IX
I have sought to place before you what art may contribute to life. It will have become plain that while art is the natural and powerful ally of morality, it does not itself provide any guarantee of proper control; in the interests of goodness, on the whole, no man can surrender himself to it utterly. The good-will is not proved until, as Plato said, it is tried with enchantments, and found to be strong and true. Goodness can not be cast upon a man like a spell; it is a work of rational organization, and can not be had without discipline, efficiency, and service. But it is for art to surround life with fit auspices; to create an environment that reflects and forecasts its best achievements, thus both making a home for it and confirming its resolves.
Having modelled this moral criticism of art upon the method of Plato, I shall conclude with his familiar summary of all the wisdom and eloquence that there is in the matter:
Let our artists rather be those who are gifted to discern the true nature of beauty and grace; then will our youth dwell in the land of health, amid fair sights {213} and sounds; and beauty, the effluence of fair works, will visit the eye and ear, like a healthful breeze from a purer region, and insensibly draw the soul even in childhood into harmony with the beauty of reason.[21]
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