ACT II

Scene. The Library.

Enter Lord Tresham, hastily.

Tresh. This way! In, Gerard, quick!

[As Gerard enters, Tresham secures the door.

Now speak! or, wait—

I'll bid you speak directly. [Seats himself.

Now repeat

Firmly and circumstantially the tale

You just now told me; it eludes me; either

I did not listen, or the half is gone

Away from me. How long have you lived here?

Here in my house, your father kept our woods

Before you?

Ger. —As his father did, my lord.

I have been eating, sixty years almost,

Your bread.

Tresh. Yes, yes. You ever were of all

The servant in my father's house, I know,

The trusted one. You'll speak the truth.

Ger. I 'll speak

God's truth. Night after night ...

Tresh. Since when?

Ger. At least

A month—each midnight has some man access

To Lady Mildred's chamber.

Tresh. Tush, "access"—

No wide words like "access" to me!

Ger. He runs

Along the woodside, crosses to the south,

Takes the left tree that ends the avenue ...

Tresh. The last great yew-tree?

Ger. You might stand upon

The main boughs like a platform. Then he ...

Tresh. Quick!

Ger. Climbs up, and, where they lessen at the top,

—I cannot see distinctly, but he throws,

I think—for this I do not vouch—a line

That reaches to the lady's casement—

Tresh. —Which

He enters not! Gerard, some wretched fool

Dares pry into my sister's privacy!

When such are young, it seems a precious thing

To have approached,—to merely have approached,

Got sight of, the abode of her they set

Their frantic thoughts upon! He does not enter?

Gerard?

Ger. There is a lamp that 's full i' the midst,

Under a red square in the painted glass

Of Lady Mildred's ...

Tresh. Leave that name out! Well?

That lamp?

Ger. —Is moved at midnight higher up

To one pane—a small dark-blue pane: he waits

For that among the boughs: at sight of that,

I see him, plain as I see you, my lord,

Open the lady's casement, enter there ...

Tresh. —And stay?

Ger. An hour, two hours.

Tresh. And this you saw

Once?—twice?—quick!

Ger. Twenty times.

Tresh. And what brings you

Under the yew-trees?

Ger. The first night I left

My range so far, to track the stranger stag

That broke the pale, I saw the man.

Tresh. Yet sent

No cross-bow shaft through the marauder?

Ger. But

He came, my lord, the first time he was seen,

In a great moonlight, light as any day,

From Lady Mildred's chamber.

Tresh. [After a pause.] You have no cause

—Who could have cause to do my sister wrong?

Ger. Oh, my lord, only once—let me this once

Speak what is on my mind! Since first I noted

All this, I've groaned as if a fiery net

Plucked me this way and that—fire if I turned

To her, fire if I turned to you, and fire

If down I flung myself and strove to die.

The lady could not have been seven years old

When I was trusted to conduct her safe

Through the deer-herd to stroke the snow-white fawn

I brought to eat bread from her tiny hand

Within a month. She ever had a smile

To greet me with—she ... if it could undo

What's done, to lop each limb from off this trunk ...

All that is foolish talk, not fit for you—

I mean, I could not speak and bring her hurt

For Heaven's compelling. But when I was fixed

To hold my peace, each morsel of your food

Eaten beneath your roof, my birth-place too,

Choked me. I wish I had grown mad in doubts

What it behoved me do. This morn it seemed

Either I must confess to you, or die:

Now it is done, I seem the vilest worm

That crawls, to have betrayed my lady!

Tresh. No—

No, Gerard!

Ger. Let me go!

Tresh. A man, you say:

What man? Young? Not a vulgar hind? What dress?

Ger. A slouched hat and a large dark foreign cloak

Wraps his whole form; even his face is hid;

But I should judge him young: no hind, be sure!

Tresh. Why?

Ger. He is ever armed: his sword projects

Beneath the cloak.

Tresh. Gerard,—I will not say

No word, no breath of this!

Ger. Thanks, thanks, my lord! [Goes.

