GENERAL INDEX

(References to ancient playwrights are supplementary to the Index of Passages; those to modern playwrights may be found by consulting “Parallels.” For theaters at various sites see “Theater.” All references are to the pages of this volume.)

Acceleration of time, [250-57]
Actors, [xi f.], [xiv], [xix], [5], [35], [132 f.], [162-95];
first actor, [16-19], [162], [165];
two actors, [163-71], [173-76], [183], [231 f.];
three actors, [166-71], [176-83], [185-88], [231];
number of, [129], [172-82], [182-84], [192];
poets as, [18], [168 f.], [318];
coryphaeus as, [165], [169-71];
in satyr-plays, [26];
in comus, [43-46];
in comedy, [46-49], [54-56];
position in theater, [60], [77-79], [81 f.], [86], [88-103], [117], [130], [149];
ignored, [91], [163], [169], [173], [209], [230], [232];
and chorus, [136-39], [149];
contests of, [169], [269];
guilds, [185-88];
female rôles, [4], [188 f.];
social position, [190 f.];
specialization, [191 f.], [202 f.];
how introduced, [208-12];
how paid, [165], [183 f.], [270];
how assigned, [273 f.]
See [Aesthetic Law], [Children], [Lay Figure], [Masks], [Motivation], [Mute], [Parachoregema], etc.
Acts, [148], [192-95], [265], [301], [307], [311]
Adrastus, [11-15], [17], [35]
Aeschylus:
first tragic poet, [2], [33];
introduced second actor, [166], [183];
indebted to Homer, [17];
imitated by Euripides, [xviii];
contested with Pratinas and Choerilus, [23 f.], [63];
originated tetralogies, [23], [133 f.];
brought knowledge of Epicharmus to Athens, [56];
historical themes, [124];
dialogue, [170 f.];
plays repeated, [203 f.], [324];
murders, [229];
soliloquies, [305];
iambic resolutions, [171 f.];
victories, [272], [321], [324 f.]
Aesthetic law of actors, [53], [186-88];
violence, [130 f.], [229];
of supports for stage, [86];
effect of third actor, [167]
Aetiology, [6], [15], [295]
Agathon, [93], [124], [144-46], [148], [205 f.]
Agon, [41], [43-46], [49], [55], [193], [275]
Agonothete, [109], [271 f.], [325]
Alexis, [304]
ἀναβαίνω, [91 f.]
ἀναγνώρισις. See [Recognition]
Ancestor worship, [33 f.]
Anthropology, [4 f.]
Aparts (asides), [312]
ἀποκρίνεσθαι, [16]
Arion, [8-11], [13], [24], [32 f.]
Aristias, [23]
Aristomenes, [327 f.]
Aristophanes:
productivity, [335];
sought prize, [xviii], [213-16];
used coryphaei as actors, [44];
borrowed ἐξόδια, [45];
use of phallus, [46 f.];
of chorus, [146];
Frogs repeated, [204];
imitated Euripides, [302];
technique of dual entrance, [310];
iambic resolutions, [172];
position of name in records, [326-29]
Aristotle, [ix], [xxi], [5 f.], [21];
and spectacle, [xi-xiii], [xv f.];
on origin of comedy, [35 f.], [50-52], [54 f.];
of tragedy, [6], [21 f.], [28 f.]
ἀταξία, ἀτάκτως, [52 f.], [184]
Audience, [xiii], [xvii], [xix], [120 f.], [132], [213], [215-20], [302 f.], [305 f.]
Back scene, [65 f.], [226-29], [241]
Bethe, [79]
Blinding, [131], [159], [222]
βοηλάτης, [7]
Box set, [xv], [229]
Bulle, [31 f.]
Burial, [282 f.]
