CONTENTS

[VOLUME I]

[VOLUME II]

Transcriber's Note

Numeration Errors in the Hesperides:

Errors in the numbering system, despite the corrections mentioned in the [NOTE TO SECOND EDITION], still exist in the original text. A clear example is shown by [569. UPON ELECTRA'S TEARS] ending Vol. I, whilst Vol. II begins with [569. A HYMN TO THE GRACES]. When the poems within the [APPENDIX OF EPIGRAMS] are considered, more errors in the numeration system become apparent. For an explanation of how these discrepancies have been handled see the Transcriber's Endnotes in [Vol. I] and [Vol. II].

ROBERT HERRICK

THE HESPERIDES & NOBLE
NUMBERS: EDITED BY
ALFRED POLLARD
WITH A PREFACE BY
A. C. SWINBURNE

Vol. I.

REVISED EDITION

LONDON:
LAWRENCE & BULLEN, Ltd.,
16 Henrietta Street, W.C.
1898.		NEW YORK:
LAWRENCE & BULLEN, Ltd.,
153-157 Fifth Avenue
1898.

Transcriber's Note

Original spelling and punctuation has been retained.
All Greek words have mouse-hover transliterations, Κύματα κακῶν, and appear as printed in the original volume.
Obvious typesetting errors have been corrected without note, however additional corrections have been recorded in the [Transcriber's Endnotes] at the end of the text.

EDITOR'S NOTE.

In this edition of Herrick quotation is for the first time facilitated by the poems being numbered according to their order in the original edition. This numbering has rendered it possible to print those Epigrams, which successive editors have joined in deploring, in a detachable Appendix, their place in the original being indicated by the numeration. It remains to be added that the footnotes in this edition are intended to explain, as unobtrusively as possible, difficulties of phrase or allusion which might conceivably hinder the understanding of Herrick's meaning. In the longer Notes at the end of each volume earlier versions of some important poems are printed from manuscripts at the British Museum, and an endeavour has been made to extend the list of Herrick's debts to classical sources, and to identify some of his friends who have hitherto escaped research. An editor is always apt to mention his predecessors rather for blame than praise, and I therefore take this opportunity of acknowledging my general indebtedness to the pioneer work of Mr. Hazlitt and Dr. Grosart, upon whose foundations all editors of Herrick must necessarily build.

ALFRED W. POLLARD.

PREFACE.

It is singular that the first great age of English lyric poetry should have been also the one great age of English dramatic poetry: but it is hardly less singular that the lyric school should have advanced as steadily as the dramatic school declined from the promise of its dawn. Born with Marlowe, it rose at once with Shakespeare to heights inaccessible before and since and for ever, to sink through bright gradations of glorious decline to its final and beautiful sunset in Shirley: but the lyrical record that begins with the author of "Euphues" and "Endymion" grows fuller if not brighter through a whole chain of constellations till it culminates in the crowning star of Herrick. Shakespeare's last song, the exquisite and magnificent overture to "The Two Noble Kinsmen," is hardly so limpid in its flow, so liquid in its melody, as the two great songs in "Valentinian": but Herrick, our last poet of that incomparable age or generation, has matched them again and again. As a creative and inventive singer, he surpasses all his rivals in quantity of good work; in quality of spontaneous instinct and melodious inspiration he reminds us, by frequent and flawless evidence, who above all others must beyond all doubt have been his first master and his first model in lyric poetry—the author of "The Passionate Shepherd to his Love".

The last of his line, he is and will probably be always the first in rank and station of English song-writers. We have only to remember how rare it is to find a perfect song, good to read and good to sing, combining the merits of Coleridge and Shelley with the capabilities of Tommy Moore and Haynes Bayly, to appreciate the unique and unapproachable excellence of Herrick. The lyrist who wished to be a butterfly, the lyrist who fled or flew to a lone vale at the hour (whatever hour it may be) "when stars are weeping," have left behind them such stuff as may be sung, but certainly cannot be read and endured by any one with an ear for verse. The author of the Ode on France and the author of the Ode to the West Wind have left us hardly more than a song a-piece which has been found fit for setting to music: and, lovely as they are, the fame of their authors does not mainly depend on the song of Glycine or the song of which Leigh Hunt so justly and so critically said that Beaumont and Fletcher never wrote anything of the kind more lovely. Herrick, of course, lives simply by virtue of his songs; his more ambitious or pretentious lyrics are merely magnified and prolonged and elaborated songs. Elegy or litany, epicede or epithalamium, his work is always a song-writer's; nothing more, but nothing less, than the work of the greatest song-writer—as surely as Shakespeare is the greatest dramatist—ever born of English race. The apparent or external variety of his versification is, I should suppose, incomparable; but by some happy tact or instinct he was too naturally unambitious to attempt, like Jonson, a flight in the wake of Pindar. He knew what he could not do: a rare and invaluable gift. Born a blackbird or a thrush, he did not take himself (or try) to be a nightingale.

It has often been objected that he did mistake himself for a sacred poet: and it cannot be denied that his sacred verse at its worst is as offensive as his secular verse at its worst; nor can it be denied that no severer sentence of condemnation can be passed upon any poet's work. But neither Herbert nor Crashaw could have bettered such a divinely beautiful triplet as this:—

"We see Him come, and know Him ours,
Who with His sunshine and His showers
Turns all the patient ground to flowers".

That is worthy of Miss Rossetti herself: and praise of such work can go no higher.

But even such exquisite touches or tones of colour may be too often repeated in fainter shades or more glaring notes of assiduous and facile reiteration. The sturdy student who tackles his Herrick as a schoolboy is expected to tackle his Horace, in a spirit of pertinacious and stolid straightforwardness, will probably find himself before long so nauseated by the incessant inhalation of spices and flowers, condiments and kisses, that if a musk-rat had run over the page it could hardly be less endurable to the physical than it is to the spiritual stomach. The fantastic and the brutal blemishes which deform and deface the loveliness of his incomparable genius are hardly so damaging to his fame as his general monotony of matter and of manner. It was doubtless in order to relieve this saccharine and "mellisonant" monotony that he thought fit to intersperse these interminable droppings of natural or artificial perfume with others of the rankest and most intolerable odour: but a diet of alternate sweetmeats and emetics is for the average of eaters and drinkers no less unpalatable than unwholesome. It is useless and thankless to enlarge on such faults or such defects, as it would be useless and senseless to ignore. But how to enlarge, to expatiate, to insist on the charm of Herrick at his best—a charm so incomparable and so inimitable that even English poetry can boast of nothing quite like it or worthy to be named after it—the most appreciative reader will be the slowest to affirm or imagine that he can conjecture. This, however, he will hardly fail to remark: that Herrick, like most if not all other lyric poets, is not best known by his best work. If we may judge by frequency of quotation or of reference, the ballad of the ride from Ghent to Aix is a far more popular, more generally admired and accredited specimen of Mr. Browning's work than "The Last Ride Together"—and "The Lost Leader" than "The Lost Mistress". Yet the superiority of the less-popular poem is in either case beyond all question or comparison: in depth and in glow of spirit and of harmony, in truth and charm of thought and word, undeniable and indescribable. No two men of genius were ever more unlike than the authors of "Paracelsus" and "Hesperides": and yet it is as true of Herrick as of Browning that his best is not always his best-known work. Everyone knows the song, "Gather ye rosebuds while ye may"; few, I fear, by comparison, know the yet sweeter and better song, "Ye have been fresh and green". The general monotony of style and motive which fatigues and irritates his too-persevering reader is here and there relieved by a change of key which anticipates the note of a later and very different lyric school. The brilliant simplicity and pointed grace of the three stanzas to Œnone ("What conscience, say, is it in thee") recall the lyrists of the Restoration in their cleanlier and happier mood. And in the very fine epigram headed by the words "Devotion makes the Deity" he has expressed for once a really high and deep thought in words of really noble and severe propriety. His "Mad Maid's Song," again, can only be compared with Blake's; which has more of passionate imagination, if less of pathetic sincerity.

A. C. SWINBURNE.

LIFE OF HERRICK.

Of the lives of many poets we know too much; of some few too little. Lovers of Herrick are almost ideally fortunate. Just such a bare outline of his life has come down to us as is sufficient to explain the allusions in his poems, and, on the other hand, there is no temptation to substitute chatter about his relations with Julia and Dianeme for enjoyment of his delightful verse. The recital of the bare outline need detain us but a few minutes: only the least imaginative of readers will have any difficulty in filling it in from the poems themselves.

From early in the fourteenth century onwards we hear of the family of Eyrick or Herrick at Stretton, in Leicestershire. At the beginning of the sixteenth century we find a branch of it settled in Leicester itself, where John Eyrick, the poet's grandfather, was admitted a freeman in 1535, and afterwards acted as Mayor. This John's second son, Nicholas, migrated to London, became a goldsmith in Wood Street, Cheapside, and, according to a licence issued by the Bishop of London, December 8, 1582, married Julian, daughter of William Stone, sister of Anne, wife of Sir Stephen Soame, Lord Mayor of London in 1598. The marriage was not unfruitful. A William[A] Herrick was baptized at St. Vedast's, Foster Lane, November 24, 1585; Martha, January 22, 1586; Mercy, December 22, 1586; Thomas, May 7, 1588; Nicholas, April 22, 1589; Anne, July 26, 1590; and Robert himself, August 24, 1591.

Fifteen months after the poet's birth, on November 7, 1592, Nicholas Herrick made his will, estimating his property as worth £3000, and devising it, as to one-third to his wife, and as to the other two-thirds to his children in equal shares. In the will he described himself as "of perfect memorye in sowle, but sicke in bodye". Two days after its execution he was buried, having died, not from disease, but from a fall from an upper window. His death had so much the appearance of self-destruction that £220 had to be paid to the High Almoner, Dr. Fletcher, Bishop of Bristol, in satisfaction of his official claim to the goods and chattels of suicides. Herrick's biographers have not failed to vituperate the Bishop for his avarice, but dues allowed by law are hardly to be abandoned because a baby of fifteen months is destined to become a brilliant poet, and no other exceptional circumstances are alleged. The estate of Nicholas Herrick could the better afford the fine inasmuch as it realized £2000 more than was expected.

By the will Robert and William Herrick were appointed "overseers," or trustees for the children. The former was the poet's godfather, and in his will of 1617 left him £5. To William Herrick, then recently knighted for his services as goldsmith, jeweller, and moneylender to James I., the young Robert was apprenticed for ten years, September 25, 1607. An allusion to "beloved Westminster," in his Tears to Thamesis, has been taken to refer to Westminster school, and alleged as proof that he was educated there. Dr. Grosart even presses the mention of Richmond, Kingston, and Hampton Court to support a conjecture that Herrick may have travelled up and down to school from Hampton. If so, one wonders what his headmaster had to say to the "soft-smooth virgins, for our chaste disport" by whom he was accompanied. But the references in the poem are surely to his courtier-life in London, and after his father's death the apprenticeship to his uncle in 1607 is the first fact in his life of which we can be sure.

In 1607, Herrick was fifteen, and, even if we conjecture that he may have been allowed to remain at school some little time after his apprenticeship nominally began, he must have served his uncle for five or six years. Sir William had himself been bound apprentice in a similar way to the poet's father, and we have no evidence that he exacted any premium. At any rate, when in 1614, his nephew, then of age, desired to leave the business and go to Cambridge, the ten years' apprenticeship did not stand in his way, and he entered as a Fellow Commoner at St. John's. His uncle plainly still managed his affairs, for an amusing series of fourteen letters has been preserved at Beaumanor, until lately the seat of Sir William's descendants, in which the poet asks sometimes for payment of a quarterly stipend of £10, sometimes for a formal loan, sometimes for the help of his avuncular Mæcenas. It seems a fair inference from this variety of requests that, since Herrick's share of his father's property could hardly have yielded a yearly income of £40, he was allowed to draw on his capital for this sum, but that his uncle and Lady Herrick occasionally made him small presents, which may account for his tone of dependence.

The quarterly stipend was paid through various booksellers, but irregularly, so that the poor poet was frequently reduced to great straits, though £40 a-year (£200 of our money) was no bad allowance. After two years he migrated from St. John's to Trinity Hall, to study law and curtail his expenses. He took his Bachelor's degree from there in January, 1617, and his Master's in 1620. The fourteen letters show that he had prepared himself for University life by cultivating a very florid prose style which frequently runs into decasyllabics, perhaps a result of a study of the dramatists. Sir William Herrick is sometimes addressed in them as his most "careful" uncle, but at the time of his migration the poet speaks of his "ebbing estate," and as late as 1629 he was still £10 16s. 9d. in debt to the College Steward. We can thus hardly imagine that he was possessed of any considerable private income when he returned to London, to live practically on his wits, and a study of his poems suggests that, the influence of the careful uncle removed, whatever capital he possessed was soon likely to vanish.[B] His verses to the Earl of Pembroke, to Endymion Porter and to others, show that he was glad of "pay" as well as "praise," but the system of patronage brought no discredit with it, and though the absence of any poetical mention of his uncle suggests that the rich goldsmith was not well-pleased with his nephew, with the rest of his well-to-do relations Herrick seems to have remained on excellent terms.

Besides patrons, such as Pembroke, Westmoreland, Newark, Buckingham, Herrick had less distinguished friends at Court, Edward Norgate, Jack Crofts and others. He composed the words for two New Year anthems which were set to music by Henry Lawes, and he was probably personally known both to the King and Queen. Outside the Court he reckoned himself one of Ben Jonson's disciples, "Sons of Ben" as they were called, had friends at the Inns of Court, knew the organist of Westminster Abbey and his pretty daughters, and had every temptation to live an amusing and expensive life. His poems were handed about in manuscript after the fashion of the time, and wherever music and poetry were loved he was sure to be a welcome guest.

Mr. Hazlitt's conjecture that Herrick at this time may have held some small post in the Chapel at Whitehall is not unreasonable, but at what date he took Holy Orders is not known. In 1627 he obtained the post of chaplain to the unlucky expedition to the Isle of Rhé, and two years later (September 30, 1629) he was presented by the King to the Vicarage of Dean Prior, in Devonshire, which the promotion of its previous incumbent, Dr. Potter, to the Bishopric of Carlisle, had left in the royal gift. The annual value of the living was only £50 (£250 present value), no great prize, but the poem entitled Mr. Robert Hericke: his farwell unto Poetrie (not printed in Hesperides, but extant in more than one manuscript version) shows that the poet was not unaware of the responsibilities of his profession. "But unto me," he says to his Muse:

"But unto me be only hoarse, since now
(Heaven and my soul bear record of my vow)
I my desires screw from thee and direct
Them and my thoughts to that sublime respect
And conscience unto priesthood. 'Tis not need
(The scarecrow unto mankind) that doth breed
Wiser conclusions in me, since I know
I've more to bear my charge than way to go;
Or had I not, I'd stop the spreading itch
Of craving more: so in conceit be rich;
But 'tis the God of nature who intends
And shapes my function for more glorious ends."

Perhaps it was at this time too that Herrick wrote his Farewell to Sack, and although he returned both to sack and to poetry we should be wrong in imagining him as a "blind mouth," using his office merely as a means of gain. He celebrated the births of Charles II and his brother in verse, perhaps with an eye to future royal favours, but no more than Chaucer's good parson does he seem to have "run to London unto Seynte Poules" in search of the seventeenth century equivalent for a chauntry, and many of his poems show him living the life of a contented country clergyman, sharing the contents of bin and cruse with his poor parishioners, and jotting down sermon-notes in verse.

The great majority of Herrick's poems cannot be dated, and it is idle to enquire which were written before his ordination and which afterwards. His conception of religion was medieval in its sensuousness, and he probably repeated the stages of sin, repentance and renewed assurance with some facility. He lived with an old servant, Prudence Baldwin, the "Prew" of many of his poems; kept a spaniel named Tracy, and, so says tradition, a tame pig. When his parishioners annoyed him he seems to have comforted himself with epigrams on them; when they slumbered during one of his sermons the manuscript was suddenly hurled at them with a curse for their inattention.

In the same year that Herrick was appointed to his country vicarage his mother died while living with her daughter, Mercy, the poet's dearest sister (see [818]), then for some time married to John Wingfield of Brantham in Suffolk (see [590]), by whom she had three sons and a daughter, also called Mercy. His eldest brother, Thomas, had been placed with a Mr. Massam, a merchant, but as early as 1610 had retired to live a country life in Leicestershire (see [106]). He appears to have married a wife named Elizabeth, whose loss Herrick laments (see [72]). Nicholas, the next brother was more adventurous. He had become a merchant trading to the Levant, and in this capacity had visited the Holy Land (see [1100]). To his wife Susanna, daughter of William Salter, Herrick addresses two poems ([522] and [977]). There were three sons and four daughters in this family, and Herrick wrote a poem to one of the daughters, Bridget ([562]), and an elegy on another, Elizabeth ([376]). When Mrs. Herrick died the bulk of her property was left to the Wingfields, but William Herrick received a legacy of £100, with ten pounds apiece to his two children, and a ring of twenty shillings to his wife. Nicholas and Robert were only left twenty-shilling rings, and the administration of the will was entrusted to William Herrick and the Wingfields. The will may have been the result of a family arrangement, and we have no reason to believe that the unequal division gave rise to any ill-feeling. Herrick's address to "his dying brother, Master William Herrick" ([186]), shows abundant affection, and there is every reason to believe that it was addressed to the William who administered to Mrs. Herrick's will.

While little nephews and nieces were springing up around him, Herrick remained unmarried, and frequently congratulates himself on his freedom from the yoke matrimonial. He imagined how he would bid farewell to his wife, if he had one ([465]), and wrote magnificent epithalamia for his friends, but lived and died a bachelor. When first civil troubles and then civil war cast a shadow over the land, it is not very easy to say how he viewed the contending parties. He was devoted to Charles and Henrietta Maria and the young Prince of Wales, and rejoiced at every Royalist success. Many also of his poems breathe the spirit of unquestioning loyalty, but in others he is less certain of kingly wisdom. Something, however, must be allowed for his evident habit of versifying any phrase or epigram which impressed him, and not all his poems need be regarded as expressions of his personal opinions. But with whatever doubts his loyalty was qualified, it was sufficiently obvious to procure his ejection from his living in 1648; and, making the best of his loss, he bade farewell to Dean Prior, shook the dust of "loathed Devonshire" off his feet, and returned gaily to London, where he appears to have discarded his clerical habit and to have been made abundantly welcome by his friends.

Free from the cares of his incumbency, and free also from the restraints it imposed, Herrick's thoughts turned to the publication of his poems. As we have said, in his old Court-days these had found some circulation in manuscript, and in 1635 one of his fairy poems was printed, probably without his leave (see [Appendix]). In 1639 his poem ([575]) The Apparition of his Mistress calling him to Elysium was licensed at Stationers' Hall under the title of His Mistress' Shade, and it was included the next year in an edition of Shakespeare's Poems (see [Notes]). On April 29, 1640, "The severall poems written by Master Robert Herrick," were entered as to be published by Andrew Crook, but no trace of such a volume has been discovered, and it was only in 1648 that Hesperides at length appeared. Two years later upwards of eighty of the poems in it were printed in the 1650 edition of Witt's Recreations, but a small number of these show considerable variations from the Hesperides versions, and it is probable that they were printed from the poet's manuscript. Compilers of other miscellanies and song books laid Herrick under contribution, but, with the one exception of his contribution to the Lacrymæ Musarum in 1649, no fresh production of his pen has been preserved, and we know nothing further of his life save that he returned to Dean Prior after the Restoration (August 24, 1662), and that according to the parish register "Robert Herrick, Vicker, was buried ye 15th day October, 1674."

ALFRED W. POLLARD

NOTE TO SECOND EDITION.

In this edition some trifling errors, which had crept into the text and the numeration of the poems, have been corrected, and many fresh illustrations of Herrick's reading added in the notes, which have elsewhere been slightly compressed to make room for them. Almost all of the new notes have been supplied from the manuscript collections of a veteran student of Herrick who placed himself in correspondence with me after the publication of my first edition. To my great regret I am not allowed to make my acknowledgments to him by name.

A. W. P.

TO THE
Most Illustrious and Most Hopeful
Prince.
CHARLES,
PRINCE OF WALES.

Well may my book come forth like public day
When such a light as you are leads the way,
Who are my work's creator, and alone
The flame of it, and the expansion.
And look how all those heavenly lamps acquire
Light from the sun, that inexhausted fire,
So all my morn and evening stars from you
Have their existence, and their influence too.
Full is my book of glories; but all these
By you become immortal substances.

HESPERIDES.

1. THE ARGUMENT OF HIS BOOK.

I sing of brooks, of blossoms, birds and bowers,
Of April, May, of June and July-flowers;
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides and of their bridal cakes;
I write of youth, of love, and have access
By these to sing of cleanly wantonness;
I sing of dews, of rains, and piece by piece
Of balm, of oil, of spice and ambergris;
I sing of times trans-shifting, and I write
How roses first came red and lilies white;
I write of groves, of twilights, and I sing
The Court of Mab, and of the Fairy King;
I write of hell; I sing (and ever shall)
Of heaven, and hope to have it after all.

Hock-cart, the last cart from the harvest-field.
Wakes, village festivals, properly on the dedication-day of a church.
Ambergris, 'grey amber,' much used in perfumery.

2. TO HIS MUSE.

Whither, mad maiden, wilt thou roam?
Far safer 'twere to stay at home,
Where thou mayst sit and piping please
The poor and private cottages,
Since cotes and hamlets best agree
With this thy meaner minstrelsy.
There with the reed thou mayst express
The shepherd's fleecy happiness,
And with thy eclogues intermix
Some smooth and harmless bucolics.
There on a hillock thou mayst sing
Unto a handsome shepherdling,
Or to a girl, that keeps the neat,
With breath more sweet than violet.
There, there, perhaps, such lines as these
May take the simple villages;
But for the court, the country wit
Is despicable unto it.
Stay, then, at home, and do not go
Or fly abroad to seek for woe.
Contempts in courts and cities dwell,
No critic haunts the poor man's cell,
Where thou mayst hear thine own lines read
By no one tongue there censured.
That man's unwise will search for ill,
And may prevent it, sitting still.

3. TO HIS BOOK.

While thou didst keep thy candour undefil'd,
Dearly I lov'd thee as my first-born child,
But when I saw thee wantonly to roam
From house to house, and never stay at home,
I brake my bonds of love, and bade thee go,
Regardless whether well thou sped'st or no.
On with thy fortunes then, whate'er they be:
If good, I'll smile; if bad, I'll sigh for thee.

4. ANOTHER.

To read my book the virgin shy
May blush while Brutus standeth by,
But when he's gone, read through what's writ,
And never stain a cheek for it.

Brutus, see Martial, xi. 16, quoted in [Note] at the end of the volume.

7. TO HIS BOOK.

Come thou not near those men who are like bread
O'er-leaven'd, or like cheese o'er-renneted.

8. WHEN HE WOULD HAVE HIS VERSES READ.

In sober mornings, do not thou rehearse
The holy incantation of a verse;
But when that men have both well drunk and fed,
Let my enchantments then be sung or read.
When laurel spirts i'th' fire, and when the hearth
Smiles to itself, and gilds the roof with mirth;
When up the thyrse[C] is rais'd, and when the sound
Of sacred orgies[D] flies, a round, a round.
When the rose reigns, and locks with ointments shine,
Let rigid Cato read these lines of mine.

Round, a rustic dance.
Cato, see Martial, x. 17, quoted in [Note].

9. UPON JULIA'S RECOVERY.

Droop, droop no more, or hang the head,
Ye roses almost withered;
Now strength and newer purple get,
Each here declining violet.
O primroses! let this day be
A resurrection unto ye;
And to all flowers ally'd in blood,
Or sworn to that sweet sisterhood:
For health on Julia's cheek hath shed
Claret and cream commingled;
And those her lips do now appear
As beams of coral, but more clear.

Beams, perhaps here = branches: but cp. [440].

10. TO SILVIA TO WED.

Let us, though late, at last, my Silvia, wed,
And loving lie in one devoted bed.
Thy watch may stand, my minutes fly post-haste;
No sound calls back the year that once is past.
Then, sweetest Silvia, let's no longer stay;
True love, we know, precipitates delay.
Away with doubts, all scruples hence remove;
No man at one time can be wise and love.

11. THE PARLIAMENT OF ROSES TO JULIA.

I dreamt the roses one time went
To meet and sit in parliament;
The place for these, and for the rest
Of flowers, was thy spotless breast,
Over the which a state was drawn
Of tiffanie or cobweb lawn.
Then in that parly all those powers
Voted the rose the queen of flowers;
But so as that herself should be
The maid of honour unto thee.

State, a canopy.
Tiffanie, gauze.
Parly, a parliament.

12. NO BASHFULNESS IN BEGGING.

To get thine ends, lay bashfulness aside;
Who fears to ask doth teach to be deny'd.

13. THE FROZEN HEART.

I freeze, I freeze, and nothing dwells
In me but snow and icicles.
For pity's sake, give your advice,
To melt this snow and thaw this ice.
I'll drink down flames; but if so be
Nothing but love can supple me,
I'll rather keep this frost and snow
Than to be thaw'd or heated so.

14. TO PERILLA.

Ah, my Perilla! dost thou grieve to see
Me, day by day, to steal away from thee?
Age calls me hence, and my grey hairs bid come,
And haste away to mine eternal home;
'Twill not be long, Perilla, after this,
That I must give thee the supremest kiss.
Dead when I am, first cast in salt, and bring
Part of the cream from that religious spring;
With which, Perilla, wash my hands and feet;
That done, then wind me in that very sheet
Which wrapt thy smooth limbs when thou didst implore
The gods' protection but the night before.
Follow me weeping to my turf, and there
Let fall a primrose, and with it a tear:
Then, lastly, let some weekly-strewings be
Devoted to the memory of me:
Then shall my ghost not walk about, but keep
Still in the cool and silent shades of sleep.

Weekly strewings, i.e., of flowers on his grave.
First cast in salt, cp. [769].

15. A SONG TO THE MASKERS.

Come down and dance ye in the toil
Of pleasures to a heat;
But if to moisture, let the oil
Of roses be your sweat.

Not only to yourselves assume
These sweets, but let them fly
From this to that, and so perfume
E'en all the standers by;

As goddess Isis, when she went
Or glided through the street,
Made all that touched her, with her scent,
And whom she touched, turn sweet.

16. TO PERENNA.

When I thy parts run o'er, I can't espy
In any one the least indecency;
But every line and limb diffused thence
A fair and unfamiliar excellence:
So that the more I look the more I prove
There's still more cause why I the more should love.

Indecency, uncomeliness.

17. TREASON.

The seeds of treason choke up as they spring:
He acts the crime that gives it cherishing.

18. TWO THINGS ODIOUS.

Two of a thousand things are disallow'd:
A lying rich man, and a poor man proud.

19. TO HIS MISTRESSES.

Help me! help me! now I call
To my pretty witchcrafts all;
Old I am, and cannot do
That I was accustomed to.
Bring your magics, spells, and charms,
To enflesh my thighs and arms.
Is there no way to beget
In my limbs their former heat?
Æson had, as poets feign,
Baths that made him young again:
Find that medicine, if you can,
For your dry decrepit man
Who would fain his strength renew,
Were it but to pleasure you.

Æson, rejuvenated by Medea; see Ovid, Met. vii.

20. THE WOUNDED HEART.

Come bring your sampler, and with art
Draw in't a wounded heart
And dropping here and there:
Not that I think that any dart
Can make yours bleed a tear,
Or pierce it anywhere;
Yet do it to this end: that I
May by
This secret see,
Though you can make
That heart to bleed, yours ne'er will ache
For me.

21. NO LOATHSOMENESS IN LOVE.

What I fancy I approve,
No dislike there is in love.
Be my mistress short or tall,
And distorted therewithal:
Be she likewise one of those
That an acre hath of nose:
Be her forehead and her eyes
Full of incongruities:
Be her cheeks so shallow too
As to show her tongue wag through;
Be her lips ill hung or set,
And her grinders black as jet:
Has she thin hair, hath she none,
She's to me a paragon.

22. TO ANTHEA.

If, dear Anthea, my hard fate it be
To live some few sad hours after thee,
Thy sacred corse with odours I will burn,
And with my laurel crown thy golden urn.
Then holding up there such religious things
As were, time past, thy holy filletings,
Near to thy reverend pitcher I will fall
Down dead for grief, and end my woes withal:
So three in one small plat of ground shall lie—
Anthea, Herrick, and his poetry.

23. THE WEEPING CHERRY.

I saw a cherry weep, and why?
Why wept it? but for shame
Because my Julia's lip was by,
And did out-red the same.
But, pretty fondling, let not fall
A tear at all for that:
Which rubies, corals, scarlets, all
For tincture wonder at.

24. SOFT MUSIC.

The mellow touch of music most doth wound
The soul when it doth rather sigh than sound.

25. THE DIFFERENCE BETWIXT KINGS AND SUBJECTS.

'Twixt kings and subjects there's this mighty odds:
Subjects are taught by men; kings by the gods.

26. HIS ANSWER TO A QUESTION.

Some would know
Why I so
Long still do tarry,
And ask why
Here that I
Live and not marry.
Thus I those
Do oppose:
What man would be here
Slave to thrall,
If at all
He could live free here?

27. UPON JULIA'S FALL.

Julia was careless, and withal
She rather took than got a fall,
The wanton ambler chanc'd to see
Part of her legs' sincerity:
And ravish'd thus, it came to pass,
The nag (like to the prophet's ass)
Began to speak, and would have been
A-telling what rare sights he'd seen:
And had told all; but did refrain
Because his tongue was tied again.

28. EXPENSES EXHAUST.

Live with a thrifty, not a needy fate;
Small shots paid often waste a vast estate.

Shots, debts.

29. LOVE, WHAT IT IS.

Love is a circle that doth restless move
In the same sweet eternity of love.

30. PRESENCE AND ABSENCE.

When what is lov'd is present, love doth spring;
But being absent, love lies languishing.

31. NO SPOUSE BUT A SISTER.

A bachelor I will
Live as I have liv'd still,
And never take a wife
To crucify my life;
But this I'll tell ye too,
What now I mean to do:
A sister (in the stead
Of wife) about I'll lead;
Which I will keep embrac'd,
And kiss, but yet be chaste.

32. THE POMANDER BRACELET.

To me my Julia lately sent
A bracelet richly redolent:
The beads I kissed, but most lov'd her
That did perfume the pomander.

Pomander, a ball of scent.

33. THE SHOE-TYING.

Anthea bade me tie her shoe;
I did; and kissed the instep too:
And would have kissed unto her knee,
Had not her blush rebuked me.

34. THE CARCANET.

Instead of orient pearls of jet
I sent my love a carcanet;
About her spotless neck she knit
The lace, to honour me or it:
Then think how rapt was I to see
My jet t'enthral such ivory.

Carcanet, necklace.
Lace, any kind of girdle; used here for the necklace.

