| 1833. | Pauline: A Fragment of a Confession. |
| 1835. | Paracelsus. |
| 1837. | Strafford: An Historical Tragedy. |
| 1840. | Sordello. |
| 1841. | Bells and Pomegranates. No. I. Pippa Passes. |
| 1842. | Bells and Pomegranates. No. II. King Victor and King Charles. |
| 1843. | Bells and Pomegranates. No. III. Dramatic Lyrics. |
| Contents |
| | Cavalier Tunes: |
| | (1) Marching Along. |
| | (2) Give a Rouse. |
| | (3) My Wife Gertrude. |
| | Italy and France. |
| | Camp and Cloister. |
| | In a Gondola. |
| | Artemis Prologizes. |
| | Waring. |
| | Queen-Worship. |
| | (1) Rudel and the Lady of Tripoli. |
| | (2) Cristina. |
| | Madhouse Cells. |
| | Through the Metidja to Abd-el-Kadr. 1842. |
| | The Pied Piper of Hamelin. |
| 1843. | Bells and Pomegranates. No. IV. The Return of the Druses. A Tragedy in five Acts. |
| 1843. | Bells and Pomegranates. No. V. A Blot in the 'Scutcheon. A Tragedy in three Acts. |
| 1844. | Bells and Pomegranates. No. VI. Colombe's Birthday. A Play in five Acts. |
| 1845. | Bells and Pomegranates. No. VII. Dramatic Romances and Lyrics. |
| Contents |
| | "How they brought the Good News from Ghent to Aix." |
| | Pictor Ignotus. |
| | Italy in England. |
| | England in Italy. |
| | The Lost Leader. |
| | The Lost Mistress. |
| | Home Thoughts from Abroad. |
| | The Tomb at St. Praxed's. |
| | Garden Fancies: |
| | (1) The Flower's Name. |
| | (2) Sibrandus Schafnaburgensis. |
| | France and Spain: |
| | (1) The Laboratory. |
| | (2) The Confessional. |
| | The Flight of the Duchess. |
| | Earth's Immortalities. |
| | Song: "Nay "but you, who do not love her." |
| | The Boy and the Angel. |
| | Night and Morning. |
| | Claret and Tokay. |
| | Saul. |
| | Time's Revenges. |
| | The Glove. |
| 1846. | Bells and Pomegranates. No. VIII. and last. Luria; and A Soul's Tragedy. |
| 1850. | Christmas-Eve and Easter-Day. |
| 1855. | Cleon. |
| 1855. | The Statue and the Bust. |
| 1855. | Men and Women. In two volumes. |
| Contents. I. |
| | Love among the Ruins. |
| | A Lovers' Quarrel. |
| | Evelyn Hope. |
| | Up at a Villa—down in the City. (As Distinguished by an Italian Person of Quality.) |
| | A Woman's Last Word. |
| | Fra Lippo Lippi. |
| | A Toccata of Galuppi's. |
| | By the Fireside. |
| | Any Wife to Any Husband. |
| | An Epistle containing the Strange Medical Experience of Karshish, the Arab |
| | Physician. |
| | Mesmerism. |
| | A Serenade at the Villa. |
| | My Star. |
| | Instans Tyrannus. |
| | A Pretty Woman. |
| | "Childe Roland to the Dark Tower came." |
| | Respectability. |
| | A Light Woman. |
| | The Statue and the Bust. |
| | Love in a Life. |
| | Life in a Love. |
| | How it strikes a Contemporary. |
| | The Last Ride Together. |
| | The Patriot—An Old Story. |
| | Master Hugues of Saxe-Gotha. |
| | Bishop Blougram's Apology. |
| | Memorabilia. |
| Contents. II. |
| | Andrea del Sarto. (Called "The Faultless Painter.") |
| | Before. |
| | After. |
| | In Three Days. |
| | In a Year. |
| | Old Pictures in Florence. |
| | In a Balcony.—First Part. |
| | In a Balcony.—Second Part. |
| | In a Balcony.—Third Part. |
| | Saul. |
| | "De Gustibus—" |
| | Women and Roses. |
| | Protus. |
| | Holy-Cross Day. (On which the Jews were forced to attend an Annual Christian Sermon in Rome.) |
| | The Guardian-Angel: A Picture at Fano. |
| | Cleon. |
| | The Twins. |
| | Popularity. |
| | The Heretic's Tragedy. A Middle-Age Interlude. |
| | Two in the Campagna. |
| | A Grammarian's Funeral. |
| | One Way of Love. |
| | Another Way of Love. |
| | "Transcendentalism:" A Poem in Twelve Books. |