Butcher, [252]
Bywater, [6], [51]
Callistratus, [326], [328]
Capps, [23], [35], [55 f.], [88], [144]
Castelvetro, [xiii], [130]
Charon’s steps, [106]
Chauvinism, [xvii f.], [217-20]
Children, [120 f.], [179 f.], [189]
Chionides, [35], [51], [54]
Choerilus, [23], [63]
Choregus, [132], [182], [186], [205], [269-71], [273]
ΧΟΡΟΥ, [145-48], [193 f.], [254]
Chorus (choreutae), [2], [5], [10 f.], [132], [133-61];
size of in dithyramb, [11], [132], [197];
in satyr-play, [26];
in tragedy, [133 f.];
in comedy, [42], [134 f.];
of satyrs, [2], [10], [15], [24-32], [136], [154];
“goat” choruses at Sicyon, [11];
non-satyric at Sicyon, [13 f.], [15];
likewise at Athens, [10 f.];
of sileni, [16], [21], [24], [26], [29], [32], [135];
transferred from Adrastus to Dionysus, [11-15];
in comus, [42-46], [134];
in comedy, [49], [51], [53 f.], [135];
as actors, [18], [43-45], [184];
speaks through coryphaeus, [165];
history of, [92 f.], [97], [116 f.], [148 f.], [168], [193];
position of, [77-79], [81], [88], [95], [99], [130], [149];
relation to actors, [136-39], [147], [149], [193];
relevancy of odes, [139-50];
second and third chorus, [141];
participation in plot, [88], [93], [117], [143 f.];
constantly present, [154-60], [226], [243], [247], [250], [253], [307], [312];
withdraws, [154], [247], [250 f.], [306];
preferably feeble, [160];
introduces actors, [208-11];
songs a hindrance, [153 f.];
how paid, [165], [270 f.]
See [Embolima], [Impersonation], [Motivation], [Odes], etc.
City Dionysia, [196 f.], [273];
reorganized, [24], [203], [269];
procession, [20], [121-23], [132], [197], [224];
dithyrambs, [11], [23], [197];
satyr-plays, [23 f.], [198 f.], [204];
tragedy, [21], [119], [197];
old tragedies, [204], [324];
comus, [24], [38], [119 f.], [319];
comedy, [51], [119], [197], [199 f.];
tetralogies, [23], [133 f.], [198 f.], [203 f.], [322 f.], [332];
contest of actors, [169], [183-85], [202];
records, [318-28].
See [Prize], [Proagon], etc.
Clisthenes, [11], [14 f.]
Closet drama, [xii], [xiv]
Coincidence, [277], [293]
Comedy:
etymology, [36];
Old, Middle, and New, [39 f.];
divisions, [40-42], [193-95];
violence in, [132];
chorus, [134 f.], [147], [149], [162].
See [Origin of Comedy], [Comus], etc.
Commus, [96]
Comus, [24], [36-38], [42-46], [119 f.], [127], [132], [162], [319]
Contaminatio, [188], [194]
Conventions, [xvi], [66], [91], [129], [132], [152-54], [157 f.], [165 f.], [182], [208], [224-26], [228], [233 f.], [236 f.], [248], [254 f.], [260 f.], [266], [284], [287], [309 f.]
Cook, [24], [26]
Corinth, [4], [7-9], [11], [13], [15]
Cornford, [36 f.], [51], [149 f.], [160], [224], [267]
Coryphaeus, [10 f.], [16], [18], [44], [49], [53], [134], [165], [168], [171], [187]
Costumes, [271];
of satyrs, [2], [16], [24-32];
of sileni, [16], [24], [26], [29], [32];
in comus, [38], [43 f.];
in comedy, [46 f.], [135];
in tragedy, [135 f.], [162];
of tragia choreutae, [2], [16], [21 f.], [24-32]
Crane. See [μηχανή]
Crates, [35], [50-52], [54-56]
Cratinus, [52-56], [327], [330], [335 f.]
Criticism, [xi], [xiii-xvi]
Curtain, [243-45], [247], [250], [311]
Deckinger, [x]
De Prott, [26 f.]
Deus ex machina, [59 f.], [201 f.], [258 f.], [292-98], [303].
