E. PHILLIPS OPPENHEIM—continued

A DAUGHTER OF THE MARIONIS.

The Scotsman.—“Mr. Oppenheim’s stories always display much melodramatic power and considerable originality and ingenuity of construction. These and other qualities of the successful writer of romance are manifest in ‘A Daughter of the Marionis.’”

THE MYSTERY OF MR. BERNARD BROWN.

The Aberdeen Daily Journal.—“The story is rich in sensational incident and dramatic situations. It is seldom, indeed, that we meet with a novel of such power and fascination.”

THE MAN AND HIS KINGDOM.

The Freeman’s Journal.—“The story is worthy of Merriman at his very best. It is a genuine treat for the ravenous and often disappointed novel reader.”

THE WORLD’S GREAT SNARE.

The World.—“It is full of dramatic incidents, thoroughly exciting and realistic. There is not one dull page from beginning to end.”

A MONK OF CRUTA.

The Bookman.—“Intensely dramatic. The book is an achievement at which the author may well be gratified.”

MYSTERIOUS MR. SABIN.

The Literary World.—“As a story of interest, with a deep-laid and exciting plot, this of the ‘Mysterious Mr. Sabin’ can hardly be surpassed.”

A MILLIONAIRE OF YESTERDAY.

The Daily Telegraph.—“We cannot but welcome with enthusiasm a really well-told story like ‘A Millionaire of Yesterday.’”

THE SURVIVOR.

The Nottingham Guardian.—“We must give a conspicuous place on its merits to this excellent story. It is only necessary to read a page or two in order to become deeply interested.”

THE GREAT AWAKENING.

The Yorkshire Post.—“A weird and fascinating story, which for real beauty and originality, ranks far above the ordinary novel.”

FOR THE QUEEN.

Modern Society.—“The fame of Mr. Oppenheim is world wide, and in ‘For the Queen’ the author lives up to the highest traditions of his reputation as a writer of fiction.”

THOSE OTHER DAYS.

Mr. Oppenheim ranges with assured mastery from grave to gay, while diplomatic scandals and political intrigues are woven with that delicate skill which we expect from him as a sort of right.

EXPIATION.

Mr. Oppenheim is one of the cleverest weavers of plots who write the English language, and he has many examples of his skill. “Expiation” is quite one of his best.


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