II

On the journey from Syracuse to Girgenti by rail through the heart of Sicily the most interesting point is Castrogiovanni, the ancient Enna, called the navel of Sicily, a height from which one sees mountains diverging in every direction, a real Knotenpunkt. The railroad affords a view of Enna only from some distance as it plunges into a long tunnel under the ridge joining this height to another almost as high, on which stands Calascibetta. The surroundings of the old Sikel town, Enna, which, being early colonized by Syracuse, became a lasting monument of Greek domination over the Sikel, were probably much more beautiful in ancient times. On these rather bare heights there was once such luxuriant growth of woods and flowers that hunting-dogs lost the scent of the game. In this flower-garden the Sicilian legend placed the rape of Persephone.

As the train approached Girgenti it passed through the great sulphur region of the world. Here thousands of boys, many of them under ten years of age, carry the sulphur up to the surface. These boys are bound over by their parents to the overseers of the mines for the sum of two hundred francs, more or less, which they are expected to work off. But it takes years to do it, and many die before they succeed. The parents spend the purchase money and the children live on in despair. Our informant, a German-American, who had come over to study the sulphur industry, and who was not a sentimentalist, said that the sight of these boys going up and down the ladders with tears rolling down their cheeks had made him join in their sighs and carry a heavy heart all the way to Palermo.

The case of Girgenti is that of Syracuse reversed. Its history is not so very important, but its ruins are impressive. Even at Himera, where Theron and Akragas stood by Gelon and Syracuse, it was in a second rôle. On that occasion, when the larger part of the Carthaginian prisoners fell to Akragas, apparently because they strayed into Akragantine territory after the battle, some of the citizens are said to have got five hundred slaves apiece. From this time Akragas gave itself up to the amassing of wealth. As a consequence it became the least martial and most luxurious of Greek cities, showing, like Corinth, that a Dorian city, when once given over to pleasure, could outdo the Ionians in that direction. While Syracuse battled with Athens, Akragas remained neutral. About the only form of strenuous activity to which it arose was athletics; and even then a victory was made an occasion for a display of wealth. When Exænetos won in the stadion at Olympia, three hundred span of milk-white horses accompanied him into the city.

The luxury of Akragas took on a peculiarly showy and almost gross type. The men loaded themselves with gold ornaments. They erected tombs to horses which had won Olympic victories and to other favorite animals. A typical Akragantine was Gellias, who used to have slaves stand at his door and invite every passing stranger to come in; and once, when five hundred knights from Gela made a visit to Akragas in the winter, he took them all in, entertained them, and gave each of them a new chiton and himation. That the means of entertainment did not fail him is shown by the statement that he had three hundred rock-hewn wine-barrels, holding each a hundred amphoræ, and a big vat holding a thousand amphoræ, out of which these were filled; and this was private hospitality.

One could hardly expect moderation when such bountiful provision for carousal was at hand. Athenæus tells a story showing how well the young men lived up to their privileges. Some of these, drinking themselves dizzy at a banquet, declared that the house rocked like a ship, and, as if to avert impending shipwreck, began to lighten ship by pitching the furniture out of the windows, to the danger, and then to the hilarious delight, of the passers-by. But as a crowd and some disorder resulted, the generals went to the house to investigate the matter. The young bloods were equal to the emergency. They accosted the graybeards as Tritons, thanked them for deliverance from the storm, and vowed to sacrifice to them so soon as they had got over their sea-sickness and fright. The old men, being carried away with the humor of the thing, entered into the spirit of the joke, and that house was ever after known as “the ship.”

Such a joke might have been played in a good many other towns, but the following bit of gossip, if not true, is ben trovato, and has a peculiarly Akragantine flavor. It is related that at the fatal siege of the city by the Carthaginians, when all was at stake, a law was passed restricting the guards when at their posts to one under-mattress and one over-mattress, one blanket, and two pillows. If these things were done in a green tree, what was done in a dry? Empedocles, the most eminent citizen of Akragas, said of his fellow-citizens that they indulged in high living as if they were going to die to-morrow, but built as if they were going to live forever. The first half of this statement we have to judge by gossip, which, as it is very bulky and all to the same point, may well make us believe that when there is so much smoke there must be some fire. For the corroboration of the latter half, go to Girgenti and circumspice.


What a moment was that when, toward the end of the afternoon, after toiling up from the station on the north side of Girgenti to the city itself, which occupied the site of the acropolis of Akragas, we looked down on the plateau sloping southward toward the sea, and dotted with the famous ruins long known to us by photographs. About a mile below us, in the direction of the ruins, was the Hôtel des Temples, which we had been told in Syracuse was to close for the summer the day before. But as “the Greeks got into Troy by trying,” we thought we would try to get into this hotel, and be near our goal. At the door a boy declared that the house was closed; but at our request he said he would call the padrone. In ten minutes there appeared in riding clothes, and leading a horse, the most charming landlord of Sicily, with a bewitching smile and the manners of a gentleman. He said that, although his house was closed and his cook gone, he had not the heart to send us back up into the city. We could have, he said, eight or nine beds apiece, and, as he had a hunting comrade with him for the night, he could give us some soup and meat.

More than satisfied to have established a base of operations, without a delay of five minutes we were at the Concordia Temple, the most perfectly preserved Greek temple, unless we except perhaps the Theseum. Having an hour and a half of daylight, we used it in getting a first view of nearly everything on the plateau, and then returned to what we supposed was to be a frugal meal. But the dinner was an Akragantine feast, the best of the whole journey, with the possible exception of the next one at the same table. We wondered what sort of a dinner the regular cook would have produced if this was done by a novice; and when the padrone made apologies for his dinner, we searched his smiling face for traces of sarcasm.

The next day we enjoyed in detail what we had already enjoyed in the lump, that row of temples lined up along the southern edge of the plateau which here ends in a rocky precipice. These temples when new, with the city of half a million inhabitants behind it, and the acropolis above it with still more temples, must have been a very effective sight to one coming up from the sea five miles away.

SO-CALLED CONCORDIA TEMPLE AT GIRGENTI

Although the material of the temples is a friable yellow sandstone, quarried near by, we must not in reconstructing our picture think of them as yellow temples. They doubtless had stucco and paint enough to hide this core. The stone is so porous that it is not surprising to find the columns on the south side—i.e., the side most exposed to the sirocco—badly eaten away. The whole line dates from the fifth century, and was doubtless planned and begun by Theron, who had armies of slaves from Himera.

What Greek name the Concordia Temple had is unknown. Holm suspects that it is the temple of Demeter, although the substructure under a church farther up the hill has generally been assigned to her. It owes its excellent preservation to the fact that in the Middle Ages it was turned into a church of St. Gregory of the turnips, whoever he was, when the cella walls were perforated with a series of arches on each side, to let in the light.