See [μηχανή]
Dialogue, [10], [18], [164 f.], [169-71], [178-82], [186 f.], [232], [239], [241 f.], [252], [259 f.], [299 f.], [309-11]
Didascalia (group of plays), [198], [318];
(record), [318], [321-26], [330]
Didascalic numerals, [330-37]
Didascalus, [318], [326-30]
Dieterich, [6], [19]
Dindorf, [330], [335], [337]
Dionysus, [2], [6 f.], [10-17], [20 f.], [26], [33], [36], [104], [119], [121-24], [126 f.], [142], [162 f.], [198 f.]
See [“Nothing to do with Dionysus”]
Dithyramb:
source of tragedy, [2], [4], [6], [16], [119], [123], [198];
source of satyric drama, [2], [4], [23 f.], [123], [198];
nature of, [6-8], [10 f.], [33], [123], [133], [162], [197];
broadened, [7], [10 f.];
improvisational, [6], [10], [23];
poetized, [8-11], [23];
given titles, [9 f.];
impersonation, [10], [16 f.], [162 f.];
modified by Thespis, [16-21];
admitted to City Dionysia, [11], [23], [197];
prizes for, [7], [11], [14], [269]
Dorians, [8 f.], [15 f.], [47 f.], [56]
Dörpfeld, [58 f.], [61], [67], [72], [74-76], [80-86], [97 f.], [100], [117], [130], [226]
Drachma, [120], [269]
Drama, [xiv f.], [8 f.], [10], [16 f.]
See [Satyric Drama]
Dramaturgy, [x], [xii]
See [Technique]
δρώμενα, [6], [8], [17]
Dryden, [202], [257], [265]
Eccyclema, [107], [241], [284-89]
ἐλεός, [18]
Eleusis, [6], [17], [37]
Eleutherae, [21], [63], [122]
Embolima, [93], [144-49]
England, [258 f.]
Eniautos-Daimon, [6]
Environment, [ix], [xvi]
Epic, [xi], [17], [95], [244], [257], [263].
See [Homer]
Epicharmus, [50 f.], [56]
Epigenes, [12 f.], [15], [24], [32 f.]
Epilogue, [258 f.]
Episcenium, [59], [106-9], [111], [113], [289]
Episode (ἐπεισόδιον), [41], [47], [49]
Euripides:
career, [xviii], [205], [334];
imitated Aeschylus, [xviii];
and Thespis, [299 f.];
tags, [xvii], [215];
melodramatic, [xviii];
chauvinistic, [xviii], [217-19];
sought prize, [xvii f.], [215], [217-19];
introduced sex problems, [xviii];
chorus, [144-46];
deus ex machina, [201 f.], [258 f.], [294-96], [303];
prologue, [206], [258], [299-304];
eccyclema, [288];
μηχανή, [292];
soliloquies, [299-302], [305-9];
technique of simultaneous entrance, [310];
iambic resolutions, [172];
indicated scene of action, [206];
was criticized, [266 f.], [293], [300], [302];
modified myths, [300 f.];
as skeptic, [96], [140];
productivity, [334];
popularity, [xviii], [204], [272 f.], [324 f.]
ἐξάρχων, [6 f.], [16], [36], [44]
Exodus, [41 f.], [45 f.], [55]
Exon, [286]
Exostra, [288]
Fasti, [319-21], [324], [330]
Fear and pity, [128], [245], [317]
Fiechter, [70], [79], [81-86]
Flight, [289-92]
Flute-player, [26], [30], [271]
Frei, [96]
Frickenhaus, [20], [121]
Fries, [138]
Furtwängler, [16], [67]
γέρανος, [298]
Ghosts, [106], [225 f.], [248], [302]
Gildersleeve, [94]
Goat:
as prize, [7], [11], [13-16], [24], [268];
as sacrifice, [14 f.], [269];
“goat” choruses, [11 f.], [15];
goat-song, [13 f.], [21];
goatskin, [26-28], [30 f.]
See [Satyrs] and [Choreutae]
Gods, position of, [289-93]
Gomperz, [22]
Goodell, [xvii f.]
Guglielmino, [xvii]
Haigh, [10], [27], [79], [120 f.]