35. HIS SAILING FROM JULIA.

When that day comes, whose evening says I'm gone
Unto that watery desolation,
Devoutly to thy closet-gods then pray
That my wing'd ship may meet no remora.
Those deities which circum-walk the seas,
And look upon our dreadful passages,
Will from all dangers re-deliver me
For one drink-offering poured out by thee.
Mercy and truth live with thee! and forbear
(In my short absence) to unsluice a tear;
But yet for love's sake let thy lips do this,
Give my dead picture one engendering kiss:
Work that to life, and let me ever dwell
In thy remembrance, Julia. So farewell.

Closet-gods, the Roman Lares.
Remora, the sea Lamprey or suckstone, believed to check the course of ships by clinging to their keels.

36. HOW THE WALL-FLOWER CAME FIRST, AND WHY
SO CALLED.

Why this flower is now call'd so,
List, sweet maids, and you shall know.
Understand, this firstling was
Once a brisk and bonnie lass,
Kept as close as Danaë was:
Who a sprightly springall lov'd,
And to have it fully prov'd,
Up she got upon a wall,
Tempting down to slide withal:
But the silken twist untied,
So she fell, and, bruis'd, she died.
Love, in pity of the deed,
And her loving-luckless speed,
Turn'd her to this plant we call
Now the flower of the wall.

Tempting, trying.

37. WHY FLOWERS CHANGE COLOUR.

These fresh beauties (we can prove)
Once were virgins sick of love.
Turn'd to flowers,—still in some
Colours go and colours come.

38. TO HIS MISTRESS OBJECTING TO HIM NEITHER
TOYING OR TALKING.

You say I love not, 'cause I do not play
Still with your curls, and kiss the time away.
You blame me too, because I can't devise
Some sport to please those babies in your eyes:
By love's religion, I must here confess it,
The most I love when I the least express it.
Small griefs find tongues: full casks are ever found
To give (if any, yet) but little sound.
Deep waters noiseless are; and this we know,
That chiding streams betray small depth below.
So, when love speechless is, she doth express
A depth in love and that depth bottomless.
Now, since my love is tongueless, know me such
Who speak but little 'cause I love so much.

Babies in your eyes, see [Note].

39. UPON THE LOSS OF HIS MISTRESSES.

I have lost, and lately, these
Many dainty mistresses:
Stately Julia, prime of all:
Sappho next, a principal:
Smooth Anthea for a skin
White, and heaven-like crystalline:
Sweet Electra, and the choice
Myrrha for the lute and voice:
Next Corinna, for her wit,
And the graceful use of it:
With Perilla: all are gone;
Only Herrick's left alone
For to number sorrow by
Their departures hence, and die.

40. THE DREAM.

Methought last night Love in an anger came
And brought a rod, so whipt me with the same;
Myrtle the twigs were, merely to imply
Love strikes, but 'tis with gentle cruelty.
Patient I was: Love pitiful grew then
And strok'd the stripes, and I was whole again.
Thus, like a bee, Love gentle still doth bring
Honey to salve where he before did sting.

42. TO LOVE.

I'm free from thee; and thou no more shalt hear
My puling pipe to beat against thine ear.
Farewell my shackles, though of pearl they be;
Such precious thraldom ne'er shall fetter me.
He loves his bonds who, when the first are broke,
Submits his neck unto a second yoke.

43. ON HIMSELF.

Young I was, but now am old,
But I am not yet grown cold;
I can play, and I can twine
'Bout a virgin like a vine:
In her lap too I can lie
Melting, and in fancy die;
And return to life if she
Claps my cheek, or kisseth me:
Thus, and thus it now appears
That our love outlasts our years.

44. LOVE'S PLAY AT PUSH-PIN.

Love and myself, believe me, on a day
At childish push-pin, for our sport, did play;
I put, he pushed, and, heedless of my skin,
Love pricked my finger with a golden pin;
Since which it festers so that I can prove
'Twas but a trick to poison me with love:
Little the wound was, greater was the smart,
The finger bled, but burnt was all my heart.

Push-pin, a game in which pins are pushed with an endeavor to cross them.

45. THE ROSARY.

One ask'd me where the roses grew:
I bade him not go seek,
But forthwith bade my Julia show
A bud in either cheek.

46. UPON CUPID.

Old wives have often told how they
Saw Cupid bitten by a flea;
And thereupon, in tears half drown'd,
He cried aloud: Help, help the wound!
He wept, he sobb'd, he call'd to some
To bring him lint and balsamum,
To make a tent, and put it in
Where the stiletto pierced the skin;
Which, being done, the fretful pain
Assuaged, and he was well again.

Tent, a roll of lint for probing wounds.

47. THE PARCÆ; OR, THREE DAINTY DESTINIES:
THE ARMILLET.

Three lovely sisters working were,
As they were closely set,
Of soft and dainty maidenhair
A curious armillet.
I, smiling, asked them what they did,
Fair Destinies all three,
Who told me they had drawn a thread
Of life, and 'twas for me.
They show'd me then how fine 'twas spun,
And I reply'd thereto,—
"I care not now how soon 'tis done,
Or cut, if cut by you".

48. SORROWS SUCCEED.

When one is past, another care we have:
Thus woe succeeds a woe, as wave a wave.

49. CHERRY-PIT.

Julia and I did lately sit
Playing for sport at cherry-pit:
She threw; I cast; and, having thrown,
I got the pit, and she the stone.

Cherry-pit, a game in which cherry-stones were pitched into a small hole.

50. TO ROBIN REDBREAST.

Laid out for dead, let thy last kindness be
With leaves and moss-work for to cover me:
And while the wood-nymphs my cold corpse inter,
Sing thou my dirge, sweet-warbling chorister!
For epitaph, in foliage, next write this:
Here, here the tomb of Robin Herrick is.

51. DISCONTENTS IN DEVON.

More discontents I never had
Since I was born than here,
Where I have been, and still am sad,
In this dull Devonshire;
Yet, justly too, I must confess
I ne'er invented such
Ennobled numbers for the press,
Than where I loathed so much.

52. TO HIS PATERNAL COUNTRY.

O earth! earth! earth! hear thou my voice, and be
Loving and gentle for to cover me:
Banish'd from thee I live, ne'er to return,
Unless thou giv'st my small remains an urn.

53. CHERRY-RIPE.

Cherry-ripe, ripe, ripe, I cry,
Full and fair ones; come and buy.
If so be you ask me where
They do grow, I answer: There,
Where my Julia's lips do smile;
There's the land, or cherry-isle,
Whose plantations fully show
All the year where cherries grow.

54. TO HIS MISTRESSES.

Put on your silks, and piece by piece
Give them the scent of ambergris;
And for your breaths, too, let them smell
Ambrosia-like, or nectarel;
While other gums their sweets perspire,
By your own jewels set on fire.

55. TO ANTHEA.

Now is the time, when all the lights wax dim;
And thou, Anthea, must withdraw from him
Who was thy servant. Dearest, bury me
Under that Holy-oak or Gospel-tree,
Where, though thou see'st not, thou may'st think upon
Me, when thou yearly go'st procession;
Or, for mine honour, lay me in that tomb
In which thy sacred relics shall have room.
For my embalming, sweetest, there will be
No spices wanting when I'm laid by thee.

Holy oak, the oak under which the minister read the Gospel in the procession round the parish bounds in Rogation week.

56. THE VISION TO ELECTRA.

I dreamed we both were in a bed
Of roses, almost smothered:
The warmth and sweetness had me there
Made lovingly familiar,
But that I heard thy sweet breath say,
Faults done by night will blush by day.
I kissed thee, panting, and, I call
Night to the record! that was all.
But, ah! if empty dreams so please,
Love give me more such nights as these.

57. DREAMS.

Here we are all by day; by night we're hurl'd
By dreams, each one into a sev'ral world.

58. AMBITION.

In man ambition is the common'st thing;
Each one by nature loves to be a king.

59. HIS REQUEST TO JULIA.

Julia, if I chance to die
Ere I print my poetry,
I most humbly thee desire
To commit it to the fire:
Better 'twere my book were dead
Than to live not perfected.

60. MONEY GETS THE MASTERY.

Fight thou with shafts of silver and o'ercome,
When no force else can get the masterdom.

61. THE SCARE-FIRE.

Water, water I desire,
Here's a house of flesh on fire;
Ope the fountains and the springs,
And come all to bucketings:
What ye cannot quench pull down;
Spoil a house to save a town:
Better 'tis that one should fall,
Than by one to hazard all.

Scare-fire, fire-alarm.

62. UPON SILVIA, A MISTRESS.

When some shall say, Fair once my Silvia was,
Thou wilt complain, False now's thy looking-glass,
Which renders that quite tarnished which was green,
And priceless now what peerless once had been.
Upon thy form more wrinkles yet will fall,
And, coming down, shall make no noise at all.

Priceless, valueless.

63. CHEERFULNESS IN CHARITY; OR, THE SWEET
SACRIFICE.

'Tis not a thousand bullocks' thighs
Can please those heav'nly deities,
If the vower don't express
In his offering cheerfulness.

65. SWEETNESS IN SACRIFICE.

'Tis not greatness they require
To be offer'd up by fire;
But 'tis sweetness that doth please
Those Eternal Essences.

66. STEAM IN SACRIFICE.

If meat the gods give, I the steam
High-towering will devote to them,
Whose easy natures like it well,
If we the roast have, they the smell.

67. UPON JULIA'S VOICE.

So smooth, so sweet, so silv'ry is thy voice,
As, could they hear, the damn'd would make no noise,
But listen to thee, walking in thy chamber,
Melting melodious words to lutes of amber.

Amber, used here merely for any rich material: cp. "Treading on amber with their silver feet".

68. AGAIN.

When I thy singing next shall hear,
I'll wish I might turn all to ear
To drink in notes and numbers such
As blessed souls can't hear too much;
Then melted down, there let me lie
Entranc'd and lost confusedly,
And, by thy music stricken mute,
Die and be turn'd into a lute.

69. ALL THINGS DECAY AND DIE.

All things decay with time: the forest sees
The growth and downfall of her aged trees;
That timber tall, which threescore lusters stood
The proud dictator of the state-like wood,—
I mean (the sovereign of all plants) the oak—
Droops, dies, and falls without the cleaver's stroke.

Lusters, the Roman reckoning of five years.

70. THE SUCCESSION OF THE FOUR SWEET MONTHS.

First, April, she with mellow showers
Opens the way for early flowers;
Then after her comes smiling May,
In a more rich and sweet array;
Next enters June, and brings us more
Gems than those two that went before:
Then (lastly) July comes, and she
More wealth brings in than all those three.

71. NO SHIPWRECK OF VIRTUE. TO A FRIEND.

Thou sail'st with others in this Argus here;
Nor wreck or bulging thou hast cause to fear;
But trust to this, my noble passenger;
Who swims with virtue, he shall still be sure
(Ulysses-like) all tempests to endure,
And 'midst a thousand gulfs to be secure.

Bulging, leaking.

72. UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETH
HERRICK.

First, for effusions due unto the dead,
My solemn vows have here accomplished:
Next, how I love thee, that my grief must tell,
Wherein thou liv'st for ever. Dear, farewell.

Effusions, drink-offerings.

73. OF LOVE. A SONNET.

How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part 'tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.

74. TO ANTHEA.

Ah, my Anthea! Must my heart still break?
(Love makes me write, what shame forbids to speak.)
Give me a kiss, and to that kiss a score;
Then to that twenty add a hundred more:
A thousand to that hundred: so kiss on,
To make that thousand up a million.
Treble that million, and when that is done
Let's kiss afresh, as when we first begun.
But yet, though love likes well such scenes as these,
There is an act that will more fully please:
Kissing and glancing, soothing, all make way
But to the acting of this private play:
Name it I would; but, being blushing red,
The rest I'll speak when we meet both in bed.

75. THE ROCK OF RUBIES, AND THE QUARRY OF
PEARLS.

Some ask'd me where the rubies grew,
And nothing I did say:
But with my finger pointed to
The lips of Julia.
Some ask'd how pearls did grow, and where;
Then spoke I to my girl,
To part her lips, and show'd them there
The quarrelets of Pearl.

Quarrelets, little squares.

76. CONFORMITY.

Conformity was ever known
A foe to dissolution:
Nor can we that a ruin call,
Whose crack gives crushing unto all.

77. TO THE KING, UPON HIS COMING WITH HIS ARMY
INTO THE WEST.

Welcome, most welcome to our vows and us,
Most great and universal genius!
The drooping West, which hitherto has stood
As one in long-lamented widowhood,
Looks like a bride now, or a bed of flowers
Newly refresh'd both by the sun and showers.
War, which before was horrid, now appears
Lovely in you, brave prince of cavaliers!
A deal of courage in each bosom springs
By your access, O you the best of kings!
Ride on with all white omens; so that where
Your standard's up, we fix a conquest there.

78. UPON ROSES.

Under a lawn, than skies more clear,
Some ruffled roses nestling were:
And, snugging there, they seem'd to lie
As in a flowery nunnery:
They blush'd, and look'd more fresh than flowers
Quicken'd of late by pearly showers,
And all because they were possess'd
But of the heat of Julia's breast:
Which, as a warm and moisten'd spring,
Gave them their ever-flourishing.

79. TO THE KING AND QUEEN UPON THEIR UNHAPPY
DISTANCES.

Woe, woe to them, who, by a ball of strife,
Do, and have parted here a man and wife:
Charles the best husband, while Maria strives
To be, and is, the very best of wives,
Like streams, you are divorc'd; but 'twill come when
These eyes of mine shall see you mix again.
Thus speaks the oak here; C. and M. shall meet,
Treading on amber, with their silver-feet,
Nor will't be long ere this accomplish'd be:
The words found true, C. M., remember me.

Oak, the prophetic tree.

80. DANGERS WAIT ON KINGS.

As oft as night is banish'd by the morn,
So oft we'll think we see a king new born.

81. THE CHEAT OF CUPID; OR, THE UNGENTLE
GUEST.

One silent night of late,
When every creature rested,
Came one unto my gate
And, knocking, me molested.

Who's that, said I, beats there,
And troubles thus the sleepy?
Cast off, said he, all fear,
And let not locks thus keep ye.

For I a boy am, who
By moonless nights have swerved;
And all with show'rs wet through,
And e'en with cold half starved.

I pitiful arose,
And soon a taper lighted;
And did myself disclose
Unto the lad benighted.

I saw he had a bow
And wings, too, which did shiver;
And, looking down below,
I spied he had a quiver.

I to my chimney's shine
Brought him, as Love professes,
And chafed his hands with mine,
And dried his drooping tresses.

But when he felt him warm'd:
Let's try this bow of ours,
And string, if they be harm'd,
Said he, with these late showers.

Forthwith his bow he bent,
And wedded string and arrow,
And struck me, that it went
Quite through my heart and marrow.

Then, laughing loud, he flew
Away, and thus said, flying:
Adieu, mine host, adieu,
I'll leave thy heart a-dying.

82. TO THE REVEREND SHADE OF HIS RELIGIOUS
FATHER.

That for seven lusters I did never come
To do the rites to thy religious tomb;
That neither hair was cut, or true tears shed
By me, o'er thee, as justments to the dead,
Forgive, forgive me; since I did not know
Whether thy bones had here their rest or no,
But now 'tis known, behold! behold, I bring
Unto thy ghost th' effused offering:
And look what smallage, night-shade, cypress, yew,
Unto the shades have been, or now are due,
Here I devote; and something more than so;
I come to pay a debt of birth I owe.
Thou gav'st me life, but mortal; for that one
Favour I'll make full satisfaction;
For my life mortal rise from out thy hearse.
And take a life immortal from my verse.

Seven lusters, five and thirty years.
Hair was cut, according to the Greek custom.
Justments, dues.
Smallage, water parsley.

83. DELIGHT IN DISORDER.

A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction:
An erring lace which here and there
Enthralls the crimson stomacher:
A cuff neglectful, and thereby
Ribbons to flow confusedly:
A winning wave, deserving note,
In the tempestuous petticoat:
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me than when art
Is too precise in every part.

84. TO HIS MUSE.

Were I to give thee baptism, I would choose
To christen thee, the bride, the bashful Muse,
Or Muse of roses: since that name does fit
Best with those virgin-verses thou hast writ:
Which are so clean, so chaste, as none may fear
Cato the censor, should he scan each here.

85. UPON LOVE.

Love scorch'd my finger, but did spare
The burning of my heart;
To signify in love my share
Should be a little part.

Little I love; but if that he
Would but that heat recall;
That joint to ashes burnt should be,[E]
Ere I would love at all.

86. TO DEAN BOURN, A RUDE RIVER IN DEVON, BY
WHICH SOMETIMES HE LIVED.

Dean Bourn, farewell; I never look to see
Dean, or thy watery[F] incivility.
Thy rocky bottom, that doth tear thy streams
And makes them frantic even to all extremes,
To my content I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages,
With whom I did, and may re-sojourn when
Rocks turn to rivers, rivers turn to men.

87. KISSING USURY.

Bianca, let
Me pay the debt
I owe thee for a kiss
Thou lend'st to me,
And I to thee
Will render ten for this.

If thou wilt say
Ten will not pay
For that so rich a one;
I'll clear the sum,
If it will come
Unto a million.

By this, I guess,
Of happiness
Who has a little measure,
He must of right
To th' utmost mite
Make payment for his pleasure.

88. TO JULIA.

How rich and pleasing thou, my Julia, art
In each thy dainty and peculiar part!
First, for thy queenship, on thy head is set
Of flowers a sweet commingled coronet:
About thy neck a carcanet is bound,
Made of the ruby, pearl and diamond:
A golden ring that shines upon thy thumb:
About thy wrist, the rich dardanium.[G]
Between thy breasts (than down of swans more white)
There plays the sapphire with the chrysolite.
No part besides must of thyself be known,
But by the topaz, opal, chalcedon.

Carcanet, necklace.

89. TO LAURELS.

A funeral stone
Or verse I covet none,
But only crave
Of you that I may have
A sacred laurel springing from my grave:
Which being seen,
Blest with perpetual green,
May grow to be
Not so much call'd a tree
As the eternal monument of me.

90. HIS CAVALIER.

Give me that man that dares bestride
The active sea-horse, and with pride
Through that huge field of waters ride.

Who with his looks, too, can appease
The ruffling winds and raging seas,
In midst of all their outrages.

This, this a virtuous man can do,
Sail against rocks, and split them too;
Ay, and a world of pikes pass through.

91. ZEAL REQUIRED IN LOVE.

I'll do my best to win whene'er I woo:
That man loves not who is not zealous too.

92. THE BAG OF THE BEE.

About the sweet bag of a bee
Two cupids fell at odds,
And whose the pretty prize should be
They vow'd to ask the gods.

Which Venus hearing, thither came,
And for their boldness stripp'd them,
And, taking thence from each his flame,
With rods of myrtle whipp'd them.

Which done, to still their wanton cries,
When quiet grown she'd seen them,
She kiss'd, and wip'd their dove-like eyes,
And gave the bag between them.

93. LOVE KILLED BY LACK.

Let me be warm, let me be fully fed,
Luxurious love by wealth is nourished.
Let me be lean, and cold, and once grown poor,
I shall dislike what once I lov'd before.

94. TO HIS MISTRESS.

Choose me your valentine,
Next let us marry—
Love to the death will pine
If we long tarry.

Promise, and keep your vows,
Or vow ye never—
Love's doctrine disallows
Troth-breakers ever.

You have broke promise twice,
Dear, to undo me,
If you prove faithless thrice
None then will woo ye.

95. TO THE GENEROUS READER.

See and not see, and if thou chance t'espy
Some aberrations in my poetry,
Wink at small faults; the greater, ne'ertheless,
Hide, and with them their father's nakedness.
Let's do our best, our watch and ward to keep;
Homer himself, in a long work, may sleep.

96. TO CRITICS.

I'll write, because I'll give
You critics means to live;
For should I not supply
The cause, th' effect would die.

97. DUTY TO TYRANTS.

Good princes must be pray'd for; for the bad
They must be borne with, and in rev'rence had.
Do they first pill thee, next pluck off thy skin?
Good children kiss the rods that punish sin.
Touch not the tyrant; let the gods alone
To strike him dead that but usurps a throne.

Pill, plunder.

98. BEING ONCE BLIND, HIS REQUEST TO BIANCA.

When age or chance has made me blind,
So that the path I cannot find,
And when my falls and stumblings are
More than the stones i' th' street by far,
Go thou afore, and I shall well
Follow thy perfumes by the smell;
Or be my guide, and I shall be
Led by some light that flows from thee.
Thus held or led by thee, I shall
In ways confus'd nor slip or fall.

100. NO WANT WHERE THERE'S LITTLE.

To bread and water none is poor;
And having these, what need of more?
Though much from out the cess be spent,
Nature with little is content.

Cess, the parish assessment for church purposes.

101. BARLEY-BREAK; OR, LAST IN HELL.

We two are last in hell; what may we fear
To be tormented or kept pris'ners here?
Alas! if kissing be of plagues the worst,
We'll wish in hell we had been last and first.

Barley-break, a country game resembling prisoners' base. See Note.
Hell, the "middle den," the occupants of which had to catch the other players.

102. THE DEFINITION OF BEAUTY.

Beauty no other thing is than a beam
Flashed out between the middle and extreme.

103. TO DIANEME.

Dear, though to part it be a hell,
Yet, Dianeme, now farewell:
Thy frown last night did bid me go,
But whither only grief does know.
I do beseech thee ere we part,
If merciful as fair thou art,
Or else desir'st that maids should tell
Thy pity by love's chronicle,
O Dianeme, rather kill
Me, than to make me languish still!
'Tis cruelty in thee to th' height
Thus, thus to wound, not kill outright;
Yet there's a way found, if you please,
By sudden death to give me ease;
And thus devis'd, do thou but this—
Bequeath to me one parting kiss,
So sup'rabundant joy shall be
The executioner of me.

104. TO ANTHEA LYING IN BED.

So looks Anthea, when in bed she lies
O'ercome or half betray'd by tiffanies,
Like to a twilight, or that simpering dawn
That roses show when misted o'er with lawn.
Twilight is yet, till that her lawns give way;
Which done, that dawn turns then to perfect day.

Tiffanies, gauzes.
Lawn, fine linen.

105. TO ELECTRA.

More white than whitest lilies far,
Or snow, or whitest swans you are:
More white than are the whitest creams,
Or moonlight tinselling the streams:
More white than pearls, or Juno's thigh,
Or Pelops' arm of ivory.
True, I confess, such whites as these
May me delight, not fully please;
Till like Ixion's cloud you be
White, warm, and soft to lie with me.

Pelops' arm, which Jove gave him to replace the one eaten by Ceres at the feast of Tantalus.
Ixion's cloud, to which Jove, for his deception, gave the form of Juno.

106. A COUNTRY-LIFE: TO HIS BROTHER,
MR. THO. HERRICK.

Thrice, and above, bless'd, my soul's half, art thou
In thy both last and better vow:
Could'st leave the city, for exchange, to see
The country's sweet simplicity:
And it to know and practise, with intent
To grow the sooner innocent
By studying to know virtue, and to aim
More at her nature than her name.
The last is but the least; the first doth tell
Ways less to live than to live well:
And both are known to thee, who now can'st live
Led by thy conscience; to give
Justice to soon-pleased nature; and to show
Wisdom and she together go
And keep one centre: this with that conspires
To teach man to confine desires
And know that riches have their proper stint
In the contented mind, not mint:
And can'st instruct that those who have the itch
Of craving more are never rich.
These things thou know'st to th' height, and dost prevent
That plague; because thou art content
With that heav'n gave thee with a wary hand,
More blessed in thy brass than land,
To keep cheap nature even and upright;
To cool, not cocker appetite.
Thus thou canst tersely live to satisfy
The belly chiefly, not the eye;
Keeping the barking stomach wisely quiet,
Less with a neat than needful diet.
But that which most makes sweet thy country life
Is the fruition of a wife:
Whom, stars consenting with thy fate, thou hast
Got not so beautiful as chaste:
By whose warm side thou dost securely sleep,
While love the sentinel doth keep,
With those deeds done by day, which ne'er affright
Thy silken slumbers in the night.
Nor has the darkness power to usher in
Fear to those sheets that know no sin;
But still thy wife, by chaste intentions led,
Gives thee each night a maidenhead.
The damask'd meadows and the pebbly streams
Sweeten and make soft your dreams:
The purling springs, groves, birds, and well-weav'd bowers,
With fields enamelled with flowers,
Present their shapes; while fantasy discloses
Millions of lilies mix'd with roses.
Then dream ye hear the lamb by many a bleat
Woo'd to come suck the milky teat:
While Faunus in the vision comes to keep
From rav'ning wolves the fleecy sheep.
With thousand such enchanting dreams, that meet
To make sleep not so sound as sweet:
Nor can these figures so thy rest endear
As not to rise when Chanticlere
Warns the last watch; but with the dawn dost rise
To work, but first to sacrifice;
Making thy peace with heav'n, for some late fault,
With holy-meal and spirting-salt.
Which done, thy painful thumb this sentence tells us,
Jove for our labour all things sells us.
Nor are thy daily and devout affairs
Attended with those desp'rate cares
Th' industrious merchant has; who, for to find
Gold, runneth to the Western Inde,
And back again, tortured with fears, doth fly,
Untaught to suffer poverty.
But thou at home, bless'd with securest ease,
Sitt'st, and believ'st that there be seas
And watery dangers; while thy whiter hap
But sees these things within thy map.
And viewing them with a more safe survey
Mak'st easy fear unto thee say,—
"A heart thrice wall'd with oak and brass that man
Had, first durst plough the ocean".
But thou at home, without or tide or gale,
Can'st in thy map securely sail:
Seeing those painted countries, and so guess
By those fine shades their substances:
And, from thy compass taking small advice,
Buy'st travel at the lowest price.
Nor are thine ears so deaf but thou canst hear,
Far more with wonder than with fear,
Fame tell of states, of countries, courts, and kings,
And believe there be such things:
When of these truths thy happier knowledge lies
More in thine ears than in thine eyes.
And when thou hear'st by that too true report
Vice rules the most or all at court,
Thy pious wishes are, though thou not there,
Virtue had, and mov'd her sphere.
But thou liv'st fearless; and thy face ne'er shows
Fortune when she comes or goes,
But with thy equal thoughts prepared dost stand,
To take her by the either hand;
Nor car'st which comes the first, the foul or fair:
A wise man ev'ry way lies square,
And, like a surly oak with storms perplex'd,
Grows still the stronger, strongly vex'd.
Be so, bold spirit; stand centre-like, unmov'd;
And be not only thought, but prov'd
To be what I report thee; and inure
Thyself, if want comes to endure:
And so thou dost, for thy desires are
Confin'd to live with private lar:
Not curious whether appetite be fed
Or with the first or second bread,
Who keep'st no proud mouth for delicious cates:
Hunger makes coarse meats delicates.
Canst, and unurg'd, forsake that larded fare,
Which art, not nature, makes so rare,
To taste boil'd nettles, colworts, beets, and eat
These and sour herbs as dainty meat,
While soft opinion makes thy Genius say,
Content makes all ambrosia.
Nor is it that thou keep'st this stricter size
So much for want as exercise:
To numb the sense of dearth, which should sin haste it,
Thou might'st but only see't, not taste it.
Yet can thy humble roof maintain a choir
Of singing crickets by the fire:
And the brisk mouse may feast herself with crumbs
Till that the green-eyed kitling comes,
Then to her cabin blest she can escape
The sudden danger of a rape:
And thus thy little well-kept stock doth prove
Wealth cannot make a life, but love.
Nor art thou so close-handed but canst spend,
Counsel concurring with the end,
As well as spare, still conning o'er this theme,
To shun the first and last extreme.
Ordaining that thy small stock find no breach,
Or to exceed thy tether's reach:
But to live round, and close, and wisely true
To thine own self, and known to few.
Thus let thy rural sanctuary be
Elysium to thy wife and thee;
There to disport yourselves with golden measure:
For seldom use commends the pleasure.
Live, and live blest, thrice happy pair; let breath,
But lost to one, be the other's death.
And as there is one love, one faith, one troth,
Be so one death, one grave to both.
Till when, in such assurance live ye may,
Nor fear or wish your dying day.

Brass, money.
Cocker, pamper.
Neat, dainty.
Spirting-salt, the "saliente mica" of Horace, See [Note].
Lar, the "closet-gods," or gods of the house.
Colworts, cabbages.
Size or assize, a fixed allowance of food, a ration.

107. DIVINATION BY A DAFFODIL.

When a daffodil I see,
Hanging down his head towards me,
Guess I may what I must be:
First, I shall decline my head;
Secondly, I shall be dead;
Lastly, safely buried.

108. TO THE PAINTER, TO DRAW HIM A PICTURE.

Come, skilful Lupo, now, and take
Thy bice, thy umber, pink, and lake;
And let it be thy pencil's strife,
To paint a Bridgeman to the life:
Draw him as like too, as you can,
An old, poor, lying, flattering man:
His cheeks bepimpled, red and blue;
His nose and lips of mulberry hue.
Then, for an easy fancy, place
A burling iron for his face:
Next, make his cheeks with breath to swell,
And for to speak, if possible:
But do not so, for fear lest he
Should by his breathing, poison thee.

Bice, properly a brown grey, but by transference from "blue bice" and "green bice," used for blue and green.
Burling iron, pincers for extracting knots.

111. A LYRIC TO MIRTH.

While the milder fates consent,
Let's enjoy our merriment:
Drink, and dance, and pipe, and play;
Kiss our dollies night and day:
Crowned with clusters of the vine,
Let us sit, and quaff our wine.
Call on Bacchus, chant his praise;
Shake the thyrse, and bite the bays:
Rouse Anacreon from the dead,
And return him drunk to bed:
Sing o'er Horace, for ere long
Death will come and mar the song:
Then shall Wilson and Gotiere
Never sing or play more here.

Wilson, Dr. John Wilson, the singer and composer, one of the king's musicians (1594-1673).
Gotiere, Jacques Gaultier, a French lutist at the court of Charles I.

112. TO THE EARL OF WESTMORELAND.

When my date's done, and my grey age must die,
Nurse up, great lord, this my posterity:
Weak though it be, long may it grow and stand,
Shored up by you, brave Earl of Westmoreland.

113. AGAINST LOVE.

Whene'er my heart love's warmth but entertains,
Oh frost! oh snow! oh hail! forbid the banes.
One drop now deads a spark, but if the same
Once gets a force, floods cannot quench the flame.
Rather than love, let me be ever lost,
Or let me 'gender with eternal frost.

114. UPON JULIA'S RIBAND.

As shows the air when with a rainbow grac'd,
So smiles that riband 'bout my Julia's waist:
Or like—nay 'tis that zonulet of love,
Wherein all pleasures of the world are wove.