The next best preserved is the temple of Hera Lacinia, in the most commanding situation of all, having the precipice, which is here higher and more abrupt, on its east front, as well as on its south side. It is also considerably the highest of the line. Its present name is surely wrong. It is quite likely to have been a temple of Poseidon, a divinity held in honor at Akragas, a horse-rearing as well as a maritime city. The temple of Herakles is more interesting than either of these, although only one column stands upright; the rest lie as they were thrown down by an earthquake, in such good order that it would be easy to set them up again; and the result would be much more important than Cavalari’s so-called temple of Castor and Pollux, which, being a corner of a temple put together out of two different temples, should be properly called "Cavalari’s folly." The temple of Herakles is rightly named. It was identified as being at the sacred gate and near the agora. It is much larger than the two temples already described, and shows, like them, traces of a great conflagration which reddened the yellow stone in places. Its ground plan is very clear but peculiar, and so extremely interesting. Sicily is the place of all others to study the construction of the Greek temple.

But the object of greatest interest is the Zeus Temple, still farther west in the line. This justifies the saying of Empedocles above quoted, being so large that the Parthenon could be lost in one corner of it, as the wooden ladle was lost in Lady Wouter Van Twiller’s pocket. It is the most massive of Greek temples, in the sense in which the temple of Zeus at Olympia is more massive than the Parthenon—i.e., its columns and all its members are larger. So enormous were its dimensions that the architect readily saw that he must deviate from the ordinary rules of construction. Columns of friable stone fifty-five feet high, supporting an unusually heavy entablature, needed support themselves. Accordingly they were embedded in a continuous wall. What one here saw was not a line of graceful columns between which and the cella one could walk about, but only a great wall with half columns protruding from it. These half columns were not really independent members. The small blocks composing them run over into the wall to the right and left. They simply serve to break up a monotonous wall, and to present the appearance of columns. This contour, which is a little over a semi-circumference, averages about twenty feet, being, of course, greater at the bottom. A man’s back, as was remarked by Diodorus Siculus, easily fits into the flutings. The clearest idea, however, of the large proportions of the temple I got by noting that the grooves in a triglyph lying on the ground measured fifteen feet in length. It would also be no exaggeration to say that a company could dance on the top of one of the capitals lying about.

The inside of this temple must have been as peculiar as the outside. The great question here is where to place the gigantic figures called Atlantes or Telamones, male figures corresponding to the female figures on the Erechtheum, but, unlike them, showing exertion, like Atlas in the Olympia metope. Probably they stood on the lateral walls of the cella, and, with their twenty-five feet, they would reach up to the roof, like the second row of columns at Pæstum. The cella probably ran clear through from one end of the temple to the other, and, while the two divisions of the temple to the right and left of it, which were as much closed as the cella itself, had entrances from the east, the cella was probably entered from the west. One has to say “probably” very often in speaking of the interior, because the temple has been nearly all carried away to make the pier at Porto Empedocle, the harbor of the modern city. As late as 1401 three columns were still standing and carrying a piece of the architrave. But the temple entered very early on the stage of dilapidation, for the reason that the roof was never put upon it. For more than half a century, even from the time of Theron, Akragas had wrought upon this monster building, and had not finished it when the Carthaginian fury broke upon her. Although the city rose again, and even prospered, it never saw a day for taking up again such a gigantic enterprise.

Besides this temple of Olympian Zeus there was an older temple of Zeus Polieus on the acropolis, to which an unusual interest attaches, because it was built by Phalaris, of execrable memory, who, having attached to himself a band of laborers for the construction of the temple, by their help seized the sovereign power and subverted the democracy. Down in the crypt of the Church of Santa Maria dei Greci we were shown a regular stylobate of three steps, and on the top step eight columns, the upper parts of which run up into the church, which shows also columns of the other long side of the temple. Tradition claims this as the identical temple built by Phalaris. But as the forms of the columns forbid putting them back into the sixth century we do better to identify them with the temple of Athena on the acropolis. The temple built by Phalaris is to be sought, then, on the ground occupied by the modern cathedral. Jove gave place to Jesus, and the virgin goddess, as at Athens, to the Virgin Mother.

When we told our smiling host that we intended to ride in one day from his hotel to Castelvetrano, the point of departure for Selinus, he said the thing was impossible. We told him that, while we admitted his judgment in all that pertained to horses, we were going to make the sixty-two miles which, according to Baedeker, lay between us and our goal between sunrise and sunset, however bad the road might be. He then, like a true sportsman, got interested, offered to bet, and when we declined begged us to telegraph back to him if we really did it.

As we had to wake up the cook the next morning, after waking up ourselves, the sun was well up in the heavens before we got off. But the coffee which cost us so much time must have told on our gait; for a fellow-countryman, whom we first met two days later at Palermo, seemed impressed by it, and rather proud of it. He asked, “Didn’t I see you go through Porto Empedocle the day before yesterday morning on bicycles?” When we assented he said: “Well, I told the American Consul who was with me, ‘I bet dose vas American boys.’” And the next day he repeated, as if pleased with his own sagacity, “I told the Consul, ‘I bet dose vas American boys.’”

As we started the next morning toward Selinus, after passing the night at Castelvetrano, I realized that this, more even than Syracuse, was my chief object of interest in this long-delayed Sicilian journey.

The history of this short-lived colony of a colony is invested with a pathetic interest. Planted by Sicilian Megara in 628 B.C., as an outpost of Hellas toward the west, it was a standing challenge to the Phœnicians. But there was not always war between Hellas and Canaan. The Phœnicians, who had long been in possession of the west end of the island, were bent on gain, while the Greek sought rather for a free unfolding of his civic life; and so, Selinus, with a little temporizing, got on with its neighbors.

There were some strange vicissitudes in Sicilian politics. From the time when Carthage appeared in Sicily as a protector of the older Phœnician settlements, Selinus saw its advantage in siding with her against other rivals. On the great day of Himera, Gelon and Theron had to contend against Selinus as well as against Carthage. This off-side play was not, however, regarded by the other Sicilian cities as sufficient cause for shutting Selinus out of the sisterhood of states.

But, while Selinus had an eye to profit, it did not, like Akragas, forget the art of war. That she was a power in western Sicily in the days when Carthage was so strangely inactive for seventy years after Himera, is shown by an inscription of this time, which mentions a victory won by the Selinuntians “with the aid of Zeus and Phobos and Herakles and Apollo and Poseidon and the Tyndaridæ and Athena and Malophoros and Pasikrateia and the other gods, but especially Zeus.” This drawing in of so large a part of the pantheon implies that it was a great victory. Probably it was won from Segesta, that most hated Elymian neighbor. But Segesta knew how to help herself. After she had lured Athens to destruction in this same quarrel, she invoked the Carthaginian on a mission of destruction. For the Carthaginian was not subdued, but was biding his time, and, when he again fell upon Sicily, it was his old ally, Selinus, that first felt the weight of his arm. Then Zeus and Phobos seemed to forsake her. But her conduct was such in that awful visitation that Hellas had no reason to blush for this daughter.

