TO MR. THOMSON.
[The name of the friend who fell a sacrifice to those changeable times, has not been mentioned: it is believed he was of the west country.]
June, 1793.
When I tell you, my dear Sir, that a friend of mine in whom I am much interested, has fallen a sacrifice to these accursed times, you will easily allow that it might unhinge me for doing any good among ballads. My own loss as to pecuniary matters is trifling; but the total ruin of a much-loved friend is a loss indeed. Pardon my seeming inattention to your last commands.
I cannot alter the disputed lines in the “Mill Mill, O!”[222] What you think a defect, I esteem as a positive beauty; so you see how doctors differ. I shall now, with as much alacrity as I can muster, go on with your commands.
You know Frazer, the hautboy-player in Edinburgh—he is here, instructing a band of music for a fencible corps quartered in this county. Among many of his airs that please me, there is one, well known as a reel, by the name of “The Quaker’s Wife;” and which, I remember, a grand-aunt of mine used to sing, by the name of “Liggeram Cosh, my bonnie wee lass.” Mr. Frazer plays it slow, and with an expression that quite charms me. I became such an enthusiast about it, that I made a song for it, which I here subjoin, and enclose Frazer’s set of the tune. If they hit your fancy, they are at your service; if not, return me the tune, and I will put it in Johnson’s Museum. I think the song is not in my worst manner.
Blythe hae I been on yon hill.[223]
I should wish to hear how this pleases you.
R. B.