115. THE FROZEN ZONE; OR, JULIA DISDAINFUL.

Whither? say, whither shall I fly,
To slack these flames wherein I fry?
To the treasures, shall I go,
Of the rain, frost, hail, and snow?
Shall I search the underground,
Where all damps and mists are found?
Shall I seek (for speedy ease)
All the floods and frozen seas?
Or descend into the deep,
Where eternal cold does keep?
These may cool; but there's a zone
Colder yet than anyone:
That's my Julia's breast, where dwells
Such destructive icicles,
As that the congelation will
Me sooner starve than those can kill.

116. AN EPITAPH UPON A SOBER MATRON.

With blameless carriage, I lived here
To the almost seven and fortieth year.
Stout sons I had, and those twice three
One only daughter lent to me:
The which was made a happy bride
But thrice three moons before she died.
My modest wedlock, that was known
Contented with the bed of one.

117. TO THE PATRON OF POETS, M. END. PORTER.

Let there be patrons, patrons like to thee,
Brave Porter! poets ne'er will wanting be:
Fabius and Cotta, Lentulus, all live
In thee, thou man of men! who here do'st give
Not only subject-matter for our wit,
But likewise oil of maintenance to it:
For which, before thy threshold, we'll lay down
Our thyrse for sceptre, and our bays for crown.
For, to say truth, all garlands are thy due:
The laurel, myrtle, oak, and ivy too.

118. THE SADNESS OF THINGS FOR SAPPHO'S SICKNESS.

Lilies will languish; violets look ill;
Sickly the primrose; pale the daffodil;
That gallant tulip will hang down his head,
Like to a virgin newly ravished;
Pansies will weep, and marigolds will wither,
And keep a fast and funeral together;
Sappho droop, daisies will open never,
But bid good-night, and close their lids for ever.

119. LEANDER'S OBSEQUIES.

When as Leander young was drown'd
No heart by Love receiv'd a wound,
But on a rock himself sat by,
There weeping sup'rabundantly.
Sighs numberless he cast about,
And, all his tapers thus put out,
His head upon his hand he laid,
And sobbing deeply, thus he said:
"Ah, cruel sea," and, looking on't,
Wept as he'd drown the Hellespont.
And sure his tongue had more express'd
But that his tears forbade the rest.

120. HOPE HEARTENS.

None goes to warfare but with this intent—
The gains must dead the fears of detriment.

121. FOUR THINGS MAKE US HAPPY HERE.

Health is the first good lent to men;
A gentle disposition then:
Next, to be rich by no by-ways;
Lastly, with friends t'enjoy our days.

122. HIS PARTING FROM MRS. DOROTHY KENNEDY.

When I did go from thee I felt that smart
Which bodies do when souls from them depart.
Thou did'st not mind it; though thou then might'st see
Me turn'd to tears; yet did'st not weep for me.
'Tis true, I kiss'd thee; but I could not hear
Thee spend a sigh t'accompany my tear.
Methought 'twas strange that thou so hard should'st prove,
Whose heart, whose hand, whose every part spake love.
Prithee, lest maids should censure thee, but say
Thou shed'st one tear, whenas I went away;
And that will please me somewhat: though I know,
And Love will swear't, my dearest did not so.

123. THE TEAR SENT TO HER FROM STAINES.

Glide, gentle streams, and bear
Along with you my tear
To that coy girl
Who smiles, yet slays
Me with delays,
And strings my tears as pearl.

See! see, she's yonder set,
Making a carcanet
Of maiden-flowers!
There, there present
This orient
And pendant pearl of ours.

Then say I've sent one more
Gem to enrich her store;
And that is all
Which I can send,
Or vainly spend,
For tears no more will fall.

Nor will I seek supply
Of them, the spring's once dry;
But I'll devise,
Among the rest,
A way that's best
How I may save mine eyes.

Yet say—should she condemn
Me to surrender them
Then say my part
Must be to weep
Out them, to keep
A poor, yet loving heart.

Say too, she would have this;
She shall: then my hope is,
That when I'm poor
And nothing have
To send or save,
I'm sure she'll ask no more.

Carcanet, necklace.

124. UPON ONE LILY, WHO MARRIED WITH A MAID
CALLED ROSE.

What times of sweetness this fair day foreshows,
Whenas the Lily marries with the Rose!
What next is look'd for? but we all should see
To spring from thee a sweet posterity.

125. AN EPITAPH UPON A CHILD.

Virgins promis'd when I died
That they would each primrose-tide
Duly, morn and evening, come,
And with flowers dress my tomb.
Having promis'd, pay your debts,
Maids, and here strew violets.

127. THE HOUR-GLASS.

That hour-glass which there you see
With water fill'd, sirs, credit me,
The humour was, as I have read,
But lovers' tears incrystalled.
Which, as they drop by drop do pass
From th' upper to the under-glass,
Do in a trickling manner tell,
By many a watery syllable,
That lovers' tears in lifetime shed
Do restless run when they are dead.

Humour, moisture.

128. HIS FAREWELL TO SACK.

Farewell thou thing, time past so known, so dear
To me as blood to life and spirit; near,
Nay, thou more near than kindred, friend, man, wife,
Male to the female, soul to body; life
To quick action, or the warm soft side
Of the resigning, yet resisting bride.
The kiss of virgins, first fruits of the bed,
Soft speech, smooth touch, the lips, the maidenhead:
These and a thousand sweets could never be
So near or dear as thou wast once to me.
O thou, the drink of gods and angels! wine
That scatter'st spirit and lust, whose purest shine
More radiant than the summer's sunbeams shows;
Each way illustrious, brave, and like to those
Comets we see by night, whose shagg'd portents
Foretell the coming of some dire events,
Or some full flame which with a pride aspires,
Throwing about his wild and active fires;
'Tis thou, above nectar, O divinest soul!
Eternal in thyself, that can'st control
That which subverts whole nature, grief and care,
Vexation of the mind, and damn'd despair.
'Tis thou alone who, with thy mystic fan,
Work'st more than wisdom, art, or nature can
To rouse the sacred madness and awake
The frost-bound blood and spirits, and to make
Them frantic with thy raptures flashing through
The soul like lightning, and as active too.
'Tis not Apollo can, or those thrice three
Castalian sisters, sing, if wanting thee.
Horace, Anacreon, both had lost their fame,
Had'st thou not fill'd them with thy fire and flame.
Phœbean splendour! and thou, Thespian spring!
Of which sweet swans must drink before they sing
Their true-pac'd numbers and their holy lays,
Which makes them worthy cedar and the bays.
But why, why longer do I gaze upon
Thee with the eye of admiration?
Since I must leave thee, and enforc'd must say
To all thy witching beauties, Go, away.
But if thy whimpering looks do ask me why,
Then know that nature bids thee go, not I.
'Tis her erroneous self has made a brain
Uncapable of such a sovereign
As is thy powerful self. Prithee not smile,
Or smile more inly, lest thy looks beguile
My vows denounc'd in zeal, which thus much show thee
That I have sworn but by thy looks to know thee.
Let others drink thee freely, and desire
Thee and their lips espous'd, while I admire
And love thee, but not taste thee. Let my muse
Fail of thy former helps, and only use
Her inadult'rate strength: what's done by me
Hereafter shall smell of the lamp, not thee.

Shagg'd, rough-haired.
Mystic fan, the "mystica vannus Iacchi" of Georgic, i. 166.
Cedar, i.e., cedar oil, used for the preservation of manuscripts.

130. UPON MRS. ELIZABETH WHEELER, UNDER THE
NAME OF AMARILLIS.

Sweet Amarillis by a spring's
Soft and soul-melting murmurings
Slept, and thus sleeping, thither flew
A robin-redbreast, who, at view,
Not seeing her at all to stir,
Brought leaves and moss to cover her;
But while he perking there did pry
About the arch of either eye,
The lid began to let out day,
At which poor robin flew away,
And seeing her not dead, but all disleav'd,
He chirp'd for joy to see himself deceiv'd.

132. TO MYRRHA, HARD-HEARTED.

Fold now thine arms and hang the head,
Like to a lily withered;
Next look thou like a sickly moon,
Or like Jocasta in a swoon;
Then weep and sigh and softly go,
Like to a widow drown'd in woe,
Or like a virgin full of ruth
For the lost sweetheart of her youth;
And all because, fair maid, thou art
Insensible of all my smart,
And of those evil days that be
Now posting on to punish thee.
The gods are easy, and condemn
All such as are not soft like them.

133. THE EYE.

Make me a heaven, and make me there
Many a less and greater sphere:
Make me the straight and oblique lines,
The motions, lations and the signs.
Make me a chariot and a sun,
And let them through a zodiac run;
Next place me zones and tropics there,
With all the seasons of the year.
Make me a sunset and a night,
And then present the morning's light
Cloth'd in her chamlets of delight.
To these make clouds to pour down rain,
With weather foul, then fair again.
And when, wise artist, that thou hast
With all that can be this heaven grac't,
Ah! what is then this curious sky
But only my Corinna's eye?

Lations, astral attractions.
Chamlets, i.e., camlets, stuffs made from camels' hair.

134. UPON THE MUCH-LAMENTED MR. J. WARR.

What wisdom, learning, wit or worth
Youth or sweet nature could bring forth
Rests here with him who was the fame,
The volume of himself and name.
If, reader, then, thou wilt draw near
And do an honour to thy tear,
Weep then for him for whom laments
Not one, but many monuments.

136. THE SUSPICION UPON HIS OVER-MUCH FAMILIARITY
WITH A GENTLEWOMAN.

And must we part, because some say
Loud is our love, and loose our play,
And more than well becomes the day?
Alas for pity! and for us
Most innocent, and injured thus!
Had we kept close, or played within,
Suspicion now had been the sin,
And shame had followed long ere this,
T' have plagued what now unpunished is.
But we, as fearless of the sun,
As faultless, will not wish undone
What now is done, since where no sin
Unbolts the door, no shame comes in.
Then, comely and most fragrant maid,
Be you more wary than afraid
Of these reports, because you see
The fairest most suspected be.
The common forms have no one eye
Or ear of burning jealousy
To follow them: but chiefly where
Love makes the cheek and chin a sphere
To dance and play in, trust me, there
Suspicion questions every hair.
Come, you are fair, and should be seen
While you are in your sprightful green:
And what though you had been embraced
By me—were you for that unchaste?
No, no! no more than is yond' moon
Which, shining in her perfect noon,
In all that great and glorious light,
Continues cold as is the night.
Then, beauteous maid, you may retire;
And as for me, my chaste desire
Shall move towards you, although I see
Your face no more. So live you free
From fame's black lips, as you from me.

137. SINGLE LIFE MOST SECURE.

Suspicion, discontent, and strife
Come in for dowry with a wife.

138. THE CURSE. A SONG.

Go, perjured man; and if thou e'er return
To see the small remainders in mine urn,
When thou shalt laugh at my religious dust,
And ask: where's now the colour, form and trust
Of woman's beauty? and with hand more rude
Rifle the flowers which the virgins strewed:
Know I have prayed to Fury that some wind
May blow my ashes up, and strike thee blind.

139. THE WOUNDED CUPID. SONG.

Cupid, as he lay among
Roses, by a bee was stung;
Whereupon, in anger flying
To his mother, said thus, crying:
Help! oh help! your boy's a-dying.
And why, my pretty lad, said she?
Then, blubbering, replied he:
A winged snake has bitten me,
Which country people call a bee.
At which she smiled; then, with her hairs
And kisses drying up his tears:
Alas! said she, my wag, if this
Such a pernicious torment is,
Come tell me then, how great's the smart
Of those thou woundest with thy dart!

140. TO DEWS. A SONG.

I burn, I burn; and beg of you
To quench or cool me with your dew.
I fry in fire, and so consume,
Although the pile be all perfume.
Alas! the heat and death's the same,
Whether by choice or common flame,
To be in oil of roses drowned,
Or water; where's the comfort found?
Both bring one death; and I die here
Unless you cool me with a tear:
Alas! I call; but ah! I see
Ye cool and comfort all but me.

141. SOME COMFORT IN CALAMITY.

To conquered men, some comfort 'tis to fall
By the hand of him who is the general.

142. THE VISION.

Sitting alone, as one forsook,
Close by a silver-shedding brook,
With hands held up to love, I wept;
And after sorrows spent I slept:
Then in a vision I did see
A glorious form appear to me:
A virgin's face she had; her dress
Was like a sprightly Spartaness.
A silver bow, with green silk strung,
Down from her comely shoulders hung:
And as she stood, the wanton air
Dangled the ringlets of her hair.
Her legs were such Diana shows
When, tucked up, she a-hunting goes;
With buskins shortened to descry
The happy dawning of her thigh:
Which when I saw, I made access
To kiss that tempting nakedness:
But she forbade me with a wand
Of myrtle she had in her hand:
And, chiding me, said: Hence, remove,
Herrick, thou art too coarse to love.

143. LOVE ME LITTLE, LOVE ME LONG.

You say, to me-wards your affection's strong;
Pray love me little, so you love me long.
Slowly goes far: the mean is best: desire,
Grown violent, does either die or tire.

144. UPON A VIRGIN KISSING A ROSE.

'Twas but a single rose,
Till you on it did breathe;
But since, methinks, it shows
Not so much rose as wreath.

145. UPON A WIFE THAT DIED MAD WITH JEALOUSY.

In this little vault she lies,
Here, with all her jealousies:
Quiet yet; but if ye make
Any noise they both will wake,
And such spirits raise 'twill then
Trouble death to lay again.

146. UPON THE BISHOP OF LINCOLN'S
IMPRISONMENT.

Never was day so over-sick with showers
But that it had some intermitting hours;
Never was night so tedious but it knew
The last watch out, and saw the dawning too;
Never was dungeon so obscurely deep
Wherein or light or day did never peep;
Never did moon so ebb, or seas so wane,
But they left hope-seed to fill up again.
So you, my lord, though you have now your stay,
Your night, your prison, and your ebb, you may
Spring up afresh, when all these mists are spent,
And star-like, once more gild our firmament.
Let but that mighty Cæsar speak, and then
All bolts, all bars, all gates shall cleave; as when
That earthquake shook the house, and gave the stout
Apostles way, unshackled, to go out.
This, as I wish for, so I hope to see;
Though you, my lord, have been unkind to me,
To wound my heart, and never to apply,
When you had power, the meanest remedy.
Well, though my grief by you was gall'd the more,
Yet I bring balm and oil to heal your sore.

147. DISSUASIONS FROM IDLENESS.

Cynthius, pluck ye by the ear,
That ye may good doctrine hear;
Play not with the maiden-hair,
For each ringlet there's a snare.
Cheek, and eye, and lip, and chin—
These are traps to take fools in.
Arms, and hands, and all parts else,
Are but toils, or manacles,
Set on purpose to enthral
Men, but slothfuls most of all.
Live employed, and so live free
From these fetters; like to me,
Who have found, and still can prove,
The lazy man the most doth love.

149. AN EPITHALAMY TO SIR THOMAS SOUTHWELL
AND HIS LADY.

I.

Now, now's the time, so oft by truth
Promis'd should come to crown your youth.
Then, fair ones, do not wrong
Your joys by staying long;
Or let love's fire go out,
By lingering thus in doubt;
But learn that time once lost
Is ne'er redeem'd by cost.
Then away; come, Hymen, guide
To the bed the bashful bride.

II.

Is it, sweet maid, your fault these holy
Bridal rites go on so slowly?
Dear, is it this you dread
The loss of maidenhead?
Believe me, you will most
Esteem it when 'tis lost;
Then it no longer keep,
Lest issue lie asleep.
Then, away; come, Hymen, guide
To the bed the bashful bride.

III.

These precious, pearly, purling tears
But spring from ceremonious fears.
And 'tis but native shame
That hides the loving flame,
And may a while control
The soft and am'rous soul;
But yet love's fire will waste
Such bashfulness at last.
Then, away; come, Hymen, guide
To the bed the bashful bride.

IV.

Night now hath watch'd herself half blind,
Yet not a maidenhead resign'd!
'Tis strange, ye will not fly
To love's sweet mystery.
Might yon full moon the sweets
Have, promised to your sheets,
She soon would leave her sphere,
To be admitted there.
Then, away; come, Hymen, guide
To the bed the bashful bride.

V.

On, on devoutly, make no stay;
While Domiduca leads the way,
And Genius, who attends
The bed for lucky ends.
With Juno goes the Hours
And Graces strewing flowers.
And the boys with sweet tunes sing:
Hymen, O Hymen, bring
Home the turtles; Hymen, guide
To the bed the bashful bride.

VI.

Behold! how Hymen's taper-light
Shows you how much is spent of night.
See, see the bridegroom's torch
Half wasted in the porch.
And now those tapers five,
That show the womb shall thrive,
Their silv'ry flames advance,
To tell all prosp'rous chance
Still shall crown the happy life
Of the goodman and the wife.

VII.

Move forward then your rosy feet,
And make whate'er they touch turn sweet.
May all, like flowery meads,
Smell where your soft foot treads;
And everything assume
To it the like perfume,
As Zephyrus when he 'spires
Through woodbine and sweetbriars.
Then, away; come, Hymen, guide
To the bed the bashful bride.

VIII.

And now the yellow veil at last
Over her fragrant cheek is cast.
Now seems she to express
A bashful willingness:
Showing a heart consenting,
As with a will repenting.
Then gently lead her on
With wise suspicion;
For that, matrons say, a measure
Of that passion sweetens pleasure.

IX.

You, you that be of her nearest kin,
Now o'er the threshold force her in.
But to avert the worst
Let her her fillets first
Knit to the posts, this point
Remembering, to anoint
The sides, for 'tis a charm
Strong against future harm;
And the evil deads, the which
There was hidden by the witch.

X.

O Venus! thou to whom is known
The best way how to loose the zone
Of virgins, tell the maid
She need not be afraid,
And bid the youth apply
Close kisses if she cry,
And charge he not forbears
Her though she woo with tears.
Tell them now they must adventure,
Since that love and night bid enter.

XI.

No fatal owl the bedstead keeps,
With direful notes to fright your sleeps;
No furies here about
To put the tapers out,
Watch or did make the bed:
'Tis omen full of dread;
But all fair signs appear
Within the chamber here.
Juno here far off doth stand,
Cooling sleep with charming wand.

XII.

Virgins, weep not; 'twill come when,
As she, so you'll be ripe for men.
Then grieve her not with saying
She must no more a-maying,
Or by rosebuds divine
Who'll be her valentine.
Nor name those wanton reaks
You've had at barley-breaks,
But now kiss her and thus say,
"Take time, lady, while ye may".

XIII.

Now bar the doors; the bridegroom puts
The eager boys to gather nuts.
And now both love and time
To their full height do climb:
Oh! give them active heat
And moisture both complete:
Fit organs for increase,
To keep and to release
That which may the honour'd stem
Circle with a diadem.

XIV.

And now, behold! the bed or couch
That ne'er knew bride's or bridegroom's touch,
Feels in itself a fire;
And, tickled with desire,
Pants with a downy breast,
As with a heart possesst,
Shrugging as it did move
Ev'n with the soul of love.
And, oh! had it but a tongue,
Doves, 'twould say, ye bill too long.

XV.

O enter then! but see ye shun
A sleep until the act be done.
Let kisses in their close,
Breathe as the damask rose,
Or sweet as is that gum
Doth from Panchaia come.
Teach nature now to know
Lips can make cherries grow
Sooner than she ever yet
In her wisdom could beget.

XVI.

On your minutes, hours, days, months, years,
Drop the fat blessing of the spheres.
That good which heav'n can give
To make you bravely live
Fall like a spangling dew
By day and night on you.
May fortune's lily-hand
Open at your command;
With all lucky birds to side
With the bridegroom and the bride.

XVII.

Let bounteous Fate your spindles full
Fill, and wind up with whitest wool.
Let them not cut the thread
Of life until ye bid.
May death yet come at last,
And not with desp'rate haste,
But when ye both can say
"Come, let us now away,"
Be ye to the barn then borne,
Two, like two ripe shocks of corn.

Domiduca, Juno, the goddess of marriage, the "home-bringer".
Reaks, pranks.
Barley-break, a country game, see [101].
Panchaia, the land of spices: cf, Virg. G. ii. 139; Æn. iv. 379.

150. TEARS ARE TONGUES.

When Julia chid I stood as mute the while
As is the fish or tongueless crocodile.
Air coin'd to words my Julia could not hear,
But she could see each eye to stamp a tear;
By which mine angry mistress might descry
Tears are the noble language of the eye.
And when true love of words is destitute
The eyes by tears speak, while the tongue is mute.

151. UPON A YOUNG MOTHER OF MANY CHILDREN.

Let all chaste matrons, when they chance to see
My num'rous issue, praise and pity me:
Praise me for having such a fruitful womb,
Pity me, too, who found so soon a tomb.

152. TO ELECTRA.

I'll come to thee in all those shapes
As Jove did when he made his rapes,
Only I'll not appear to thee
As he did once to Semele.
Thunder and lightning I'll lay by,
To talk with thee familiarly.
Which done, then quickly we'll undress
To one and th' other's nakedness,
And, ravish'd, plunge into the bed,
Bodies and souls commingled,
And kissing, so as none may hear,
We'll weary all the fables there.

Fables, i.e., of Jove's amours.

153. HIS WISH.

It is sufficient if we pray
To Jove, who gives and takes away:
Let him the land and living find;
Let me alone to fit the mind.

154. HIS PROTESTATION TO PERILLA.

Noonday and midnight shall at once be seen:
Trees, at one time, shall be both sere and green:
Fire and water shall together lie
In one self-sweet-conspiring sympathy:
Summer and winter shall at one time show
Ripe ears of corn, and up to th' ears in snow:
Seas shall be sandless; fields devoid of grass;
Shapeless the world, as when all chaos was,
Before, my dear Perilla, I will be
False to my vow, or fall away from thee.

155. LOVE PERFUMES ALL PARTS.

If I kiss Anthea's breast,
There I smell the phœnix nest:
If her lip, the most sincere
Altar of incense I smell there—
Hands, and thighs, and legs are all
Richly aromatical.
Goddess Isis can't transfer
Musks and ambers more from her:
Nor can Juno sweeter be,
When she lies with Jove, than she.

156. TO JULIA.

Permit me, Julia, now to go away;
Or by thy love decree me here to stay.
If thou wilt say that I shall live with thee,
Here shall my endless tabernacle be:
If not, as banish'd, I will live alone
There where no language ever yet was known.

157. ON HIMSELF.

Love-sick I am, and must endure
A desperate grief, that finds no cure.
Ah me! I try; and trying, prove
No herbs have power to cure love.
Only one sovereign salve I know,
And that is death, the end of woe.

158. VIRTUE IS SENSIBLE OF SUFFERING.

Though a wise man all pressures can sustain,
His virtue still is sensible of pain:
Large shoulders though he has, and well can bear,
He feels when packs do pinch him, and the where.

159. THE CRUEL MAID.

And cruel maid, because I see
You scornful of my love and me,
I'll trouble you no more; but go
My way where you shall never know
What is become of me: there I
Will find me out a path to die,
Or learn some way how to forget
You and your name for ever: yet,
Ere I go hence, know this from me,
What will, in time, your fortune be:
This to your coyness I will tell,
And, having spoke it once, farewell.
The lily will not long endure,
Nor the snow continue pure;
The rose, the violet, one day,
See, both these lady-flowers decay:
And you must fade as well as they.
And it may chance that Love may turn,
And, like to mine, make your heart burn
And weep to see't; yet this thing do,
That my last vow commends to you:
When you shall see that I am dead,
For pity let a tear be shed;
And, with your mantle o'er me cast,
Give my cold lips a kiss at last:
If twice you kiss you need not fear
That I shall stir or live more here.
Next, hollow out a tomb to cover
Me—me, the most despisèd lover,
And write thereon: This, reader, know:
Love kill'd this man. No more, but so.

160. TO DIANEME.

Sweet, be not proud of those two eyes
Which, starlike, sparkle in their skies;
Nor be you proud that you can see
All hearts your captives, yours yet free;
Be you not proud of that rich hair
Which wantons with the love-sick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone
When all your world of beauty's gone.

161. TO THE KING, TO CURE THE EVIL.

To find that tree of life whose fruits did feed
And leaves did heal all sick of human seed:
To find Bethesda and an angel there
Stirring the waters, I am come; and here,
At last, I find (after my much to do)
The tree, Bethesda and the angel too:
And all in your blest hand, which has the powers
Of all those suppling-healing herbs and flowers.
To that soft charm, that spell, that magic bough,
That high enchantment, I betake me now,
And to that hand (the branch of heaven's fair tree),
I kneel for help; O! lay that hand on me,
Adored Cæsar! and my faith is such
I shall be heal'd if that my king but touch.
The evil is not yours: my sorrow sings,
"Mine is the evil, but the cure the king's".

162. HIS MISERY IN A MISTRESS.

Water, water I espy;
Come and cool ye, all who fry
In your loves; but none as I.

Though a thousand showers be
Still a-falling, yet I see
Not one drop to light on me.

Happy you who can have seas
For to quench ye, or some ease
From your kinder mistresses.

I have one, and she alone,
Of a thousand thousand known,
Dead to all compassion.

Such an one as will repeat
Both the cause and make the heat
More by provocation great.

Gentle friends, though I despair
Of my cure, do you beware
Of those girls which cruel are.

164. TO A GENTLEWOMAN OBJECTING TO HIM
HIS GRAY HAIRS.

Am I despised because you say,
And I dare swear, that I am gray?
Know, lady, you have but your day:
And time will come when you shall wear
Such frost and snow upon your hair;
And when (though long, it comes to pass)
You question with your looking-glass;
And in that sincere crystal seek,
But find no rose-bud in your cheek:
Nor any bed to give the show
Where such a rare carnation grew.
Ah! then too late, close in your chamber keeping,
It will be told
That you are old,
By those true tears y'are weeping.

165. TO CEDARS.

If 'mongst my many poems I can see
One only worthy to be wash'd by thee,
I live for ever, let the rest all lie
In dens of darkness or condemn'd to die.

Cedars, oil of cedar was used for preserving manuscripts (carmina linenda cedro. Hor. Ars Poet., 331.)

166. UPON CUPID.

Love like a gipsy lately came,
And did me much importune
To see my hand, that by the same
He might foretell my fortune.

He saw my palm, and then, said he,
I tell thee by this score here,
That thou within few months shalt be
The youthful Prince d'Amour here.

I smil'd, and bade him once more prove,
And by some cross-line show it,
That I could ne'er be prince of love,
Though here the princely poet.

167. HOW PRIMROSES CAME GREEN.

Virgins, time-past, known were these,
Troubled with green-sicknesses:
Turn'd to flowers, still the hue,
Sickly girls, they bear of you.

168. TO JOS., LORD BISHOP OF EXETER.

Whom should I fear to write to if I can
Stand before you, my learn'd diocesan?
And never show blood-guiltiness or fear
To see my lines excathedrated here.
Since none so good are but you may condemn,
Or here so bad but you may pardon them.
If then, my lord, to sanctify my muse
One only poem out of all you'll choose,
And mark it for a rapture nobly writ,
'Tis good confirm'd, for you have bishop'd it.

Blood-guiltiness, guilt betrayed by blushing; cp. [837].
Excathedrated, condemned ex cathedra.

169. UPON A BLACK TWIST ROUNDING THE ARM OF
THE COUNTESS OF CARLISLE.

I saw about her spotless wrist,
Of blackest silk, a curious twist;
Which, circumvolving gently, there
Enthrall'd her arm as prisoner.
Dark was the jail, but as if light
Had met t'engender with the night;
Or so as darkness made a stay
To show at once both night and day.
One fancy more! but if there be
Such freedom in captivity,
I beg of Love that ever I
May in like chains of darkness lie.

170. ON HIMSELF.

I fear no earthly powers,
But care for crowns of flowers;
And love to have my beard
With wine and oil besmear'd.
This day I'll drown all sorrow:
Who knows to live to-morrow?

172. A RING PRESENTED TO JULIA.

Julia, I bring
To thee this ring,
Made for thy finger fit;
To show by this
That our love is
(Or should be) like to it.

Close though it be
The joint is free;
So, when love's yoke is on,
It must not gall,
Or fret at all
With hard oppression.

But it must play
Still either way,
And be, too, such a yoke
As not too wide
To overslide,
Or be so strait to choke.

So we who bear
This beam must rear
Ourselves to such a height
As that the stay
Of either may
Create the burden light.

And as this round
Is nowhere found
To flaw, or else to sever:
So let our love
As endless prove,
And pure as gold for ever.

173. TO THE DETRACTOR.

Where others love and praise my verses, still
Thy long black thumb-nail marks them out for ill:
A fellon take it, or some whitflaw come
For to unslate or to untile that thumb!
But cry thee mercy: exercise thy nails
To scratch or claw, so that thy tongue not rails:
Some numbers prurient are, and some of these
Are wanton with their itch; scratch, and 'twill please.

Fellon, a sore, especially in the finger.
Whitflaw, or whitlow.

174. UPON THE SAME.

I ask'd thee oft what poets thou hast read,
And lik'st the best. Still thou reply'st: The dead.
I shall, ere long, with green turfs cover'd be;
Then sure thou'lt like or thou wilt envy me.

175. JULIA'S PETTICOAT.

Thy azure robe I did behold
As airy as the leaves of gold,
Which, erring here, and wandering there,
Pleas'd with transgression ev'rywhere:
Sometimes 'twould pant, and sigh, and heave,
As if to stir it scarce had leave:
But, having got it, thereupon
'Twould make a brave expansion.
And pounc'd with stars it showed to me
Like a celestial canopy.
Sometimes 'twould blaze, and then abate,
Like to a flame grown moderate:
Sometimes away 'twould wildly fling,
Then to thy thighs so closely cling
That some conceit did melt me down
As lovers fall into a swoon:
And, all confus'd, I there did lie
Drown'd in delights, but could not die.
That leading cloud I follow'd still,
Hoping t' have seen of it my fill;
But ah! I could not: should it move
To life eternal, I could love.

Pounc'd, sprinkled.

176. TO MUSIC.

Begin to charm, and, as thou strok'st mine ears
With thy enchantment, melt me into tears.
Then let thy active hand scud o'er thy lyre,
And make my spirits frantic with the fire.
That done, sink down into a silvery strain,
And make me smooth as balm and oil again.

177. DISTRUST.

To safeguard man from wrongs, there nothing must
Be truer to him than a wise distrust.
And to thyself be best this sentence known:
Hear all men speak, but credit few or none.

178. CORINNA'S GOING A-MAYING.

Get up, get up for shame, the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air:
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.
Each flower has wept and bow'd toward the east
Above an hour since: yet you not dress'd;
Nay! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, 'tis sin,
Nay, profanation to keep in,
Whereas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.

Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept;
Come and receive them while the light
Hangs on the dew-locks of the night:
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth. Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.

Come, my Corinna, come; and, coming, mark
How each field turns a street, each street a park
Made green and trimm'd with trees: see how
Devotion gives each house a bough
Or branch: each porch, each door ere this
An ark, a tabernacle is,
Made up of white-thorn neatly interwove;
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see't?
Come, we'll abroad; and let's obey
The proclamation made for May:
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.