The force which Hannibal led against her was, at the lowest estimate, 100,000, which was more than the total population of the city. The first attack on the land side, where the walls were weak and out of repair because no danger had threatened for years, was repulsed. A call for help was sent to both Akragas and Syracuse. The former might have had its contingent before the walls in three days, allowing one for the messenger. But Akragas waited for the Syracusans, who were two days farther off, to come and take them on the way. She paid the penalty for this delay three years later. She, as well as Syracuse, ought to have known that at Selinus they would be fighting for their own life. Syracuse was, moreover, an ally of Selinus in the war against Athens, which was finished only three years before with such eclat as to make Syracuse a proper champion of the Greek cities against the great enemy.

It is probable that the call for help was sent out before the enemy actually made its assault, but so speedy were the movements of the Carthaginians that one might have expected even prompt aid to come too late. Selinus, however, held out with such tenacity as to frustrate all calculation. For nine days, in the consciousness that she stood as a vanguard of Hellas, while the eastern hills were eagerly scanned for the succor that was hourly expected, Selinus conducted a defence rarely equalled in history.

There were not men enough to allow reliefs in defending the wall. The same men stood at their posts day and night. The old men brought new weapons, and sharpened those that were dull. The women carried food and water. Even on the ninth day, when the fierce Iberian mercenaries broke through the wall and the weary defenders, and got inside the city, the defence did not cease. The city had to be taken house by house, men and women hurling down stones from the house-tops until the supply was exhausted. And now, house after house was pillaged by men spurred on by the promise of free plunder given by Hannibal; and delicate women fell into hands compared with which the claws of wild beasts were tender. Soldiers paraded the streets with heads on the points of their spears and strings of hands slung over their shoulders. Only 2,600 survivors somehow found their way to Akragas.

On this very day a large force started from Syracuse; but when, united with the contingent of Akragas, it confronted the Carthaginians, the woe of Selinus was accomplished. Hannibal told these belated allies that he had dealt Selinus only its deserts, and that even its gods had pronounced against it. What a theme for a Jeremiah!

The six large temples of Selinus lie in a worse condition than that in which the Carthaginians left them. Earthquakes have been more active here than at Akragas. But these ruins, in two large groups, one on the acropolis and one on a plateau to the east, are the most interesting, as well as the most impressive, ruins in Europe. Their interest lies in the fact that they present us in tangible form the history of Greek architecture as it unfolded itself in a provincial town. There is Temple C (probably a Herakles temple; but archæologists have refrained from giving doubtful names, and designated the temples by letters. Perhaps the names given at Syracuse and Girgenti, though false, are better pegs to serve the memory than letters), with “shapeless sculpture,” the well-known metope representing Perseus cutting off the head of Medusa, and another with Heracles carrying the mischievous Kerkopes flung over his shoulder. These grotesque attempts at sculpture, as well as the general consideration that the first thought of a colony was to erect a temple, allow us to date this oldest temple of Selinus as early as 600 B.C. The architecture is vastly better than the sculpture, a complete Doric style, with something of the clumsiness which marks the venerable ruin at Corinth. Then we may notice Temple E, probably a Hera temple, the southernmost of the three on the eastern plateau, a large and beautiful temple, once most gorgeously painted, and giving us, perhaps, more light than any other temple on the subject of polychromy in Doric architecture. The metopes, the best of which is Zeus receiving Hera on Mount Ida, mark this temple as a product of the early part of the fifth century, about the time of the temple of Zeus at Olympia. Then, at the other end of this line, on the eastern plateau, is Temple G, so enormous that it is supposed, like its brother at Akragas, to have been meant for none other than Zeus, the King of the gods. It is a few feet longer and a few feet wider than the great Akragas temple. Its date is given with a melancholy certainty; for it, as well as the Akragas temple, was never finished. It may well have taken a small community like this as much as the “forty and six years” which the Temple of Jerusalem required to put up such a colossal building. An especial interest attaches to it because we see it, as it were, stopped midway in a lively process of coming into being. Some of the huge drums are combined into columns, a few of which are fluted from top to bottom, while others have a little start of fluting at the top and bottom, and still others are only cut in the form of a twenty-sided polygon. But one must go to Campo Bello, about five miles distant, to feel in a still more lively manner the interruption of the building process. Here one sees a cliff where in one case workmen had just marked out, with a circular groove, a column-drum to be detached from its bed. In another place is one around which workmen have hewn for months, so that it is almost ready to be detached. Hard by are some already detached and rolled a little distance toward Selinus; still others are found transported half-way or more to the temple. The people of the country are filled with wonder at the sight. They recognize the fact that all these blocks were meant for the great temple; and some of them told an early traveller that the women of Selinus used to carry these stones on their heads from the quarry to the temple, spinning flax all the way as they went, adding, with naïveté: “But, you know, it was a race of women much larger than ours.”

These interesting temples show, as they stand side by side, great freedom in the application of the rules of Doric style. For instance, the number of columns on the side of a hexastyle temple varies from thirteen to seventeen. The number of steps also varies from two to six, instead of the canonical three.

When we visited Segesta the next day and saw its temple, also unfinished, as it was when the city was stricken down by the Greek Agathocles, we felt little pity for this city which had stirred up so much mischief for its foe, Selinus, and for its friend, Athens. But perhaps, after all, this Elymian city’s greatest crime was saying, “I must live.” If Selinus refused to accept this proposition, Segesta called in Athens or Carthage, regardless of the woes that might in consequence come upon those who disputed her right to live.

In shooting down from Segesta to the northern shore, without further exploration of what may be called the country of Æneas, we got glimpses of Mount Eryx, the favorite haunt of Venus; and later in the day the train brought us to Palermo, “that wonderful cross-section of history.” But as it was not rich in Greek history our tour in western Hellas was at an end.


DALMATIA

June, lovely June, has been the bringer of two good things to me—Sicily and the Dalmatian coast; and now that the charm of the latter is fresh it seems almost to outshine the former.

When I came on board the Austrian Lloyd steamer Galatea at Corfu I had little idea of what awaited me. One reads of this “Norway of the South,” this “Switzerland in the sea”; but how little these comparisons convey until the landscape has really been seen. My main purpose was rest from the heat of Greece, and a more or less careful study of the ruins of Spalato.