Tresham paces the room. After a pause,

Oh, thought's absurd!—as with some monstrous fact

Which, when ill thoughts beset us, seems to give

Merciful God that made the sun and stars.

The waters and the green delights of earth,

The lie! I apprehend the monstrous fact—

Yet know the maker of all worlds is good,

And yield my reason up inadequate

To reconcile what yet I do behold—

Blasting my sense! There's cheerful day outside:

This is my library, and this the chair

My father used to sit in carelessly

After his soldier-fashion, while I stood

Between his knees to question him: and here

Gerard our gray retainer,—as he says,

Fed with our food, from sire to son, an age—

Has told a story—I am to believe!

That Mildred ... oh, no, no! both tales are true,

Her pure cheek's story and the forester's!

Would she, or could she, err—much less, confound

All guilts of treachery, of craft, of ... Heaven

Keep me within its hand!—I will sit here

Until thought settle and I see my course.

Avert, O God, only this woe from me!

[As he sinks his head between his arms on the table, Gwendolen's voice is heard at the door.

Lord Tresham! [She knocks.] Is Lord Tresham there?

[Tresham, hastily turning, pulls down the first book above him and opens it.

Tresh. Come in! [She enters.

Ha, Guendolen!—good morning.

Guen. Nothing more?

Tresh. What should I say more?

Guen. Pleasant question! more?

This more. Did I besiege poor Mildred's brain

Last night till close on morning with "the Earl,"

"The Earl"—whose worth did I asseverate

Till I am very fain to hope that ... Thorold,

What is all this? You are not well!

Tresh. Who, I?

You laugh at me.

Guen. Has what I'm fain to hope,

Arrived then? Does that huge tome show some blot

In the Earl's 'scutcheon come no longer back

Than Arthur's time?

Tresh. When left you Mildred's chamber?

Guen. Oh, late enough, I told you! The main thing

To ask is, how I left her chamber,—sure,

Content yourself, she'll grant this paragon

Of Earls no such ungracious ...

Tresh. Send her here!

Guen. Thorold?

Tresh. I mean—acquaint her, Guendolen,

—But mildly!

Guen. Mildly?

Tresh. Ah, you guessed aright!

I am not well: there is no hiding it.

But tell her I would see her at her leisure—

That is, at once! here in the library!

The passage in that old Italian book

We hunted for so long is found, say, found—

And if I let it slip again ... you see,

That she must come—and instantly!

Guen. I'll die

Piecemeal, record that, if there have not gloomed

Some blot i' the 'scutcheon!

Tresh. Go! or, Guendolen,

Be you at call,—with Austin, if you choose,—

In the adjoining gallery! There, go:

[Guendolen goes.

Another lesson to me! You might bid

A child disguise his heart's sore, and conduct

Some sly investigation point by point

With a smooth brow, as well as bid me catch

The inquisitorial cleverness some praise!

If you had told me yesterday, "There's one

You needs must circumvent and practise with,

Entrap by policies, if you would worm

The truth out: and that one is—Mildred!" There,

There—reasoning is thrown away on it!

Prove she's unchaste ... why, you may after prove

That she's a poisoner, traitress, what you will!

Where I can comprehend naught, naught's to say,

Or do, or think! Force on me but the first

Abomination,—then outpour all plagues,

And I shall ne'er make count of them!

(Enter Mildred.)

Mil.. What book

Is it I wanted, Thorold? Guendolen

Thought you were pale; you are not pale. That book?

That's Latin surely.

Tresh.. Mildred, here's a line,

(Don't lean on me: I'll English it for you)

"Love conquers all things." What love conquers them?

What love should you esteem—best love?

Mil. True love.

Tresh. I mean, and should have said, whose love is best

Of all that love or that profess to love?

Mil. The list's so long: there's father's, mother's, husband's ...

Tresh. Mildred, I do believe a brother's love

For a sole sister must exceed them all.

