(I)

Winter at Merefield Rectory is almost as delightful as summer, although in an entirely different way. The fact is that the Rectory has managed the perfect English compromise. In summer, with the windows and doors wide open, with the heavy radiant creepers, with the lawns lying about the house, with the warm air flowing over the smooth, polished floors and lifting the thin mats, with the endless whistle of bird song—then the place seems like a summer-house. And in winter, with the heavy carpets down, and the thick curtains, the very polished floors, so cool in summer, seem expressly designed to glimmer warmly with candle and fire-light; and the books seem to lean forward protectively and reassert themselves, and the low beamed ceilings to shelter and safeguard the interior comfort. The center of gravity is changed almost imperceptibly. In summer the place is a garden with a house in the middle; in winter a house surrounded by shrubberies.

The study in one way and the morning-room in another are the respective pivots of the house. The study is a little paneled room on the ground-floor, looking out upon the last of the line of old yews and the beginning of the lawn; the morning-room (once known as the school-room) is the only other paneled room in the house, on the first floor, looking out upon the front. And round these two rooms the two sections of the house-life tranquilly revolve. Here in one the Rector controls the affairs of the parish, writes his sermons, receives his men friends (not very many), and reads his books. There in the other Jenny orders the domestic life of the house, interviews the cook, and occupies herself with her own affairs. They are two rival, but perfectly friendly, camps.


Lately (I am speaking now of the beginning of November) there had not been quite so much communication between the two camps as usual, not so many informal negotiations. Jenny did not look in quite so often upon her father—for ten minutes after breakfast, for instance, or before lunch—and when he looked in on her he seemed to find her generally with rather a preoccupied air, often sitting before the wide-arched fireplace, with her hands behind her head, looking at the red logs.

He was an easy man, as has been seen, and did not greatly trouble his head about it: he knew enough of the world to recognize that an extremely beautiful girl like Jenny, living on the terms she did with the great house—and a house with men coming and going continually, to say nothing of lawn-tennis parties and balls elsewhere—cannot altogether escape complications. He was reasonable enough, too, to understand that a father is not always the best confidant, and he had supreme confidence in Jenny's common sense.

I suppose he had his dreams; he would scarcely have been human if he had not, and he was quite human. The throwing over of Frank had brought him mixed emotions, but he had not been consulted either at the beginning or the end of the engagement, and he acquiesced. Of Dick's affair he knew nothing at all.

That, then, was the situation when the bomb exploded. It exploded in this way.

He was sitting in his study one morning—to be accurate, it was the first Saturday in November, two days after the events of the last chapter—preparing to begin the composition of his sermon for the next day. They had dined up at the great house the night before quite quietly with Lord Talgarth and Archie, who had just come back.

He had selected his text with great care from the Gospel for the day, when the door suddenly opened and Jenny came in. This was very unusual on Saturday morning; it was an understood thing that he must be at his sermon; but his faint sense of annoyance was completely dispelled by his daughter's face. She was quite pale—not exactly as if she had received a shock, but as if she had made up her mind to something; there was no sign of tremor in her face; on the contrary, she looked extremely determined, but her eyes searched his as she stopped.

"I'm dreadfully sorry, father, but may I talk to you for a few minutes?"

She did not wait for his answer, but came straight in and sat down in his easy-chair. He laid his pen down and turned a little at his writing-table to face her.

"Certainly, dear. What is it? Nothing wrong?"

(He noticed she had a note in her hand.)

"No, nothing wrong...." She hesitated. "But it's rather important."

"Well?"

She glanced down at the note she carried. Then she looked up at him again.

"Father, I suppose you've thought of my marrying some day—in spite of Frank?"

"Eh?"

"Would you mind if I married a man older than myself—I mean a good deal older?"

He looked at her in silence. Two or three names passed before his mind, but he couldn't remember—

"Father, I'm in trouble. I really am. I didn't expect—"

Her voice faltered. He saw that she really found it difficult to speak. A little wave of tenderness rolled over his heart. It was unlike her to be so much moved. He got up and came round to her.

"What is it, dear? Tell me."

She remained perfectly motionless for an instant. Then she held out the note to him, and simultaneously stood up. As he took it, she went swiftly past him and out of the door. He heard the swish of her dress pass up the stairs, and then the closing of a door. But he hardly heeded it. He was reading the note she had given him. It was a short, perfectly formal offer of marriage to her from Lord Talgarth.