There's not a budding boy or girl this day
But is got up, and gone to bring in May.
A deal of youth, ere this, is come
Back, and with white-thorn laden home.
Some have despatch'd their cakes and cream
Before that we have left to dream:
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given;
Many a kiss, both odd and even:
Many a glance too has been sent
From out the eye, love's firmament;
Many a jest told of the keys betraying
This night, and locks pick'd, yet we're not a-Maying.

Come, let us go while we are in our prime;
And take the harmless folly of the time.
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And, as a vapour or a drop of rain,
Once lost, can ne'er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying.

Beads, prayers.
Left to dream, ceased dreaming.
Green-gown, tumble on the grass.

179. ON JULIA'S BREATH.

Breathe, Julia, breathe, and I'll protest,
Nay more, I'll deeply swear,
That all the spices of the east
Are circumfused there.

Circumfused, spread around.

180. UPON A CHILD. AN EPITAPH.

But born, and like a short delight,
I glided by my parents' sight.
That done, the harder fates denied
My longer stay, and so I died.
If, pitying my sad parents' tears,
You'll spill a tear or two with theirs,
And with some flowers my grave bestrew,
Love and they'll thank you for't. Adieu.

181. A DIALOGUE BETWIXT HORACE AND LYDIA,
TRANSLATED ANNO 1627, AND SET BY
MR. RO. RAMSEY.

Hor. While, Lydia, I was loved of thee,
Nor any was preferred 'fore me
To hug thy whitest neck, than I
The Persian king lived not more happily.

Lyd. While thou no other didst affect,
Nor Chloe was of more respect
Than Lydia, far-famed Lydia,
I flourished more than Roman Ilia.

Hor. Now Thracian Chloe governs me,
Skilful i' th' harp and melody;
For whose affection, Lydia, I
(So fate spares her) am well content to die.

Lyd. My heart now set on fire is
By Ornithes' son, young Calais,
For whose commutual flames here I,
To save his life, twice am content to die.

Hor. Say our first loves we should revoke,
And, severed, join in brazen yoke;
Admit I Chloe put away,
And love again love-cast-off Lydia?

Lyd. Though mine be brighter than the star,
Thou lighter than the cork by far,
Rough as the Adriatic sea, yet I
Will live with thee, or else for thee will die.

182. THE CAPTIV'D BEE, OR THE LITTLE FILCHER.

As Julia once a-slumbering lay
It chanced a bee did fly that way,
After a dew or dew-like shower,
To tipple freely in a flower.
For some rich flower he took the lip
Of Julia, and began to sip;
But when he felt he sucked from thence
Honey, and in the quintessence,
He drank so much he scarce could stir,
So Julia took the pilferer.
And thus surprised, as filchers use,
He thus began himself t' excuse:
Sweet lady-flower, I never brought
Hither the least one thieving thought;
But, taking those rare lips of yours
For some fresh, fragrant, luscious flowers,
I thought I might there take a taste,
Where so much syrup ran at waste.
Besides, know this: I never sting
The flower that gives me nourishing;
But with a kiss, or thanks, do pay
For honey that I bear away.
This said, he laid his little scrip
Of honey 'fore her ladyship:
And told her, as some tears did fall,
That that he took, and that was all.
At which she smiled, and bade him go
And take his bag; but thus much know:
When next he came a-pilfering so,
He should from her full lips derive
Honey enough to fill his hive.

185. AN ODE TO MASTER ENDYMION PORTER, UPON
HIS BROTHER'S DEATH.

Not all thy flushing suns are set,
Herrick, as yet;
Nor doth this far-drawn hemisphere
Frown and look sullen ev'rywhere.
Days may conclude in nights, and suns may rest
As dead within the west;
Yet, the next morn, regild the fragrant east.

Alas! for me, that I have lost
E'en all almost;
Sunk is my sight, set is my sun,
And all the loom of life undone:
The staff, the elm, the prop, the shelt'ring wall
Whereon my vine did crawl,
Now, now blown down; needs must the old stock fall.

Yet, Porter, while thou keep'st alive,
In death I thrive:
And like a phœnix re-aspire
From out my nard and fun'ral fire:
And as I prune my feathered youth, so I
Do mar'l how I could die
When I had thee, my chief preserver, by.

I'm up, I'm up, and bless that hand
Which makes me stand
Now as I do, and but for thee
I must confess I could not be.
The debt is paid; for he who doth resign
Thanks to the gen'rous vine
Invites fresh grapes to fill his press with wine.

Mar'l, marvel.

186. TO HIS DYING BROTHER, MASTER WILLIAM
HERRICK.

Life of my life, 'take not so soon thy flight,
But stay the time till we have bade good-night.
Thou hast both wind and tide with thee; thy way
As soon despatch'd is by the night as day.
Let us not then so rudely henceforth go
Till we have wept, kissed, sigh'd, shook hands, or so.
There's pain in parting, and a kind of hell,
When once true lovers take their last farewell.
What! shall we two our endless leaves take here
Without a sad look or a solemn tear?
He knows not love that hath not this truth proved,
Love is most loth to leave the thing beloved.
Pay we our vows and go; yet when we part,
Then, even then, I will bequeath my heart
Into thy loving hands; for I'll keep none
To warm my breast when thou, my pulse, art gone.
No, here I'll last, and walk (a harmless shade)
About this urn wherein thy dust is laid,
To guard it so as nothing here shall be
Heavy to hurt those sacred seeds of thee.

187. THE OLIVE BRANCH.

Sadly I walk'd within the field,
To see what comfort it would yield;
And as I went my private way
An olive branch before me lay,
And seeing it I made a stay,
And took it up and view'd it; then
Kissing the omen, said Amen;
Be, be it so, and let this be
A divination unto me;
That in short time my woes shall cease
And Love shall crown my end with peace.

189. TO CHERRY-BLOSSOMS.

Ye may simper, blush and smile,
And perfume the air awhile;
But, sweet things, ye must be gone,
Fruit, ye know, is coming on;
Then, ah! then, where is your grace,
Whenas cherries come in place?

190. HOW LILIES CAME WHITE.

White though ye be, yet, lilies, know,
From the first ye were not so;
But I'll tell ye
What befell ye:
Cupid and his mother lay
In a cloud, while both did play,
He with his pretty finger press'd
The ruby niplet of her breast;
Out of which the cream of light,
Like to a dew,
Fell down on you
And made ye white.

191. TO PANSIES.

Ah, cruel love! must I endure
Thy many scorns and find no cure?
Say, are thy medicines made to be
Helps to all others but to me?
I'll leave thee and to pansies come,
Comforts you'll afford me some;
You can ease my heart and do
What love could ne'er be brought unto.

192. ON GILLY-FLOWERS BEGOTTEN.

What was't that fell but now
From that warm kiss of ours?
Look, look! by love I vow
They were two gilly-flowers.

Let's kiss and kiss again,
For if so be our closes
Make gilly-flowers, then
I'm sure they'll fashion roses.

193. THE LILY IN A CRYSTAL.

You have beheld a smiling rose
When virgins' hands have drawn
O'er it a cobweb-lawn;
And here you see this lily shows,
Tomb'd in a crystal stone,
More fair in this transparent case
Than when it grew alone
And had but single grace.

You see how cream but naked is
Nor dances in the eye
Without a strawberry,
Or some fine tincture like to this,
Which draws the sight thereto
More by that wantoning with it
Than when the paler hue
No mixture did admit.

You see how amber through the streams
More gently strokes the sight
With some conceal'd delight
Than when he darts his radiant beams
Into the boundless air;
Where either too much light his worth
Doth all at once impair,
Or set it little forth.

Put purple grapes or cherries in-
To glass, and they will send
More beauty to commend
Them from that clean and subtle skin
Than if they naked stood,
And had no other pride at all
But their own flesh and blood
And tinctures natural.

Thus lily, rose, grape, cherry, cream,
And strawberry do stir
More love when they transfer
A weak, a soft, a broken beam,
Than if they should discover
At full their proper excellence;
Without some scene cast over
To juggle with the sense.

Thus let this crystal'd lily be
A rule how far to teach
Your nakedness must reach;
And that no further than we see
Those glaring colours laid
By art's wise hand, but to this end
They should obey a shade,
Lest they too far extend.

So though you're white as swan or snow,
And have the power to move
A world of men to love,
Yet when your lawns and silks shall flow,
And that white cloud divide
Into a doubtful twilight, then,
Then will your hidden pride
Raise greater fires in men.

Tincture, colour, dye.
Scene, a covering.

194. TO HIS BOOK.

Like to a bride, come forth, my book, at last,
With all thy richest jewels overcast;
Say, if there be, 'mongst many gems here, one
Deserveless of the name of paragon;
Blush not at all for that, since we have set
Some pearls on queens that have been counterfeit.

195. UPON SOME WOMEN.

Thou who wilt not love, do this,
Learn of me what woman is.
Something made of thread and thrum.
A mere botch of all and some.
Pieces, patches, ropes of hair;
Inlaid garbage everywhere.
Outside silk and outside lawn;
Scenes to cheat us neatly drawn.
False in legs, and false in thighs;
False in breast, teeth, hair, and eyes;
False in head, and false enough;
Only true in shreds and stuff.

Thrum, a small thread.
All and some, anything and everything.

196. SUPREME FORTUNE FALLS SOONEST.

While leanest beasts in pastures feed,
The fattest ox the first must bleed.

197. THE WELCOME TO SACK.

So soft streams meet, so springs with gladder smiles
Meet after long divorcement by the isles;
When love, the child of likeness, urgeth on
Their crystal natures to a union:
So meet stolen kisses, when the moony nights
Call forth fierce lovers to their wish'd delights;
So kings and queens meet, when desire convinces
All thoughts but such as aim at getting princes,
As I meet thee. Soul of my life and fame!
Eternal lamp of love! whose radiant flame
Out-glares the heaven's Osiris,[H] and thy gleams
Out-shine the splendour of his mid-day beams.
Welcome, O welcome, my illustrious spouse;
Welcome as are the ends unto my vows;
Aye! far more welcome than the happy soil
The sea-scourged merchant, after all his toil,
Salutes with tears of joy, when fires betray
The smoky chimneys of his Ithaca.
Where hast thou been so long from my embraces,
Poor pitied exile? Tell me, did thy graces
Fly discontented hence, and for a time
Did rather choose to bless another clime?
Or went'st thou to this end, the more to move me,
By thy short absence, to desire and love thee?
Why frowns my sweet? Why won't my saint confer
Favours on me, her fierce idolater?
Why are those looks, those looks the which have been
Time-past so fragrant, sickly now drawn in
Like a dull twilight? Tell me, and the fault
I'll expiate with sulphur, hair and salt;
And, with the crystal humour of the spring,
Purge hence the guilt and kill this quarrelling.
Wo't thou not smile or tell me what's amiss?
Have I been cold to hug thee, too remiss,
Too temp'rate in embracing? Tell me, has desire
To thee-ward died i' th' embers, and no fire
Left in this rak'd-up ash-heap as a mark
To testify the glowing of a spark?
Have I divorc'd thee only to combine
In hot adult'ry with another wine?
True, I confess I left thee, and appeal
'Twas done by me more to confirm my zeal
And double my affection on thee, as do those
Whose love grows more inflam'd by being foes.
But to forsake thee ever, could there be
A thought of such-like possibility?
When thou thyself dar'st say thy isles shall lack
Grapes before Herrick leaves canary sack.
Thou mak'st me airy, active to be borne,
Like Iphiclus, upon the tops of corn.
Thou mak'st me nimble, as the winged hours,
To dance and caper on the heads of flowers,
And ride the sunbeams. Can there be a thing
Under the heavenly Isis[I] that can bring
More love unto my life, or can present
My genius with a fuller blandishment?
Illustrious idol! could th' Egyptians seek
Help from the garlic, onion and the leek
And pay no vows to thee, who wast their best
God, and far more transcendent than the rest?
Had Cassius, that weak water-drinker, known
Thee in thy vine, or had but tasted one
Small chalice of thy frantic liquor, he,
As the wise Cato, had approv'd of thee.
Had not Jove's son,[J] that brave Tirynthian swain,
Invited to the Thesbian banquet, ta'en
Full goblets of thy gen'rous blood, his sprite
Ne'er had kept heat for fifty maids that night.
Come, come and kiss me; love and lust commends
Thee and thy beauties; kiss, we will be friends
Too strong for fate to break us. Look upon
Me with that full pride of complexion
As queens meet queens, or come thou unto me
As Cleopatra came to Anthony,
When her high carriage did at once present
To the triumvir love and wonderment.
Swell up my nerves with spirit; let my blood
Run through my veins like to a hasty flood.
Fill each part full of fire, active to do
What thy commanding soul shall put it to;
And till I turn apostate to thy love,
Which here I vow to serve, do not remove
Thy fires from me, but Apollo's curse
Blast these-like actions, or a thing that's worse.
When these circumstants shall but live to see
The time that I prevaricate from thee.
Call me the son of beer, and then confine
Me to the tap, the toast, the turf; let wine
Ne'er shine upon me; may my numbers all
Run to a sudden death and funeral.
And last, when thee, dear spouse, I disavow,
Ne'er may prophetic Daphne crown my brow.

Convinces, overcomes.
Ithaca, the home of the wanderer Ulysses.
Iphiclus won the foot-race at the funeral games of Pelias.
Circumstants, surroundings.

198. IMPOSSIBILITIES TO HIS FRIEND.

My faithful friend, if you can see
The fruit to grow up, or the tree;
If you can see the colour come
Into the blushing pear or plum;
If you can see the water grow
To cakes of ice or flakes of snow;
If you can see that drop of rain
Lost in the wild sea once again;
If you can see how dreams do creep
Into the brain by easy sleep:
Then there is hope that you may see
Her love me once who now hates me.

201. TO LIVE MERRILY AND TO TRUST TO GOOD
VERSES.

Now is the time for mirth,
Nor cheek or tongue be dumb;
For, with the flowery earth,
The golden pomp is come.

The golden pomp is come;
For now each tree does wear.
Made of her pap and gum,
Rich beads of amber here.

Now reigns the rose, and now
Th' Arabian dew besmears
My uncontrolled brow
And my retorted hairs.

Homer, this health to thee,
In sack of such a kind
That it would make thee see
Though thou wert ne'er so blind.

Next, Virgil I'll call forth
To pledge this second health
In wine, whose each cup's worth
An Indian commonwealth.

A goblet next I'll drink
To Ovid, and suppose,
Made he the pledge, he'd think
The world had all one nose.

Then this immensive cup
Of aromatic wine,
Catullus, I quaff up
To that terse muse of thine.

Wild I am now with heat:
O Bacchus, cool thy rays!
Or, frantic, I shall eat
Thy thyrse and bite the bays.

Round, round the roof does run,
And, being ravish'd thus,
Come, I will drink a tun
To my Propertius.

Now, to Tibullus, next,
This flood I drink to thee:
But stay, I see a text
That this presents to me.

Behold, Tibullus lies
Here burnt, whose small return
Of ashes scarce suffice
To fill a little urn.

Trust to good verses then;
They only will aspire
When pyramids, as men,
Are lost i' th' funeral fire.

And when all bodies meet
In Lethe to be drown'd,
Then only numbers sweet
With endless life are crown'd.

Retorted, bound back, "retorto crine," Martial.
Immensive, measureless.

202. FAIR DAYS: OR, DAWNS DECEITFUL.

Fair was the dawn, and but e'en now the skies
Show'd like to cream inspir'd with strawberries,
But on a sudden all was chang'd and gone
That smil'd in that first sweet complexion.
Then thunder-claps and lightning did conspire
To tear the world, or set it all on fire.
What trust to things below, whenas we see,
As men, the heavens have their hypocrisy?

203. LIPS TONGUELESS.

For my part, I never care
For those lips that tongue-tied are:
Tell-tales I would have them be
Of my mistress and of me.
Let them prattle how that I
Sometimes freeze and sometimes fry:
Let them tell how she doth move
Fore or backward in her love:
Let them speak by gentle tones,
One and th' other's passions:
How we watch, and seldom sleep;
How by willows we do weep;
How by stealth we meet, and then
Kiss, and sigh, so part again.
This the lips we will permit
For to tell, not publish it.

204. TO THE FEVER, NOT TO TROUBLE JULIA.

Thou'st dar'd too far; but, fury, now forbear
To give the least disturbance to her hair:
But less presume to lay a plait upon
Her skin's most smooth and clear expansion.
'Tis like a lawny firmament as yet,
Quite dispossess'd of either fray or fret.
Come thou not near that film so finely spread,
Where no one piece is yet unlevelled.
This if thou dost, woe to thee, fury, woe,
I'll send such frost, such hail, such sleet, and snow,
Such flesh-quakes, palsies, and such fears as shall
Dead thee to th' most, if not destroy thee all.
And thou a thousand thousand times shalt be
More shak'd thyself than she is scorch'd by thee.

205. TO VIOLETS.

Welcome, maids-of-honour!
You do bring
In the spring,
And wait upon her.

She has virgins many,
Fresh and fair;
Yet you are
More sweet than any.

You're the maiden posies,
And so grac'd
To be plac'd
'Fore damask roses.

Yet, though thus respected,
By-and-by
Ye do lie,
Poor girls, neglected.

207. TO CARNATIONS. A SONG.

Stay while ye will, or go
And leave no scent behind ye:
Yet, trust me, I shall know
The place where I may find ye.

Within my Lucia's cheek,
Whose livery ye wear,
Play ye at hide or seek,
I'm sure to find ye there.

208. TO THE VIRGINS, TO MAKE MUCH OF TIME.

Gather ye rosebuds while ye may,
Old time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.

The glorious lamp of heaven, the sun,
The higher he's a-getting,
The sooner will his race be run,
And nearer he's to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may go marry:
For having lost but once your prime
You may for ever tarry.

209. SAFETY TO LOOK TO ONESELF.

For my neighbour I'll not know,
Whether high he builds or no:
Only this I'll look upon,
Firm be my foundation.
Sound or unsound, let it be!
'Tis the lot ordain'd for me.
He who to the ground does fall
Has not whence to sink at all.

210. TO HIS FRIEND, ON THE UNTUNABLE TIMES.

Play I could once; but, gentle friend, you see
My harp hung up here on the willow tree.
Sing I could once; and bravely, too, inspire
With luscious numbers my melodious lyre.
Draw I could once, although not stocks or stones,
Amphion-like, men made of flesh and bones,
Whither I would; but ah! I know not how,
I feel in me this transmutation now.
Grief, my dear friend, has first my harp unstrung,
Wither'd my hand, and palsy-struck my tongue.

211. HIS POETRY HIS PILLAR.

Only a little more
I have to write,
Then I'll give o'er,
And bid the world good-night.

'Tis but a flying minute
That I must stay,
Or linger in it;
And then I must away.

O time that cut'st down all
And scarce leav'st here
Memorial
Of any men that were.

How many lie forgot
In vaults beneath?
And piecemeal rot
Without a fame in death?

Behold this living stone
I rear for me,
Ne'er to be thrown
Down, envious Time, by thee.

Pillars let some set up
If so they please:
Here is my hope
And my Pyramides.

212. SAFETY ON THE SHORE.

What though the sea be calm? Trust to the shore,
Ships have been drown'd where late they danc'd before.

213. A PASTORAL UPON THE BIRTH OF PRINCE
CHARLES. PRESENTED TO THE KING, AND SET BY
MR. NIC. LANIERE.

The Speakers, Mirtillo, Amintas and Amarillis.

Amin. Good-day, Mirtillo. Mirt. And to you no less,
And all fair signs lead on our shepherdess.
Amar. With all white luck to you. Mirt. But say, what news
Stirs in our sheep-walk? Amin. None, save that my ewes,
My wethers, lambs, and wanton kids are well,
Smooth, fair and fat! none better I can tell:
Or that this day Menalcas keeps a feast
For his sheep-shearers. Mirt. True, these are the least;
But, dear Amintas and sweet Amarillis,
Rest but a while here, by this bank of lilies,
And lend a gentle ear to one report
The country has. Amin. From whence? Amar. From whence? Mirt. The Court.
Three days before the shutting in of May
(With whitest wool be ever crown'd that day!)
To all our joy a sweet-fac'd child was born,
More tender than the childhood of the morn.
Chor. Pan pipe to him, and bleats of lambs and sheep
Let lullaby the pretty prince asleep!
Mirt. And that his birth should be more singular
At noon of day was seen a silver star,
Bright as the wise men's torch which guided them
To God's sweet babe, when born at Bethlehem;
While golden angels (some have told to me)
Sung out his birth with heavenly minstrelsy.
Amin. O rare! But is't a trespass if we three
Should wend along his babyship to see?
Mirt. Not so, not so.
Chor. But if it chance to prove
At most a fault, 'tis but a fault of love.
Amar. But, dear Mirtillo, I have heard it told
Those learned men brought incense, myrrh and gold
From countries far, with store of spices sweet,
And laid them down for offerings at his feet.
Mirt. 'Tis true, indeed; and each of us will bring
Unto our smiling and our blooming king
A neat, though not so great an offering.
Amar. A garland for my gift shall be
Of flowers ne'er suck'd by th' thieving bee;
And all most sweet; yet all less sweet than he.
Amin. And I will bear, along with you,
Leaves dropping down the honeyed dew,
With oaten pipes as sweet as new.
Mirt. And I a sheep-hook will bestow,
To have his little kingship know,
As he is prince, he's shepherd too.
Chor. Come, let's away, and quickly let's be dress'd,
And quickly give—the swiftest grace is best.
And when before him we have laid our treasures,
We'll bless the babe, then back to country pleasures.

White, favourable.

214. TO THE LARK.

Good speed, for I this day
Betimes my matins say:
Because I do
Begin to woo,
Sweet-singing lark,
Be thou the clerk,
And know thy when
To say, Amen.
And if I prove
Bless'd in my love,
Then thou shalt be
High-priest to me,
At my return,
To incense burn;
And so to solemnise
Love's and my sacrifice.

215. THE BUBBLE. A SONG.

To my revenge and to her desperate fears
Fly, thou made bubble of my sighs and tears.
In the wild air when thou hast rolled about,
And, like a blasting planet, found her out.
Stoop, mount, pass by to take her eye, then glare
Like to a dreadful comet in the air:
Next, when thou dost perceive her fixed sight
For thy revenge to be most opposite,
Then, like a globe or ball of wild-fire, fly,
And break thyself in shivers on her eye.

216. A MEDITATION FOR HIS MISTRESS.

You are a tulip seen to-day,
But, dearest, of so short a stay
That where you grew scarce man can say.

You are a lovely July-flower,
Yet one rude wind or ruffling shower
Will force you hence, and in an hour.

You are a sparkling rose i' th' bud,
Yet lost ere that chaste flesh and blood
Can show where you or grew or stood.

You are a full-spread, fair-set vine,
And can with tendrils love entwine,
Yet dried ere you distil your wine.

You are like balm enclosed well
In amber, or some crystal shell,
Yet lost ere you transfuse your smell.

You are a dainty violet,
Yet wither'd ere you can be set
Within the virgin's coronet.

You are the queen all flowers among,
But die you must, fair maid, ere long,
As he, the maker of this song.

217. THE BLEEDING HAND; OR, THE SPRIG OF
EGLANTINE GIVEN TO A MAID.

From this bleeding hand of mine
Take this sprig of eglantine,
Which, though sweet unto your smell,
Yet the fretful briar will tell,
He who plucks the sweets shall prove
Many thorns to be in love.

218. LYRIC FOR LEGACIES.

Gold I've none, for use or show,
Neither silver to bestow
At my death; but this much know;
That each lyric here shall be
Of my love a legacy,
Left to all posterity.
Gentle friends, then do but please
To accept such coins as these
As my last remembrances.

219. A DIRGE UPON THE DEATH OF THE RIGHT
VALIANT LORD, BERNARD STUART.

Hence, hence, profane! soft silence let us have
While we this trental sing about thy grave.

Had wolves or tigers seen but thee,
They would have showed civility;
And, in compassion of thy years,
Washed those thy purple wounds with tears.
But since thou'rt slain, and in thy fall
The drooping kingdom suffers all;

Chor. This we will do, we'll daily come
And offer tears upon thy tomb:
And if that they will not suffice,
Thou shall have souls for sacrifice.
Sleep in thy peace, while we with spice perfume thee,
And cedar wash thee, that no times consume thee.

Live, live thou dost, and shall; for why?
Souls do not with their bodies die:
Ignoble offsprings, they may fall
Into the flames of funeral:
Whenas the chosen seed shall spring
Fresh, and for ever flourishing.

Chor. And times to come shall, weeping, read thy glory
Less in these marble stones than in thy story.

Trental, a dirge; but see [Note].
Cedar, oil of cedar.

220. TO PERENNA, A MISTRESS.

Dear Perenna, prithee come
And with smallage dress my tomb:
Add a cypress sprig thereto,
With a tear, and so Adieu.

Smallage, water-parsley.

223. THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
DEDICATED TO MR. JOHN MERRIFIELD,
COUNSELLOR-AT-LAW.

Rare temples thou hast seen, I know,
And rich for in and outward show:
Survey this chapel, built alone,
Without or lime, or wood, or stone:
Then say if one thou'st seen more fine
Than this, the fairies' once, now thine.

THE TEMPLE.

A way enchased with glass and beads
There is, that to the chapel leads:
Whose structure, for his holy rest,
Is here the halcyon's curious nest:
Into the which who looks shall see
His temple of idolatry,
Where he of godheads has such store,
As Rome's pantheon had not more.
His house of Rimmon this he calls,
Girt with small bones instead of walls.
First, in a niche, more black than jet,
His idol-cricket there is set:
Then in a polished oval by
There stands his idol-beetle-fly:
Next in an arch, akin to this,
His idol-canker seated is:
Then in a round is placed by these
His golden god, Cantharides.
So that, where'er ye look, ye see,
No capital, no cornice free,
Or frieze, from this fine frippery.
Now this the fairies would have known,
Theirs is a mixed religion:
And some have heard the elves it call
Part pagan, part papistical.
If unto me all tongues were granted,
I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis,
Who 'gainst Mab's-state placed here right is;
Saint Will o' th' Wisp, of no great bigness,
But alias called here Fatuus ignis;
Saint Frip, Saint Trip, Saint Fill, Saint Fillie
Neither those other saintships will I
Here go about for to recite
Their number, almost infinite,
Which one by one here set down are
In this most curious calendar.
First, at the entrance of the gate
A little puppet-priest doth wait,
Who squeaks to all the comers there:
"Favour your tongues who enter here;
Pure hands bring hither without stain."
A second pules: "Hence, hence, profane!"
Hard by, i' th' shell of half a nut,
The holy-water there is put:
A little brush of squirrel's hairs
(Composed of odd, not even pairs,)
Stands in the platter, or close by,
To purge the fairy family.
Near to the altar stands the priest,
There off'ring up the Holy Grist,
Ducking in mood and perfect tense,
With (much-good-do-'t him) reverence.
The altar is not here four-square,
Nor in a form triangular,
Nor made of glass, or wood, or stone,
But of a little transverse bone;
Which boys and bruckel'd children call
(Playing for points and pins) cockal.
Whose linen drapery is a thin
Subtile and ductile codlin's skin:
Which o'er the board is smoothly spread
With little seal-work damasked.
The fringe that circumbinds it too
Is spangle-work of trembling dew,
Which, gently gleaming, makes a show
Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand
Something for show-bread, and at hand,
Just in the middle of the altar,
Upon an end, the fairy-psalter,
Grac'd with the trout-flies' curious wings,
Which serve for watchet ribbonings.
Now, we must know, the elves are led
Right by the rubric which they read.
And, if report of them be true,
They have their text for what they do;
Aye, and their book of canons too.
And, as Sir Thomas Parson tells,
They have their book of articles;
And, if that fairy-knight not lies,
They have their book of homilies;
And other scriptures that design
A short but righteous discipline.
The basin stands the board upon
To take the free oblation:
A little pin-dust, which they hold
More precious than we prize our gold
Which charity they give to many
Poor of the parish, if there's any.
Upon the ends of these neat rails,
Hatch'd with the silver-light of snails,
The elves in formal manner fix
Two pure and holy candlesticks:
In either which a small tall bent
Burns for the altar's ornament.
For sanctity they have to these
Their curious copes and surplices
Of cleanest cobweb hanging by
In their religious vestery.
They have their ash-pans and their brooms
To purge the chapel and the rooms;
Their many mumbling Mass-priests here,
And many a dapper chorister,
Their ush'ring vergers, here likewise
Their canons and their chanteries.
Of cloister-monks they have enow,
Aye, and their abbey-lubbers too;
And, if their legend do not lie,
They much affect the papacy.
And since the last is dead, there's hope
Elf Boniface shall next be pope.
They have their cups and chalices;
Their pardons and indulgences;
Their beads of nits, bells, books, and wax
Candles, forsooth, and other knacks;
Their holy oil, their fasting spittle;
Their sacred salt here, not a little;
Dry chips, old shoes, rags, grease and bones;
Beside their fumigations
To drive the devil from the cod-piece
Of the friar (of work an odd piece).
Many a trifle, too, and trinket,
And for what use, scarce man would think it.
Next, then, upon the chanters' side
An apple's core is hung up dri'd,
With rattling kernels, which is rung
To call to morn and even-song.
The saint to which the most he prays
And offers incense nights and days,
The lady of the lobster is,
Whose foot-pace he doth stroke and kiss;
And humbly chives of saffron brings
For his most cheerful offerings.
When, after these, h'as paid his vows
He lowly to the altar bows;
And then he dons the silk-worm's shed,
Like a Turk's turban on his head,
And reverently departeth thence,
Hid in a cloud of frankincense,
And by the glow-worm's light well guided,
Goes to the feast that's now provided.

Halcyon, king-fisher.
Saint Tit, etc., see [Note].
Mab's-state, Mab's chair of state.
Bruckel'd, begrimed.
Cockal, a game played with four huckle-bones.
Codlin, an apple.
Fetuous, feat, neat.
Watchet, pale blue.
Hatch'd, inlaid.
Bent, bent grass.
Nits, nuts.
The lady of the lobster, part of the lobster's apparatus for digestion.
Foot-pace, a mat.
Chives, shreds.

224. TO MISTRESS KATHERINE BRADSHAW, THE
LOVELY, THAT CROWNED HIM WITH LAUREL.

My muse in meads has spent her many hours,
Sitting, and sorting several sorts of flowers
To make for others garlands, and to set
On many a head here many a coronet;
But, amongst all encircled here, not one
Gave her a day of coronation,
Till you, sweet mistress, came and interwove
A laurel for her, ever young as love—
You first of all crown'd her: she must of due
Render for that a crown of life to you.

