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THE AUTHOR OF "ROBERT ELSMERE" ON A NEW REFORMATION[12]
[12] Guardian, 6th March 1889.
Mrs. Ward, in the Nineteenth Century, develops with warmth and force the theme and serious purpose of Robert Elsmere; and she does so, using the same literary method which she used, certainly with effect, in the story itself. Every age has its congenial fashion of discussing the great questions which affect, or seem to affect, the fate of mankind. According to the time and its circumstances, it is a Summa Theologiae, or a Divina Commedia, or a Novum Organum, or a Calvin's Institutes, or a Locke On the Understanding, or an Encyclopedia, or a Candide, which sets people thinking more than usual and comparing their thoughts. Long ago in the history of human questioning, Plato and Cicero discovered the advantages over dry argument of character and easy debate, and so much of story as clothed abstractions and hard notions with human life and affections. It is a weighty precedent. And as the prophetess of a "New Reformation" Mrs. Ward has reverted to what is substantially the same method. She is within her right. We do not blame her for putting her argument into the shape of a novel, and bringing out the points of her case in the trials and passionate utterances of imaginary persons, or in a conversation about their mental history. But she must take the good with the bad. Such a method has its obvious advantages, in freedom, and convenience, and range of illustration. It has its disadvantages. The dealer in imagination may easily become the unconscious slave of imagination; and, living in a self-constructed world, may come to forget that there is any other; and the temptation to unfairness becomes enormous when all who speak, on one side or the other, only speak as you make or let them speak.
It is to imagination that Robert Elsmere makes its main appeal, undoubtedly a powerful and pathetic one. It bids us ask ourselves what, with the phenomena before us, we can conceive possible and real. It implies, of course, much learning, with claims of victory in the spheres of history and science, with names great in criticism, of whom few readers probably can estimate the value, though all may be affected by the formidable array. But it is not in these things, as with a book like Supernatural Religion, that the gist of the argument lies. The alleged results of criticism are taken for granted; whether rightly or wrongly the great majority of readers certainly cannot tell. But then the effect of the book, or the view which it represents, begins. Imagine a man, pure-minded, earnest, sensitive, self-devoted, plunged into the tremendous questions of our time. Bit by bit he finds what he thought to be the truth of truths breaking away. In the darkness and silence with which nature covers all beyond the world of experience he thought he had found light and certainty from on high. He thought that he had assurances and pledges which could not fail him, that God was in the world, governed it, loved it, showed Himself in it He thought he had a great and authentic story to fall back upon, and a Sacred Book, which was its guaranteed witness, and by which God still spoke to his soul. He thought that, whatever he did not know, he knew this, and this was a hope to live and die in; with all that he saw round him, of pain and sin and misery, here was truth on which he could rest secure, in his fight with evil. Like the rest of us, he knew that terrible, far-reaching, heart-searching questions were abroad; that all that to him was sacred and unapproachable in its sanctity was not so to all—was not so, perhaps, to men whom he felt to be stronger and more knowing than himself—was not so, perhaps, to some who seemed to him to stand, in character and purpose, at a moral height above him. Still he thought himself in full possession of the truth which God had given him, till at length, in one way or another, the tide of questioning reached him. Then begins the long agony. He hears that what he never doubted is said to be incredible, and is absolutely given up. He finds himself bin-rounded by hostile powers of thought, by an atmosphere which insensibly but irresistibly governs opinion, by doubt and denial in the air, by keen and relentless intellect, before which he can only he silent; he sees and hears all round the disintegrating process going on in the creeds and institutions and intellectual statements of Christianity. He is assured, and sees some reason to believe it, that the intellect of the day is against him and his faith; and further, that unreality taints everything, belief and reasoning, and profession and conduct Step by step he is forced from one position and another; the process was a similar and a familiar one when the great Roman secession was going on fifty years ago. But now, in Robert Elsmere, comes the upshot. He is not landed, as some logical minds have been, which have gone through the same process, in mere unbelief or indifference. He is too good for that. Something of his old Christianity is too deeply engrained in him. He cannot go back from the moral standard to which it accustomed him. He will serve God in a Christian spirit and after the example of Christ, though not in what can claim to be called a Christian way. He is the beginner of one more of the numberless attempts to find a new mode of religion, purer than any of the old ones could be—of what Mrs. Ward calls in her new paper "A New Reformation."
In this paper, which is more distinctly a dialogue on the Platonic model, she isolates the main argument on which the story was based, but without any distinct reference to any of the criticisms on her book. Robert Elsmere rests on the achievements of historic criticism, chiefly German criticism. From the traditional, old-fashioned Christian way of regarding and using the old records which we call the Bible, the ground, we are told, is hopelessly and for ever cut away by German historical criticism. And the difference between the old and the modern way of regarding and using them is expressed by the difference between bad translation and good; the old way of reading, quoting, and estimating ancient documents of all kinds was purblind, lifeless, narrow, mechanical, whereas the modern comparative and critical method not only is more sure in important questions of authenticity, but puts true life and character and human feeling and motives into the personages who wrote these documents, and of whom they speak. These books were entirely misunderstood, even if people knew the meaning of their words; now, at last, we can enter into their real spirit and meaning. And where such a change of method and point of view, as regards these documents, is wholesale and sweeping, it involves a wholesale and sweeping change in all that is founded on them. Revised ideas about the Bible mean a revised and reconstructed Christianity—"A New Reformation."
