(II)
The second incident is even more ordinary, and once again I must declare that nothing would have induced me to incorporate it into this story had it not appeared, described very minutely in the sort of log-book into which Frank's diary occasionally degenerates.
They were within a very few miles of the outskirts of London, and December had succeeded November. They had had a day or two of work upon some farm or other. (I have not been able to identify the place), and had run into, and, indeed, exchanged remarks with two or three groups of tramps also London bound.
They were given temporary lodgings in a loft over a stable, by the farmer for whom they worked, and this stable was situated in a court at the end of the village street, with gates that stood open all day, since the yard was overlooked by the windows of the farmer's living-house—and, besides, there was really nothing to steal.
They had finished their work in the fields (I think it had to do with the sheep and mangel-wurzels, or something of the kind); they had returned to their lodgings, received their pay, packed up their belongings, and had already reached the further end of the village on their way to London, when Frank discovered that he had left a pair of socks behind. This would never do: socks cost money, and their absence meant sore feet and weariness; so he told the Major and Gertie to walk on slowly while he went back. He would catch them up, he said, before they had gone half a mile. He hid his bundle under a hedge—every pound of weight made a difference at the end of a day's work—and set off.
It was just at that moment between day and night—between four and five o'clock—as he came back into the yard. He went straight through the open gates, glancing about, to explain matters to the farmer if necessary, but, not seeing him, went up the rickety stairs, groped his way across to the window, took down his socks from the nail an which he had hung them last night, and came down again.
As he came into the yard, he thought he heard something stirring within the open door of the stable on his right, and thinking it to be the farmer, and that an explanation would be advisable, looked in.
At first he saw nothing, though he could hear a horse moving about in the loose-box in the corner. Then he saw a light shine beneath the crack of the second door, beside the loose-box, that led into the farm-yard proper; and the next instant the door opened, a man came in with a lantern obviously just lighted, as the flame was not yet burned up, and stopped with a half-frightened look on seeing Frank. But he said nothing.
Frank himself was just on the point of giving an explanation when he, too, stopped dead and stared. It seemed to him that he had been here before, under exactly the same circumstances; he tried to remember what happened next, but he could not....
For this was what he saw as the flame burned up more brightly.
The man who held the lantern and looked at him in silence with a half-deprecating air was a middle-aged man, bearded and bare-headed. He had thrown over his shoulders a piece of sacking, that hung from him almost like a robe. The light that he carried threw heavy wavering shadows about the stable, and Frank noticed the great head of a cart-horse in the loose-box peering through the bars, as if to inquire what the company wanted. Then, still without speaking, Frank let his eyes rove round, and they stopped suddenly at the sight of yet one more living being in the stable. Next to the loose-box was a stall, empty except for one occupant; for there, sitting on a box with her back to the manger and one arm flung along it to support her weight, was the figure of a girl. Her head, wrapped in an old shawl, leaned back against her arm, and a very white and weary face, absolutely motionless, looked at him. She had great eyes, with shadows beneath, and her lips were half opened. By her side lay a regular tramp's bundle.
Frank looked at her steadily a moment, then he looked back at the man, who still had not moved or spoken. The draught from the door behind blew in and shook the flame of his lantern, and the horse sighed long and loud in the shadows behind. Once more Frank glanced at the girl; she had lowered her arm from the manger and now sat looking at him, it seemed, with a curious intentness and expectancy.
There was nothing to be said. Frank bowed a little, almost apologetically, and went out.
Now that was absolutely all that happened. Frank says so expressly in his diary. He did not speak to them, nor they to him; nor was any explanation given on either side. He went out across the yard in silence, seeing nothing of the farmer, but hearing a piano begin to play beyond the brightly lighted windows, of which he could catch a glimpse over the low wall separating the yard from the garden. He walked quickly up the village street and caught up his companions, as he had said, less than half a mile further on. He said nothing to them of his experience—indeed, what was there to say?—but he must have written it down that same night when they reached their next lodging, and written it down, too, with that minuteness of detail which surprised me so much when I first read it.
For the explanation of the whole thing is as foolishly obvious as was that of the singing that the three had heard in the suburbs of Peterborough. Obviously a couple of tramps had turned into this stable for shelter. Perhaps the girl was the man's daughter; perhaps his wife; perhaps neither. Plainly they had no right there—and that would explain the embarrassed silence of the two: they knew they were trespassing, and feared to be turned away. Perhaps already they had been turned away from the village inn. But the girl was obviously tired out, and the man had determined to risk it.
That, then, was the whole affair—commonplace, and even a little sordid. And yet Frank thought that it was worth writing down!