225. THE PLAUDITE, OR END OF LIFE.

If, after rude and boisterous seas,
My wearied pinnace here finds ease;
If so it be I've gained the shore
With safety of a faithful oar;
If, having run my barque on ground,
Ye see the aged vessel crown'd:
What's to be done, but on the sands
Ye dance and sing and now clap hands?
The first act's doubtful, but we say
It is the last commends the play.

226. TO THE MOST VIRTUOUS MISTRESS POT, WHO
MANY TIMES ENTERTAINED HIM.

When I through all my many poems look,
And see yourself to beautify my book,
Methinks that only lustre doth appear
A light fulfilling all the region here.
Gild still with flames this firmament, and be
A lamp eternal to my poetry.
Which, if it now or shall hereafter shine,
'Twas by your splendour, lady, not by mine.
The oil was yours; and that I owe for yet:
He pays the half who does confess the debt.

227. TO MUSIC, TO BECALM HIS FEVER.

Charm me asleep and melt me so
With thy delicious numbers,
That, being ravished, hence I go
Away in easy slumbers.
Ease my sick head
And make my bed,
Thou power that canst sever
From me this ill;
And quickly still,
Though thou not kill,
My fever.

Thou sweetly canst convert the same
From a consuming fire
Into a gentle-licking flame,
And make it thus expire.
Then make me weep
My pains asleep;
And give me such reposes
That I, poor I,
May think thereby
I live and die
'Mongst roses.

Fall on me like a silent dew,
Or like those maiden showers
Which, by the peep of day, do strew
A baptism o'er the flowers.
Melt, melt my pains
With thy soft strains;
That, having ease me given,
With full delight
I leave this light,
And take my flight
For heaven.

228. UPON A GENTLEWOMAN WITH A SWEET VOICE.

So long you did not sing or touch your lute,
We knew 'twas flesh and blood that there sat mute.
But when your playing and your voice came in,
'Twas no more you then, but a cherubin.

229. UPON CUPID.

As lately I a garland bound,
'Mongst roses I there Cupid found;
I took him, put him in my cup,
And drunk with wine, I drank him up.
Hence then it is that my poor breast
Could never since find any rest.

230. UPON JULIA'S BREASTS.

Display thy breasts, my Julia—there let me
Behold that circummortal purity,
Between whose glories there my lips I'll lay,
Ravish'd in that fair via lactea.

Circummortal, more than mortal.

231. BEST TO BE MERRY.

Fools are they who never know
How the times away do go;
But for us, who wisely see
Where the bounds of black death be,
Let's live merrily, and thus
Gratify the Genius.

232. THE CHANGES TO CORINNA.

Be not proud, but now incline
Your soft ear to discipline.
You have changes in your life—
Sometimes peace and sometimes strife;
You have ebbs of face and flows,
As your health or comes or goes;
You have hopes, and doubts, and fears
Numberless, as are your hairs.
You have pulses that do beat
High, and passions less of heat.
You are young, but must be old,
And, to these, ye must be told
Time ere long will come and plough
Loathed furrows in your brow:
And the dimness of your eye
Will no other thing imply
But you must die
As well as I.

234. NEGLECT.

Art quickens nature; care will make a face;
Neglected beauty perisheth apace.

235. UPON HIMSELF.

Mop-eyed I am, as some have said,
Because I've lived so long a maid:
But grant that I should wedded be,
Should I a jot the better see?
No, I should think that marriage might,
Rather than mend, put out the light.

Mop-eyed, shortsighted.

236. UPON A PHYSICIAN.

Thou cam'st to cure me, doctor, of my cold,
And caught'st thyself the more by twenty fold:
Prithee go home; and for thy credit be
First cured thyself, then come and cure me.

238. TO THE ROSE. A SONG.

Go, happy rose, and interwove
With other flowers, bind my love.
Tell her, too, she must not be
Longer flowing, longer free,
That so oft has fetter'd me.

Say, if she's fretful, I have bands
Of pearl and gold to bind her hands.
Tell her, if she struggle still,
I have myrtle rods (at will)
For to tame, though not to kill.

Take thou my blessing, thus, and go
And tell her this, but do not so,
Lest a handsome anger fly,
Like a lightning, from her eye,
And burn thee up as well as I.

240. TO HIS BOOK.

Thou art a plant sprung up to wither never,
But like a laurel to grow green for ever.

241. UPON A PAINTED GENTLEWOMAN.

Men say y'are fair, and fair ye are, 'tis true;
But, hark! we praise the painter now, not you.

243. DRAW-GLOVES.

At draw-gloves we'll play,
And prithee let's lay
A wager, and let it be this:
Who first to the sum
Of twenty shall come,
Shall have for his winning a kiss.

Draw-gloves, a game of talking by the fingers.

244. TO MUSIC, TO BECALM A SWEET-SICK YOUTH.

Charms, that call down the moon from out her sphere,
On this sick youth work your enchantments here:
Bind up his senses with your numbers so
As to entrance his pain, or cure his woe.
Fall gently, gently, and a while him keep
Lost in the civil wilderness of sleep:
That done, then let him, dispossessed of pain,
Like to a slumb'ring bride, awake again.

245. TO THE HIGH AND NOBLE PRINCE GEORGE, DUKE,
MARQUIS, AND EARL OF BUCKINGHAM.

Never my book's perfection did appear
Till I had got the name of Villars here:
Now 'tis so full that when therein I look
I see a cloud of glory fills my book.
Here stand it still to dignify our Muse,
Your sober handmaid, who doth wisely choose
Your name to be a laureate wreath to her
Who doth both love and fear you, honoured sir.

246. HIS RECANTATION.

Love, I recant,
And pardon crave
That lately I offended;
But 'twas,
Alas!
To make a brave,
But no disdain intended.

No more I'll vaunt,
For now I see
Thou only hast the power
To find
And bind
A heart that's free,
And slave it in an hour.

247. THE COMING OF GOOD LUCK.

So good luck came, and on my roof did light,
Like noiseless snow, or as the dew of night:
Not all at once, but gently, as the trees
Are by the sunbeams tickled by degrees.

248. THE PRESENT; OR, THE BAG OF THE BEE.

Fly to my mistress, pretty pilfering bee,
And say thou bring'st this honey bag from me:
When on her lip thou hast thy sweet dew placed,
Mark if her tongue but slyly steal a taste.
If so, we live; if not, with mournful hum
Toll forth my death; next, to my burial come.

249. ON LOVE.

Love bade me ask a gift,
And I no more did move
But this, that I might shift
Still with my clothes my love:
That favour granted was;
Since which, though I love many,
Yet so it comes to pass
That long I love not any.

250. THE HOCK-CART OR HARVEST HOME. TO THE
RIGHT HONOURABLE MILDMAY, EARL OF
WESTMORELAND.

Come, sons of summer, by whose toil
We are the lords of wine and oil:
By whose tough labours and rough hands
We rip up first, then reap our lands.
Crowned with the ears of corn, now come,
And to the pipe sing harvest home.
Come forth, my lord, and see the cart
Dressed up with all the country art:
See here a maukin, there a sheet,
As spotless pure as it is sweet:
The horses, mares, and frisking fillies,
Clad all in linen white as lilies.
The harvest swains and wenches bound
For joy, to see the hock-cart crowned.
About the cart, hear how the rout
Of rural younglings raise the shout;
Pressing before, some coming after,
Those with a shout, and these with laughter.
Some bless the cart, some kiss the sheaves,
Some prank them up with oaken leaves:
Some cross the fill-horse, some with great
Devotion stroke the home-borne wheat:
While other rustics, less attent
To prayers than to merriment,
Run after with their breeches rent.
Well, on, brave boys, to your lord's hearth,
Glitt'ring with fire, where, for your mirth,
Ye shall see first the large and chief
Foundation of your feast, fat beef:
With upper stories, mutton, veal
And bacon (which makes full the meal),
With sev'ral dishes standing by,
As here a custard, there a pie,
And here all-tempting frumenty.
And for to make the merry cheer,
If smirking wine be wanting here,
There's that which drowns all care, stout beer;
Which freely drink to your lord's health,
Then to the plough, the commonwealth,
Next to your flails, your fans, your fats,
Then to the maids with wheaten hats:
To the rough sickle, and crook'd scythe,
Drink, frolic boys, till all be blithe.
Feed, and grow fat; and as ye eat
Be mindful that the lab'ring neat,
As you, may have their fill of meat.
And know, besides, ye must revoke
The patient ox unto the yoke,
And all go back unto the plough
And harrow, though they're hanged up now.
And, you must know, your lord's word's true,
Feed him ye must, whose food fills you;
And that this pleasure is like rain,
Not sent ye for to drown your pain,
But for to make it spring again.

Maukin, a cloth.
Fill-horse, shaft-horse.
Frumenty, wheat boiled in milk.
Fats, vats.

251. THE PERFUME.

To-morrow, Julia, I betimes must rise,
For some small fault to offer sacrifice:
The altar's ready: fire to consume
The fat; breathe thou, and there's the rich perfume.

252. UPON HER VOICE.

Let but thy voice engender with the string,
And angels will be born while thou dost sing.

253. NOT TO LOVE.

He that will not love must be
My scholar, and learn this of me:
There be in love as many fears
As the summer's corn has ears:
Sighs, and sobs, and sorrows more
Than the sand that makes the shore:
Freezing cold and fiery heats,
Fainting swoons and deadly sweats;
Now an ague, then a fever,
Both tormenting lovers ever.
Would'st thou know, besides all these,
How hard a woman 'tis to please,
How cross, how sullen, and how soon
She shifts and changes like the moon.
How false, how hollow she's in heart:
And how she is her own least part:
How high she's priz'd, and worth but small;
Little thou'lt love, or not at all.

254. TO MUSIC. A SONG.

Music, thou queen of heaven, care-charming spell,
That strik'st a stillness into hell:
Thou that tam'st tigers, and fierce storms that rise,
With thy soul-melting lullabies,
Fall down, down, down from those thy chiming spheres,
To charm our souls, as thou enchant'st our ears.

255. TO THE WESTERN WIND.

Sweet western wind, whose luck it is,
Made rival with the air,
To give Perenna's lip a kiss,
And fan her wanton hair.

Bring me but one, I'll promise thee,
Instead of common showers,
Thy wings shall be embalm'd by me,
And all beset with flowers.

256. UPON THE DEATH OF HIS SPARROW.
AN ELEGY.

Why do not all fresh maids appear
To work love's sampler only here,
Where spring-time smiles throughout the year?
Are not here rosebuds, pinks, all flowers
Nature begets by th' sun and showers,
Met in one hearse-cloth to o'erspread
The body of the under-dead?
Phil, the late dead, the late dead dear,
O! may no eye distil a tear
For you once lost, who weep not here!
Had Lesbia, too-too kind, but known
This sparrow, she had scorn'd her own:
And for this dead which under lies
Wept out her heart, as well as eyes.
But, endless peace, sit here and keep
My Phil the time he has to sleep;
And thousand virgins come and weep
To make these flowery carpets show
Fresh as their blood, and ever grow,
Till passengers shall spend their doom:
Not Virgil's gnat had such a tomb.

Phil, otherwise Philip or Phip, was a pet name for a sparrow.
Virgil's gnat, the Culex attributed to Virgil.

257. TO PRIMROSES FILLED WITH MORNING DEW.

Why do ye weep, sweet babes? can tears
Speak grief in you,
Who were but born
Just as the modest morn
Teem'd her refreshing dew?
Alas! you have not known that shower
That mars a flower,
Nor felt th' unkind
Breath of a blasting wind,
Nor are ye worn with years,
Or warp'd as we,
Who think it strange to see
Such pretty flowers, like to orphans young,
To speak by tears before ye have a tongue.

Speak, whimp'ring younglings, and make known
The reason why
Ye droop and weep;
Is it for want of sleep?
Or childish lullaby?
Or that ye have not seen as yet
The violet?
Or brought a kiss
From that sweetheart to this?
No, no, this sorrow shown
By your tears shed
Would have this lecture read:
That things of greatest, so of meanest worth,
Conceiv'd with grief are, and with tears brought forth.

258. HOW ROSES CAME RED.

Roses at first were white,
Till they could not agree,
Whether my Sappho's breast
Or they more white should be.

But, being vanquish'd quite,
A blush their cheeks bespread;
Since which, believe the rest,
The roses first came red.

259. COMFORT TO A LADY UPON THE DEATH OF
HER HUSBAND.

Dry your sweet cheek, long drown'd with sorrow's rain,
Since, clouds dispers'd, suns gild the air again.
Seas chafe and fret, and beat, and overboil,
But turn soon after calm as balm or oil.
Winds have their time to rage; but when they cease
The leafy trees nod in a still-born peace.
Your storm is over; lady, now appear
Like to the peeping springtime of the year.
Off then with grave clothes; put fresh colours on,
And flow and flame in your vermilion.
Upon your cheek sat icicles awhile;
Now let the rose reign like a queen, and smile.

260. HOW VIOLETS CAME BLUE.

Love on a day, wise poets tell,
Some time in wrangling spent,
Whether the violets should excel,
Or she, in sweetest scent.

But Venus having lost the day,
Poor girls, she fell on you:
And beat ye so, as some dare say,
Her blows did make ye blue.

262. TO THE WILLOW-TREE.

Thou art to all lost love the best,
The only true plant found,
Wherewith young men and maids distres't,
And left of love, are crown'd.

When once the lover's rose is dead,
Or laid aside forlorn:
Then willow-garlands 'bout the head
Bedew'd with tears are worn.

When with neglect, the lovers' bane,
Poor maids rewarded be,
For their love lost, their only gain
Is but a wreath from thee.

And underneath thy cooling shade,
When weary of the light,
The love-spent youth and love-sick maid
Come to weep out the night.

263. MRS. ELIZ. WHEELER, UNDER THE NAME OF
THE LOST SHEPHERDESS.

Among the myrtles as I walk'd,
Love and my sighs thus intertalk'd:
Tell me, said I, in deep distress,
Where I may find my shepherdess.
Thou fool, said Love, know'st thou not this?
In everything that's sweet she is.
In yond' carnation go and seek,
There thou shalt find her lip and cheek:
In that enamell'd pansy by,
There thou shalt have her curious eye:
In bloom of peach and rose's bud,
There waves the streamer of her blood.
'Tis true, said I, and thereupon
I went to pluck them one by one,
To make of parts a union:
But on a sudden all were gone.
At which I stopp'd; said Love, these be
The true resemblances of thee;
For, as these flowers, thy joys must die,
And in the turning of an eye:
And all thy hopes of her must wither,
Like those short sweets, ere knit together.

264. TO THE KING.

If when these lyrics, Cæsar, you shall hear,
And that Apollo shall so touch your ear
As for to make this, that, or any one,
Number your own, by free adoption;
That verse, of all the verses here, shall be
The heir to this great realm of poetry.

265. TO THE QUEEN.

Goddess of youth, and lady of the spring,
Most fit to be the consort to a king,
Be pleas'd to rest you in this sacred grove
Beset with myrtles, whose each leaf drops love.
Many a sweet-fac'd wood-nymph here is seen,
Of which chaste order you are now the queen:
Witness their homage when they come and strew
Your walks with flowers, and give their crowns to you.
Your leafy throne, with lily-work possess,
And be both princess here and poetess.

266. THE POET'S GOOD WISHES FOR THE
MOST HOPEFUL AND HANDSOME PRINCE,
THE DUKE OF YORK.

May his pretty dukeship grow
Like t'a rose of Jericho:
Sweeter far than ever yet
Showers or sunshines could beget.
May the Graces and the Hours
Strew his hopes and him with flowers:
And so dress him up with love
As to be the chick of Jove.
May the thrice-three sisters sing
Him the sovereign of their spring:
And entitle none to be
Prince of Helicon but he.
May his soft foot, where it treads,
Gardens thence produce and meads:
And those meadows full be set
With the rose and violet.
May his ample name be known
To the last succession:
And his actions high be told
Through the world, but writ in gold.

267. TO ANTHEA, WHO MAY COMMAND HIM
ANYTHING.

Bid me to live, and I will live
Thy Protestant to be,
Or bid me love, and I will give
A loving heart to thee.

A heart as soft, a heart as kind,
A heart as sound and free
As in the whole world thou canst find,
That heart I'll give to thee.

Bid that heart stay, and it will stay
To honour thy decree:
Or bid it languish quite away,
And't shall do so for thee.

Bid me to weep, and I will weep
While I have eyes to see:
And, having none, yet I will keep
A heart to weep for thee.

Bid me despair, and I'll despair
Under that cypress-tree:
Or bid me die, and I will dare
E'en death to die for thee.

Thou art my life, my love, my heart,
The very eyes of me:
And hast command of every part
To live and die for thee.

268. PREVISION OR PROVISION.

That prince takes soon enough the victor's room
Who first provides not to be overcome.

269. OBEDIENCE IN SUBJECTS.

The gods to kings the judgment give to sway:
The subjects only glory to obey.

270. MORE POTENT, LESS PECCANT.

He that may sin, sins least: leave to transgress
Enfeebles much the seeds of wickedness.

271. UPON A MAID THAT DIED THE DAY SHE WAS
MARRIED.

That morn which saw me made a bride,
The evening witness'd that I died.
Those holy lights, wherewith they guide
Unto the bed the bashful bride,
Serv'd but as tapers for to burn
And light my relics to their urn.
This epitaph, which here you see,
Supplied the epithalamy.

274. TO MEADOWS.

Ye have been fresh and green,
Ye have been fill'd with flowers,
And ye the walks have been
Where maids have spent their hours.
You have beheld how they
With wicker arks did come
To kiss and bear away
The richer cowslips home.

Y'ave heard them sweetly sing,
And seen them in a round:
Each virgin like a spring,
With honeysuckles crown'd.

But now we see none here
Whose silvery feet did tread,
And with dishevell'd hair
Adorn'd this smoother mead.

Like unthrifts, having spent
Your stock and needy grown,
Y'are left here to lament
Your poor estates, alone.

Round, a rustic dance.

275. CROSSES.

Though good things answer many good intents,
Crosses do still bring forth the best events.

276. MISERIES.

Though hourly comforts from the gods we see,
No life is yet life-proof from misery.

278. TO HIS HOUSEHOLD GODS.

Rise, household gods, and let us go;
But whither I myself not know.
First, let us dwell on rudest seas;
Next, with severest savages;
Last, let us make our best abode
Where human foot as yet ne'er trod:
Search worlds of ice, and rather there
Dwell than in loathed Devonshire.

279. TO THE NIGHTINGALE AND ROBIN REDBREAST.

When I departed am, ring thou my knell,
Thou pitiful and pretty Philomel:
And when I'm laid out for a corse, then be
Thou sexton, redbreast, for to cover me.

280. TO THE YEW AND CYPRESS TO GRACE HIS
FUNERAL.

Both you two have
Relation to the grave:
And where
The funeral-trump sounds, you are there,

I shall be made,
Ere long, a fleeting shade:
Pray, come
And do some honour to my tomb.

Do not deny
My last request; for I
Will be
Thankful to you, or friends, for me.

281. I CALL AND I CALL.

I call, I call: who do ye call?
The maids to catch this cowslip ball:
But since these cowslips fading be,
Troth, leave the flowers, and, maids, take me.
Yet, if that neither you will do,
Speak but the word and I'll take you.

282. ON A PERFUMED LADY.

You say you're sweet; how should we know
Whether that you be sweet or no?
From powders and perfumes keep free,
Then we shall smell how sweet you be.

283. A NUPTIAL SONG OR EPITHALAMY ON SIR
CLIPSEBY CREW AND HIS LADY.

What's that we see from far? the spring of day
Bloom'd from the east, or fair enjewell'd May
Blown out of April, or some new
Star filled with glory to our view,
Reaching at heaven,
To add a nobler planet to the seven?
Say, or do we not descry
Some goddess in a cloud of tiffany
To move, or rather the
Emergent Venus from the sea?

'Tis she! 'tis she! or else some more divine
Enlightened substance; mark how from the shrine
Of holy saints she paces on,
Treading upon vermilion
And amber: spic-
ing the chaft air with fumes of Paradise.
Then come on, come on and yield
A savour like unto a blessed field
When the bedabbled morn
Washes the golden ears of corn.

See where she comes; and smell how all the street
Breathes vineyards and pomegranates: O how sweet!
As a fir'd altar is each stone,
Perspiring pounded cinnamon.
The phœnix' nest,
Built up of odours, burneth in her breast.
Who, therein, would not consume
His soul to ash-heaps in that rich perfume?
Bestroking fate the while
He burns to embers on the pile.

Hymen, O Hymen! tread the sacred ground;
Show thy white feet and head with marjoram crown'd:
Mount up thy flames and let thy torch
Display the bridegroom in the porch,
In his desires
More towering, more disparkling than thy fires:
Show her how his eyes do turn
And roll about, and in their motions burn
Their balls to cinders: haste
Or else to ashes he will waste.

Glide by the banks of virgins, then, and pass
The showers of roses, lucky four-leav'd grass:
The while the cloud of younglings sing
And drown ye with a flowery spring;
While some repeat
Your praise and bless you, sprinkling you with wheat;
While that others do divine,
Bless'd is the bride on whom the sun doth shine;
And thousands gladly wish
You multiply as doth a fish.

And, beauteous bride, we do confess y'are wise
In dealing forth these bashful jealousies:
In love's name do so; and a price
Set on yourself by being nice:
But yet take heed;
What now you seem be not the same indeed,
And turn apostate: love will,
Part of the way be met or sit stone-still.
On, then, and though you slow-
ly go, yet, howsoever, go.

And now y'are entered; see the coddled cook
Runs from his torrid zone to pry and look
And bless his dainty mistress: see
The aged point out, "This is she
Who now must sway
The house (love shield her) with her yea and nay":
And the smirk butler thinks it
Sin in's napery not to express his wit;
Each striving to devise
Some gin wherewith to catch your eyes.

To bed, to bed, kind turtles, now, and write
This the short'st day, and this the longest night;
But yet too short for you: 'tis we
Who count this night as long as three,
Lying alone,
Telling the clock strike ten, eleven, twelve, one.
Quickly, quickly then prepare,
And let the young men and the bride-maids share
Your garters; and their joints
Encircle with the bridegroom's points.

By the bride's eyes, and by the teeming life
Of her green hopes, we charge ye that no strife
(Farther than gentleness tends) gets place
Among ye, striving for her lace:
O do not fall
Foul in these noble pastimes, lest ye call
Discord in, and so divide
The youthful bridegroom and the fragrant bride:
Which love forfend; but spoken
Be't to your praise, no peace was broken.

Strip her of springtime, tender-whimpering maids,
Now autumn's come, when all these flowery aids
Of her delays must end; dispose
That lady-smock, that pansy, and that rose
Neatly apart,
But for prick-madam and for gentle-heart,
And soft maidens'-blush, the bride
Makes holy these, all others lay aside:
Then strip her, or unto her
Let him come who dares undo her.

And to enchant ye more, see everywhere
About the roof a siren in a sphere,
As we think, singing to the din
Of many a warbling cherubin.
O mark ye how
The soul of nature melts in numbers: now
See, a thousand Cupids fly
To light their tapers at the bride's bright eye.
To bed, or her they'll tire,
Were she an element of fire.

And to your more bewitching, see, the proud
Plump bed bear up, and swelling like a cloud,
Tempting the two too modest; can
Ye see it brusle like a swan,
And you be cold
To meet it when it woos and seems to fold
The arms to hug it? Throw, throw
Yourselves into the mighty overflow
Of that white pride, and drown
The night with you in floods of down.

The bed is ready, and the maze of love
Looks for the treaders; everywhere is wove
Wit and new mystery; read, and
Put in practice, to understand
And know each wile,
Each hieroglyphic of a kiss or smile;
And do it to the full; reach
High in your own conceit, and some way teach
Nature and art one more
Play than they ever knew before.

If needs we must for ceremony's sake,
Bless a sack-posset, luck go with it, take
The night-charm quickly, you have spells
And magics for to end, and hells
To pass; but such
And of such torture as no one would grutch
To live therein for ever: fry
And consume, and grow again to die
And live, and, in that case,
Love the confusion of the place.

But since it must be done, despatch, and sew
Up in a sheet your bride, and what if so
It be with rock or walls of brass
Ye tower her up, as Danae was;
Think you that this
Or hell itself a powerful bulwark is?
I tell ye no; but like a
Bold bolt of thunder he will make his way,
And rend the cloud, and throw
The sheet about like flakes of snow.

All now is hushed in silence: midwife-moon
With all her owl-eyed issue begs a boon,
Which you must grant; that's entrance; with
Which extract, all we can call pith
And quintessence
Of planetary bodies, so commence,
All fair constellations
Looking upon ye, that two nations,
Springing from two such fires
May blaze the virtue of their sires.

Tiffany, gauze.
More disparkling, more widespreading.
Nice, fastidious.
Coddled, lit. boiled.
Lace, girdle.
Brusle, raise its feathers.
Grutch, grumble.

284. THE SILKEN SNAKE.

For sport my Julia threw a lace
Of silk and silver at my face:
Watchet the silk was, and did make
A show as if't had been a snake:
The suddenness did me afright,
But though it scar'd, it did not bite.

Lace, a girdle.
Watchet, pale blue.

285. UPON HIMSELF.

I am sieve-like, and can hold
Nothing hot or nothing cold.
Put in love, and put in too
Jealousy, and both will through:
Put in fear, and hope, and doubt;
What comes in runs quickly out:
Put in secrecies withal,
Whate'er enters, out it shall:
But if you can stop the sieve,
For mine own part, I'd as lief
Maids should say or virgins sing,
Herrick keeps, as holds nothing.

286. UPON LOVE.

Love's a thing, as I do hear,
Ever full of pensive fear;
Rather than to which I'll fall,
Trust me, I'll not like at all.
If to love I should intend,
Let my hair then stand an end:
And that terror likewise prove
Fatal to me in my love.
But if horror cannot slake
Flames which would an entrance make
Then the next thing I desire
Is, to love and live i' th' fire.

An end, on end.

287. REVERENCE TO RICHES.

Like to the income must be our expense;
Man's fortune must be had in reverence.

288. DEVOTION MAKES THE DEITY.

Who forms a godhead out of gold or stone
Makes not a god, but he that prays to one.

289. TO ALL YOUNG MEN THAT LOVE.

I could wish you all who love,
That ye could your thoughts remove
From your mistresses, and be
Wisely wanton, like to me,
I could wish you dispossessed
Of that fiend that mars your rest,
And with tapers comes to fright
Your weak senses in the night.
I could wish ye all who fry
Cold as ice, or cool as I;
But if flames best like ye, then,
Much good do 't ye, gentlemen.
I a merry heart will keep,
While you wring your hands and weep.

290. THE EYES.

'Tis a known principle in war,
The eyes be first that conquered are.

291. NO FAULT IN WOMEN.

No fault in women to refuse
The offer which they most would choose.
No fault in women to confess
How tedious they are in their dress.
No fault in women to lay on
The tincture of vermilion:
And there to give the cheek a dye
Of white, where nature doth deny.
No fault in women to make show
Of largeness when they're nothing so:
(When true it is the outside swells
With inward buckram, little else).
No fault in women, though they be
But seldom from suspicion free.
No fault in womankind at all
If they but slip and never fall.

293. OBERON'S FEAST.

Shapcot! to thee the fairy state
I, with discretion, dedicate.
Because thou prizest things that are
Curious and unfamiliar.
Take first the feast; these dishes gone,
We'll see the Fairy Court anon.

A little mushroom table spread,
After short prayers, they set on bread;
A moon-parch'd grain of purest wheat,
With some small glittering grit to eat
His choice bits with; then in a trice
They make a feast less great than nice.
But all this while his eye is serv'd,
We must not think his ear was sterv'd;
But that there was in place to stir
His spleen, the chirring grasshopper,
The merry cricket, puling fly,
The piping gnat for minstrelsy.
And now we must imagine first,
The elves present, to quench his thirst,
A pure seed-pearl of infant dew
Brought and besweetened in a blue
And pregnant violet, which done,
His kitling eyes begin to run
Quite through the table, where he spies
The horns of papery butterflies:
Of which he eats, and tastes a little
Of that we call the cuckoo's spittle.
A little fuzz-ball pudding stands
By, yet not blessed by his hands;
That was too coarse: but then forthwith
He ventures boldly on the pith
Of sugar'd rush, and eats the sagg
And well-bestrutted bee's sweet bag:
Gladding his palate with some store
Of emmets' eggs; what would he more?
But beards of mice, a newt's stewed thigh,
A bloated earwig and a fly;
With the red-capp'd worm that's shut
Within the concave of a nut,
Brown as his tooth. A little moth
Late fatten'd in a piece of cloth:
With withered cherries, mandrakes' ears,
Moles' eyes; to these the slain stag's tears
The unctuous dewlaps of a snail,
The broke-heart of a nightingale
O'ercome in music; with a wine
Ne'er ravish'd from the flattering vine,
But gently press'd from the soft side
Of the most sweet and dainty bride,
Brought in a dainty daisy, which
He fully quaffs up to bewitch
His blood to height; this done, commended
Grace by his priest; the feast is ended.

Sagg, laden.
Bestrutted, swollen.

294. EVENT OF THINGS NOT IN OUR POWER.

By time and counsel do the best we can,
Th' event is never in the power of man.

295. UPON HER BLUSH.

When Julia blushes she does show
Cheeks like to roses when they blow.

296. MERITS MAKE THE MAN.

Our honours and our commendations be
Due to the merits, not authority.

297. TO VIRGINS.

Hear, ye virgins, and I'll teach
What the times of old did preach.
Rosamond was in a bower
Kept, as Danae in a tower:
But yet Love, who subtle is,
Crept to that, and came to this.
Be ye lock'd up like to these,
Or the rich Hesperides,
Or those babies in your eyes,
In their crystal nunneries;
Notwithstanding Love will win,
Or else force a passage in:
And as coy be as you can,
Gifts will get ye, or the man.

Babies in your eyes, see Note to p. [17].

298. VIRTUE.

Each must in virtue strive for to excel;
That man lives twice that lives the first life well.

299. THE BELLMAN.

From noise of scare-fires rest ye free,
From murders Benedicite.
From all mischances that may fright
Your pleasing slumbers in the night,
Mercy secure ye all, and keep
The goblin from ye while ye sleep.
Past one o'clock, and almost two!
My masters all, good-day to you.

Scare-fires, alarms of fire.

300. BASHFULNESS.

Of all our parts, the eyes express
The sweetest kind of bashfulness.

301. TO THE MOST ACCOMPLISHED GENTLEMAN,
MASTER EDWARD NORGATE, CLERK OF THE SIGNET
TO HIS MAJESTY. EPIG.

For one so rarely tun'd to fit all parts,
For one to whom espous'd are all the arts,
Long have I sought for, but could never see
Them all concentr'd in one man, but thee.
Thus, thou that man art whom the fates conspir'd
To make but one, and that's thyself, admir'd.

