HER MUFFE.
I.
Twas not for some calm blessing to deceive,
Thou didst thy polish'd hands in shagg'd furs weave;
It were no blessing thus obtain'd;
Thou rather would'st a curse have gain'd,
Then let thy warm driven snow be ever stain'd.
II.
Not that you feared the discolo'ring cold
Might alchymize their silver into gold;
Nor could your ten white nuns so sin,
That you should thus pennance them in,
Each in her coarse hair smock of discipline.
III.
Nor, Hero-like who, on their crest still wore
A lyon, panther, leopard, or a bore,
To looke their enemies in their herse,
Thou would'st thy hand should deeper pierce,
And, in its softness rough, appear more fierce.
IV.
No, no, LUCASTA, destiny decreed,
That beasts to thee a sacrifice should bleed,
And strip themselves to make you gay:
For ne'r yet herald did display
A coat, where SABLES upon ERMIN lay.
V.
This for lay-lovers, that must stand at dore,
Salute the threshold, and admire no more;
But I, in my invention tough,
Rate not this outward bliss enough,
But still contemplate must the hidden muffe.
A BLACK PATCH<65.1> ON LUCASTA'S FACE.
Dull as I was, to think that a court fly
Presum'd so neer her eye;
When 'twas th' industrious bee
Mistook her glorious face for paradise,
To summe up all his chymistry of spice;
With a brave pride and honour led,
Neer both her suns he makes his bed,
And, though a spark, struggles to rise as red.
Then aemulates the gay
Daughter of day;
Acts the romantick phoenix' fate,
When now, with all his sweets lay'd out in state,
LUCASTA scatters but one heat,
And all the aromatick pills do sweat,
And gums calcin'd themselves to powder beat,
Which a fresh gale of air
Conveys into her hair;
Then chaft, he's set on fire,
And in these holy flames doth glad expire;
And that black marble tablet there
So neer her either sphere
Was plac'd; nor foyl, nor ornament,
But the sweet little bee's large monument.
<65.1> The following is a poet's lecture to the ladies of his time on the long prevailing practice of wearing patches, in which it seems that Lucasta acquiesced:—
BLACK PATCHES.
VANITAS VANITATUM.
LADIES turn conjurers, and can impart
The hidden mystery of the black art,
Black artificial patches do betray;
They more affect the works of night than day.
The creature strives the Creator to disgrace,
By patching that which is a perfect face:
A little stain upon the purest dye
Is both offensive to the heart and eye.
Defile not then with spots that face of snow,
Where the wise God His workmanship doth show,
The light of nature and the light of grace
Is the complexion for a lady's face.
FLAMMA SINE FUMO, by R. Watkyns, 1662, p. 81.
In a poem entitled THE BURSSE OF REFORMATION, in praise of the New Exchange, printed in WIT RESTORED, 1658, patches are enumerated among the wares of all sorts to be procured there:—
"Heer patches are of every cut,
For pimples and for scars."
They were also used for rheum, as appears from a passage in
WESTWARD HOE, 1607:—
"JUDITH. I am so troubled with the rheum too. Mouse, what's
good for it?
HONEY. How often I have told you you must get a patch."
Webster's WORKS, ed. Hazlitt, i. 87. See
Durfey's PILLS TO PURGE MELANCHOLY, v. 197.
"Mrs. Pepys wore patches, and so did my Lady Sandwich and her daughter."—DIARY, 30 Aug. and 20 Oct. 1660.