Shakespeare as a Dramatic Artist / A Popular Illustration of the Principles of Scientific Criticism

by Richard G. Moulton

INDEX OF SCENES

ILLUSTRATED IN THE FOREGOING CHAPTERS.

^*_*^* Clarendon type is used where the passage referred to approaches the character of an analysis of the scene.

JULIUS CÆSAR.

Act I.

• Sc. i. [180], [188]-[9].
• ii. [172], [178]-[80], [180], [189]-[91].
• iii. [191]-[4], [195]-[6].

Act II.

• Sc. i. [171]-[2], [172], [174], [175]-[6], [176], [180]-[1], [187], [191], [194].
• ii. [177], [194]-[5].
• iii. [196].
• iv. [196]-[7]

Act III.

• Sc. i. [172]-[3], [177], [177]-[8], [182], [183], [196]-[9], [285].
• ii. [175], [199]-[200].
• iii. [180], [200].

Act IV.

• Sc. i. [200].
• ii. and iii. [172], [173]-[4], [182], [200]-[1].

Act V.

• Scs. iii, v. [171], [172], [201].

KING LEAR.

Act I.

• Sc. i. [203]-[5], [206], [285].
• ii. [206].
• iv. [210], [220]-[1].
• v. [210]-[1], [221]-[2].

Act II.

• Sc. i. [283].
• ii. [258], note.
• iv. [209], [211]-[4], [222]-[3], [283].

Act III.

• Sc. i. [209], [214], [215], [223].
• ii. [209], [215], [223].
• iii. [209], [215], [216].
• iv. [209], [215], [216], [217]-[8], [223], [285].
• v. [209], [283].
• vi. [207], [209].
• vii. [209], [216], [247].

Act IV.

• Sc. i. [216], [217].
• vi. [215].

Act V.

• Sc. iii. [208], [215], [259].

MACBETH.

Act I.

• Sc. iii. [135], [136], [141], [154], [158]-[9], [244], [263]-[4].
• iv. [135], [150]-[1], [244], [260].
• v. [149]-[50], [156], [159]-[60].
• vii. [151]-[3], [157], [160]-[1].

Act II.

• Sc. i. [153]-[4].
• ii. [154], [155], [161]-[3], [244].
• iii. [139]-[40], [163]-[4], [253], [260].
• iv. [140], [164].

Act III.

• Sc. i. [129], [154], [164]-[5].
• ii. [154], [164]-[5], [244].
• iii. [127], [285].
• iv. [130], [154], [165]-[6], [285].
• v. [262], [264].
• vi. [128]-[9].

Act IV.

• Sc. i. [130], [135]-[6], [140], [167], [264].
• ii. [130], [140].
• iii. [140]-[1].

Act V.

• Sc. i. [166]-[7].
• iii. [167].
• v. [167].
• vii. and viii. [130], [167], [285].

MERCHANT OF VENICE.

Act I.

• Sc. i. [48], [61], [70], [76].
• ii. [54], [56], [70].
• iii. [48]-[9], [61]-[4], [262].

Act II.

• Sc. i. [53].
• ii. [76].
• iii. [76], [84].
• iv. [84], [85].
• v. [60], [76], [83].
• vi. [84], [85].
• vii. [53], [55].
• viii. [78].
• ix. [55]-[6].

Act III.

• Sc. i. [60], [76], [78], [79], [85].
• ii. [54]-[5], [56], [67]-[9], [76], [78].
• iii. [60], [76], [78].
• iv. [85], [86].
• v. [76], [85].

Act IV.

• Scs. i. and ii. [49]-[51], [60], [64]-[6], [70]-[3], [80], [87]-[8], [88]-[9], [254], [257], [285].

Act V.

• Sc. i. [85], [247].

RICHARD III.

Act I.

• Sc. i. [92]-3, [96], [100], [101], [123].
• ii. [93], [94], [96], [97]-[8], [99], [101], [102], [103]-[4], [113].
• iii. [95], [96], [111]-[3], [115].
• iv. [108], [114], [116], [240]-[1].

Act II.

• Sc. i. [99], [101], [108], [116], [117]-[8].
• ii. [95], [100], [109], [111]-[2].

Act III.

• Sc. i. [91], [99], [100].
• ii. [109], [117], [249].
• iii. [114], [115], [120], [285].
• iv. [98], [100], [114], [115].
• v, vii. [96], [99].

Act IV.

• Sc. i. [104], [111]-[2], [116].
• ii. [110], [262], [280], [285].
• iii. [94], [120]-[1].
• iv. [91], [95], [111]-[2], [115], [121]-[2].

Act V.

• Sc. i. [115], [118].
• iii. [95], [122]-[3].
• iv. and v. [123].

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[Corrections.]

The first line indicates the original, the second the correction.

p. [64]:

• It has further been ushered in in a manner
• It has further been ushered in a manner

p. [310]:

• his inability to bear suspense 154, 160, 162, 163, 163, 164-5, 243-5.
• his inability to bear suspense 154, 160, 162, 163, 164-5, 243-5.