2nd Symphony in D, Opus 36.

Dedicated to Prince Carl Lichnovsky.

Adagio molto—Allegro con brio—Larghetto—Scherzo and Trio—Allegro molto.

In the Second Symphony, which is a great advance on the first, the composer's hold of his subject is much firmer and the subjects themselves are more striking.

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The Larghetto is full of lovely curves, and there is some charming conversational work between the wood-wind instruments. The horn passage is the precursor of many fine symphony subjects of a martial nature for the horns.

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Whilst the chromatic harmony is purely Mozartian, the Scherzo is a genuine Beethovenian outburst, full of verve and piquant in touch.

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There is a feeling of broadness about the brilliant and energetic Finale which is absent from the Finale of the First Symphony.