| | Misconceptions. |
| | One Word More. To E. B. B. |
| 1864. | Gold Hair: A Legend of Pornic. Dramatis Personæ. |
| Contents |
| | James Lee. |
| | Gold Hair: A Legend of Pornic. |
| | The Worst of it. |
| | Bis Aliter Visum; or, Le Byron de Nos Jours. |
| | Too Late. |
| | Abt Vogler. |
| | Rabbi Ben Ezra. |
| | A Death in the Desert. |
| | Caliban upon Setebos; or Natural Theology in the Island. |
| | Confessions. |
| | May and Death. |
| | Prospice. |
| | Youth and Art. |
| | A Face. |
| | A Likeness. |
| | Mr. Sludge, "The Medium." |
| | Apparent Failure. |
| | Epilogue. |
| 1868. | The Ring and the Book. |
| 1871. | Balaustion's Adventure: Including a Transcript from Euripides. |
| 1871. | Prince Hohenstiel-Schwangau, Saviour of Society. |
| 1872. | Fifine at the Fair. |
| 1873. | Red Cotton Night-cap Country, or Turf and Towers. |
| 1875. | Aristophanes' Apology: Including a Transcript from Euripides, Being the Last Adventure of Balaustion. |
| 1875. | The Inn Album. |
| 1876. | Pacchiarotto, and How he Worked in Distemper: with other Poems. |
| Contents |
| | Prologue. |
| | Of Pacchiarotto, and How he Worked in Distemper. |
| | At the "Mermaid." |
| | House. |
| | Shop. |
| | Pisgah-Sights. (1). |
| | Pisgah-Sights. (2). |
| | Fears and Scruples. |
| | Natural Magic. |
| | Magical Nature. |
| | Bifurcation. |
| | Numpholeptos. |
| | Appearances. |
| | St. Martin's Summer. |
| | Hervé Riel. |
| | A Forgiveness. |
| | Cenciaja. |
| | Filippo Baldinucci on the Privilege of Burial. |
| | Epilogue. |
| 1877. | The Agamemnon of Æschylus. |
| 1878. | La Saisiaz. The Two Poets of Croisic. |
| 1879. | Dramatic Idyls. |
| Contents |
| | Martin Relph. |
| | Pheidippides. |
| | Halbert and Hob. |
| | Ivàn Ivànovitch. |
| | Tray. |
| | Ned Bratts. |
| 1880. | Dramatic Idyls; Second Series. |
| Contents |
| | Echetlos. |
| | Clive. |
| | Muléykeh. |
| | Pietro of Abano. |
| | Doctor ——. |
| | Pan and Luna. |
| 1883. | Jocoseria. |
| Contents |
| | Wanting is—What? |
| | Donald. |
| | Solomon and Balkis. |
| | Cristina and Monaldeschi. |
| | Mary Wollstonecraft and Fuseli. |
| | Adam, Lilith, and Eve. |
| | Ixion. |
| | Jochanan Hakkadosh. |
| | Never the Time and the Place. |
| | Pambo. |
| 1884. | Ferishtah's Fancies. |
| Contents |
| | Prologue. |
| | The Eagle. |
| | The Melon-Seller. |
| | Shah Abbas. |
| | The Family. |
| | The Sun. |
| | Mihrab Shah. |
| | A Camel-Driver. |
| | Two Camels. |
| | Cherries. |
| | Plot Culture. |
| | A Pillar at Sebzevar. |
| | A Bean-Stripe: also Apple-Eating. |
| | Epilogue. |
| 1887. | Parleyings with certain People of importance in their day: To wit: Bernard de Mandeville, Daniel Bartoli, Christopher Smart, George Bubb Dodington, Francis Furini, Gerard de Lairesse, and Charles Avison. Introduced by A Dialogue between Apollo and the Fates; concluded by another between John Fust and his Friends. |
| 1890. | Asolando: Fancies and Facts. |
| Contents |
| | Prologue. |
| | Rosny. |
| | Dubiety. |
| | Now. |
| | Humility. |
| | Poetics. |
| | Summum Bonum. |
| | A Pearl, A. Girl. |
| | Speculative. |
| | White Witchcraft. |
| | Bad Dreams: I. |
| | " " II. |
| | " " III. |
| | " " IV. |
| | Inapprehensiveness. |
| | Which? |
| | The Cardinal and the Dog. |
| | The Pope and the Net. |
| | The Bean-Feast. |
| | Muckle-mouth Meg. |
| | Arcades Ambo. |
| | The Lady and the Painter. |
| | Ponte dell' Angelo, Venice. |
| | Beatrice Signorini. |
| | Flute-Music, with an Accompaniment. |
| | "Imperante Augusto natus est—" |
| | Development. |
| | Rephan. |
| | Reverie. |
| | Epilogue. |