For see now, only see! there's no alloy

Of earth that creeps into the perfect'st gold

Of other loves—no gratitude to claim;

You never gave her life, not even aught

That keeps life—never tended her, instructed,

Enriched her—so, your love can claim no right

O'er her save pure love's claim: that's what I call

Freedom from earthliness. You'll never hope

To be such friends, for instance, she and you,

As when you hunted cowslips in the woods

Or played together in the meadow hay.

Oh yes—with age, respect comes, and your worth

Is felt, there's growing sympathy of tastes,

There's ripened friendship, there's confirmed esteem:—Much

head these make against the new-comer!

The startling apparition, the strange youth—

Whom one half-hour's conversing with, or, say,

Mere gazing at, shall change (beyond all change

This Ovid ever sang about) your soul

... Her soul, that is,—the sister's soul! With her

'T was winter yesterday; now, all is warmth,

The green leaf 's springing and the turtle's voice,

"Arise and come away!" Come whither?—far

Enough from the esteem, respect, and all

The brother's somewhat insignificant

Array of rights! All which he knows before,

Has calculated on so long ago!

I think such love, (apart from yours and mine,)

Contented with its little term of life,

Intending to retire betimes, aware

How soon the background must be place for it,

—I think, am sure, a brother's love exceeds

All the world's love in its unworldliness.

Mil. What is this for?

Tresh. This, Mildred, is it for!

Or, no, I cannot go to it so soon!

That's one of many points my haste left out—

Each day, each hour throws forth its silk-slight film

Between the being tied to you by birth,

And you, until those slender threads compose

A web that shrouds her daily life of hopes

And fears and fancies, all her life, from yours:

So close you live and yet so far apart!

And must I rend this web, tear up, break down

The sweet and palpitating mystery

That makes her sacred? You—for you I mean,

Shall I speak, shall I not speak?

Mil. Speak!

Tresh. I will,

Is there a story men could—any man

Could tell of you, you would conceal from me?

I'll never think there 's falsehood on that lip.

Say "There is no such story men could tell,"

And I'll believe you, though I disbelieve

The world—the world of better men than I,

And women such as I suppose you. Speak!

[After a pause.] Not speak? Explain then! Clear it up then! Move

Some of the miserable weight away

That presses lower than the grave! Not speak?

Some of the dead weight, Mildred! Ah, if I

Could bring myself to plainly make their charge

Against you! Must I, Mildred? Silent still?

[After a pause.] Is there a gallant that has night by night

Admittance to your chamber?

[After a pause.] Then, his name!

Till now, I only had a thought for you:

But now,—his name!

Mil. Thorold, do you devise

Fit expiation for my guilt, if fit

There be! 'T is naught to say that I'll endure

And bless you,—that my spirit yearns to purge

Her stains off in the fierce renewing fire:

But do not plunge me into other guilt!

Oh, guilt enough! I cannot tell his name.

Tresh. Then judge yourself! How should I act? Pronounce!

Mil. Oh, Thorold, you must never tempt me thus!

To die here in this chamber by that sword

Would seem like punishment: so should I glide,

Like an arch-cheat, into extremest bliss!

'T were easily arranged for me: but you—

What would become of you?

Tresh. And what will now

Become of me? I'll hide your shame and mine

From every eye; the dead must heave their hearts

Under the marble of our chapel-floor;

They cannot rise and blast you. You may wed

Your paramour above our mother's tomb;

Our mother cannot move from 'neath your foot.

We too will somehow wear this one day out:

But with to-morrow hastens here—the Earl!

The youth without suspicion face can come

From heaven, and heart from ... whence proceed such hearts?

I have dispatched last night at your command

A missive bidding him present himself

To-morrow—here—thus much is said; the rest

Is understood as if 't were written down—

"His suit finds favor in your eyes." Now dictate

This morning's letter that shall countermand

Last night's—do dictate that!

Mil. But, Thorold—if

I will receive him as I said?

Tresh. The Earl?

Mil. I will receive him.

Tresh. [Starting up.] Ho there! Guendolen!

(Guendolen and Austin enter.)

And, Austin, you are welcome, too! Look there!

The woman there!

Aus. and Guen. How? Mildred?

Tresh. Mildred once!