This Dalmatian line is adapted to one who wishes to travel lazily. The stops as far as Spalato are longer than the passages; the boat, however, starts in each case promptly according to the schedule. The only exception was at Corfu; when all was ready, and we were just about to hoist the anchor, a Greek boatman came up alongside with a barge loaded with casks and boxes. It was so characteristic of a Greek.

While we were moving along the coast of Albania until late in the afternoon, there was nothing new to look out for; and so there was time to get acquainted with the ship and the passengers, to get one’s bearings. There were the rules for passengers printed in five parallel columns—English, French, German, Italian, and Greek—emphasizing the cosmopolitan constituency of the travelling public. In Europe, and especially in the Orient, it always pays to read regulations, particularly the English column, to see how foreigners wrestle with our language. Rule 3 said: “Every damage is to be made good by the person who dit it.” Rule 11: “It is prohibited to any passenger to middle with the command and direction of the vessel.” As I had always trusted to the captain to run his own ship, I felt safe on that point. Particular anxiety for the ladies ran through the rules. One rule was: “Gentlemen are not allowed to enter the cabins of the ladies,” and as a final snapper at the end of the last rule was this sentence: “Passengers having a right to be treated like persons of education will no doubt conform themselves to the rules of good society by respecting their fellow-travellers and paying a due regard to the fair sex.” As we had no ladies at all on board until the journey was about half finished it began to seem as if they had been frightened away.

The captain, like most of the captains of this line, was of Slavic origin. Of other languages than his own he knew only Italian. In this he did all his “cussing” at every port; and it seemed to produce everywhere the proper effect. His gentlest conversational tone was like the blast of a trumpet and could be heard from stem to stern. I took an early opportunity to go up to the bridge when he was there, and remark apologetically that I was travelling per vedere qualche cosa. His laconic reply was, “Ma perchè no?” With that I felt myself installed on the bridge, and I spent more hours there during the voyage than any one of the officers. Perhaps the third-class passengers standing below suspected me of attempting to “middle with the command and direction of the vessel.”

Toward evening we passed Akrokeraunia, the massive headland ending off a chain of mountains back of it over six thousand feet high, in antiquity the cynosure of sailors crossing by the shortest line from Italy to Greece. The modern name, Capo Duro, suggests its pitilessness. There it stands running out to the northwest, and so bidding defiance to the strongest wind of the region. The sea has beaten against it since there was a sea; it has broken away a good deal of it, if we may judge by a single isolated island thrown out in front of it. The high mountains seem saying to the sea, “You waste your vain fury on those lower rocks. What will you do when you come to us?” But it is the business of the patient sea to help “draw down the Aonian hills,” and until there shall be no more sea Capo Duro must yield inch by inch.

Having passed Akrokeraunia, we turned sharply to the right, and changed our course from north to south until we dropped anchor in the harbor of Valona. As far as Cattaro the chief function of our boat was the transportation of freight, and that was the reason why the stops were so long. The captain was an ardent fisherman; hardly was the anchor down when his little boat dropped astern, and he fished sometimes far on into the night. He counted his catch not by numbers, but by kilos; and since the other officers in a circle around the stern, leaning over the taffrail, vied with the captain, fish were plentiful on board. All along this shore were great forests of holm-oak, and the cargo that we took on here was almost entirely valonia, so much used in Europe by tanners.

In the night we got off, and I missed the site of the great ancient city Apollonia, a little to the north of our stopping-place. But in the forenoon we stopped at Durazzo, the ancient Dyrrhachium, which, situated at the beginning of the great Via Egnatia, saw the passage of so many Roman armies into Greece. Cæsar and Pompey passed that way to their great struggle for the possession of the world. In earlier days it was known under the name of Epidamnos, as the colony of Kerkyra which set its mother city at war with her own mother city, Corinth, and so lighted the fire that destroyed Greece in the dreadful Peloponnesian war. At Durazzo my only first-class fellow-passenger got off.

Of third-class passengers we had a plenty, and a nondescript crowd they were; in other words, they beggared description. Some were magnificently dressed; but even those who were in rags were picturesque. If a painter had been present he would have been troubled by an embarras de richesse. Red and yellow were the prevailing colors in that motley crowd; gold embroidery was abundant. The few women present kept pretty well in the background, and took little or no part in the exuberant jollity of the men, who sang and danced in true Oriental style, keeping for the most part a somewhat monotonous droning, but rising sometimes into frenzy. This, continued far on into the evening hours, was bewitching. The situation was, or at least seemed to be, made for my special benefit. I seemed to have a private steamer, with the captain and crew working for me, and these fantastic and jolly people amusing me, who had promised not even “to middle.”

But the next day I was brought from reverie to my senses by the coming of first-class passengers. At Dulcino, the first of the two harbors recently gained by Montenegro, which thus became a maritime state, the Mayor of the town came on board to travel via Cattaro up to Cettinje, the capital, a long way around, but the way of least resistance. He did not break the charm, for a more gorgeously dressed and finer-shaped man one seldom sees. Scores of Montenegrins of the singers and dancers of the preceding evening, cooks and gardeners returning to their homes from Constantinople, where they are in great demand, crowded around this magnate and kissed his hand in true Oriental style, which he took in patriarchal fashion. This was in keeping with the scenes of the day before; but this giant’s wife and children were nothing but ordinary, plain people. At the next port, Antivari, a regular European lady, the wife of the Lloyd agent, came on board with the whole population of the village to give her a send-off; and we at once stepped out of dream-land.

I now fell into another mood. The whole voyage, with its long and frequent stops, began to seem a regular lark, and I so entered into the spirit of the thing that I determined at the next stop to get my bicycle up out of the hold and get a little acquaintance with the country which lay back of the long mountain line of coast. As we were booked to stop at Cattaro forty-four and a half hours, that seemed a good place to begin. The big Montenegrins had interested me so much I would go up and see where such fellows grew.

Who can describe the Gulf, or, as they call it there, the Bocche di Cattaro? It enjoys the distinction of being “perhaps the finest harbor in the world.” There is a break in the coast line; as you go in you find yourself in a broad bay; but that is not all; you pass through another opening, into another bay, and so on, the mountains growing higher all the time until, by passing five channels, one so narrow that it used to be stopped by a chain, and so is called to-day Catena, you reach the fifth bay, on the east shore of which, nestled up against the base of a high dark mountain, one of those from which the region Montenegro got its name, lies Cattaro, a town of five or six thousand inhabitants, the outpost of Austria to the south. For a brief period at about the end of the Napoleonic wars, Montenegro held this place and the Bocche. No doubt all Montenegrins long to possess it again; for it is their natural outlet to the sea, from which the thin line of Austria here shuts them out, except for the poor harbors farther south.