302. UPON PRUDENCE BALDWIN: HER SICKNESS.

Prue, my dearest maid, is sick,
Almost to be lunatic:
Æsculapius! come and bring
Means for her recovering;
And a gallant cock shall be
Offer'd up by her to thee.

Cock, the traditional offering to Æsculapius; cp. the last words of Socrates; cp. Ben Jonson, Epig. xiii.

303. TO APOLLO. A SHORT HYMN.

Phœbus! when that I a verse
Or some numbers more rehearse,
Tune my words that they may fall
Each way smoothly musical:
For which favour there shall be
Swans devoted unto thee.

304. A HYMN TO BACCHUS.

Bacchus, let me drink no more;
Wild are seas that want a shore.
When our drinking has no stint,
There is no one pleasure in't.
I have drank up, for to please
Thee, that great cup Hercules:
Urge no more, and there shall be
Daffodils given up to thee.

306. ON HIMSELF.

Here down my wearied limbs I'll lay;
My pilgrim's staff, my weed of gray,
My palmer's hat, my scallop's shell,
My cross, my cord, and all, farewell.
For having now my journey done,
Just at the setting of the sun,
Here I have found a chamber fit,
God and good friends be thanked for it,
Where if I can a lodger be,
A little while from tramplers free,
At my up-rising next I shall,
If not requite, yet thank ye all.
Meanwhile, the holy-rood hence fright
The fouler fiend and evil sprite
From scaring you or yours this night.

307. CASUALTIES.

Good things that come of course, far less do please
Than those which come by sweet contingencies.

308. BRIBES AND GIFTS GET ALL.

Dead falls the cause if once the hand be mute;
But let that speak, the client gets the suit.

309. THE END.

If well thou hast begun, go on fore-right;
It is the end that crowns us, not the fight.

310. UPON A CHILD THAT DIED.

Here she lies, a pretty bud,
Lately made of flesh and blood:
Who as soon fell fast asleep
As her little eyes did peep.
Give her strewings, but not stir
The earth that lightly covers her.

312. CONTENT, NOT CATES.

'Tis not the food, but the content
That makes the table's merriment.
Where trouble serves the board, we eat
The platters there as soon as meat.
A little pipkin with a bit
Of mutton or of veal in it,
Set on my table, trouble-free,
More than a feast contenteth me.

313. THE ENTERTAINMENT; OR, PORCH-VERSE, AT
THE MARRIAGE OF MR. HENRY NORTHLY AND
THE MOST WITTY MRS. LETTICE YARD.

Welcome! but yet no entrance, till we bless
First you, then you, and both for white success.
Profane no porch, young man and maid, for fear
Ye wrong the Threshold-god that keeps peace here:
Please him, and then all good-luck will betide
You, the brisk bridegroom, you, the dainty bride.
Do all things sweetly, and in comely wise;
Put on your garlands first, then sacrifice:
That done, when both of you have seemly fed,
We'll call on Night, to bring ye both to bed:
Where, being laid, all fair signs looking on,
Fish-like, increase then to a million;
And millions of spring-times may ye have,
Which spent, one death bring to ye both one grave.

314. THE GOOD-NIGHT OR BLESSING.

Blessings in abundance come
To the bride and to her groom;
May the bed and this short night
Know the fulness of delight!
Pleasures many here attend ye,
And, ere long, a boy Love send ye
Curled and comely, and so trim,
Maids, in time, may ravish him.
Thus a dew of graces fall
On ye both; good-night to all.

316. TO DAFFODILS.

Fair daffodils, we weep to see
You haste away so soon;
As yet the early-rising sun
Has not attain'd his noon.
Stay, stay,
Until the hasting day
Has run
But to the evensong;
And, having prayed together, we
Will go with you along.

We have short time to stay, as you,
We have as short a spring;
As quick a growth to meet decay,
As you, or anything.
We die,
As your hours do, and dry
Away,
Like to the summer's rain;
Or as the pearls of morning's dew,
Ne'er to be found again.

318. UPON A LADY THAT DIED IN CHILD-BED, AND
LEFT A DAUGHTER BEHIND HER.

As gilliflowers do but stay
To blow, and seed, and so away;
So you, sweet lady, sweet as May,
The garden's glory, lived a while
To lend the world your scent and smile.
But when your own fair print was set
Once in a virgin flosculet,
Sweet as yourself, and newly blown,
To give that life, resigned your own:
But so as still the mother's power
Lives in the pretty lady-flower.

319. A NEW-YEAR'S GIFT SENT TO SIR SIMON
STEWARD.

No news of navies burnt at seas;
No noise of late-spawn'd tittyries;
No closet plot, or open vent,
That frights men with a parliament;
No new device or late-found trick
To read by the stars the kingdom's sick;
No gin to catch the state, or wring
The freeborn nostril of the king,
We send to you; but here a jolly
Verse, crown'd with ivy and with holly,
That tells of winter's tales and mirth,
That milkmaids make about the hearth,
Of Christmas sports, the wassail-bowl,
That['s] tost up, after fox-i'-th'-hole;
Of blind-man-buff, and of the care
That young men have to shoe the mare;
Of Twelfth-tide cakes, of peas and beans,
Wherewith you make those merry scenes,
Whenas ye choose your king and queen,
And cry out: Hey, for our town green;
Of ash-heaps, in the which ye use
Husbands and wives by streaks to choose;
Of crackling laurel, which fore-sounds
A plenteous harvest to your grounds:
Of these and such-like things for shift,
We send instead of New-Year's gift.
Read then, and when your faces shine
With buxom meat and cap'ring wine,
Remember us in cups full crown'd,
And let our city-health go round,
Quite through the young maids and the men,
To the ninth number, if not ten;
Until the fired chesnuts leap
For joy to see the fruits ye reap
From the plump chalice and the cup,
That tempts till it be tossed up;
Then as ye sit about your embers,
Call not to mind those fled Decembers,
But think on these that are t' appear
As daughters to the instant year:
Sit crown'd with rosebuds, and carouse
Till Liber Pater twirls the house
About your ears; and lay upon
The year your cares that's fled and gone.
And let the russet swains the plough
And harrow hang up, resting now;
And to the bagpipe all address,
Till sleep takes place of weariness.
And thus, throughout, with Christmas plays
Frolic the full twelve holidays.

Tittyries, i.e., the Tityre-tues; see [Note].
Fox-i'-th'-hole, a game of hopping.
To shoe the mare, or, shoe the wild mare, a Christmas game.
Buxom, tender.
Liber Pater, Father Bacchus.

320. MATINS; OR, MORNING PRAYER.

When with the virgin morning thou dost rise,
Crossing thyself, come thus to sacrifice;
First wash thy heart in innocence, then bring
Pure hands, pure habits, pure, pure everything.
Next to the altar humbly kneel, and thence
Give up thy soul in clouds of frankincense.
Thy golden censers, fill'd with odours sweet,
Shall make thy actions with their ends to meet.

321. EVENSONG.

Begin with Jove; then is the work half done,
And runs most smoothly when 'tis well begun.
Jove's is the first and last: the morn's his due,
The midst is thine; but Jove's the evening too;
As sure a matins does to him belong,
So sure he lays claim to the evensong.

322. THE BRACELET TO JULIA.

Why I tie about thy wrist,
Julia, this my silken twist;
For what other reason is't,
But to show thee how, in part,
Thou my pretty captive art?
But thy bondslave is my heart;
'Tis but silk that bindeth thee,
Knap the thread and thou art free:
But 'tis otherwise with me;
I am bound, and fast bound, so
That from thee I cannot go;
If I could, I would not so.

323. THE CHRISTIAN MILITANT.

A man prepar'd against all ills to come,
That dares to dead the fire of martyrdom;
That sleeps at home, and sailing there at ease,
Fears not the fierce sedition of the seas;
That's counter-proof against the farm's mishaps,
Undreadful too of courtly thunderclaps;
That wears one face, like heaven, and never shows
A change when fortune either comes or goes;
That keeps his own strong guard in the despite
Of what can hurt by day or harm by night;
That takes and re-delivers every stroke
Of chance (as made up all of rock and oak);
That sighs at others' death, smiles at his own
Most dire and horrid crucifixion.
Who for true glory suffers thus, we grant
Him to be here our Christian militant.

324. A SHORT HYMN TO LAR.

Though I cannot give thee fires
Glittering to my free desires;
These accept, and I'll be free,
Offering poppy unto thee.

325. ANOTHER TO NEPTUNE.

Mighty Neptune, may it please
Thee, the rector of the seas,
That my barque may safely run
Through thy watery region;
And a tunny-fish shall be
Offered up with thanks to thee.

327. HIS EMBALMING TO JULIA.

For my embalming, Julia, do but this;
Give thou my lips but their supremest kiss,
Or else transfuse thy breath into the chest
Where my small relics must for ever rest;
That breath the balm, the myrrh, the nard shall be,
To give an incorruption unto me.

328. GOLD BEFORE GOODNESS.

How rich a man is all desire to know;
But none inquires if good he be or no.

329. THE KISS. A DIALOGUE.

1. Among thy fancies tell me this,
What is the thing we call a kiss?
2. I shall resolve ye what it is.

It is a creature born and bred
Between the lips (all cherry-red),
By love and warm desires fed.
Chor. And makes more soft the bridal bed.

2. It is an active flame that flies,
First, to the babies of the eyes;
And charms them there with lullabies.
Chor. And stills the bride, too, when she cries.

2. Then to the chin, the cheek, the ear,
It frisks and flies, now here, now there,
'Tis now far off, and then 'tis near.
Chor. And here and there and everywhere.

1. Has it a speaking virtue? 2. Yes.
1. How speaks it, say? 2. Do you but this;
Part your joined lips, then speaks your kiss
Chor. And this love's sweetest language is.

1. Has it a body? 2. Aye, and wings
With thousand rare encolourings;
And, as it flies, it gently sings,
Chor. Love honey yields, but never stings.

330. THE ADMONITION.

Seest thou those diamonds which she wears
In that rich carcanet;
Or those, on her dishevell'd hairs,
Fair pearls in order set?
Believe, young man, all those were tears
By wretched wooers sent,
In mournful hyacinths and rue,
That figure discontent;
Which when not warmed by her view,
By cold neglect, each one
Congeal'd to pearl and stone;
Which precious spoils upon her
She wears as trophies of her honour.
Ah then, consider, what all this implies:
She that will wear thy tears would wear thine eyes.

Carcanet, necklace.

331. TO HIS HONOURED KINSMAN, SIR WILLIAM
SOAME. EPIG.

I can but name thee, and methinks I call
All that have been, or are canonical
For love and bounty to come near, and see
Their many virtues volum'd up in thee;
In thee, brave man! whose incorrupted fame
Casts forth a light like to a virgin flame;
And as it shines it throws a scent about,
As when a rainbow in perfumes goes out.
So vanish hence, but leave a name as sweet
As benjamin and storax when they meet.

Benjamin, gum benzoin.
Storax or Styrax, another resinous gum.

332. ON HIMSELF.

Ask me why I do not sing
To the tension of the string
As I did not long ago,
When my numbers full did flow?
Grief, ay, me! hath struck my lute
And my tongue, at one time, mute.

333. TO LAR.

No more shall I, since I am driven hence,
Devote to thee my grains of frankincense;
No more shall I from mantle-trees hang down,
To honour thee, my little parsley crown;
No more shall I (I fear me) to thee bring
My chives of garlic for an offering;
No more shall I from henceforth hear a choir
Of merry crickets by my country fire.
Go where I will, thou lucky Lar stay here,
Warm by a glitt'ring chimney all the year.

Chives, shreds.

334. THE DEPARTURE OF THE GOOD DEMON.

What can I do in poetry
Now the good spirit's gone from me?
Why, nothing now but lonely sit
And over-read what I have writ.

335. CLEMENCY.

For punishment in war it will suffice
If the chief author of the faction dies;
Let but few smart, but strike a fear through all;
Where the fault springs there let the judgment fall.

336. HIS AGE, DEDICATED TO HIS PECULIAR FRIEND,
M. JOHN WICKES, UNDER THE NAME OF POSTHUMUS.

Ah Posthumus! our years hence fly,
And leave no sound; nor piety,
Or prayers, or vow
Can keep the wrinkle from the brow;
But we must on,
As fate does lead or draw us; none,
None, Posthumus, could ere decline
The doom of cruel Proserpine.

The pleasing wife, the house, the ground,
Must all be left, no one plant found
To follow thee,
Save only the curs'd cypress tree;
A merry mind
Looks forward, scorns what's left behind;
Let's live, my Wickes, then, while we may,
And here enjoy our holiday.

W'ave seen the past best times, and these
Will ne'er return; we see the seas
And moons to wane
But they fill up their ebbs again;
But vanish'd man,
Like to a lily lost, ne'er can,
Ne'er can repullulate, or bring
His days to see a second spring.

But on we must, and thither tend,
Where Anchus and rich Tullus blend
Their sacred seed:
Thus has infernal Jove decreed;
We must be made,
Ere long a song, ere long a shade.
Why then, since life to us is short,
Let's make it full up by our sport.

Crown we our heads with roses then,
And 'noint with Tyrian balm; for when
We two are dead,
The world with us is buried.
Then live we free
As is the air, and let us be
Our own fair wind, and mark each one
Day with the white and lucky stone.

We are not poor, although we have
No roofs of cedar, nor our brave
Baiæ, nor keep
Account of such a flock of sheep;
Nor bullocks fed
To lard the shambles: barbels bred
To kiss our hands; nor do we wish
For Pollio's lampreys in our dish.

If we can meet and so confer
Both by a shining salt-cellar,
And have our roof,
Although not arch'd, yet weather-proof,
And ceiling free
From that cheap candle bawdery;
We'll eat our bean with that full mirth
As we were lords of all the earth.

Well then, on what seas we are toss'd,
Our comfort is, we can't be lost.
Let the winds drive
Our barque, yet she will keep alive
Amidst the deeps.
'Tis constancy, my Wickes, which keeps
The pinnace up; which, though she errs
I' th' seas, she saves her passengers.

Say, we must part (sweet mercy bless
Us both i' th' sea, camp, wilderness),
Can we so far
Stray to become less circular
Than we are now?
No, no, that self-same heart, that vow
Which made us one, shall ne'er undo,
Or ravel so to make us two.

Live in thy peace; as for myself,
When I am bruised on the shelf
Of time, and show
My locks behung with frost and snow;
When with the rheum,
The cough, the ptisick, I consume
Unto an almost nothing; then
The ages fled I'll call again,

And with a tear compare these last
Lame and bad times with those are past;
While Baucis by,
My old lean wife, shall kiss it dry.
And so we'll sit
By th' fire, foretelling snow and sleet,
And weather by our aches, grown
Now old enough to be our own

True calendars, as puss's ear
Washed o'er's, to tell what change is near:
Then to assuage
The gripings of the chine by age,
I'll call my young
Iülus to sing such a song
I made upon my Julia's breast;
And of her blush at such a feast.

Then shall he read that flower of mine,
Enclos'd within a crystal shrine;
A primrose next;
A piece, then, of a higher text,
For to beget
In me a more transcendent heat
Than that insinuating fire,
Which crept into each aged sire,

When the fair Helen, from her eyes,
Shot forth her loving sorceries;
At which I'll rear
Mine aged limbs above my chair,
And, hearing it,
Flutter and crow as in a fit
Of fresh concupiscence, and cry:
No lust there's like to poetry.

Thus, frantic-crazy man, God wot,
I'll call to mind things half-forgot,
And oft between
Repeat the times that I have seen!
Thus ripe with tears,
And twisting my Iülus' hairs,
Doting, I'll weep and say, in truth,
Baucis, these were my sins of youth.

Then next I'll cause my hopeful lad,
If a wild apple can be had,
To crown the hearth,
Lar thus conspiring with our mirth;
Then to infuse
Our browner ale into the cruse,
Which sweetly spic'd, we'll first carouse
Unto the Genius of the house.

Then the next health to friends of mine,
Loving the brave Burgundian wine,
High sons of pith,
Whose fortunes I have frolicked with;
Such as could well
Bear up the magic bough and spell;
And dancing 'bout the mystic thyrse,
Give up the just applause to verse:

To those, and then again to thee,
We'll drink, my Wickes, until we be
Plump as the cherry,
Though not so fresh, yet full as merry
As the cricket,
The untam'd heifer, or the pricket,
Until our tongues shall tell our ears
We're younger by a score of years.

Thus, till we see the fire less shine
From th' embers than the kitling's eyne,
We'll still sit up,
Sphering about the wassail-cup
To all those times
Which gave me honour for my rhymes.
The coal once spent, we'll then to bed,
Far more than night-bewearied.

Posthumus, the name is taken from Horace, Ode ii. 14, from which the beginning of this lyric is translated.
Repullulate, be born again.
Anchus and rich Tullus. Herrick is again translating from Horace (Ode iv. 7, 14).
Baiæ, the favourite sea-side resort of the Romans in the time of Horace.
Pollio, Vedius Pollio, who fed his lampreys with human flesh. Ob., B.C. 15.
Bawdery, dirt (with no moral meaning).
Circular, self-sufficing, the "in se ipso totus teres atque rotundus" of Horace. Sat. ii. 7, 86.
Iülus, the son of Æneas.
Pith, marrow.
Thyrse, bacchic staff.
Pricket, a buck in his second year.

337. A SHORT HYMN TO VENUS.

Goddess, I do love a girl,
Ruby-lipp'd and tooth'd with pearl;
If so be I may but prove
Lucky in this maid I love,
I will promise there shall be
Myrtles offer'd up to thee.

338. TO A GENTLEWOMAN ON JUST DEALING.

True to yourself and sheets, you'll have me swear;
You shall, if righteous dealing I find there.
Do not you fall through frailty; I'll be sure
To keep my bond still free from forfeiture.

339. THE HAND AND TONGUE.

Two parts of us successively command:
The tongue in peace; but then in war the hand.

340. UPON A DELAYING LADY.

Come, come away,
Or let me go;
Must I here stay
Because y'are slow,
And will continue so?
Troth, lady, no.

I scorn to be
A slave to state:
And, since I'm free,
I will not wait
Henceforth at such a rate
For needy fate.

If you desire
My spark should glow,
The peeping fire
You must blow,
Or I shall quickly grow
To frost or snow.

341. TO THE LADY MARY VILLARS, GOVERNESS TO
THE PRINCESS HENRIETTA.

When I of Villars do but hear the name,
It calls to mind that mighty Buckingham,
Who was your brave exalted uncle here,
Binding the wheel of fortune to his sphere,
Who spurned at envy, and could bring with ease
An end to all his stately purposes.
For his love then, whose sacred relics show
Their resurrection and their growth in you;
And for my sake, who ever did prefer
You above all those sweets of Westminster;
Permit my book to have a free access
To kiss your hand, most dainty governess.

342. UPON HIS JULIA.

Will ye hear what I can say
Briefly of my Julia?
Black and rolling is her eye,
Double-chinn'd and forehead high;
Lips she has all ruby red,
Cheeks like cream enclareted;
And a nose that is the grace
And proscenium of her face.
So that we may guess by these
The other parts will richly please.

343. TO FLOWERS.

In time of life I graced ye with my verse;
Do now your flowery honours to my hearse.
You shall not languish, trust me; virgins here
Weeping shall make ye flourish all the year.

344. TO MY ILL READER.

Thou say'st my lines are hard,
And I the truth will tell—
They are both hard and marr'd
If thou not read'st them well.

345. THE POWER IN THE PEOPLE.

Let kings command and do the best they may,
The saucy subjects still will bear the sway.

346. A HYMN TO VENUS AND CUPID.

Sea-born goddess, let me be
By thy son thus grac'd and thee;
That whene'er I woo, I find
Virgins coy but not unkind.
Let me when I kiss a maid
Taste her lips so overlaid
With love's syrup, that I may,
In your temple when I pray,
Kiss the altar and confess
There's in love no bitterness.

347. ON JULIA'S PICTURE.

How am I ravish'd! when I do but see
The painter's art in thy sciography?
If so, how much more shall I dote thereon
When once he gives it incarnation?

Sciography, the profile or section of a building.

348. HER BED.

See'st thou that cloud as silver clear,
Plump, soft, and swelling everywhere?
'Tis Julia's bed, and she sleeps there.

349. HER LEGS.

Fain would I kiss my Julia's dainty leg,
Which is as white and hairless as an egg.

350. UPON HER ALMS.

See how the poor do waiting stand
For the expansion of thy hand.
A wafer dol'd by thee will swell
Thousands to feed by miracle.

351. REWARDS.

Still to our gains our chief respect is had;
Reward it is that makes us good or bad.

352. NOTHING NEW.

Nothing is new; we walk where others went;
There's no vice now but has his precedent.

353. THE RAINBOW.

Look how the rainbow doth appear
But in one only hemisphere;
So likewise after our decease
No more is seen the arch of peace.
That cov'nant's here, the under-bow,
That nothing shoots but war and woe.

354. THE MEADOW-VERSE; OR, ANNIVERSARY TO
MISTRESS BRIDGET LOWMAN.

Come with the spring-time forth, fair maid, and be
This year again the meadow's deity.
Yet ere ye enter give us leave to set
Upon your head this flowery coronet;
To make this neat distinction from the rest,
You are the prime and princess of the feast;
To which with silver feet lead you the way,
While sweet-breath nymphs attend on you this day.
This is your hour, and best you may command,
Since you are lady of this fairy land.
Full mirth wait on you, and such mirth as shall
Cherish the cheek but make none blush at all.

Meadow-verse, to be recited at a rustic feast.

355. THE PARTING VERSE, THE FEAST THERE
ENDED.

Loth to depart, but yet at last each one
Back must now go to's habitation;
Not knowing thus much when we once do sever,
Whether or no that we shall meet here ever.
As for myself, since time a thousand cares
And griefs hath filed upon my silver hairs,
'Tis to be doubted whether I next year
Or no shall give ye a re-meeting here.
If die I must, then my last vow shall be,
You'll with a tear or two remember me.
Your sometime poet; but if fates do give
Me longer date and more fresh springs to live,
Oft as your field shall her old age renew,
Herrick shall make the meadow-verse for you.

356. UPON JUDITH. EPIG.

Judith has cast her old skin and got new,
And walks fresh varnish'd to the public view;
Foul Judith was and foul she will be known
For all this fair transfiguration.

359. TO THE RIGHT HONOURABLE PHILIP, EARL OF
PEMBROKE AND MONTGOMERY.

How dull and dead are books that cannot show
A prince of Pembroke, and that Pembroke you!
You who are high born, and a lord no less
Free by your fate than fortune's mightiness,
Who hug our poems, honour'd sir, and then
The paper gild and laureate the pen.
Nor suffer you the poets to sit cold,
But warm their wits and turn their lines to gold.
Others there be who righteously will swear
Those smooth-paced numbers amble everywhere,
And these brave measures go a stately trot;
Love those, like these, regard, reward them not.
But you, my lord, are one whose hand along
Goes with your mouth or does outrun your tongue;
Paying before you praise, and, cockering wit,
Give both the gold and garland unto it.

Cockering, pampering.

360. AN HYMN TO JUNO.

Stately goddess, do thou please,
Who are chief at marriages,
But to dress the bridal bed
When my love and I shall wed;
And a peacock proud shall be
Offered up by us to thee.

362. UPON SAPPHO SWEETLY PLAYING AND SWEETLY
SINGING.

When thou dost play and sweetly sing—
Whether it be the voice or string
Or both of them that do agree
Thus to entrance and ravish me—
This, this I know, I'm oft struck mute,
And die away upon thy lute.

364. CHOP-CHERRY.

Thou gav'st me leave to kiss,
Thou gav'st me leave to woo;
Thou mad'st me think, by this
And that, thou lov'dst me too.

But I shall ne'er forget
How, for to make thee merry,
Thou mad'st me chop, but yet
Another snapp'd the cherry.

Chop-cherry, another name of cherry-bob.

365. TO THE MOST LEARNED, WISE, AND ARCH-ANTIQUARY,
M. JOHN SELDEN.

I, who have favour'd many, come to be
Grac'd now, at last, or glorified by thee,
Lo! I, the lyric prophet, who have set
On many a head the delphic coronet,
Come unto thee for laurel, having spent
My wreaths on those who little gave or lent.
Give me the daphne, that the world may know it,
Whom they neglected thou hast crown'd a poet.
A city here of heroes I have made
Upon the rock whose firm foundation laid,
Shall never shrink; where, making thine abode,
Live thou a Selden, that's a demi-god.

Daphne, i.e., the laurel

366. UPON HIMSELF.

Thou shalt not all die; for, while love's fire shines
Upon his altar, men shall read thy lines,
And learn'd musicians shall, to honour Herrick's
Fame and his name, both set and sing his lyrics.

367. UPON WRINKLES.

Wrinkles no more are or no less
Than beauty turned to sourness.

370. PRAY AND PROSPER.

First offer incense, then thy field and meads
Shall smile and smell the better by thy beads.
The spangling dew, dredg'd o'er the grass, shall be
Turn'd all to mell and manna there for thee.
Butter of amber, cream, and wine, and oil
Shall run, as rivers, all throughout thy soil.
Would'st thou to sincere silver turn thy mould?
Pray once, twice pray, and turn thy ground to gold.

Beads, prayers.
Mell, honey.
Sincere silver, pure silver.

371. HIS LACHRYMÆ; OR, MIRTH TURNED TO
MOURNING.

Call me no more,
As heretofore,
The music of a feast;
Since now, alas!
The mirth that was
In me is dead or ceas'd.

Before I went,
To banishment,
Into the loathed west,
I could rehearse
A lyric verse,
And speak it with the best.

But time, ay me!
Has laid, I see,
My organ fast asleep,
And turn'd my voice
Into the noise
Of those that sit and weep.

375. TO THE MOST FAIR AND LOVELY MISTRESS
ANNE SOAME, NOW LADY ABDIE.

So smell those odours that do rise
From out the wealthy spiceries;
So smells the flower of blooming clove,
Or roses smother'd in the stove;
So smells the air of spiced wine,
Or essences of jessamine;
So smells the breath about the hives
When well the work of honey thrives,
And all the busy factors come
Laden with wax and honey home;
So smell those neat and woven bowers
All over-arch'd with orange flowers,
And almond blossoms that do mix
To make rich these aromatics;
So smell those bracelets and those bands
Of amber chaf'd between the hands,
When thus enkindled they transpire
A noble perfume from the fire;
The wine of cherries, and to these
The cooling breath of respasses;
The smell of morning's milk and cream,
Butter of cowslips mix'd with them;
Of roasted warden or bak'd pear,
These are not to be reckon'd here,
Whenas the meanest part of her,
Smells like the maiden pomander.
Thus sweet she smells, or what can be
More lik'd by her or lov'd by me.

Factors, workers.
Respasses, raspberries.
Pomander, ball of scent.

376. UPON HIS KINSWOMAN, MISTRESS ELIZABETH
HERRICK.

Sweet virgin, that I do not set
The pillars up of weeping jet
Or mournful marble, let thy shade
Not wrathful seem, or fright the maid
Who hither at her wonted hours
Shall come to strew thy earth with flowers.
No; know, bless'd maid, when there's not one
Remainder left of brass or stone,
Thy living epitaph shall be,
Though lost in them, yet found in me;
Dear, in thy bed of roses then,
Till this world shall dissolve as men,
Sleep while we hide thee from the light,
Drawing thy curtains round: Good-night.

377. A PANEGYRIC TO SIR LEWIS PEMBERTON.

Till I shall come again let this suffice,
I send my salt, my sacrifice
To thee, thy lady, younglings, and as far
As to thy Genius and thy Lar;
To the worn threshold, porch, hall, parlour, kitchen,
The fat-fed smoking temple, which in
The wholesome savour of thy mighty chines
Invites to supper him who dines,
Where laden spits, warp'd with large ribs of beef,
Not represent but give relief
To the lank stranger and the sour swain,
Where both may feed and come again;
For no black-bearded vigil from thy door
Beats with a button'd-staff the poor;
But from thy warm love-hatching gates each may
Take friendly morsels and there stay
To sun his thin-clad members if he likes,
For thou no porter keep'st who strikes.
No comer to thy roof his guest-rite wants,
Or staying there is scourg'd with taunts
Of some rough groom, who, yirkt with corns, says: "Sir,
Y'ave dipped too long i' th' vinegar;
And with our broth, and bread, and bits, sir friend,
Y'ave fared well: pray make an end;
Two days y'ave larded here; a third, ye know,
Makes guests and fish smell strong; pray go
You to some other chimney, and there take
Essay of other giblets; make
Merry at another's hearth—y'are here
Welcome as thunder to our beer;
Manners know distance, and a man unrude
Would soon recoil and not intrude
His stomach to a second meal". No, no!
Thy house well fed and taught can show
No such crabb'd vizard: thou hast learnt thy train
With heart and hand to entertain,
And by the armsful, with a breast unhid,
As the old race of mankind did,
When either's heart and either's hand did strive
To be the nearer relative.
Thou dost redeem those times, and what was lost
Of ancient honesty may boast
It keeps a growth in thee, and so will run
A course in thy fame's pledge, thy son.
Thus, like a Roman tribune, thou thy gate
Early sets ope to feast and late;
Keeping no currish waiter to affright
With blasting eye the appetite,
Which fain would waste upon thy cates, but that
The trencher-creature marketh what
Best and more suppling piece he cuts, and by
Some private pinch tells danger's nigh
A hand too desp'rate, or a knife that bites
Skin-deep into the pork, or lights
Upon some part of kid, as if mistook,
When checked by the butler's look.
No, no; thy bread, thy wine, thy jocund beer
Is not reserved for Trebius here,
But all who at thy table seated are
Find equal freedom, equal fare;
And thou, like to that hospitable god,
Jove, joy'st when guests make their abode
To eat thy bullock's thighs, thy veals, thy fat
Wethers, and never grudged at.
The pheasant, partridge, gotwit, reeve, ruff, rail,
The cock, the curlew and the quail,
These and thy choicest viands do extend
Their taste unto the lower end
Of thy glad table: not a dish more known
To thee than unto anyone.
But as thy meat so thy immortal wine
Makes the smirk face of each to shine
And spring fresh rosebuds, while the salt, the wit,
Flows from the wine and graces it;
While reverence, waiting at the bashful board,
Honours my lady and my lord.
No scurril jest; no open scene is laid
Here for to make the face afraid;
But temperate mirth dealt forth, and so discreet-
ly that it makes the meat more sweet;
And adds perfumes unto the wine, which thou
Dost rather pour forth than allow
By cruse and measure; thus devoting wine
As the Canary Isles were thine;
But with that wisdom and that method, as
No one that's there his guilty glass
Drinks of distemper, or has cause to cry
Repentance to his liberty.
No, thou knowest order, ethics, and has read
All economics, know'st to lead
A house-dance neatly, and canst truly show
How far a figure ought to go,
Forward or backward, sideward, and what pace
Can give, and what retract a grace;
What gesture, courtship, comeliness agrees
With those thy primitive decrees,
To give subsistence to thy house, and proof
What Genii support thy roof,
Goodness and Greatness; not the oaken piles;
For these and marbles have their whiles
To last, but not their ever; virtue's hand
It is which builds 'gainst fate to stand.
Such is thy house, whose firm foundation's trust
Is more in thee than in her dust
Or depth; these last may yield and yearly shrink
When what is strongly built, no chink
Or yawning rupture can the same devour,
But fix'd it stands, by her own power
And well-laid bottom, on the iron and rock
Which tries and counter-stands the shock
And ram of time, and by vexation grows
The stronger; virtue dies when foes
Are wanting to her exercise, but great
And large she spreads by dust and sweat.
Safe stand thy walls and thee, and so both will,
Since neither's height was rais'd by th' ill
Of others; since no stud, no stone, no piece
Was rear'd up by the poor man's fleece;
No widow's tenement was rack'd to gild
Or fret thy ceiling or to build
A sweating-closet to anoint the silk-
soft skin, or bathe in asses' milk;
No orphan's pittance left him serv'd to set
The pillars up of lasting jet,
For which their cries might beat against thine ears,
Or in the damp jet read their tears.
No plank from hallowed altar does appeal
To yond' Star-Chamber, or does seal
A curse to thee or thine; but all things even
Make for thy peace and pace to heaven.
Go on directly so, as just men may
A thousand times more swear than say:
This is that princely Pemberton who can
Teach man to keep a god in man;
And when wise poets shall search out to see
Good men, they find them all in thee.