CHAPTER VI
An extract, taken by permission, from a few pages of Frank Guiseley's diary. These pages were written with the encouragement of Dom Hildebrand Maple, O.S.B., and were sent to him later at his own request.
"... He told me a great many things that surprised me. For instance, he seemed to know all about certain ideas that I had had, before I told him of them, and said that I was not responsible, and he picked out one or two other things that I had said, and told me that these were much more serious....
"I went to confession to him on Friday morning, in the church. He did not say a great deal then, but he asked if I would care to talk to him afterwards. I said I would, and went to him in the parlor after dinner. The first thing that happened was that he asked me to tell him as plainly as I could anything that had happened to me—in my soul, I mean—since I had left Cambridge. So I tried to describe it.
"I said that at first things went pretty well in my soul, and that it was only bodily things that troubled me—getting fearfully tired and stiff, being uncomfortable, the food, the sleeping, and so on. Then, as soon as this wore off I met the Major and Gertie. I was rather afraid of saying all that I felt about these; but he made me, and I told him how extraordinarily I seemed to hate them sometimes, how I felt almost sick now and then when the Major talked to me and told me stories.... The thing that seemed to torment me most during this time was the contrast between Cambridge and Merefield and the people there, and the company of this pair; and the only relief was that I knew I could, as a matter of fact, chuck them whenever I wanted and go home again. But this relief was taken away from me as soon as I understood that I had to keep with them, and do my best somehow to separate them. Of course, I must get Gertie back to her people some time, and till that's done it's no good thinking about anything else.
"After a while, however—I think it was just before I got into trouble with the police—I began to see that I was a conceited ass for hating the Major so much. It was absurd for me, I said, to put on airs, when the difference between him and me was just that he had been brought up in one way and I in another. I hated the things he did and said, not because they were wrong, but because they were what I called 'bad form.' That was really the whole thing. Then I saw a lot more, and it made me feel miserable. I used to think that it was rather good of me to be kind to animals and children, but I began to see that it was simply the way I was made: it wasn't any effort to me. I simply 'saw red' when I came across cruelty. And I saw that that was no good.
"Then I began to see that I had done absolutely nothing of any good whatever—that nothing had really cost me anything; and that the things I was proud of were simply self-will—my leaving Cambridge, and all the rest. They were theatrical, or romantic, or egotistical; there was no real sacrifice. I should have minded much more not doing them. I began to feel extraordinarily small.
"Then the whole series of things began that simply smashed me up.
"First there was the prison business. That came about in this way:
"I had just begun to see that I was all wrong with the Major—that by giving way to my feelings about him (I don't mean that I ever showed it, but that was only because I thought it more dignified not to!), I was getting all wrong with regard to both him and myself, and that I must do something that my whole soul hated if it was to be of any use. Then there came that minute in the barn, when I heard the police were after us, and that there was really no hope of escape. The particular thing that settled me was Gertie. I knew, somehow, that I couldn't let the Major go to prison while she was about. And then I saw that this was just the very thing to do, and that I couldn't be proud of it ever, because the whole thing was so mean and second-rate. Well, I did it, and it did me a lot of good somehow. I felt really rolled in the dirt, and that little thing in the post-office afterwards rubbed it in. I saw how chock-full I must be of conceit really to mind that, as I did, and to show off, and talk like a gentleman.
"Then there came the priest who refused to help me. That made me for a time perfectly furious, because I had always said to myself that Catholics, and especially priests, would always understand. But before I got to York I saw what an ass I had made of myself. Of course, the priest was perfectly right (I saw that before I got ten yards away, though I wouldn't acknowledge it for another five miles). I was a dirty tramp, and I talked like a brazen fool. (I remember thinking my 'openness' to him rather fine and manly!) Well, that made me smaller still.
"Then a sort of despair came on me when the police got me turned out of my work in York. I know it was only a little thing (though I still think it unfair), but it was like a pebble in your boot when you're already going lame from something else.
"And then came Jenny's letter. (I want to write about that rather carefully.)
"I said just now that I was getting to feel smaller and smaller. That's perfectly true, but there was still a little hard lump in the middle that would not break. Things might have gone crumbling away at me for ever, and I might have got smaller still, but they wouldn't have smashed me.
"Now there were two things that I held on to all this time—my religion and Jenny. I gave them turns, so to speak, though Jenny was never absent. When everything religious tasted flat and dull and empty, I thought about Jenny: when things were better—when I had those two or three times I told Father Hildebrand about (...)—I still thought of Jenny, and imagined how splendid it would be when we were both Catholics together and married. But I never dreamed that Jenny would ever be angry or disappointed. I wouldn't talk about her to anybody ever, because I was so absolutely certain of her. I knew, I thought, that the whole world might crumble away, but that Jenny would always understand, down at the bottom, and that she and I would remain....