Much history has been enacted around this gulf, which was a prize too valuable not to be striven for. In fact, it is a paradise like few on earth. All the way through the devious passages one is reminded of Lake Lucerne by the mountain banks and of Como by the tropical vegetation. Many of the officers of the Austrian Lloyd have their homes on these shores. Our captain and at least one of the other officers spent two days here with their families. The latter brought back word that an American king named Morgan had just visited the Bocche on his yacht.

CATTARO

We arrived shortly after noon; but it took me just an hour and a half to get my bicycle through the custom-house. The officials hardly knew what to do with it. Probably no bicycle had ever entered that port, and it may be a long time before another enters. I have no doubt that they thought me a fool for bringing mine in; and one could hardly blame them for the thought. The Austrian officials, however, are so affable—I have never met an exception—that one cannot think of losing his own patience. In the cool of the day, in order to test the road, I walked, with a very little riding, up the zigzag road, getting a little taste of what awaited one who would go to Cettinje, and then dropped down again in twenty minutes after the sun had gone down. I had had enjoyment enough to pay for the experiment, and had come to the conclusion, on perhaps rather insufficient data, that on the next day, with good weather, I could get to Cettinje and back if I girded myself to it, so slight is the lateral distance on the map.

To make sure of the case, I rose early and left the ship at half-past four, with a cake of chocolate in my pocket, for the rest trusting to living on the country. Not until seven o’clock did the country offer anything. Then I got coffee from a Highland girl at a very primitive inn at the point of one of the zigzags. She had not “a very shower of beauty”; but she did have “the freedom of a mountaineer,” and a kindly twinkle in her eye. A man takes kindly to the hand and face that signify refreshment in time of need. When I asked how far it was to Cettinje the mountain maid said “tetre ore,” which, though it was a rather bad mixture of Italian and something else, probably Slavic, was extremely encouraging. Even if the climb continued for two hours more I ought to reduce her “four hours” to three. In fact, at eight o’clock, at the end of three and a half hours of steady toiling climb, I found myself at an altitude of nearly three thousand feet, almost perpendicularly above Cattaro, with the Galatea so near that it seemed as if I could drop a stone upon her deck; but I thought it best not to try; I was in a hurry. In a few minutes more I broke through the mountain which had given me so much trouble, and I was in Montenegro. I soon passed the frontier town of Njegus, in the bed of a dried-up lake, the birthplace of Prince Nicholas, the ruling sovereign, who has a country house there of such modest appearance that one could hardly believe it to belong to a prince.

Now my work began anew; another mountain wall confronted me and the road, which as far as the border had been good, was freshly strewn with cracked stones, the bicyclist’s terror. When at last I reached the top of this second range, a sight worth seeing unfolded itself before my eye. All Montenegro, a mass of gray stone rising here and there into peaks, lay spread out before me. In the far northeast one could see the important hill fortress of Niksic, but no land anywhere appeared. In fact, all the soil in Montenegro, except in the southern part around Lake Skutari, is found in larger or smaller clefts of the rocks; Cettinje itself being simply one of the largest of these. Now it was downhill, and I abused my wheel shamefully, running it hard over the stones as the only way of accomplishing the journey. At about ten o’clock, just after feasting my eyes on the grand chain of snow-covered Illyrian mountains in the background, I turned a large cliff and looked down into a bowl five or ten times as large as that of Njegus, and saw at its farther end Cettinje, looking like a large German country village with roofs of red tiles. This is without doubt the most primitive capital of Europe. Words almost fail to express its plainness. But it is a place worth seeing, and after a reasonable halt I made haste to traverse in the blazing sun the two or three miles which lay between the rim of the bowl where I stood and the town.

It was some years since I had felt myself so out of the world as I did up there among the mountains and men of Slavic speech. I betook myself to a modest inn, Kraljevic Al Marco, for lunch. After wrestling to my satisfaction with Italian, I noticed that the landlady turned to her little boy and said something to him in Greek. Quick as a flash the ice was broken and we were talking Greek like lightning. It was a family of Greeks, the brother of the landlady being the interpreter at the Greek Consulate.

After an hour or two of rest they showed me about the town for awhile, after which I cut loose to see things for myself. What a plain town it is! The palace of the present sovereign, called the New Palace, is one of the few two-story buildings in the place, but even this has hardly any ornament except four pairs of attached Corinthian columns on each of the stories at the front side, and two pairs on each of the other sides. The so-called “Old Palace” is plainer than most modern jails. The one building of interest is the monastery, in which lies buried the ancestor of the ruling family, on whose sarcophagus the Montenegrins lay their hands and swear when they go out to battle to be good and true soldiers. And they have kept their oaths well. These Montenegrins are simply Servians who never bowed the knee to the Turks. It has occurred more than once or twice that a Turkish army has entered this land of rocks eighty thousand strong, sweeping everything before it, only to return decimated, if perchance it escaped destruction. There is a round tower in the rear of the monastery, on which the heads of Turks used to be nailed up.

It was good luck for me that my visit fell on Sunday, for the men were in their best dress. Dress did not make the man; the man was there to begin with. There was hardly an adult who did not measure over six feet; and they looked every inch a man. If there were only enough of them they would soon settle the Eastern question. Alexander III. of Russia knew how to value his “only faithful ally.” In contrast to the men, the women look like drudges. The male sex has really arrogated to itself all the beauty, a result that has come about from the fact that, while the men have for ages borne arms and ranged free, the women have been the tillers of the scanty soil as well as servants of all work. Men are the one product of Montenegro. The only product of the soil beyond the grain and potatoes, which afford scanty sustenance, is tobacco, which is good and cheap. There is a heavy duty on it in Austria, something like two hundred per cent.; everybody tries to smuggle it in, and the trick often succeeds.

The next day was the birthday of the Crown Prince, and when I made ready to depart my new friends said, “Of course you are going to stay to the great festival,” apparently thinking that that was what I came for. I asked if the young man himself was to be present, and they replied, “Oh! no.” "Then," said I, “I think I will not be present either.” So I got off at half-past two in a fierce heat, and by easy stages, meeting as I went several of my stalwart third-class fellow-passengers, I reached the Galatea in season for a good dinner.