Mrs. Ward lays more stress than everybody will agree to on what she likens to the difference between good translation and bad, in dealing with the materials of history. Doubtless, in our time, the historical imagination, like the historical conscience, has been awakened. In history, as in other things, the effort after the real and the living has been very marked; it has sometimes resulted, as we know, in that parading of the real which we call the realistic. The mode of telling a story or stating a case varies, even characteristically, from age to age, from Macaulay to Hume, from Hume to Rapin, from Rapin to Holinshed or Hall; but after all, the story in its main features remains, after allowing for the differences in the mode of presenting it. German criticism, to which we are expected to defer, has its mode. It combines two elements—a diligent, searching, lawyer-like habit of cross-examination, laborious, complete and generally honest, which, when it is not spiteful or insolent, deserves all the praise it receives; but with it a sense of the probable, in dealing with the materials collected, and a straining after attempts to construct theories and to give a vivid reality to facts and relations, which are not always so admirable; which lead, in fact, sometimes to the height of paradox, or show mere incapacity to deal with the truth and depth of life, or make use of a poor and mean standard—mesquin would be the French word—in the interpretation of actions and aims. It has impressed on us the lesson—not to be forgotten when we read Mrs. Ward's lists of learned names—that weight and not number is the test of good evidence. German learning is decidedly imposing. But after all there are Germans and Germans; and with all that there has been of great in German work there has been also a large proportion of what is bad—conceited, arrogant, shallow, childish. German criticism has been the hunting-ground of an insatiable love of sport—may we not say, without irreverence, the scene of the discovery of a good many mares' nests? When the question is asked, why all this mass of criticism has made so little impression on English thought, the answer is, because of its extravagant love of theorising, because of its divergences and variations, because of its negative results. Those who have been so eager to destroy have not been so successful in construction. Clever theories come to nothing; streams which began with much noise at last lose themselves in the sand. Undoubtedly, it presents a very important, and, in many ways, interesting class of intellectual phenomena, among the many groups of such inquiries, moral, philosophical, scientific, political, social, of which the world is full, and of which no sober thinker expects to see the end. If this vaunted criticism is still left to scholars, it is because it is still in the stage in which only scholars are competent to examine and judge it; it is not fit to be a factor in the practical thought and life of the mass of mankind. Answers, and not merely questions, are what we want, who have to live, and work, and die. Criticism has pulled about the Bible without restraint or scruple. We are all of us steeped in its daring assumptions and shrewd objections. Have its leaders yet given us an account which it is reasonable to receive, clear, intelligible, self-consistent and consistent with all the facts, of what this mysterious book is?
Meanwhile, in the face of theories and conjectures and negative arguments, there is something in the world which is fact, and hard fact. The Christian Church is the most potent fact in the most important ages of the world's progress. It is an institution like the world itself, which has grown up by its own strength and according to its own principle of life, full of good and evil, having as the law of its fate to be knocked about in the stern development of events, exposed, like human society, to all kinds of vicissitudes and alternations, giving occasion to many a scandal, and shaking the faith and loyalty of many a son, showing in ample measure the wear and tear of its existence, battered, injured, sometimes degenerate, sometimes improved, in one way or another, since those dim and long distant days when its course began; but showing in all these ways what a real thing it is, never in the extremity of storms and ruin, never in the deepest degradation of its unfaithfulness, losing hold of its own central unchanging faith, and never in its worst days of decay and corruption losing hold of the power of self-correction and hope of recovery. Solvitur ambulando is an argument to which Mrs. Ward appeals, in reply to doubts about the solidity of the "New Reformation." It could be urged more modestly if the march of the "New Reformation" had lasted for even half of one of the Christian centuries. The Church is in the world, as the family is in the world, as the State is in the world, as morality is in the world, a fact of the same order and greatness. Like these it has to make its account with the "all-dissolving" assaults of human thought. Like these it has to prove itself by living, and it does do so. In all its infinite influences and ministries, in infinite degrees and variations, it is the public source of light and good and hope. If there are select and aristocratic souls who can do without it, or owe it nothing, the multitude of us cannot. And the Christian Church is founded on a definite historic fact, that Jesus Christ who was crucified rose from the dead; and, coming from such an author, it comes to us, bringing with it the Bible. The fault of a book like Robert Elsmere is that it is written with a deliberate ignoring that these two points are not merely important, but absolutely fundamental, in the problems with which it deals. With these not faced and settled it is like looking out at a prospect through a window of which all the glass is ribbed and twisted, distorting everything. It may be that even yet we imperfectly understand our wondrous Bible. It may be that we have yet much to learn about it. It may be that there is much that is very difficult about it. Let us reverently and fearlessly learn all we can about it. Let us take care not to misuse it, as it has been terribly misused. But coming to us from the company and with the sanction of Christ risen, it never can be merely like other books. A so-called Christianity, ignoring or playing with Christ's resurrection, and using the Bible as a sort of Homer, may satisfy a class of clever and cultivated persons. It may be to them the parent of high and noble thoughts, and readily lend itself to the service of mankind. But it is well in so serious a matter not to confuse things. This new religion may borrow from Christianity as it may borrow from Plato, or from Buddhism, or Confucianism, or even Islam. But it is not Christianity. Robert Elsmere may be true to life, as representing one of those tragedies which happen in critical moments of history. But a Christianity which tells us to think of Christ doing good, but to forget and put out of sight Christ risen from the dead, is not true to life. It is as delusive to the conscience and the soul as it is illogical to reason.