FOOTNOTES:
[143] Pa. Gaz., Jun. 26, 1755.
[144] Pa. Mag. of Hist., Vol. XVII, p. 273.
[145] Pa. Journal, Mar. 2-5, 1756.
[146] Pa. Gaz., Sept. 7, 1758.
[147] Pa. Gaz.
[148] Cf. O. G. Sonneck, Frances Hopkinson and James Lyon.
[149] Palma was formerly a music teacher in London.
[150] Pa. Gaz., Jan. 20, 1757.
[151] Pa. Journal, Mar. 24, 1757.
[152] Cf. Sonneck, “Frances Hopkinson, etc.” [An admirable discussion.]
[153] Cf. E. P. Cheney, History of U. of P., p. 288 ff. Also Cf. Sonneck, “Frances Hopkinson, etc.”
[154] American Magazine, Oct. 1757.
[155] Cf. Above, p. There was however a music mistress. Cf. above, p.
[156] Cf. Above 9.
[157] Pa. Gaz., Dec. 1, 1763.
[158] Sonneck, Frances Hop., etc., p. 29.
[159] Sonneck, Frances Hop., etc., p. 22 and 40, Pa. Gaz., Jan. 20, 1757.
[160] Sonneck, Fr. Hop., etc., p. 32.
[161] Sonneck, Fr. Hop., etc., p. 33.
[162] Sonneck, Fr. Hop., etc., p. 34.
[163] W. S. B. Matthews. A Popular History of Music, p. 281.
[164] Sonneck, Fr. Hop., etc., p. 34.
[165] Pa. Gaz., Jan. 12, 1764.
[166] Pa. Gaz., Nov. 1, 1764.
[167] Cf. Above, p.
[168] Pa. Gaz., Apr. 18, 1765.
[169] W. G. Armstrong, Record of the Opera in Phila., p. 6.
[170] Pa. Gaz., Sept. 24, 1767.
[171] Pa. Mag. of Hist., Vol. XI, p. 281.
[172] Pa. Gaz., Nov. 30, 1769.
[173] Cf. Sonneck, Early Concert Life.
[174] Pa. Journ., Jan. 8, 1767.
[175] Pa. Chronicle, Feb. 2, 1767.
[176] Pa. Jour., Nov. 30, 1769.
[177] Sonneck, Early Concert Life, etc., p. 71.
[178] Pa. Chron., Oct. 16, 1769.
[179] Cf. Program in Sonneck’s, Early Concert Life, p. 31.
[180] Pa. Jour., Sept. 27, 1770.
[181] Pa. Chron., Oct. 8, 1770.
[182] Pa. Gaz., Nov. 28, 1771.
[183] Pa. Gaz., Aug. 19, 1772.
[184] Sonneck, Early Concert Life, p. 76.
[185] Cf. Above, p. 39.
[186] Madeira, Annals of Music, p. 33.
PART III
Period of Greatest Development (1783-1800)