Now the receiver night by night, when sleep

Blesses the inmates of her father's house,

—I say, the soft sly wanton that receives

Her guilt's accomplice 'neath this roof which holds

You, Guendolen, you, Austin, and has held

A thousand Treshams—never one like her!

No lighter of the signal-lamp her quick

Foul breath near quenches in hot eagerness

To mix with breath as foul! no loosener

O' the lattice, practised in the stealthy tread,

The low voice and the noiseless come-and-go!

Not one composer of the bacchant's mien

Into—what you thought Mildred's, in a word!

Know her!

Guen. Oh, Mildred, look to me, at least!

Thorold—she's dead, I'd say, but that she stands

Rigid as stone and whiter!

Tresh. You have heard ...

Guen. Too much! You must proceed no further.

Mil. Yes—

Proceed! All's truth. Go from me!

Tresh.. All is truth,

She tells you! Well, you know, or ought to know,

All this I would forgive in her. I'd con

Each precept the harsh world enjoins, I'd take

Our ancestors' stern verdicts one by one,

I'd bind myself before them to exact

The prescribed vengeance—and one word of hers,

The sight of her, the bare least memory

Of Mildred, my one sister, my heart's pride

Above all prides, my all in all so long,

Would scatter every trace of my resolve.

What were it silently to waste away

And see her waste away from this day forth,

Two scathèd things with leisure to repent,

And grow acquainted with the grave, and die

Tired out if not at peace, and be forgotten?

It were not so impossible to bear.

But this—that, fresh from last night's pledge renewed

Of love with the successful gallant there,

She calmly bids me help her to entice,

Inveigle an unconscious trusting youth

Who thinks her all that's chaste and good and pure,

—Invites me to betray him ... who so fit

As honor's self to cover shame's arch-deed?

—That she'll receive Lord Mertoun—(her own phrase)—

This, who could bear? Why, you have heard of thieves,

Stabbers, the earth's disgrace, who yet have laughed,

"Talk not to me of torture—I'll betray

No comrade I've pledged faith to!"—you have heard

Of wretched women—all but Mildreds—tied

By wild illicit ties to losels vile

You'd tempt them to forsake; and they'll reply

"Gold, friends, repute, I left for him, I find

In him, why should I leave him then for gold,

Repute or friends?"—and you have felt your heart

Respond to such poor outcasts of the world

As to so many friends; bad as you please,

You've felt they were God's men and women still,

So, not to be disowned by you. But she

That stands there, calmly gives her lover up

As means to wed the Earl that she may hide

Their intercourse the surelier: and, for this,

I curse her to her face before you all.

Shame hunt her from the earth! Then Heaven do right

To both! It hears me now—shall judge her then!

[As Mildred faints and falls, Tresham rushes out.

Aus. Stay, Tresham, we'll accompany you!

Guen. We?

What, and leave Mildred? We? Why, where's my place

But by her side, and where yours but by mine?

Mildred—one word! Only look at me, then!

Aus. No, Guendolen! I echo Thorold's voice.

She is unworthy to behold ...

Guen. Us two?

If you spoke on reflection, and if I

Approved your speech—if you (to put the thing

At lowest) you the soldier, bound to make

The king's cause yours and fight for it, and throw

Regard to others of its right or wrong,

—If with a death-white woman you can help,

Let alone sister, let alone a Mildred,

You left her—or if I, her cousin, friend

This morning, playfellow but yesterday,

Who said, or thought at least a thousand times,

"I'd serve you if I could," should now face round

And say, "Ah, that's to only signify

I'd serve you while you're fit to serve yourself,

So long as fifty eyes await the turn

Of yours to forestall its yet half-formed wish,

I'll proffer my assistance you'll not need—

When every tongue is praising you, I'll join

The praisers' chorus—when you're hemmed about

With lives between you and detraction—lives

To be laid down if a rude voice, rash eye,

Rough hand should violate the sacred ring

Their worship throws about you,—then indeed,

Who'll stand up for you stout as I?" If so

We said, and so we did,—not Mildred there

Would be unworthy to behold us both,

But we should be unworthy, both of us,

To be beheld by—-by—your meanest dog,

Which, if that sword were broken in your face

Before a crowd, that badge torn off your breast,

And you cast out with hooting and contempt,

—Would push his way through all the hooters, gain

Your side, go off with you and all your shame

To the next ditch you choose to die in! Austin,

Do you love me? Here's Austin, Mildred,—here's

Your brother says he does not believe half—-

No, nor half that—of all he heard! He says,

Look up and take his hand!

