sacrificed animal, place it together with the bags of turmeric on a leaf platter, and throw the whole into the river saying, ‘Ancestors, find your home.’ If the ball sinks at once they consider that the ancestors have been successful, but if any delay takes place, they attribute it to the difficulty experienced by the ancestors in the selection of a home and throw in two pice to assist them. The pith of a bamboo may be substituted for turmeric to represent the bones. The dead are supposed to inhabit a village of their own similar to that in which they dwelt on earth and to lead there a colourless existence devoid alike of pleasure and of pain.