Harrison, [6], [17]
Heraclides, [20 f.]
Hermann, [78 f.]
Homer, [17], [244], [254 f.], [266], [279 f.], [282], [289], [300], [304-6].
See [Epic]
Hyposcenium, [61], [74], [84 f.], [97], [100 f.], [111], [113], [115]
Hypothesis, [330]
Iambic. See [Meter]
Icaria, [4], [16 f.], [19], [21], [38]
ἴκρια, [63], [66], [105], [108]
Immediate effects, [xvii]
Impersonation (μίμησις), [10], [16-18], [43-45], [49], [53 f.], [162 f.]
Improvisation, [6], [10], [16], [36], [38]
Interior scenes, [xv], [68], [128], [229], [231], [237-43], [248], [278], [284 f.]
Irony, [312-17]
Jachmann, [329 f.]
Judges, [214-16], [272 f.]
Kaffenberger, [172], [187]
Kaibel, [152]
καταβαίνω, [91 f.], [102 f.]
Katharsis, [317]
κῶμος. See [Comus]
κονίστρα, [72]
Körte, [46 f.], [324]
κράδη, [298]
Lay figure, [166 f.], [174], [228], [244]
Legrand, [277]
Lenaea, [38], [56], [119 f.], [183 f.], [196], [202], [204 f.], [269], [273], [318], [324-29]
Leo, [187], [307]
Lighting, [224-26], [233], [243], [253]
Litigiousness, [274 f.]
Logium (λογεῖον), [59 f.], [76], [86], [97 f.], [100], [102], [107], [111 f.], [288], [291 f.]
Lot, [272 f.]
Lycurgus, [68-70], [191].
See [Theater]
Machina. See [μηχανή]
Magic, [17], [153], [155]
Magnes, [35], [51], [54]
Marrett, [34]
Masks, [19], [26], [42], [49], [54], [130], [163 f.], [173], [188], [212 f.], [221-24], [266]
μηχανή, [68], [109], [235], [287], [289], [292 f.]
Megara, [47 f.], [56]
μελάναιγις, [21]
Menander, [304], [332], [336 f.]
Messenger, [128], [164], [191], [229], [241], [248], [251], [276], [294]
Meter, [10], [16];
iambic, [22], [171 f.];
trochaic tetrameter, [22], [45]
μίμησις. See [Impersonation]
Mina, [269]
Mooney, [231], [243]
Motivation:
for movements of actors, [93], [147], [173 f.], [229-33], [238-43], [249], [261], [281 f.], [300];
for movements of chorus, [150-52], [250 f.];
for choral odes, [140-43], [152-54], [217];
for unchanging features, [222 f.];
for lack of darkness, [225 f.];
for silence, [165], [176 f.], [232];
for soliloquies, [304 f.], [308]
Murder. See [Violence]
Murray, A. T., [201], [210]
Murray, G., [xviii], [2], [6], [23], [158], [303]
Music, [xi]
Mute, [174], [176 f.], [179-81], [232], [244], [271]
Mythology, [xviii], [123-26], [217], [219].
See [Themes]
Navarre, [42], [146]
Nemesis, [275 f.]
Nilsson, [9]
“Nothing to do with Dionysus,” [12 f.], [21], [29]
Numerals given plays, [330-37]
Obol, [120]
Odes (στάσιμα), [xv], [23], [41], [139-50], [152-54], [162 f.], [192 f.], [217], [252].
See [Embolima]
Oratorio, [16]
Orchestra, [57], [63], [65 f.], [68 f.], [72-79], [81-86], [88-91], [93], [95], [97-100], [102-8], [110-17], [130], [221], [223], [226], [228], [231], [233], [289], [292], [298]
Origin of comedy, [1], [35-56];
obscurity of, [6], [35 f.];
improvisational, [36];
and comus, [36-38], [42-46], [127], [133];
impersonation, [43-45], [49], [53 f.], [162 f.];
actors from Megara, [46-48], [53], [56];
influence of tragedy, [49 f.], [53 f.], [127], [146];
of mime, [50 f.], [56], [127];
plot, [50-52], [54], [127]
Origin of tragedy, [1-35];
no serious gaps, [6];
improvisational, [6];
from dithyramb, [2], [4], [6], [16], [133], [198];
Arion, [8-11];
Sicyon, [11-15];
occasion for name, [13-15], [268];
Icaria, [16 f.];
Thespis, [16-21];
impersonation, [16-18], [162 f.];
first actor, [16-19];
non-Dionysiac themes, [21], [23], [198 f.];
passed through “satyric” stage, [22 f.], [28 f.]