Aus. Look up and take

My hand, dear Mildred!

Mil. I—I was so young!

Beside, I loved him, Thorold—and I had

No mother; God forgot me: so, I fell.

Guen. Mildred!

Mil. Require no further! Did I dream

That I could palliate what is done? All's true.

Now, punish me! A woman takes my hand?

Let go my hand! You do not know, I see.

I thought that Thorold told you.

Guen. What is this?

Where start you to?

Mil. Oh, Austin, loosen me!

You heard the whole of it—your eyes were worse,

In their surprise, than Thorold's! Oh, unless

You stay to execute his sentence, loose

My hand! Has Thorold gone, and are you here?

Guen. Here, Mildred, we two friends of yours will wait

Your bidding; be you silent, sleep or muse!

Only, when you shall want your bidding done,

How can we do it if we are not by?

Here's Austin waiting patiently your will!

One spirit to command, and one to love

And to believe in it and do its best,

Poor as that is, to help it—why, the world

Has been won many a time, its length and breadth,

By just such a beginning!

Mil. I believe

If once I threw my arms about your neck

And sunk my head upon your breast, that I

Should weep again.

Guen. Let go her hand now, Austin!

Wait for me. Pace the gallery and think

On the world's seemings and realities,

Until I call you. [Austin goes.

Mil. No—I cannot weep.

No more tears from this brain—no sleep—no tears!

O Guendolen, I love you!

Guen. Yes: and "love"

Is a short word that says so very much!

It says that you confide in me.

Mil. Confide!

Guen. Your lover's name, then! I've so much to learn,

Ere I can work in your behalf!

Mil. My friend,

You know I cannot tell his name.

Guen. At least

He is your lover? and you love him too?

Mil. Ah, do you ask me that?—but I am fallen

So low!

Guen. You love him still, then?

Mil. My sole prop

Against the guilt that crushes me! I say,

Each night ere I lie down, "I was so young—

I had no mother, and I loved him so!"

And then God seems indulgent, and I dare

Trust him my soul in sleep.

Guen. How could you let us

E'en talk to you about Lord Mertoun then?

Mil. There is a cloud around me.

Guen. But you said

You would receive his suit in spite of this?

Mil. I say there is a cloud ...

Guen. No cloud to me!

Lord Mertoun and your lover are the same!

Mil. What maddest fancy ...

Guen. [Calling aloud.] Austin! (spare your pains—

When I have got a truth, that truth I keep)—

Mil. By all you love, sweet Guendolen, forbear!

Have I confided in you ...

Guen. Just for this!

Austin!—Oh, not to guess it at the first!

But I did guess it—that is, I divined,

Pelt by an instinct how it was: why else

Should I pronounce you free from all that heap

Of sins which had been irredeemable?

I felt they were not yours—what other way

Than this, not yours? The secret's wholly mine!

Mil. If you would see me die before his face ...

Guen. I'd hold my peace! And if the Earl returns

To-night?

Mil. Ah Heaven, he's lost!

Guen. I thought so. Austin!

(Enter Austin.)

Oh, where have you been hiding?

Aus. Thorold's gone,

I know not how, across the meadow-land.

I watched him till I lost him in the skirts

O' the beech-wood.

Guen. Gone? All thwarts us.

Mil. Thorold too?

Guen. I have thought. First lead this Mildred to her room.

Go on the other side: and then we'll seek

Your brother: and I'll tell you, by the way,

The greatest comfort in the world. You said

There was a clue to all. Remember, Sweet,

He said there was a clue! I hold it. Come!