TO MR. PETER HILL.
[“The ‘Address to Lochlomond,’ which this letter criticises,” says Currie in 1800, “was written by a gentleman, now one of the masters of the High-school of Edinburgh, and the same who translated the beautiful story of ‘The Paria,’ published in the Bee of Dr. Anderson.”]
Mauchline, 1st October, 1788.
I have been here in this country about three days, and all that time my chief reading has been the “Address to Lochlomond” you were so obliging as to send to me. Were I impannelled one of the author’s jury, to determine his criminality respecting the sin of poesy, my verdict should be “guilty! a poet of nature’s making!”. It is an excellent method for improvement, and what I believe every poet does, to place some favourite classic author in his own walks of study and composition, before him as a model. Though your author had not mentioned the name, I could have, at half a glance, guessed his model to be Thomson. Will my brother-poet forgive me, if I venture to hint that his imitation of that immortal bard is in two or three places rather more servile than such a genius as his required:—e.g.
“To soothe the maddening passions all to peace.”
Address.
“To soothe the throbbing passions into peace.”
Thomson.
I think the “Address” is in simplicity, harmony, and elegance of versification, fully equal to the “Seasons.” Like Thomson, too, he has looked into nature for himself: you meet with no copied description. One particular criticism I made at first reading; in no one instance has he said too much. He never flags in his progress, but, like a true poet of nature’s making kindles in his course. His beginning is simple and modest, as if distrustful of the strength of his pinion; only, I do not altogether like—
—————————————“Truth
The soul of every song that’s nobly great.”
Fiction is the soul of many a song that is nobly great. Perhaps I am wrong: this may be but a prose criticism. Is not the phrase in line 7, page 6, “Great lake,” too much vulgarized by every-day language for so sublime a poem?
“Great mass of waters, theme for nobler song,”
is perhaps no emendation. His enumeration of a comparison with other lakes is at once harmonious and poetic. Every reader’s ideas must sweep the
“Winding margin of an hundred miles.”
The perspective that follows mountains blue—the imprisoned billows beating in vain—the wooded isles—the digression on the yew-tree—“Ben-lomond’s lofty, cloud-envelop’d head,” &c. are beautiful. A thunder-storm is a subject which has been often tried, yet our poet in his grand picture has interjected a circumstance, so far as I know, entirely original:—
————————————“the gloom
Deep seam’d with frequent streaks of moving fire.”
In his preface to the Storm, “the glens how dark between,” is noble highland landscape! The “rain ploughing the red mould,” too, is beautifully fancied. “Ben-lomond’s lofty, pathless top,” is a good expression; and the surrounding view from it is truly great: the
——————“silver mist,
Beneath the beaming sun,”
is well described; and here he has contrived to enliven his poem with a little of that passion which bids fair, I think, to usurp the modern muses altogether. I know not how far this episode is a beauty upon the whole, but the swain’s wish to carry “some faint idea of the vision bright,” to entertain her “partial listening ear,” is a pretty thought. But in my opinion the most beautiful passages in the whole poem are the fowls crowding, in wintry frosts, to Lochlomond’s “hospitable flood;” their wheeling round, their lighting, mixing, diving, &c.; and the glorious description of the sportsman. This last is equal to anything in the “Seasons.” The idea of “the floating tribe distant seen, far glistering to the moon,” provoking his eye as he is obliged to leave them, is a noble ray of poetic genius. “The howling winds,” the “hideous roar” of the white cascades, are all in the same style.
I forget that while I am thus holding forth with the heedless warmth of an enthusiast, I am perhaps tiring you with nonsense. I must, however, mention that the last verse of the sixteenth page is one of the most elegant compliments I have ever seen. I must likewise notice that beautiful paragraph beginning, “The gleaming lake,” &c. I dare not go into the particular beauties of the last two paragraphs, but they are admirably fine, and truly Ossianic.
I must beg your pardon for this lengthened scrawl. I had no idea of it when I began—I should like to know who the author is; but, whoever he be, please present him with my grateful thanks for the entertainment he has afforded me.
A friend of mine desired me to commission for him two books, “Letters on the Religion essential to Man,” a book you sent me before; and “The World unmasked, or the Philosopher the greatest Cheat.” Send me them by the first opportunity. The Bible you sent me is truly elegant; I only wish it had been in two volumes.
R. B.