See [Homer], [Ridgeway], [Satyrs], [Sileni], [Thespis], etc.
ὄψις. See [Spectacle]
Panels. See [πίνακες]
Parabasis, [41-43], [45 f.], [49 f.], [55], [193]
Parachoregema, [182], [186], [271]
Parallelism in comus and comedy, [42-46]
Parallels from modern theory and modern and mediaeval drama:
Albright, [283];
Archer, [148], [190 f.], [261], [302];
Brown, [263];
Corneille, [256], [264];
Cornford, [149], [224];
Craig, [223 f.], [284];
Dennis, [152], [155], [221];
Dryden, [202], [265];
Elizabethan drama, [23], [188], [224], [244];
Galsworthy, [xv f.];
Goethe, [xiv], [12], [125], [140];
Gray, [155];
Greene, [145];
Hamilton, [xiii], [201];
Ibsen, [242], [261], [266], [299], [311];
Jones, [xix];
Kennedy, [264];
Lessing, [225], [246], [303];
Lounsbury, [130], [263 f.], [279];
Lowell, [262];
Marlowe, [254];
Matthews, [xiii f.];
Middleton, [313];
Molière, [230 f.], [264], [297 f.];
Parker, [238];
Racine, [124], [147], [264];
Savage, [261];
Schlegel, [220];
Shakespeare, [123], [128], [141], [170], [188], [201 f.], [208], [212], [225], [232], [243], [252], [256], [263], [283], [297], [303 f.], [313];
Shaw, [229];
Sutro, [229];
Voltaire, [201], [225];
Walter, [263];
also [x], [16], [120], [123-25], [129-31], [162 f.], [170], [190], [201 f.], [236], [238], [243 f.], [246], [248], [302]
Parascenium, [58], [66-70], [97 f.], [104 f.], [107 f.], [111], [228], [235], [285], [287], [289]
Parodus (of chorus), [40], [45 f.], [49], [55], [209], [252], [287], [298 f.], [304]
Parodus (of theater), [59-61], [65 f.], [70], [72], [75], [99], [102-4], [106], [108], [208], [226-28], [230 f.], [233-35], [286]
Parody, [39], [200 f.], [207], [210], [288], [309]
Patriotism, [xvii f.], [217-20]
Periacti, [298]
περιπέτεια. See [Reversal of Situation]
Phallic, [36 f.], [43], [46 f.]
Phlius, [4], [23 f.]
Phrynichus, [4], [6], [124], [141]
Pickard-Cambridge, [3], [10], [12], [14], [22]
πίνακες, [68], [71], [86], [107-9], [235 f.], [244]
Pisistratus, [21], [63]
Plautus, [ix], [xx], [188], [194 f.], [234], [304], [307], [309-11]
Playbill, [204-13], [254], [301]
Plot, [50-52], [54], [127], [261-63]
Plutarch. See [Theater]
Poets, [xvi], [18], [26], [123-27], [220], [271], [273], [318], [326-30]
Pollux. See [Theater]
Pompey, [80 f.], [85]
Porch, [68], [235 f.], [238]
Pratinas, [4], [23 f.], [25], [63]
Prescott, [174], [278]
Prickard, [202]
Prize, [xvii f.], [7], [11], [14 f.], [16], [24], [213-20], [268 f.]