On the way from Cattaro to Spalato the chief object of interest is Ragusa, a strongly fortified city of about twelve thousand inhabitants, which, after maintaining itself as a free republic until 1805, often leaning upon Venice the while, went in the next decade through great vicissitudes, being in 1811 annexed by Napoleon to the new “Kingdom of Illyria,” and in 1814 falling into the hands of Austria, so good at taking hold but so slow at letting go. But, after all that may be said of the land-greed of Austria, it has been no evil lot for Dalmatia to fall into her hands. Austria has inherited—let Professor Freeman turn over in his grave to hear it said—the rôle of Rome as road-builder, civilizer, and introducer of general prosperity along this coast. She is now pushing a network of railroads along the coast and up from the coast towns into the interior. Ragusa has a very Venetian look in its old part and a very nineteenth-century look in its new part. Its surroundings are almost as interesting as the city itself. On the lovely island Lacroma, hard by on the south, is a church founded by Richard Cœur de Lion. Somewhat farther off to the north, on the shore, lies Canosa, ever remembered by a spring of pure water shaded by two gigantic plane-trees forty feet in circumference, an enchanted spot. At or near Ragusa lay the Greek city Epidauros.

In this region might well be located the “Islands of the Blessed”; for here we begin to encounter islands by tens and dozens, large and small. The rest of the journey was dodging in and out among islands. We have lakes in America which boast their three hundred and sixty-five islands, one for each day in the year; but the Dalmatian islands are not to be counted by hundreds, but by thousands, if one were to count them at all. They are generally spoken of as innumerable. Geologists say that there has been here a subsidence of great strips of land, and that the sea has in some cases broken up the remaining strips into pieces of a size to suit itself, ranging from fifty rods to fifty miles in length. Here comes the infinite charm of sailing along the Dalmatian coast, this interlocking of sea and shore. No wonder that the Dalmatians are all sailors, wooers of the salt sea gale. I myself longed to get off the steamer and get into one of the numerous sailboats that were ploughing through the dashing waves.

Had the Galatea stopped as long at Spalato as it had at Cattaro, I should have been tempted to crowd my enjoyment of it into the same space; but she had now transformed herself into an express boat, bent on reaching Trieste in the shortest possible time. So, with some regret, I left my hospitable quarters on my floating home to trust myself to the welcome of an inn.

But little did I care for the inn. Within a quarter of an hour from the time when I left the steamer I was in the heart of one of the strangest cities of the world, threading my way through narrow winding streets, passing here and there a temple, generally embedded in some later building, running up against a continuous wall two or three stories high which I followed until I found a gate that would let me go through it; then I followed the outside of this wall until I found another gate that let me in again, when the maze again engulfed me. I was in the famous Palace of Diocletian.

The city Spalato was once all inside the palace (palatium), and got its name from that fact; but in later years the city has so grown that the palace is embedded and almost lost in the city. In order to get a good idea of the city and palace together one should climb the campanile, a fine Romanesque structure, incomparably finer than that the loss of which Venice now mourns. In 1882 it became necessary to take down all but the four lower stories and rebuild. Money has come in slowly, and the staging which practically hides the beautiful campanile may not come down for several years more. The door leading into this immense wooden structure bore the legend, L’ingresso è vietato. But following a maxim hewn from life, that a sightseer must always go on until he is stopped, I went and pushed my way through the workmen, boss and all, probably with a more assured air because a good citizen had a few minutes before told me, "You will see a sign saying ‘No admittance,’ but it doesn’t mean anything.”

SPALATO. PALACE OF DIOCLETIAN. SOUTH FRONT.

At the foot of the campanile is an Egyptian sphinx whose head has been battered by a falling stone. The natives call it the “man-woman,” and, curiously enough, they call the sun disk between its paws “pogazza” (a loaf of bread), a roundabout corroboration of what I used to hear in childhood: "The moon is made of green cheese; the sun’s a loaf of bread." The view from the top is fine, whether you look landward or seaward; but the real reward of the climb is that here only the extent and plan of the palace and the adjustment of the buildings within it become perfectly clear.

The term “palace” is a misnomer. What we have is really an enormous enclosure, a sort of Roman camp. The area is trapezoidal; in other words, the sides vary in length. The north or landward side, which is the longest, has a length of 700 feet. The circuit is about half a mile, and it consumes the better part of half an hour to work your way around it. There could, of course, be no question of roofing over such a space. The whole area was divided into four approximately equal squares by two great passages, one thirty-six feet broad, leading from the water gate on the south side called the Silver Gate, through which the imperial barge used to sail into the palace, to the Golden Gate on the north side, the other running from the Iron Gate on the west to the Bronze Gate on the east. The first of these ways is interrupted near the south end by the imperial house itself. The enclosing wall was fifty feet high at its lowest part, and was seventy-five feet high near the sea where the ground fell off, so that all the buildings, sacred and profane, distributed within were hidden from view to outsiders. Not only did the imperial family, but courtiers and menials, making a population of some thirty thousand, have quarters here.

The builder and occupant of this palace was the greatest personality of the Cæsars after Marcus Aurelius, whom in military and administrative force he greatly surpassed. Entering the service as a simple legionary, he rose by slow degrees of service in all parts of the empire under various nonentities of emperors, until at Chalkedon, in 284 A.D., the soldiers proclaimed him emperor. There is a legend that a Druid priestess had prophesied to him when he was serving in Belgium under Aurelian that he would become emperor immediately after killing a boar. It is said that he saw the fulfilment of this prophecy when the Emperor Numerianus was assassinated at Chalkedon by a certain Aper (i.e., boar), whom he immediately struck down, exclaiming, “I have killed the boar.” Of course there are those who think that the legend grew out of the name of the assassin. Diocletian’s name will ever be associated with the last and most wide-reaching and systematic persecution of the Christians; but this policy was most likely forced upon him by the fanaticism of his colleague, Galerius. At this time the Roman Empire had become too bulky to be well administered by one man, however able and conscientious, and of his own accord he associated others with himself in the imperial power, confining himself entirely to the eastern part. Two years after he had issued at Nikomedia, in 303 A.D., his edict of persecution of the Christians, the cares of office weighing too heavily upon him, he laid aside the purple, retired to Salona, and began building this palace about four miles distant from it. When his withdrawal was so sorely felt that he was importuned to resume the imperial power, he declined, referring to the sweet peace which he enjoyed among his cabbages at Salona. There can be little doubt that the reason which influenced him to choose Salona as his place of retirement was that it was his birthplace, although the Montenegrins hold that they have the true birthplace in Doclea, not far from Cettinje.

But the old Emperor’s musings in his great palace must have been sadder than Hadrian’s conversings with his soul at Tivoli. Here he learned of the triumph of Christianity through Constantine, a meaner spirit than he. Then came the overturning of his statues at Rome and the banishment and subsequent butchery of his wife and daughter. Added to all this was a painful illness; and in the eighth year of his residence in that palace where he had promised himself so much comfort and sweet peace, to adopt the words of Marcus Aurelius, that noblest Roman of them all, he “found the house smoky and went out.”