Vigil, watchman.
Button'd-staff, staff with a knob at its end.
Yirkt, scourged.
Redeem, buy back.
Suppling, tender.
Trebius, friend of the epicure Lucullus; cp. Juv. v. 19.

378. TO HIS VALENTINE ON ST. VALENTINE'S DAY.

Oft have I heard both youths and virgins say
Birds choose their mates, and couple too this day;
But by their flight I never can divine
When I shall couple with my valentine.

382. UPON M. BEN. JONSON. EPIG.

After the rare arch-poet, Jonson, died,
The sock grew loathsome, and the buskin's pride,
Together with the stage's glory, stood
Each like a poor and pitied widowhood.
The cirque profan'd was, and all postures rack'd;
For men did strut, and stride, and stare, not act.
Then temper flew from words, and men did squeak,
Look red, and blow, and bluster, but not speak;
No holy rage or frantic fires did stir
Or flash about the spacious theatre.
No clap of hands, or shout, or praise's proof
Did crack the play-house sides, or cleave her roof.
Artless the scene was, and that monstrous sin
Of deep and arrant ignorance came in:
Such ignorance as theirs was who once hiss'd
At thy unequall'd play, the Alchemist;
Oh, fie upon 'em! Lastly, too, all wit
In utter darkness did, and still will sit,
Sleeping the luckless age out, till that she
Her resurrection has again with thee.

383. ANOTHER.

Thou had'st the wreath before, now take the tree,
That henceforth none be laurel-crown'd but thee.

384. TO HIS NEPHEW, TO BE PROSPEROUS IN HIS ART
OF PAINTING.

On, as thou hast begun, brave youth, and get
The palm from Urbin, Titian, Tintoret,
Brugel and Coxu, and the works outdo
Of Holbein and that mighty Rubens too.
So draw and paint as none may do the like,
No, not the glory of the world, Vandyke.

Urbin, Raphael.
Brugel, Jan Breughel, Dutch landscape painter (1569-1625), or his father or brother.
Coxu, Michael van Coxcie, Flemish painter (1497-1592).

386. A VOW TO MARS.

Store of courage to me grant,
Now I'm turn'd a combatant;
Help me, so that I my shield,
Fighting, lose not in the field.
That's the greatest shame of all
That in warfare can befall.
Do but this, and there shall be
Offer'd up a wolf to thee.

387. TO HIS MAID, PREW.

These summer-birds did with thy master stay
The times of warmth, but then they flew away,
Leaving their poet, being now grown old,
Expos'd to all the coming winter's cold.
But thou, kind Prew, did'st with my fates abide
As well the winter's as the summer's tide;
For which thy love, live with thy master here,
Not one, but all the seasons of the year.

388. A CANTICLE TO APOLLO.

Play, Phœbus, on thy lute;
And we will all sit mute,
By listening to thy lyre,
That sets all ears on fire.

Hark, hark, the god does play!
And as he leads the way
Through heaven the very spheres,
As men, turn all to ears.

389. A JUST MAN.

A just man's like a rock that turns the wrath
Of all the raging waves into a froth.

390. UPON A HOARSE SINGER.

Sing me to death; for till thy voice be clear,
'Twill never please the palate of mine ear.

391. HOW PANSIES OR HEART'S-EASE CAME FIRST.

Frolic virgins once these were,
Over-loving, living here;
Being here their ends denied,
Ran for sweethearts mad, and died.
Love, in pity of their tears,
And their loss in blooming years,
For their restless here-spent hours,
Gave them heart's-ease turn'd to flowers.

392. TO HIS PECULIAR FRIEND, SIR EDWARD FISH,
KNIGHT BARONET.

Since, for thy full deserts, with all the rest
Of these chaste spirits that are here possest
Of life eternal, time has made thee one
For growth in this my rich plantation,
Live here; but know 'twas virtue, and not chance,
That gave thee this so high inheritance.
Keep it for ever, grounded with the good,
Who hold fast here an endless livelihood.

393. LAR'S PORTION AND THE POET'S PART.

At my homely country-seat
I have there a little wheat,
Which I work to meal, and make
Therewithal a holy cake:
Part of which I give to Lar,
Part is my peculiar.

Peculiar, his own property.

394. UPON MAN.

Man is compos'd here of a twofold part:
The first of nature, and the next of art:
Art presupposes nature; nature she
Prepares the way for man's docility.

395. LIBERTY.

Those ills that mortal men endure
So long, are capable of cure,
As they of freedom may be sure;
But, that denied, a grief, though small,
Shakes the whole roof, or ruins all.

396. LOTS TO BE LIKED.

Learn this of me, where'er thy lot doth fall,
Short lot or not, to be content with all.

397. GRIEFS.

Jove may afford us thousands of reliefs,
Since man expos'd is to a world of griefs.

399. THE DREAM.

By dream I saw one of the three
Sisters of fate appear to me;
Close to my bedside she did stand,
Showing me there a firebrand;
She told me too, as that did spend,
So drew my life unto an end.
Three quarters were consum'd of it;
Only remained a little bit,
Which will be burnt up by-and-by;
Then, Julia, weep, for I must die.

402. CLOTHES DO BUT CHEAT AND COZEN US.

Away with silks, away with lawn,
I'll have no scenes or curtains drawn;
Give me my mistress as she is,
Dress'd in her nak'd simplicities;
For as my heart e'en so mine eye
Is won with flesh, not drapery.

403. TO DIANEME.

Show me thy feet; show me thy legs, thy thighs;
Show me those fleshy principalities;
Show me that hill where smiling love doth sit.
Having a living fountain under it;
Show me thy waist, then let me therewithal,
By the assention of thy lawn, see all.

404. UPON ELECTRA.

When out of bed my love doth spring,
'Tis but as day a-kindling;
But when she's up and fully dress'd,
'Tis then broad day throughout the east.

405. TO HIS BOOK.

Have I not blest thee? Then go forth, nor fear
Or spice, or fish, or fire, or close-stools here.
But with thy fair fates leading thee, go on
With thy most white predestination.
Nor think these ages that do hoarsely sing
The farting tanner and familiar king,
The dancing friar, tatter'd in the bush;
Those monstrous lies of little Robin Rush,
Tom Chipperfeild, and pretty lisping Ned,
That doted on a maid of gingerbread;
The flying pilchard and the frisking dace,
With all the rabble of Tim Trundell's race
(Bred from the dunghills and adulterous rhymes),
Shall live, and thou not superlast all times.
No, no; thy stars have destin'd thee to see
The whole world die and turn to dust with thee.
He's greedy of his life who will not fall
Whenas a public ruin bears down all.

The farting tanner, etc., see [Note].

406. OF LOVE.

I do not love, nor can it be
Love will in vain spend shafts on me;
I did this godhead once defy,
Since which I freeze, but cannot fry.
Yet out, alas! the death's the same,
Kill'd by a frost or by a flame.

407. UPON HIMSELF.

I dislik'd but even now;
Now I love I know not how.
Was I idle, and that while
Was I fir'd with a smile?
I'll to work, or pray; and then
I shall quite dislike again.

408. ANOTHER.

Love he that will, it best likes me
To have my neck from love's yoke free.

412. THE MAD MAID'S SONG.

Good-morrow to the day so fair,
Good-morning, sir, to you;
Good-morrow to mine own torn hair,
Bedabbled with the dew.

Good-morning to this primrose too,
Good-morrow to each maid
That will with flowers the tomb bestrew
Wherein my love is laid.

Ah! woe is me, woe, woe is me,
Alack and well-a-day!
For pity, sir, find out that bee
Which bore my love away.

I'll seek him in your bonnet brave,
I'll seek him in your eyes;
Nay, now I think th'ave made his grave
I' th' bed of strawberries.

I'll seek him there; I know ere this
The cold, cold earth doth shake him;
But I will go or send a kiss
By you, sir, to awake him.

Pray, hurt him not, though he be dead,
He knows well who do love him,
And who with green turfs rear his head,
And who do rudely move him.

He's soft and tender (pray take heed);
With bands of cowslips bind him,
And bring him home; but 'tis decreed
That I shall never find him.

413. TO SPRINGS AND FOUNTAINS.

I heard ye could cool heat, and came
With hope you would allay the same;
Thrice I have wash'd but feel no cold,
Nor find that true which was foretold.
Methinks, like mine, your pulses beat
And labour with unequal heat;
Cure, cure yourselves, for I descry
Ye boil with love as well as I.

414. UPON JULIA'S UNLACING HERSELF.

Tell if thou canst, and truly, whence doth come
This camphor, storax, spikenard, galbanum;
These musks, these ambers, and those other smells,
Sweet as the vestry of the oracles.
I'll tell thee: while my Julia did unlace
Her silken bodice but a breathing space,
The passive air such odour then assum'd,
As when to Jove great Juno goes perfum'd,
Whose pure immortal body doth transmit
A scent that fills both heaven and earth with it.

415. TO BACCHUS, A CANTICLE.

Whither dost thou whorry me,
Bacchus, being full of thee?
This way, that way, that way, this,
Here and there a fresh love is.
That doth like me, this doth please,
Thus a thousand mistresses
I have now; yet I alone,
Having all, enjoy not one.

Whorry, carry rapidly.

416. THE LAWN.

Would I see lawn, clear as the heaven, and thin?
It should be only in my Julia's skin,
Which so betrays her blood as we discover
The blush of cherries when a lawn's cast over.

417. THE FRANKINCENSE.

When my off'ring next I make,
Be thy hand the hallowed cake,
And thy breast the altar whence
Love may smell the frankincense.

420. TO SYCAMORES.

I'm sick of love, O let me lie
Under your shades to sleep or die!
Either is welcome, so I have
Or here my bed, or here my grave.
Why do you sigh, and sob, and keep
Time with the tears that I do weep?
Say, have ye sense, or do you prove
What crucifixions are in love?
I know ye do, and that's the why
You sigh for love as well as I.

421. A PASTORAL SUNG TO THE KING:
MONTANO, SILVIO, AND MIRTILLO, SHEPHERDS.

Mon. Bad are the times. Sil. And worse than they are we.
Mon. Troth, bad are both; worse fruit and ill the tree:
The feast of shepherds fail. Sil. None crowns the cup
Of wassail now or sets the quintell up;
And he who us'd to lead the country-round,
Youthful Mirtillo, here he comes grief-drown'd.
Ambo. Let's cheer him up. Sil. Behold him weeping-ripe.
Mir. Ah! Amaryllis, farewell mirth and pipe;
Since thou art gone, no more I mean to play
To these smooth lawns my mirthful roundelay.
Dear Amaryllis! Mon. Hark! Sil. Mark! Mir.
This earth grew sweet
Where, Amaryllis, thou didst set thy feet.
Ambo. Poor pitied youth! Mir. And here the breath of kine
And sheep grew more sweet by that breath of thine.
This flock of wool and this rich lock of hair,
This ball of cowslips, these she gave me here.
Sil. Words sweet as love itself. Montano, hark!
Mir. This way she came, and this way too she went;
How each thing smells divinely redolent!
Like to a field of beans when newly blown,
Or like a meadow being lately mown.
Mon. A sweet-sad passion——
Mir. In dewy mornings when she came this way
Sweet bents would bow to give my love the day;
And when at night she folded had her sheep,
Daisies would shut, and, closing, sigh and weep.
Besides (ay me!) since she went hence to dwell,
The voices' daughter ne'er spake syllable.
But she is gone. Sil. Mirtillo, tell us whither.
Mir. Where she and I shall never meet together.
Mon. Forfend it Pan, and, Pales, do thou please
To give an end. Mir. To what? Sil. Such griefs as these.
Mir. Never, O never! Still I may endure
The wound I suffer, never find a cure.
Mon. Love for thy sake will bring her to these hills
And dales again. Mir. No, I will languish still;
And all the while my part shall be to weep,
And with my sighs, call home my bleating sheep:
And in the rind of every comely tree
I'll carve thy name, and in that name kiss thee.
Mon. Set with the sun thy woes. Sil. The day grows old,
And time it is our full-fed flocks to fold.
Chor. The shades grow great, but greater grows our sorrow;
But let's go steep
Our eyes in sleep,
And meet to weep
To-morrow.

Quintell, quintain or tilting board.
Bents, grasses.
Pales, the goddess of sheepfolds.

422. THE POET LOVES A MISTRESS, BUT NOT TO
MARRY.

I do not love to wed,
Though I do like to woo;
And for a maidenhead
I'll beg and buy it too.

I'll praise and I'll approve
Those maids that never vary;
And fervently I'll love,
But yet I would not marry.

I'll hug, I'll kiss, I'll play,
And, cock-like, hens I'll tread,
And sport it any way
But in the bridal bed.

For why? that man is poor
Who hath but one of many,
But crown'd he is with store
That, single, may have any.

Why then, say, what is he,
To freedom so unknown,
Who, having two or three,
Will be content with one?

425. THE WILLOW GARLAND.

A willow garland thou did'st send
Perfum'd, last day, to me,
Which did but only this portend—
I was forsook by thee.

Since so it is, I'll tell thee what,
To-morrow thou shalt see
Me wear the willow; after that,
To die upon the tree.

As beasts unto the altars go
With garlands dress'd, so I
Will, with my willow-wreath, also
Come forth and sweetly die.

427. A HYMN TO SIR CLIPSEBY CREW.

'Twas not love's dart,
Or any blow
Of want, or foe,
Did wound my heart
With an eternal smart;

But only you,
My sometimes known
Companion,
My dearest Crew,
That me unkindly slew.

May your fault die,
And have no name
In books of fame;
Or let it lie
Forgotten now, as I.

We parted are
And now no more,
As heretofore,
By jocund Lar
Shall be familiar.

But though we sever,
My Crew shall see
That I will be
Here faithless never,
But love my Clipseby ever.

430. EMPIRES.

Empires of kings are now, and ever were,
As Sallust saith, coincident to fear.

431. FELICITY QUICK OF FLIGHT.

Every time seems short to be
That's measured by felicity;
But one half-hour that's made up here
With grief, seems longer than a year.

436. THE CROWD AND COMPANY.

In holy meetings there a man may be
One of the crowd, not of the company.

438. POLICY IN PRINCES.

That princes may possess a surer seat,
'Tis fit they make no one with them too great.

440. UPON THE NIPPLES OF JULIA'S BREAST.

Have ye beheld (with much delight)
A red rose peeping through a white?
Or else a cherry, double grac'd,
Within a lily centre plac'd?
Or ever mark'd the pretty beam
A strawberry shows half-drown'd in cream?
Or seen rich rubies blushing through
A pure smooth pearl and orient too?
So like to this, nay all the rest,
Is each neat niplet of her breast.

441. TO DAISIES, NOT TO SHUT SO SOON.

Shut not so soon; the dull-ey'd night
Has not as yet begun
To make a seizure on the light,
Or to seal up the sun.

No marigolds yet closed are,
No shadows great appear;
Nor doth the early shepherd's star
Shine like a spangle here.

Stay but till my Julia close
Her life-begetting eye,
And let the whole world then dispose
Itself to live or die.

442. TO THE LITTLE SPINNERS.

Ye pretty housewives, would ye know
The work that I would put ye to?
This, this it should be: for to spin
A lawn for me, so fine and thin
As it might serve me for my skin.
For cruel Love has me so whipp'd
That of my skin I all am stripp'd:
And shall despair that any art
Can ease the rawness or the smart,
Unless you skin again each part.
Which mercy if you will but do,
I call all maids to witness to
What here I promise: that no broom
Shall now or ever after come
To wrong a spinner or her loom.

Spinners, spiders.

443. OBERON'S PALACE.

After the feast, my Shapcot, see
The fairy court I give to thee;
Where we'll present our Oberon, led
Half-tipsy to the fairy bed,
Where Mab he finds, who there doth lie,
Not without mickle majesty.
Which done, and thence remov'd the light,
We'll wish both them and thee good-night.

Full as a bee with thyme, and red
As cherry harvest, now high fed
For lust and action, on he'll go
To lie with Mab, though all say no.
Lust has no ears; he's sharp as thorn,
And fretful, carries hay in's horn,
And lightning in his eyes; and flings
Among the elves, if moved, the stings
Of peltish wasps; well know his guard—
Kings, though they're hated, will be fear'd.
Wine lead him on. Thus to a grove,
Sometimes devoted unto love,
Tinselled with twilight, he and they,
Led by the shine of snails, a way
Beat with their num'rous feet, which, by
Many a neat perplexity,
Many a turn and many a cross-
Track they redeem a bank of moss,
Spongy and swelling, and far more
Soft than the finest Lemster ore,
Mildly disparkling like those fires
Which break from the enjewell'd tyres
Of curious brides; or like those mites
Of candi'd dew in moony nights.
Upon this convex all the flowers
Nature begets by th' sun and showers,
Are to a wild digestion brought,
As if love's sampler here was wrought:
Or Citherea's ceston, which
All with temptation doth bewitch.
Sweet airs move here, and more divine
Made by the breath of great-eyed kine,
Who, as they low, impearl with milk
The four-leaved grass or moss like silk.
The breath of monkeys met to mix
With musk-flies are th' aromatics
Which 'cense this arch; and here and there
And farther off, and everywhere
Throughout that brave mosaic yard,
Those picks or diamonds in the card
With peeps of hearts, of club, and spade
Are here most neatly inter-laid
Many a counter, many a die,
Half-rotten and without an eye
Lies hereabouts; and, for to pave
The excellency of this cave,
Squirrels' and children's teeth late shed
Are neatly here enchequered
With brownest toadstones, and the gum
That shines upon the bluer plum.
The nails fallen off by whitflaws: art's
Wise hand enchasing here those warts
Which we to others, from ourselves,
Sell, and brought hither by the elves.
The tempting mole, stolen from the neck
Of the shy virgin, seems to deck
The holy entrance, where within
The room is hung with the blue skin
Of shifted snake: enfriez'd throughout
With eyes of peacocks' trains and trout-
Flies' curious wings; and these among
Those silver pence that cut the tongue
Of the red infant, neatly hung.
The glow-worm's eyes; the shining scales
Of silv'ry fish; wheat straws, the snail's
Soft candle light; the kitling's eyne;
Corrupted wood; serve here for shine.
No glaring light of bold-fac'd day,
Or other over-radiant ray,
Ransacks this room; but what weak beams
Can make reflected from these gems
And multiply; such is the light,
But ever doubtful day or night.
By this quaint taper light he winds
His errors up; and now he finds
His moon-tann'd Mab, as somewhat sick,
And (love knows) tender as a chick.
Upon six plump dandillions, high-
Rear'd, lies her elvish majesty:
Whose woolly bubbles seem'd to drown
Her Mabship in obedient down.
For either sheet was spread the caul
That doth the infant's face enthral,
When it is born (by some enstyl'd
The lucky omen of the child),
And next to these two blankets o'er-
Cast of the finest gossamore.
And then a rug of carded wool,
Which, sponge-like drinking in the dull
Light of the moon, seemed to comply,
Cloud-like, the dainty deity.
Thus soft she lies: and overhead
A spinner's circle is bespread
With cob-web curtains, from the roof
So neatly sunk as that no proof
Of any tackling can declare
What gives it hanging in the air.
The fringe about this are those threads
Broke at the loss of maidenheads:
And, all behung with these, pure pearls,
Dropp'd from the eyes of ravish'd girls
Or writhing brides; when (panting) they
Give unto love the straiter way.
For music now, he has the cries
Of feigned-lost virginities;
The which the elves make to excite
A more unconquered appetite.
The king's undrest; and now upon
The gnat's watchword the elves are gone.
And now the bed, and Mab possess'd
Of this great little kingly guest;
We'll nobly think, what's to be done,
He'll do no doubt; this flax is spun.

Mickle, much.
Carries hay in's horn (fœnum habet in cornu), is dangerous.
Peltish, angry.
Redeem, gain.
Lemster ore, Leominster wool.
Tyres, head-dresses.
Picks, diamonds on playing-cards were so called from their points.
Peeps, pips.
Whitflaws, whitlows.
Corrupted, i.e., phosphorescent.
Winds his errors up, brings his wanderings to an end.
Dandillions, dandelions.
Comply, embrace.
Spinner, spider.
Proof, sign.

444. TO HIS PECULIAR FRIEND, MR. THOMAS
SHAPCOTT, LAWYER.

I've paid thee what I promis'd; that's not all;
Besides I give thee here a verse that shall
(When hence thy circummortal part is gone),
Arch-like, hold up thy name's inscription.
Brave men can't die, whose candid actions are
Writ in the poet's endless calendar:
Whose vellum and whose volume is the sky,
And the pure stars the praising poetry.
Farewell

Circummortal, more than mortal.
Candid, fair.

445. TO JULIA IN THE TEMPLE.

Besides us two, i' th' temple here's not one
To make up now a congregation.
Let's to the altar of perfumes then go,
And say short prayers; and when we have done so,
Then we shall see, how in a little space
Saints will come in to fill each pew and place.

446. TO OENONE.

What conscience, say, is it in thee,
When I a heart had one,
To take away that heart from me,
And to retain thy own?

For shame or pity now incline
To play a loving part;
Either to send me kindly thine,
Or give me back my heart.

Covet not both; but if thou dost
Resolve to part with neither,
Why! yet to show that thou art just,
Take me and mine together.

447. HIS WEAKNESS IN WOES.

I cannot suffer; and in this my part
Of patience wants. Grief breaks the stoutest heart.

448. FAME MAKES US FORWARD.

To print our poems, the propulsive cause
Is fame—the breath of popular applause.

449. TO GROVES.

Ye silent shades, whose each tree here
Some relique of a saint doth wear,
Who, for some sweetheart's sake, did prove
The fire and martyrdom of love:
Here is the legend of those saints
That died for love, and their complaints:
Their wounded hearts and names we find
Encarv'd upon the leaves and rind.
Give way, give way to me, who come
Scorch'd with the self-same martyrdom:
And have deserv'd as much (love knows)
As to be canonis'd 'mongst those
Whose deeds and deaths here written are
Within your greeny calendar:
By all those virgins' fillets hung
Upon your boughs, and requiems sung
For saints and souls departed hence
(Here honour'd still with frankincense);
By all those tears that have been shed,
As a drink-offering to the dead;
By all those true love-knots that be
With mottoes carv'd on every tree;
By sweet Saint Phyllis pity me:
By dear Saint Iphis, and the rest
Of all those other saints now blest,
Me, me, forsaken, here admit
Among your myrtles to be writ:
That my poor name may have the glory
To live remembered in your story.

Phyllis, the Thracian princess who hanged herself for love of Demophoon.
Iphis, a Cyprian youth who hanged himself for love of Anaxaretes.

450. AN EPITAPH UPON A VIRGIN.

Here a solemn fast we keep,
While all beauty lies asleep
Hush'd be all things—no noise here—
But the toning of a tear:
Or a sigh of such as bring
Cowslips for her covering.

451. TO THE RIGHT GRACIOUS PRINCE, LODOWICK,
DUKE OF RICHMOND AND LENNOX.

Of all those three brave brothers fall'n i' th' war
(Not without glory), noble sir, you are,
Despite of all concussions, left the stem
To shoot forth generations like to them.
Which may be done, if, sir, you can beget
Men in their substance, not in counterfeit,
Such essences as those three brothers; known
Eternal by their own production.
Of whom, from fame's white trumpet, this I'll tell,
Worthy their everlasting chronicle:
Never since first Bellona us'd a shield,
Such three brave brothers fell in Mars his field.
These were those three Horatii Rome did boast,
Rome's were these three Horatii we have lost.
One Cœur-de-Lion had that age long since;
This, three; which three, you make up four, brave prince.

452. TO JEALOUSY.

O jealousy, that art
The canker of the heart;
And mak'st all hell
Where thou do'st dwell;
For pity be
No fury, or no firebrand to me.

Far from me I'll remove
All thoughts of irksome love:
And turn to snow,
Or crystal grow,
To keep still free,
O! soul-tormenting jealousy, from thee.

453. TO LIVE FREELY.

Let's live in haste; use pleasures while we may;
Could life return, 'twould never lose a day.

455. HIS ALMS.

Here, here I live,
And somewhat give
Of what I have
To those who crave,
Little or much,
My alms is such;
But if my deal
Of oil and meal
Shall fuller grow,
More I'll bestow;
Meantime be it
E'en but a bit,
Or else a crumb,
The scrip hath some.

Deal, portion.

456. UPON HIMSELF.

Come, leave this loathed country life, and then
Grow up to be a Roman citizen.
Those mites of time, which yet remain unspent,
Waste thou in that most civil government.
Get their comportment and the gliding tongue
Of those mild men thou art to live among;
Then, being seated in that smoother sphere,
Decree thy everlasting topic there;
And to the farm-house ne'er return at all:
Though granges do not love thee, cities shall.

457. TO ENJOY THE TIME.

While Fates permit us let's be merry,
Pass all we must the fatal ferry;
And this our life too whirls away
With the rotation of the day.

458. UPON LOVE.

Love, I have broke
Thy yoke,
The neck is free;
But when I'm next
Love-vexed,
Then shackle me.

'Tis better yet
To fret
The feet or hands,
Than to enthral
Or gall
The neck with bands.

459. TO THE RIGHT HONOURABLE MILDMAY, EARL
OF WESTMORELAND.

You are a lord, an earl, nay more, a man
Who writes sweet numbers well as any can;
If so, why then are not these verses hurled,
Like Sybil's leaves, throughout the ample world?
What is a jewel if it be not set
Forth by a ring or some rich carcanet?
But being so, then the beholders cry:
See, see a gem as rare as Belus' eye.
Then public praise does run upon the stone,
For a most rich, a rare, a precious one.
Expose your jewels then unto the view,
That we may praise them, or themselves prize you.
Virtue concealed, with Horace you'll confess,
Differs not much from drowsy slothfulness.

Belus' eye, the eye onyx. "The stone called Belus' eie is white, and hath within it a black apple." (Holland's Pliny.)

460. THE PLUNDER.

I am of all bereft,
Save but some few beans left,
Whereof, at last, to make
For me and mine a cake,
Which eaten, they and I
Will say our grace, and die.

461. LITTLENESS NO CAUSE OF LEANNESS.

One feeds on lard, and yet is lean,
And I but feasting with a bean
Grow fat and smooth. The reason is:
Jove prospers my meat more than his.

464. THE JIMMALL RING OR TRUE-LOVE KNOT.

Thou sent'st to me a true love-knot, but I
Returned a ring of jimmals to imply
Thy love had one knot, mine a triple tie.

Jimmal or gimmal, double or triple ring.

465. THE PARTING VERSE OR CHARGE TO HIS
SUPPOSED WIFE WHEN HE TRAVELLED.

Go hence, and with this parting kiss,
Which joins two souls, remember this:
Though thou be'st young, kind, soft, and fair
And may'st draw thousands with a hair;
Yet let these glib temptations be
Furies to others, friends to me.
Look upon all, and though on fire
Thou set their hearts, let chaste desire
Steer thee to me, and think, me gone,
In having all, that thou hast none.
Nor so immured would I have
Thee live, as dead and in thy grave;
But walk abroad, yet wisely well
Stand for my coming, sentinel.
And think, as thou do'st walk the street,
Me or my shadow thou do'st meet.
I know a thousand greedy eyes
Will on thy feature tyrannise
In my short absence, yet behold
Them like some picture, or some mould
Fashion'd like thee, which, though 't have ears
And eyes, it neither sees or hears.
Gifts will be sent, and letters, which
Are the expressions of that itch,
And salt, which frets thy suitors; fly
Both, lest thou lose thy liberty;
For, that once lost, thou't fall to one,
Then prostrate to a million.
But if they woo thee, do thou say,
As that chaste Queen of Ithaca
Did to her suitors, this web done,
(Undone as oft as done), I'm won;
I will not urge thee, for I know,
Though thou art young, thou canst say no,
And no again, and so deny
Those thy lust-burning incubi.
Let them enstyle thee fairest fair,
The pearl of princes, yet despair
That so thou art, because thou must
Believe love speaks it not, but lust;
And this their flattery does commend
Thee chiefly for their pleasure's end.
I am not jealous of thy faith,
Or will be, for the axiom saith:
He that doth suspect does haste
A gentle mind to be unchaste.
No, live thee to thy self, and keep
Thy thoughts as cold as is thy sleep,
And let thy dreams be only fed
With this, that I am in thy bed;
And thou, then turning in that sphere,
Waking shalt find me sleeping there.
But yet if boundless lust must scale
Thy fortress, and will needs prevail,
And wildly force a passage in,
Banish consent, and 'tis no sin
Of thine; so Lucrece fell and the
Chaste Syracusian Cyane.
So Medullina fell; yet none
Of these had imputation
For the least trespass, 'cause the mind
Here was not with the act combin'd.
The body sins not, 'tis the will
That makes the action, good or ill.
And if thy fall should this way come,
Triumph in such a martyrdom.
I will not over-long enlarge
To thee this my religious charge.
Take this compression, so by this
Means I shall know what other kiss
Is mixed with mine, and truly know,
Returning, if't be mine or no:
Keep it till then; and now, my spouse,
For my wished safety pay thy vows
And prayers to Venus; if it please
The great blue ruler of the seas,
Not many full-faced moons shall wane,
Lean-horn'd, before I come again
As one triumphant, when I find
In thee all faith of womankind.
Nor would I have thee think that thou
Had'st power thyself to keep this vow,
But, having 'scaped temptation's shelf,
Know virtue taught thee, not thyself.

Queen of Ithaca, Penelope.
Incubi, adulterous spirits.
Cyane, a nymph of Syracuse, ravished by her father whom (and herself) she slew.
Medullina, a Roman virgin who endured a like fate.
Compression, embrace.