Proagon, [204-6]
Procession, [20], [121-23], [132], [197], [224]
Prologue, [35], [40], [49], [55 f.], [206], [208-10], [252], [298-304]
Properties, [65], [106], [226], [228]
Proscenium, [58-60], [66], [68-71], [76], [80-87], [91 f.], [97-101], [103-9], [111-14], [228], [235-39], [241], [244], [285], [287 f.], [291 f.]
πρόθυρον. See [Porch]
Psychology, [xiv], [xviii], [4], [296]
Puchstein, [79], [92]
Ramps, [104]
Recognition (ἀναγνώρισις), [17]
Rees, [53], [172], [187], [192]
Reisch, [3], [10], [14], [22], [30 f.], [59], [319]
Reversal of situation (περιπέτεια), [17]
Richter, [150]
Ridgeway, [6 f.], [12], [18-21], [31], [33-35], [236]
Robert, [101]
Rogers, [121], [214 f.]
Ruppel, [273]
Satyric drama (satyr-play), [2], [9], [22-32], [33 f.], [125-27], [136], [198], [203 f.], [322]
Satyrs, [2], [10 f.], [13], [16], [22 f.], [24-32], [126], [136], [154], [162]
Scaena. See [σκηνή]
Scene-building. See [σκηνή]
Scene of action, [206-8], [226-31], [233-36], [258], [300];
changed, [206], [235], [247 f.], [250 f.]
Scenery, [xii], [66], [236], [244], [247 f.], [260].
See [πίνακες]
Schmid, [3]
Scott, [254]
Seneca, [ix], [xx], [141], [187]
Sheppard, [276]
Shorey, [30]
Sicyon, [11-15], [21], [35], [80], [104], [108]
σῖγμα, [72]
Silence, [42], [91], [163], [165], [169], [173 f.], [176 f.], [186 f.], [230], [232]
Sileni, [16], [21 f.], [24], [26], [29], [32], [121 f.], [135], [162]
Simonides, [11]
σκηνή (scaena; scene-building), [57 f.], [66-70], [72], [77 f.], [87], [93-98], [102-9], [111], [113], [226], [228], [231], [233], [235-37], [244], [284 f.], [287-89], [291];
ἐπὶ (ἀπὸ) σκηνῆς, [93-98];
in scaena, [77];
scaenae frons, [76], [83 f.]
σκηνικός, [61], [77 f.], [96 f.]
Soliloquy, [240], [258], [286], [299-309], [311 f.]
Solon, [9], [17-19]
Sophocles:
third actor, [53], [167], [183];
ceased acting, [169];
use of chorus, [144];
was refused a chorus, [273];
scenery, [66], [236];
μηχανή, [296];
soliloquies, [305];
irony, [313];
imitated Euripides, [302];
iambic resolutions, [172];
productivity, [335];
victories, [272 f.], [325]
Spectacle (ὄψις), [xi f.], [xvi]
Spingarn, [xi-xiii], [xv]
Stage, [xx], [60], [72-88], [91-100], [102 f.], [111 f.], [114-17], [130], [149].
See [σκηνή] and [Logium]
Stasima. See [Odes]
Stephenson, [158]
Suicide, [129-32], [159], [244]
Susarion, [38], [47 f.], [52 f.]