Beside the pathetic interest attaching to the great founder of the palace, another interest attaches to the immuring of it in the modern city. In the seventh century Anno Domini waves of barbarians swept down along the coast of Dalmatia. One of these was composed of Avars—a people often mixed up, whether rightly or wrongly, with the Huns. Even more than the Huns they were a “scourge of God.” After leaving a desert in their trail, butchering men and yoking women to their carts, they came into this lovely region, destroyed the great city, and then decided to settle down here. There was a grand scattering of the degenerate Romans, who had been unable to hold their own, to the neighboring islands, but after awhile a remnant came back and occupied the palace, which was fairly well adapted to be used as a fort. Here they defied the Avars, and at last outstayed them. The result was the present city of Spalato.

One’s first impression is that the palace, although tremendously impressive from the outside wherever that is visible, has yet suffered immensely from its partial burial in the modern city. The two temples within were much more buried than the great wall, and have been only partially brought to light again. But in another aspect of the case the modern city saved the palace. Had the latter stood by itself it would have been treated as a stone quarry, like so many ancient cities, Salona itself, for example. Now there is hope that by removing here and there a modern building—a process that was begun some time ago—the greater part of the palace may be restored to the light of day. In fact, the Porta Aurea has quite recently been freed from encumbrances and, even without being restored, makes a fine impression.

From all that one now sees it is clear that the architecture, though impressive as a whole, is shabby when examined in detail. The exquisite finish of the Greek is, of course, lacking. But even compared with some other Roman work it is seen to have been hastily done. Its nearest parallel is found in Palmyra, which was restored by Diocletian.

The enclosing wall has half columns of the Doric order in a lower story and Ionic half columns in a second. Of the buildings inside, the “peristyle” in front of the royal residence makes the best impression, because the space enclosed by it was thoroughly cleared out by the Emperor Francis I. of Austria, nearly a century ago, a benefaction duly recorded on a tablet inserted in an adjacent wall. Many of the columns of the peristyle itself, however, are still half embedded in the walls of buildings too important to be torn down. A building which is now generally identified with the mausoleum of Diocletian forms the present cathedral, the campanile of which caused the destruction of a portion of a peristyle enclosing the mausoleum. This mausoleum is a round building like the Pantheon, and like the latter has a perfectly preserved dome which, unlike that of the Pantheon, was not open at the top. About a quarter of a century ago the interior was restored under the auspices of the ill-matched and ill-fated Rudolf and Stephanie, who are mentioned on a conspicuous tablet, not as furnishing any cash for the enterprise, but as presentibus et opus admirantibus. The interior, forty-two feet in diameter, with eight large columns framing four niches and bearing eight smaller columns superimposed, makes a fine impression, although the space seems rather small for a cathedral. A sculptured frieze encircling the dome at the bottom, and containing, among other things, hunting scenes, must be catalogued as “shapeless sculpture.”

After being presens and admirans for half a day, wherever I could enter and climb, I sought out Father Bulich, the director of the museum as well as supervisor of all the archæological interests and undertakings of Spalato and Salona, in order to get him to show me the things that were under lock and key. I found him at his house dickering with some visitors for antiquities, and the last I saw of him, two days later, he was engaged in the same occupation. Nothing could exceed his cordiality and his active help. As soon as he could get rid of his visitors he brought out all the best works on Spalato, some of them loaded with illustrations, and sent them around to my hotel. Unfortunately, I could not get half time, even by sitting up all night, to read any large part of them. Then he took me over three of his five or six small museums with which he has to put up instead of the large one for which he prays as well as labors. But though he has done much to bring order out of the chaos which he found, some luckier man than he will probably be the arranger of the museum of Spalato worthy of the name. Amid much that is common and uninteresting, and yet too good to throw away, are objects of great value and importance. Nearly everything is from Salona. He has catalogued and published nearly two thousand seven hundred inscriptions. Gems are strongly represented, as well as coins and other small objects. Sculpture, aside from some good fragments, is represented mostly by sarcophagi, very few of which rise above mediocrity. It is interesting to see here, as elsewhere, a sarcophagus with the representation of Phædra and Hippolytos spared by the Christians, who took Hippolytos as the “chaste Joseph.” The oldest object in any of the museums is a sphinx shown by an inscription to belong to Amenophis III., the Memnon of the Greeks, of about 1500 B.C. In one museum is a cast of a really fine head of Herakles, found in the neighborhood but kept by the monks at Sinj.

Of objects which did not come from Salona may be mentioned certain Greek inscriptions which show the presence of Greeks on these coasts and islands long before the great days of Rome. Of course it was unlikely that, having put a girdle of colonies around southern Italy, and pushed up along the eastern shore of the Adriatic as far as Epidauros (Ragusa), they should remain strangers to this region so crowded with islands, just their kind.

Father Bulich took me also into the one building inside the palace that is kept locked. Its chief attraction is a perfectly preserved barrel vault with coffers containing rosettes. This is supposed, partly from its position, to have been Diocletian’s court chapel; but whether it was dedicated to Jupiter or to Æsculapius is a question which divides the authorities. Lanza, Bulich’s predecessor, inferred from a laurel wreath bound by a ribbon which he took to be the imperial crown, sculptured in the rear gable, that this was Diocletian’s mausoleum. This rear end was said by the guide-books to be inaccessible, and so of course it was what I most wanted to see. I mentioned my regret, and, to my surprise, Bulich said, “Oh! it is perfectly accessible.” Then he led the way through several by-ways and up three flights of stairs, almost tumbling over children in the dim light, until at last we got into a kitchen which was backed up against the gable. There was the laurel wreath, to be sure. Little did it interest the rosy-cheeked woman who had her sleeves rolled up above her elbows and was trying in some embarrassment to get them down again before a stranger. The wreath was out of her reach; but the horizontal cornice of the gable was only about four feet above the floor of her kitchen; and she had deployed upon it—a splendid shelf—her oils and essences, her butter and sugar, and all the appliances of a kitchen and a pantry. When Bulich, with all the authority of an archæologist and a father confessor combined, reproved her for quite a good-sized, fresh nick on the left ascending cornice, her cheeks and even her arms took on a redder hue, probably on account of my presence; for the priest was greeted on every staircase as a familiar friend.

The next day he showed me his excavations at Salona, which he has carried on under great difficulties. Since the Austrian empire has no law for the expropriation of private property for the purpose of archæological excavations, he has been obliged with his not all too generous funds to make his peace with the owners of the fields; and, since the whole area of Salona is covered by one continuous vineyard, it has been very slow business. But he has managed to get a foothold here and there. Here the greater part of a big amphitheatre has been uncovered, here a long line of sarcophagi; at present he is pushing a few yards farther the uncovering of a huge Christian basilica.