466. TO HIS KINSMAN, SIR THOS. SOAME.

Seeing thee, Soame, I see a goodly man,
And in that good a great patrician.
Next to which two, among the city powers
And thrones, thyself one of those senators;
Not wearing purple only for the show,
As many conscripts of the city do,
But for true service, worthy of that gown,
The golden chain, too, and the civic crown.

Conscripts, "patres conscripti," aldermen.

467. TO BLOSSOMS.

Fair pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past
But you may stay yet here a while,
To blush and gently smile;
And go at last.

What! were ye born to be
An hour or half's delight,
And so to bid good-night?
'Twas pity Nature brought ye forth
Merely to show your worth,
And lose you quite.

But you are lovely leaves, where we
May read how soon things have
Their end, though ne'er so brave:
And after they have shown their pride
Like you a while, they glide
Into the grave.

468. MAN'S DYING-PLACE UNCERTAIN.

Man knows where first he ships himself, but he
Never can tell where shall his landing be.

469. NOTHING FREE-COST.

Nothing comes free-cost here; Jove will not let
His gifts go from him, if not bought with sweat.

470. FEW FORTUNATE.

Many we are, and yet but few possess
Those fields of everlasting happiness.

471. TO PERENNA.

How long, Perenna, wilt thou see
Me languish for the love of thee?
Consent, and play a friendly part
To save, when thou may'st kill a heart.

472. TO THE LADIES.

Trust me, ladies, I will do
Nothing to distemper you;
If I any fret or vex,
Men they shall be, not your sex.

473. THE OLD WIVES' PRAYER.

Holy rood, come forth and shield
Us i' th' city and the field:
Safely guard us, now and aye,
From the blast that burns by day;
And those sounds that us affright
In the dead of dampish night.
Drive all hurtful fiends us fro,
By the time the cocks first crow.

475. UPON HIS DEPARTURE HENCE.

Thus I
Pass by,
And die:
As one
Unknown
And gone:
I'm made
A shade,
And laid
I' th' grave:
There have
My cave,
Where tell
I dwell.
Farewell.

476. THE WASSAIL.

Give way, give way, ye gates, and win
An easy blessing to your bin
And basket, by our entering in.

May both with manchet stand replete;
Your larders, too, so hung with meat,
That though a thousand, thousand eat,

Yet, ere twelve moons shall whirl about
Their silv'ry spheres, there's none may doubt
But more's sent in than was served out.

Next, may your dairies prosper so
As that your pans no ebb may know;
But if they do, the more to flow,

Like to a solemn sober stream
Bank'd all with lilies, and the cream
Of sweetest cowslips filling them.

Then, may your plants be prest with fruit,
Nor bee, or hive you have be mute;
But sweetly sounding like a lute.

Next, may your duck and teeming hen
Both to the cock's tread say Amen;
And for their two eggs render ten.

Last, may your harrows, shears, and ploughs,
Your stacks, your stocks, your sweetest mows,
All prosper by our virgin vows.

Alas! we bless, but see none here
That brings us either ale or beer;
In a dry house all things are near.

Let's leave a longer time to wait,
Where rust and cobwebs bind the gate,
And all live here with needy fate.

Where chimneys do for ever weep
For want of warmth, and stomachs keep,
With noise, the servants' eyes from sleep.

It is in vain to sing, or stay
Our free feet here; but we'll away:
Yet to the Lares this we'll say:

The time will come when you'll be sad
And reckon this for fortune bad,
T'ave lost the good ye might have had.

Manchet, fine white bread.
Prest, laden.
Near, penurious.
Leave to wait, cease waiting.

477. UPON A LADY FAIR BUT FRUITLESS.

Twice has Pudica been a bride, and led
By holy Hymen to the nuptial bed.
Two youths she's known thrice two, and twice three years;
Yet not a lily from the bed appears:
Nor will; for why, Pudica this may know,
Trees never bear unless they first do blow.

478. HOW SPRINGS CAME FIRST.

These springs were maidens once that lov'd,
But lost to that they most approv'd:
My story tells by Love they were
Turn'd to these springs which we see here;
The pretty whimpering that they make,
When of the banks their leave they take,
Tells ye but this, they are the same,
In nothing chang'd but in their name.

479. TO ROSEMARY AND BAYS.

My wooing's ended: now my wedding's near
When gloves are giving, gilded be you there.

481. UPON A SCAR IN A VIRGIN'S FACE.

'Tis heresy in others: in your face
That scar's no schism, but the sign of grace.

482. UPON HIS EYESIGHT FAILING HIM.

I begin to wane in sight;
Shortly I shall bid good-night:
Then no gazing more about,
When the tapers once are out.

483. TO HIS WORTHY FRIEND, M. THOS. FALCONBIRGE.

Stand with thy graces forth, brave man, and rise
High with thine own auspicious destinies:
Nor leave the search, and proof, till thou canst find
These, or those ends, to which thou wast design'd.
Thy lucky genius and thy guiding star
Have made thee prosperous in thy ways thus far:
Nor will they leave thee till they both have shown
Thee to the world a prime and public one.
Then, when thou see'st thine age all turn'd to gold,
Remember what thy Herrick thee foretold,
When at the holy threshold of thine house
He boded good luck to thy self and spouse.
Lastly, be mindful, when thou art grown great,
That towers high rear'd dread most the lightning's threat:
Whenas the humble cottages not fear
The cleaving bolt of Jove the thunderer.

484. UPON JULIA'S HAIR FILL'D WITH DEW.

Dew sat on Julia's hair
And spangled too,
Like leaves that laden are
With trembling dew:
Or glitter'd to my sight,
As when the beams
Have their reflected light
Danc'd by the streams.

485. ANOTHER ON HER.

How can I choose but love and follow her
Whose shadow smells like milder pomander?
How can I choose but kiss her, whence does come
The storax, spikenard, myrrh, and laudanum?

Pomander, ball of scent.

486. LOSS FROM THE LEAST.

Great men by small means oft are overthrown;
He's lord of thy life who contemns his own.

487. REWARD AND PUNISHMENTS.

All things are open to these two events,
Or to rewards, or else to punishments.

488. SHAME NO STATIST.

Shame is a bad attendant to a state:
He rents his crown that fears the people's hate.

489. TO SIR CLIPSEBY CREW.

Since to the country first I came
I have lost my former flame:
And, methinks, I not inherit,
As I did, my ravish'd spirit.
If I write a verse or two,
'Tis with very much ado;
In regard I want that wine
Which should conjure up a line.
Yet, though now of Muse bereft,
I have still the manners left
For to thank you, noble sir,
For those gifts you do confer
Upon him who only can
Be in prose a grateful man.

490. UPON HIMSELF.

I could never love indeed;
Never see mine own heart bleed:
Never crucify my life,
Or for widow, maid, or wife.

I could never seek to please
One or many mistresses:
Never like their lips to swear
Oil of roses still smelt there.

I could never break my sleep,
Fold mine arms, sob, sigh, or weep:
Never beg, or humbly woo
With oaths and lies, as others do.

I could never walk alone;
Put a shirt of sackcloth on:
Never keep a fast, or pray
For good luck in love that day.

But have hitherto liv'd free
As the air that circles me:
And kept credit with my heart,
Neither broke i' th' whole, or part.

491. FRESH CHEESE AND CREAM.

Would ye have fresh cheese and cream?
Julia's breast can give you them:
And, if more, each nipple cries:
To your cream here's strawberries.

492. AN ECLOGUE OR PASTORAL BETWEEN ENDYMION
PORTER AND LYCIDAS HERRICK,
SET AND SUNG.

End. Ah! Lycidas, come tell me why
Thy whilom merry oat
By thee doth so neglected lie,
And never purls a note?

I prithee speak. Lyc. I will. End. Say on.
Lyc. 'Tis thou, and only thou,
That art the cause, Endymion.
End. For love's sake, tell me how.

Lyc. In this regard: that thou do'st play
Upon another plain,
And for a rural roundelay
Strik'st now a courtly strain.

Thou leav'st our hills, our dales, our bowers,
Our finer fleeced sheep,
Unkind to us, to spend thine hours
Where shepherds should not keep.

I mean the court: Let Latmos be
My lov'd Endymion's court.
End. But I the courtly state would see.
Lyc. Then see it in report.

What has the court to do with swains,
Where Phyllis is not known?
Nor does it mind the rustic strains
Of us, or Corydon.

Break, if thou lov'st us, this delay.
End. Dear Lycidas, e're long
I vow, by Pan, to come away
And pipe unto thy song.

Then Jessamine, with Florabell,
And dainty Amaryllis,
With handsome-handed Drosomell
Shall prank thy hook with lilies.

Lyc. Then Tityrus, and Corydon,
And Thyrsis, they shall follow
With all the rest; while thou alone
Shalt lead like young Apollo.

And till thou com'st, thy Lycidas,
In every genial cup,
Shall write in spice: Endymion 'twas
That kept his piping up.

And, my most lucky swain, when I shall live to see
Endymion's moon to fill up full, remember me:
Meantime, let Lycidas have leave to pipe to thee.

Oat, oaten pipe.
Prank, bedeck.
Drosomell, honey dew.

493. TO A BED OF TULIPS.

Bright tulips, we do know
You had your coming hither,
And fading-time does show
That ye must quickly wither.

Your sisterhoods may stay,
And smile here for your hour;
But die ye must away,
Even as the meanest flower.

Come, virgins, then, and see
Your frailties, and bemoan ye;
For, lost like these, 'twill be
As time had never known ye.

494. A CAUTION.

That love last long, let it thy first care be
To find a wife that is most fit for thee.
Be she too wealthy or too poor, be sure
Love in extremes can never long endure.

495. TO THE WATER NYMPHS DRINKING AT THE
FOUNTAIN.

Reach, with your whiter hands, to me
Some crystal of the spring;
And I about the cup shall see
Fresh lilies flourishing.

Or else, sweet nymphs, do you but this,
To th' glass your lips incline;
And I shall see by that one kiss
The water turn'd to wine.

496. TO HIS HONOURED KINSMAN, SIR
RICHARD STONE.

To this white temple of my heroes here,
Beset with stately figures everywhere
Of such rare saintships, who did here consume
Their lives in sweets, and left in death perfume,
Come, thou brave man! And bring with thee a stone
Unto thine own edification.
High are these statues here, besides no less
Strong than the heavens for everlastingness:
Where build aloft; and, being fix'd by these,
Set up thine own eternal images.

497. UPON A FLY.

A golden fly one show'd to me,
Clos'd in a box of ivory,
Where both seem'd proud: the fly to have
His burial in an ivory grave;
The ivory took state to hold
A corpse as bright as burnish'd gold.
One fate had both, both equal grace;
The buried, and the burying-place.
Not Virgil's gnat, to whom the spring
All flowers sent to's burying;
Not Martial's bee, which in a bead
Of amber quick was buried;
Nor that fine worm that does inter
Herself i' th' silken sepulchre;
Nor my rare Phil,[K] that lately was
With lilies tomb'd up in a glass;
More honour had than this same fly,
Dead, and closed up in ivory.

Virgil's gnat, see [256].
Martial's bee, see [Note].

499. TO JULIA.

Julia, when thy Herrick dies,
Close thou up thy poet's eyes:
And his last breath, let it be
Taken in by none but thee.

500. TO MISTRESS DOROTHY PARSONS.

If thou ask me, dear, wherefore
I do write of thee no more,
I must answer, sweet, thy part
Less is here than in my heart.

502. HOW HE WOULD DRINK HIS WINE.

Fill me my wine in crystal; thus, and thus
I see't in's puris naturalibus:
Unmix'd. I love to have it smirk and shine;
'Tis sin I know, 'tis sin to throttle wine.
What madman's he, that when it sparkles so,
Will cool his flames or quench his fires with snow?

503. HOW MARIGOLDS CAME YELLOW.

Jealous girls these sometimes were,
While they liv'd or lasted here:
Turn'd to flowers, still they be
Yellow, mark'd for jealousy.

504. THE BROKEN CRYSTAL.

To fetch me wine my Lucia went,
Bearing a crystal continent:
But, making haste, it came to pass
She brake in two the purer glass,
Then smil'd, and sweetly chid her speed;
So with a blush beshrew'd the deed.

Continent, holder.

505. PRECEPTS.

Good precepts we must firmly hold,
By daily learning we wax old.

506. TO THE RIGHT HONOURABLE EDWARD, EARL
OF DORSET.

If I dare write to you, my lord, who are
Of your own self a public theatre,
And, sitting, see the wiles, ways, walks of wit,
And give a righteous judgment upon it,
What need I care, though some dislike me should,
If Dorset say what Herrick writes is good?
We know y'are learn'd i' th' Muses, and no less
In our state-sanctions, deep or bottomless.
Whose smile can make a poet, and your glance
Dash all bad poems out of countenance;
So that an author needs no other bays
For coronation than your only praise,
And no one mischief greater than your frown
To null his numbers, and to blast his crown.
Few live the life immortal. He ensures
His fame's long life who strives to set up yours.

507. UPON HIMSELF.

Thou'rt hence removing (like a shepherd's tent),
And walk thou must the way that others went:
Fall thou must first, then rise to life with these,
Mark'd in thy book for faithful witnesses.

508. HOPE WELL AND HAVE WELL: OR, FAIR
AFTER FOUL WEATHER.

What though the heaven be lowering now,
And look with a contracted brow?
We shall discover, by-and-by,
A repurgation of the sky;
And when those clouds away are driven,
Then will appear a cheerful heaven.

509. UPON LOVE.

I held Love's head while it did ache;
But so it chanc'd to be,
The cruel pain did his forsake,
And forthwith came to me.

Ay me! how shall my grief be still'd?
Or where else shall we find
One like to me, who must be kill'd
For being too-too kind?

510. TO HIS KINSWOMAN, MRS. PENELOPE
WHEELER.

Next is your lot, fair, to be number'd one,
Here, in my book's canonisation:
Late you come in; but you a saint shall be,
In chief, in this poetic liturgy.

511. ANOTHER UPON HER.

First, for your shape, the curious cannot show
Any one part that's dissonant in you:
And 'gainst your chaste behaviour there's no plea,
Since you are known to be Penelope.
Thus fair and clean you are, although there be
A mighty strife 'twixt form and chastity.

Form, beauty.

513. CROSS AND PILE.

Fair and foul days trip cross and pile; the fair
Far less in number than our foul days are.

Trip cross and pile, come haphazard, like the heads and tails of coins.

514. TO THE LADY CREW, UPON THE DEATH OF
HER CHILD.

Why, madam, will ye longer weep,
Whenas your baby's lull'd asleep?
And (pretty child) feels now no more
Those pains it lately felt before.
All now is silent; groans are fled:
Your child lies still, yet is not dead;
But rather like a flower hid here
To spring again another year.

515. HIS WINDING-SHEET.

Come thou, who art the wine and wit
Of all I've writ:
The grace, the glory, and the best
Piece of the rest.
Thou art of what I did intend
The all and end;
And what was made, was made to meet
Thee, thee, my sheet.
Come then, and be to my chaste side
Both bed and bride.
We two, as reliques left, will have
One rest, one grave.
And, hugging close, we will not fear
Lust entering here,
Where all desires are dead or cold
As is the mould;
And all affections are forgot,
Or trouble not.
Here, here the slaves and pris'ners be
From shackles free:
And weeping widows long oppress'd
Do here find rest.
The wronged client ends his laws
Here, and his cause.
Here those long suits of chancery lie
Quiet, or die:
And all Star-Chamber bills do cease,
Or hold their peace.
Here needs no Court for our Request,
Where all are best,
All wise, all equal, and all just
Alike i' th' dust.
Nor need we here to fear the frown
Of court or crown:
Where fortune bears no sway o'er things,
There all are kings.
In this securer place we'll keep,
As lull'd asleep;
Or for a little time we'll lie
As robes laid by;
To be another day re-worn,
Turn'd, but not torn:
Or, like old testaments engrost,
Lock'd up, not lost.
And for a while lie here conceal'd,
To be reveal'd
Next at that great Platonick year,
And then meet here.

Platonick year, the 36,000th year, in which all persons and things return to their original state.

516. TO MISTRESS MARY WILLAND.

One more by thee, love, and desert have sent,
T' enspangle this expansive firmament.
O flame of beauty! come, appear, appear
A virgin taper, ever shining here.

517. CHANGE GIVES CONTENT.

What now we like anon we disapprove:
The new successor drives away old love.

519. ON HIMSELF.

Born I was to meet with age,
And to walk life's pilgrimage.
Much I know of time is spent,
Tell I can't what's resident.
Howsoever, cares, adieu!
I'll have nought to say to you:
But I'll spend my coming hours
Drinking wine and crown'd with flowers.

Resident, remaining.

520. FORTUNE FAVOURS.

Fortune did never favour one
Fully, without exception;
Though free she be, there's something yet
Still wanting to her favourite.

521. TO PHYLLIS, TO LOVE AND LIVE WITH HIM.

Live, live with me, and thou shall see
The pleasures I'll prepare for thee;
What sweets the country can afford
Shall bless thy bed and bless thy board.
The soft, sweet moss shall be thy bed
With crawling woodbine over-spread;
By which the silver-shedding streams
Shall gently melt thee into dreams.
Thy clothing, next, shall be a gown
Made of the fleece's purest down.
The tongues of kids shall be thy meat,
Their milk thy drink; and thou shalt eat
The paste of filberts for thy bread,
With cream of cowslips buttered;
Thy feasting-tables shall be hills
With daisies spread and daffodils,
Where thou shalt sit, and red-breast by,
For meat, shall give thee melody.
I'll give thee chains and carcanets
Of primroses and violets.
A bag and bottle thou shalt have,
That richly wrought, and this as brave;
So that as either shall express
The wearer's no mean shepherdess.
At shearing-times, and yearly wakes,
When Themilis his pastime makes,
There thou shalt be; and be the wit,
Nay, more, the feast, and grace of it.
On holidays, when virgins meet
To dance the heyes with nimble feet,
Thou shall come forth, and then appear
The queen of roses for that year;
And having danced, 'bove all the best,
Carry the garland from the rest.
In wicker baskets maids shall bring
To thee, my dearest shepherling,
The blushing apple, bashful pear,
And shame-fac'd plum, all simp'ring there.
Walk in the groves, and thou shalt find
The name of Phyllis in the rind
Of every straight and smooth-skin tree;
Where kissing that, I'll twice kiss thee.
To thee a sheep-hook I will send,
Be-prank'd with ribands to this end;
This, this alluring hook might be
Less for to catch a sheep than me.
Thou shalt have possets, wassails fine,
Not made of ale, but spiced wine,
To make thy maids and self free mirth,
All sitting near the glitt'ring hearth.
Thou shalt have ribands, roses, rings,
Gloves, garters, stockings, shoes, and strings
Of winning colours, that shall move
Others to lust, but me to love.
These, nay, and more, thine own shall be
If thou wilt love, and live with me.

Carcanets, necklaces.
Wakes, village feasts on the dedication day of the church.
The heyes, a winding, country dance.
Be-prank'd, be-decked.

522. TO HIS KINSWOMAN, MISTRESS SUSANNA
HERRICK.

When I consider, dearest, thou dost stay
But here a-while, to languish and decay,
Like to these garden-glories, which here be
The flowery-sweet resemblances of thee;
With grief of heart, methinks, I thus do cry:
Would thou hadst ne'er been born, or might'st not die.

523. UPON MISTRESS SUSANNA SOUTHWELL, HER
CHEEKS.

Rare are thy cheeks, Susanna, which do show
Ripe cherries smiling, while that others blow.

524. UPON HER EYES.

Clear are her eyes,
Like purest skies,
Discovering from thence
A baby there
That turns each sphere,
Like an Intelligence.

A baby, see Note to [38], "To his mistress objecting to him neither toying nor talking".

525. UPON HER FEET.

Her pretty feet
Like snails did creep
A little out, and then,
As if they played at Bo-Peep,
Did soon draw in again.

526. TO HIS HONOURED FRIEND, SIR JOHN MINCE.

For civil, clean, and circumcised wit,
And for the comely carriage of it,
Thou art the man, the only man best known,
Mark'd for the true wit of a million:
From whom we'll reckon. Wit came in but since
The calculation of thy birth, brave Mince.

527. UPON HIS GREY HAIRS.

Fly me not, though I be grey:
Lady, this I know you'll say;
Better look the roses red
When with white commingled.
Black your hairs are, mine are white;
This begets the more delight,
When things meet most opposite:
As in pictures we descry
Venus standing Vulcan by.

528. ACCUSATION.

If accusation only can draw blood,
None shall be guiltless, be he ne'er so good.

529. PRIDE ALLOWABLE IN POETS.

As thou deserv'st, be proud; then gladly let
The Muse give thee the Delphic coronet.

530. A VOW TO MINERVA.

Goddess, I begin an art;
Come thou in, with thy best part
For to make the texture lie
Each way smooth and civilly;
And a broad-fac'd owl shall be
Offer'd up with vows to thee.

Civilly, orderly.
Owl, the bird sacred to Athene or Minerva.

534. TO ELECTRA.

'Tis evening, my sweet,
And dark, let us meet;
Long time w'ave here been a-toying,
And never, as yet,
That season could get
Wherein t'ave had an enjoying.

For pity or shame,
Then let not love's flame
Be ever and ever a-spending;
Since now to the port
The path is but short,
And yet our way has no ending.

Time flies away fast,
Our hours do waste,
The while we never remember
How soon our life, here,
Grows old with the year
That dies with the next December.

535. DISCORD NOT DISADVANTAGEOUS.

Fortune no higher project can devise
Than to sow discord 'mongst the enemies.

536. ILL GOVERNMENT.

Preposterous is that government, and rude,
When kings obey the wilder multitude.

Preposterous, lit. hind-part before.

537. TO MARIGOLDS.

Give way, and be ye ravish'd by the sun,
And hang the head whenas the act is done,
Spread as he spreads, wax less as he does wane;
And as he shuts, close up to maids again.

538. TO DIANEME.

Give me one kiss
And no more:
If so be this
Makes you poor,
To enrich you,
I'll restore
For that one two
Thousand score.

539. TO JULIA, THE FLAMINICA DIALIS OR QUEEN-PRIEST.

Thou know'st, my Julia, that it is thy turn
This morning's incense to prepare and burn.
The chaplet and Inarculum[L] here be,
With the white vestures, all attending thee.
This day the queen-priest thou art made, t' appease
Love for our very many trespasses.
One chief transgression is, among the rest,
Because with flowers her temple was not dressed;
The next, because her altars did not shine
With daily fires; the last, neglect of wine;
For which her wrath is gone forth to consume
Us all, unless preserved by thy perfume.
Take then thy censer, put in fire, and thus,
O pious priestess! make a peace for us.
For our neglect Love did our death decree;
That we escape. Redemption comes by thee.

540. ANACREONTIC.

Born I was to be old,
And for to die here:
After that, in the mould
Long for to lie here.
But before that day comes
Still I be bousing,
For I know in the tombs
There's no carousing.

541. MEAT WITHOUT MIRTH.

Eaten I have; and though I had good cheer,
I did not sup, because no friends were there.
Where mirth and friends are absent when we dine
Or sup, there wants the incense and the wine.

542. LARGE BOUNDS DO BUT BURY US.

All things o'er-ruled are here by chance:
The greatest man's inheritance,
Where'er the lucky lot doth fall,
Serves but for place of burial.

543. UPON URSLEY.

Ursley, she thinks those velvet patches grace
The candid temples of her comely face;
But he will say, whoe'er those circlets seeth,
They be but signs of Ursley's hollow teeth.

544. AN ODE TO SIR CLIPSEBY CREW.

Here we securely live and eat
The cream of meat,
And keep eternal fires,
By which we sit, and do divine
As wine
And rage inspires.

If full we charm, then call upon
Anacreon
To grace the frantic thyrse;
And having drunk, we raise a shout
Throughout
To praise his verse.

Then cause we Horace to be read,
Which sung, or said,
A goblet to the brim
Of lyric wine, both swell'd and crown'd,
Around
We quaff to him.

Thus, thus we live, and spend the hours
In wine and flowers,
And make the frolic year,
The month, the week, the instant day
To stay
The longer here.

Come then, brave knight, and see the cell
Wherein I dwell,
And my enchantments too,
Which love and noble freedom is;
And this
Shall fetter you.

Take horse, and come, or be so kind
To send your mind,
Though but in numbers few,
And I shall think I have the heart,
Or part
Of Clipseby Crew.

Securely, free from care.
Thyrse, a Bacchic staff.
Instant, oncoming.
Numbers, verses.

545. TO HIS WORTHY KINSMAN, MR. STEPHEN
SOAME.

Nor is my number full till I inscribe
Thee, sprightly Soame, one of my righteous tribe;
A tribe of one lip, leaven, and of one
Civil behaviour, and religion;
A stock of saints, where ev'ry one doth wear
A stole of white, and canonised here;
Among which holies be thou ever known,
Brave kinsman, mark'd out with the whiter stone
Which seals thy glory, since I do prefer
Thee here in my eternal calender.

546. TO HIS TOMB-MAKER.

Go I must; when I am gone,
Write but this upon my stone:
Chaste I lived, without a wife,
That's the story of my life.
Strewings need none, every flower
Is in this word, bachelour.

547. GREAT SPIRITS SUPERVIVE.

Our mortal parts may wrapp'd in sear-cloths lie:
Great spirits never with their bodies die.

548. NONE FREE FROM FAULT.

Out of the world he must, who once comes in.
No man exempted is from death, or sin.

549. UPON HIMSELF BEING BURIED.

Let me sleep this night away,
Till the dawning of the day;
Then at th' opening of mine eyes
I, and all the world, shall rise.

550. PITY TO THE PROSTRATE.

'Tis worse than barbarous cruelty to show
No part of pity on a conquered foe.

552. HIS CONTENT IN THE COUNTRY.

Here, here I live with what my board
Can with the smallest cost afford.
Though ne'er so mean the viands be,
They well content my Prew and me.
Or pea, or bean, or wort, or beet,
Whatever comes, content makes sweet.
Here we rejoice, because no rent
We pay for our poor tenement,
Wherein we rest, and never fear
The landlord or the usurer.
The quarter-day does ne'er affright
Our peaceful slumbers in the night.
We eat our own and batten more,
Because we feed on no man's score;
But pity those whose flanks grow great,
Swell'd with the lard of others' meat.
We bless our fortunes when we see
Our own beloved privacy;
And like our living, where we're known
To very few, or else to none.

Prew, i.e., his servant, Prudence Baldwin.

553. THE CREDIT OF THE CONQUEROR.

He who commends the vanquished, speaks the power
And glorifies the worthy conqueror.

554. ON HIMSELF.

Some parts may perish, die thou canst not all:
The most of thee shall 'scape the funeral.

556. THE FAIRIES.

If ye will with Mab find grace,
Set each platter in his place;
Rake the fire up, and get
Water in, ere sun be set.
Wash your pails, and cleanse your dairies;
Sluts are loathsome to the fairies;
Sweep your house, who doth not so,
Mab will pinch her by the toe.

557. TO HIS HONOURED FRIEND, M. JOHN WEARE,
COUNCILLOR.

Did I or love, or could I others draw
To the indulgence of the rugged law,
The first foundation of that zeal should be
By reading all her paragraphs in thee,
Who dost so fitly with the laws unite,
As if you two were one hermaphrodite.
Nor courts[t] thou her because she's well attended
With wealth, but for those ends she was intended:
Which were,—and still her offices are known,—
Law is to give to ev'ry one his own;
To shore the feeble up against the strong,
To shield the stranger and the poor from wrong.
This was the founder's grave and good intent:
To keep the outcast in his tenement,
To free the orphan from that wolf-like man,
Who is his butcher more than guardian;
To dry the widow's tears, and stop her swoons,
By pouring balm and oil into her wounds.
This was the old way; and 'tis yet thy course
To keep those pious principles in force.
Modest I will be; but one word I'll say,
Like to a sound that's vanishing away,
Sooner the inside of thy hand shall grow
Hisped and hairy, ere thy palm shall know
A postern-bribe took, or a forked fee,
To fetter Justice, when she might be free.
Eggs I'll not shave; but yet, brave man, if I
Was destin'd forth to golden sovereignty,
A prince I'd be, that I might thee prefer
To be my counsel both and chancellor.

Hisped (hispidus), rough with hairs.
Postern-bribe, a back-door bribe.
Forked fee, a fee from both sides in a case; cp. Ben Jonson's Volpone: "Give forked counsel, take provoking gold on either hand".
Eggs I'll not shave, a proverb.

560. THE WATCH.

Man is a watch, wound up at first, but never
Wound up again: once down, he's down for ever.
The watch once down, all motions then do cease;
And man's pulse stop'd, all passions sleep in peace.

561. LINES HAVE THEIR LININGS, AND BOOKS
THEIR BUCKRAM.

As in our clothes, so likewise he who looks,
Shall find much farcing buckram in our books.

Farcing, stuffing.

562. ART ABOVE NATURE: TO JULIA.

When I behold a forest spread
With silken trees upon thy head,
And when I see that other dress
Of flowers set in comeliness;
When I behold another grace
In the ascent of curious lace,
Which like a pinnacle doth show
The top, and the top-gallant too.
Then, when I see thy tresses bound
Into an oval, square, or round,
And knit in knots far more than I
Can tell by tongue, or true-love tie;
Next, when those lawny films I see
Play with a wild civility,
And all those airy silks to flow,
Alluring me, and tempting so:
I must confess mine eye and heart
Dotes less on Nature than on Art.

Civility, order.

564. UPON HIS KINSWOMAN, MISTRESS BRIDGET
HERRICK.

Sweet Bridget blush'd, and therewithal
Fresh blossoms from her cheeks did fall.
I thought at first 'twas but a dream,
Till after I had handled them
And smelt them, then they smelt to me
As blossoms of the almond tree.

565. UPON LOVE.

I played with Love, as with the fire
The wanton Satyr did;
Nor did I know, or could descry
What under there was hid.

That Satyr he but burnt his lips;
But mine's the greater smart,
For kissing Love's dissembling chips
The fire scorch'd my heart.

The wanton Satyr, see [Note].

566. UPON A COMELY AND CURIOUS MAID.

If men can say that beauty dies,
Marbles will swear that here it lies.
If, reader, then thou canst forbear
In public loss to shed a tear,
The dew of grief upon this stone
Will tell thee pity thou hast none.

567. UPON THE LOSS OF HIS FINGER.

One of the five straight branches of my hand
Is lop'd already, and the rest but stand
Expecting when to fall, which soon will be;
First dies the leaf, the bough next, next the tree.

568. UPON IRENE.

Angry if Irene be
But a minute's life with me:
Such a fire I espy
Walking in and out her eye,
As at once I freeze and fry.

569. UPON ELECTRA'S TEARS.

Upon her cheeks she wept, and from those showers
Sprang up a sweet nativity of flowers.