"Well, then came her letter.
"Honestly, I don't quite know what I was doing inside for the next week or so. Simply everything was altered. I never had any sort of doubt that she meant what she said, and it was as if there wasn't any sun or moon or sky. It was like being ill. Things happened round me: I ate and drank and walked, but the only thing I wanted was to get away, and get down somewhere into myself and hide. Religion, of course, seemed no good at all. I don't understand quite what people mean by 'consolations' of religion. Religion doesn't seem to me a thing like Art or Music, in which you can take refuge. It either covers everything, or it isn't religion. Religion never has seemed to me (I don't know if I'm wrong) one thing, like other things, so that you can change about and back again.... It's either the background and foreground all in one, or it's a kind of game. It's either true, or it's a pretense.
"Well, all this, in a way, taught me it was absolutely true. Things wouldn't have held together at all unless it was true. But it was no sort of satisfaction. It seemed to me for a while that it was horrible that it was true; that it was frightful to think that God could be like that—since this Jenny-business had really happened. But I didn't feel all this exactly consciously at the time. I seemed as if I was ill, and could only lie still and watch and be in hell. One thing, however, Father Hildebrand thought very important (he asked me about it particularly) was that I honestly did not feel any resentment whatever against either God or Jenny. It was frightful, but it was true, and I just had to lie still inside and look at it. He tells me that this shows that the first part of the 'process,' as he called it, was finished (he called it the 'Purgative Way'). And I must say that what happened next seems to fit in rather well.
"The new 'process' began quite suddenly when I awoke in the shepherd's hut one morning at Ripon. The instant I awoke I knew it. It was very early in the morning, just before sunrise, but there was a little wood behind me, and the birds were beginning to chirp.
"It's very hard to describe it in words, but the first thing to say is that I was not exactly happy just then, but absolutely content. I think I should say that it was like this: I saw suddenly that what had been wrong in me was that I had made myself the center of things, and God a kind of circumference. When He did or allowed things, I said, 'Why does He?'—from my point of view. That is to say, I set up my ideas of justice and love and so forth, and then compared His with mine, not mine with His. And I suddenly saw—or, rather, I knew already when I awoke—that this was simply stupid. Even now I cannot imagine why I didn't see it before: I had heard people say it, of course—in sermons and books—but I suppose it had meant nothing to me. (Father Hildebrand tells me that I had seen it intellectually, but had never embraced it with my will.) Because when one once really sees that, there's no longer any puzzle about anything. One can simply never say 'Why?' again. The thing's finished.
"Now this 'process' (as Father H. calls it) has gone on in a most extraordinary manner ever since. That beginning near Ripon was like opening a door into another country, and I've been walking ever since and seeing new things. All sorts of things that I had believed as a Catholic—things, I mean, which I assented to simply because the Church said so, have, so to speak, come up and turned themselves inside out. I couldn't write them down, because you can't write these things down, or even put them intelligibly to yourself. You just see that they are so. For instance, one morning at mass—quite suddenly—I saw how the substance of the bread was changed, and how our Lord is united with the soul at Communion—of course it's a mystery (that's what I mean by saying that it can't be written down)—but I saw it, in a flash, and I can see it still in a sort of way. Then another day when the Major was talking about something or other (I think it was about the club he used to belong to in Piccadilly), I understood about our Lady and how she is just everything from one point of view. And so on. I had that kind of thing at Doctor Whitty's a good deal, particularly when I was getting better. I could talk to him all the time, too, or count the knobs on the wardrobe, or listen to the Major and Gertie in the garden—and yet go on all the time seeing things. I knew it wasn't any good talking to Doctor Whitty himself much, though I can't imagine why a man like that doesn't see it all for himself....
"It seems to me most extraordinary now that I ever could have had those other thoughts I told Father H. about—I mean about sins, and about wondering whether, after all, the Church was actually true. In a sort of way, of course, they come back to me still, and I know perfectly well I must be on my guard; but somehow it's different.
"Well, all this is what Father H. calls the 'Illuminative Way,' and I think I understand what he means. It came to a sort of point on All Souls' Eve at the monastery. I saw the whole thing then for a moment or two, and not only Purgatory. But I will write that down later. And Father H. tells me that I must begin to look forward to a new 'process'—what he calls the 'Way of Union.' I don't understand much what he means by that; I don't see that more could happen to me. I am absolutely and entirely happy; though I must say that there has seemed a sort of lull for the last day or two—ever since All Souls' Day, in fact. Perhaps something is going to happen. It's all right, anyhow. It seems very odd to me that all this kind of thing is perfectly well known to priests. I thought I was the first person who had ever felt quite like this.