Synchoregi, [271]
Syzygy, [41], [43]
Tanner, [336]
Technique, [ix f.], [xiv f.], [xvii], [10], [128 f.], [173-76], [182], [191 f.], [209 f.], [229], [232], [239 f.], [299 f.], [310]
Terence, [xx], [194 f.], [234], [304], [307], [309-11], [316], [331]
Tetralogy (trilogy), [23 f.], [133 f.], [198 f.], [203 f.], [257 f.], [265 f.], [300], [322 f.], [332], [334]
Theater (as a structure), [1], [57-117]
Technical terms, [57-61]
Greek, [76 f.], [80];
Roman, [75-77], [80];
Hellenistic, [70 f.], [76], [80], [82-87], [97], [100], [110 f.];
Graeco-Roman, [80], [82-87], [110-14]
Athens, [62-75];
site, [62 f.], [208], [233 f.];
size, [121], [221], [224], [312];
in market-place, [63], [105];
orchestra of ca. 499 B.C., [63], [65 f.], [104], [226-28], [230];
ca. 465 B.C., [66], [68], [228], [231 f.], [285], [289];
ca. 430 B.C., [67 f.], [70], [235], [287], [289];
Lycurgus, [68-70], [96], [103];
Hellenistic, [70 f.];
Nero, [72-74], [81], [98-101], [117];
Phaedrus, [72], [74 f.], [98]
Delos, [70 f.], [80], [82 f.], [107 f.];
Delphi, [108], [116];
Epidaurus, [70 f.], [80], [104];
Ephesus, [82 f.], [109], [111-13], [116];
Eretria, [70 f.], [80], [82], [84], [104-7], [288];
Megalopolis, [80], [108];
Mitylene, [80 f.], [85];
Oropus, [80], [82], [84], [108-11], [113];
Patara, [82-84];
Pergamum, [80], [110 f.], [116];
Priene, [82 f.], [86], [110 f.], [113 f.], [116];
Sicyon, [80], [104], [108];
Termessus, [82-85], [110 f.];
Thoricus, [69], [80], [103 f.], [227]
Vitruvius on, [75-87], [90], [92], [97];
Pollux on, [78], [94], [98-100], [106];
Plutarch, [101-3];
Pompey’s, [80 f.], [85];
and fifth-century plays, [87-92];
ἀναβαίνω, καταβαίνω, [91 f.], [102 f.];
and chorus, [92 f.];
ἐπὶ τῆς σκηνῆς, [93-98];
θυμελικός, σκηνικός, [95-97]
θέατρον, [60]
Themes, [7 f.], [10], [13], [20 f.], [123-27], [198 f.], [279], [315]
Theologium, [59 f.], [111]
Thespis:
not mentioned in Poetics, [6];
and Solon, [9], [17-19];
place as tragic poet, [9], [12], [33];
borrowings, [16];
innovations, [16], [19 f.];
first actor, [16-19], [163];
impersonation, [16-18];
his “grand step,” [19 f.];
his wagon, [19 f.];
non-Dionysiac themes, [20 f.];
genuineness of extant titles, [20 f.];
victor in first Athenian contest, [21];
dramas somewhat like satyr-plays, [23];
prologues, [55 f.], [298-300]
Thirlwall, [313], [316]
Throop, [17]
Thymele, [18], [57], [61], [73], [79], [95-97], [104]
θυμελικός, [61], [77 f.], [81], [95-97]
θυρώματα, [107], [109], [111]
Tomb ceremonies, [6], [12], [33-35]
τραγικοὶ χοροί, [11 f.], [15]
τραγῳδία, [2], [8], [13-15], [21], [27 f.]
τραγῳδοί, [11], [13], [15 f.], [21]
Tragedy:
wagons in, [19 f.];
at City Dionysia, [21];
influence on comedy, [49 f.], [53 f.], [127], [146];
influenced by epic, [17], [257], [263];
themes, [123-25];
chorus of, [135 f.], [148-50], [162];
early form, [162 f.];
act divisions, [192 f.]
Trochaic tetrameter. See [Meter]
Tyche, [277]
Unities, [201 f.], [246-67], [277], [279], [295], [300]
Vases:
satyrs on, [16], [22-32];
sileni on, [22], [24], [26], [29], [32];
satyr-plays on, [25-27], [29-32];
comus on, [38], [46];
wagon-ship on, [20]
Verrall, [5], [147], [151], [253]
Vestibule. See [Porch]
Victories, [272 f.], [324 f.]
Victors’-Lists, [324-30]
Violence, [127-32], [158-60], [229], [241], [247], [284 f.]
Wagons, [19 f.], [121 f.]
Welcker, [1-3], [13]
Wernicke, [31]
Wieseler, [79 f.]
Wilamowitz-Möllendorff, von, [8], [11], [19], [48], [88], [189]
Wilhelm, [319], [328]
Women, [4], [42], [121], [180 f.], [191], [277-83]
Year spirit, [6]