"I must add one thing. Father H. asked me whether I didn't feel I had a vocation to the Religious Life; he told me that from everything he could see, I had, and that my coming to the monastery was simply providential.
"Well, I don't agree, and I have told him so. I haven't the least idea what is going to happen next; but I know, absolutely for certain, that I have got to go on with the Major and Gertie to East London. Gertie will have to be got away from the Major somehow, and until that is done I mustn't do anything else.
"I have written all this down as plainly as I can, because I promised Father H. I would."
PART III
CHAPTER I
Mrs. Partington was standing at the door of her house towards sunset, waiting for the children to come back from school.
Her house is situated in perhaps the least agreeable street—Turner Road—in perhaps the least agreeable district of East London—Hackney Wick. It is a disagreeable district because it isn't anything in particular. It has neither the tragic gayety of Whitechapel nor the comparative refinement of Clapton. It is a large, triangular piece of land, containing perhaps a square mile altogether, or rather more, approached from the south by the archway of the Great Eastern Railway, defined on one side by the line, and along its other two sides, partly by the river Lea—a grimy, depressed-looking stream—and partly by the Hackney Marshes—flat, dreary wastes of grass-grown land, useless as building ground and of value only for Saturday afternoon recreations of rabbit coursing and football. The dismalness of the place is beyond description at all times of the year. In winter it is bleak and chilly; in summer it is hot, fly-infested, and hideously and ironically reminiscent of real fields and real grass. The population is calculated to change completely about every three years, and I'm sure I am not surprised. It possesses two important blocks of buildings besides the schools—a large jam factory and the church and clergy-house of the Eton Mission.
Turner Road is perhaps the most hopeless of all the dozen and a half of streets. (It is marked black, by the way, in Mr. Booth's instructive map.) It is about a quarter of a mile long and perfectly straight. It is intersected at one point by another street, and is composed of tall dark houses, with flat fronts, perhaps six or seven stories in height. It is generally fairly silent and empty, and is inhabited by the most characteristic members of the Hackney Wick community—quiet, white-faced men, lean women, draggled and sharp-tongued, and countless over-intelligent children—all of the class that seldom remain long anywhere—all of the material out of which the real criminal is developed. No booths or stalls ever stand here; only, on Saturday nights, there is echoed here, as in a stone-lined pit, the cries and the wheel-noises from the busy thoroughfare a hundred yards away round the corner. The road, as a whole, bears an aspect of desperate and fierce dignity; there is never here the glimpse of a garden or of flowers, as in Mortimer Road, a stone's throw away. There is nothing whatever except the tall, flat houses, the pavements, the lampposts, the grimy thoroughfare and the silence. The sensation of the visitor is that anything might happen here, and that no one would be the wiser. There is an air of horrible discretion about these houses.
Mrs. Partington was—indeed is (for I went to see her not two months ago)—of a perfectly defined type. She must have been a handsome factory girl—dark, slender, and perfectly able to take care of herself, with thin, muscular arms, generally visible up to the elbow, hard hands, a quantity of rather untidy hair—with the tongue of a venomous orator and any amount of very inferior sentiment, patriotic and domestic. She has become a lean, middle-aged woman, very upright and very strong, without any sentiment at all, but with a great deal of very practical human experience to take its place. She has no illusions about either this world or the next; she has borne nine children, of which three survive; and her husband is almost uninterruptedly out of work. However, they are prosperous (for Turner Road), and have managed, so far, to keep their home together.
The sunset was framed in a glow of smoky glory at the end of the street down which Mrs. Partington was staring, resembling a rather angry search-light turned on from the gates of heaven. The street was still quiet; but already from the direction of the Board-school came thin and shrill cries as the swarm of children exploded in all directions. Mrs. Partington (she would have said) was waiting for her children—Jimmy, Maggie and 'Erb—and there were lying within upon the bare table three thick slices of bread and black jam; as a matter of fact, she was looking out for her lodgers, who should have arrived by midday.
Then she became aware that they were coming, even as she looked, advancing down the empty street en échelon. Two of them she knew well enough—they had lodged with her before; but the third was to be a stranger, and she was already interested in him—the Major had hinted at wonderful mysteries....
So she shaded her eyes against the cold glare and watched them carefully, with that same firm, resolute face with which she always looked out upon the world; and even as, presently, she exchanged that quick, silent nod of recognition with the Major and Gertie, still she watched the brown-faced, shabby young man who came last, carrying his bundle and walking a little lame.
"You're after your time," she said abruptly.
The Major began his explanations, but she cut them short and led the way into the house.