There had been no great surprises for me at Spalato; but Salona, which had been to me a mere name, now suddenly loomed large before my vision as the great city of the Occident next to Rome. Three things made Salona what it was. It had in the first place a fine harbor at the end of a deep bay. The silting up of the harbor in modern times has brought it a little farther from the water’s edge; but that the water once lapped its walls is shown by its water gate. Secondly, just back of Salona there is a great gap in the long chain of mountains that follow the shore at a little interval as far as the eye can reach. Through this gap a great road led into the heart of the Balkan peninsula through what is now known as Bosnia and Servia to the Danube and beyond. Thirdly, the region back of the gap was vastly important to the Romans as a gold-bearing land. In the times of Augustus and Tiberius gold was commonly referred to by the poets as “Dalmatian ore.” Salona was the place where all this gold was gathered for transmission to Rome.

The Romans’ greed for gold was here seen in its sharpest phase. They dug miles into the heart of mountains, and carried water hundreds of miles in artificial channels for washing deposits of gold. Perhaps no one can ever convey or even conceive of the horror of the life of slaves in these works. In droves of tens of thousands, many of them made slaves instead of masters by the mere fortune of war, they were driven into the bowels of the earth with poor chance of seeing the light again. It is, at any rate, a fact that months passed without such re-emergence, a fact which lessened the likelihood of any re-emergence at all. In that great and cruel empire, slave life counted for little; the supply was abundant.

Arthur Evans, who has recently given back to us the palace of Minos, made in a series of essays some twenty-five years ago what French savants would call a “most penetrating study” of the roads and mines of Dalmatia and adjacent regions. Realizing from this book the importance of this great highway from Salona, and being already strongly lured by the sight of that great yawning gap in the mountain range, I took advantage of the fact that my appointment with Bulich was not until four o’clock to make the day a day of exploration. Taking an early start, I worked my way up to the top of the pass over a road laid out with such a gentle grade that I was able to bicycle over nine-tenths of the distance. Arrived at the top, I went on by a gentle down grade four or five miles into the interior toward Sinj; but, finding no commanding point of view, I returned to the top of the pass. From this point the view can hardly be overpraised. Exactly in the middle of the deep cut is Clissa, a sharp cone, on the truncated top of which is a strong fortress with a straggling village on the slope facing Spalato. Although there are no evident remains of masonry in the fort earlier than the mediæval period, there can be no doubt that a fortress primeval existed here. For once Baedeker deceived me in saying that admission to the fortress would be granted on presentation of a visiting card. The non-commissioned officer in charge stood by his guns, and, in spite of all importunity, refused admission except on the strength of a written permit from the commandant at Spalato. So I contented myself with a view from a point outside the walls some twenty feet lower down. Since it is mainly the view toward Spalato and the sea that is important, there was practically nothing lost. There was just a little feeling of defeat, of being baffled in an attempt to reach the highest height. A railroad is just now approaching completion from Spalato up through this gap to Sinj. When it is finished visitors can enjoy from its many windings all this fine view at their ease.

CLISSA

In twenty minutes I dropped down to Salona, and devoted the rest of the day to exploring the territory of Spalato westward as far as Traü, its ancient rival. Every foot of this shore is beautiful; but Traü itself surpasses all praise. Its cathedral, in Romanesque style, is complete and unencumbered with later additions. The great west portal, with the figures of Adam and Eve to the right and left, is held by good judges to be unsurpassed by any other portal, whether Romanesque or Gothic. The campanile alone is Gothic, showing that it was somewhat later. It is to be noted, however, that the transition from Romanesque to Gothic all along this shore was nearly a century later than elsewhere. There are other beautiful churches in Traü, some of them in ruins. In fact, stagnation almost complete has struck the town, which is crowded into a very narrow space on a diminutive island. Its streets are not broad enough for carriages. There is a Venetian loggia near the cathedral, with columns that had seen service elsewhere. Its flat roof has tumbled in and been replaced by a makeshift. There is a fascination in this absolute inertia which contrasts with the growth and activity of Spalato, only twelve miles away in a straight line. Seven or eight centuries ago these two rivals would have torn each other in pieces but for the stern yet, on the whole, beneficent rule of Venice, tokens of which, in the form of the lion of St. Mark, appear all along the coast, but especially in Traü, where they have not been removed. “Traü” is an abridgment of Tugurium, the Roman name of the place; but it had an existence in Greek times, being founded by Syracusan Greeks who came by way of the neighboring island, Lissa. I saw one Greek inscription walled into a house near the landing.

At four o’clock on this day of surfeits I met Bulich at the railroad station, “Salona.” He came with a select international party, and for four hours, with tremendous enthusiasm, showed us all about his excavation, and then took us to his excavation quarters, which he calls Villa Tusculum, for a fine supper. I verily believe that had not darkness come on he would have forgotten all about that supper, which was, if not a climax, certainly a fitting close to a memorable day.

A most striking feature of Spalato is the beauty of the women. For some considerable time I had been struck by isolated cases; but one evening, as I sat at a café on the water front where crowds were leisurely passing, I noticed nursery-maids and others of the servant class endowed with beauty which a duchess might sigh for. I have never set much store by statements which make certain cities—Genzano, near Rome, for instance—noted for beautiful women, and so I called myself to a rigid account in this case, and there was no mistaking the cumulative evidence collected in cold blood. To control my own impression I asked Bulich, the aged, the next day whether I was mistaken. “Certainly not,” said he, “you are making no new discovery.” But, lest he should be considered a prejudiced witness, influenced by local pride, I appeal to the next traveller to look up the matter. He should, however, first prepare his mind by visiting Montenegro.

Knots of men, also, who had come in from the country or from coasting boats, peasantry of the region, men of Slavic race, called here Morlaks, contributed to the picturesqueness of the crowd. Four such men, wearing great red and yellow turbans, jackets covered with embroidery and buttons, great red sashes, and indescribable leg and foot coverings, attracted little attention as they passed and repassed the café where I sat, simply because they were not much more conspicuous than many other similar groups. Transfer some of these groups of men and women to canvas with photographic exactness, color included, and you have Titian. It seems a pity that “die Kultur die alle Welt beleckt” should ever reach this sweet corner and reduce all this exuberance of color and form to a dead level. The modern tailor ought not to be allowed to enter here with his profane shears and fashion plates.

Continuing my journey from Spalato, I profited by an hour’s stop at Traü to review the cathedral. When we had proceeded two-thirds of the way from Spalato to Sebenico, and had just got into the harbor of Ragonitzka, we were struck by a hurricane which subsequently softened down into a regular “bora,” for which Dalmatia is famous. For a few minutes paper parcels and even a pile of books were blown about the deck; but to my surprise certain little red disks on the top of the bare heads of some of the passengers held their places. I then discovered on careful scrutiny that they were held in place by a string carefully concealed in the hair back of the ears. I then made a study of these disks. They merely rested on the top of the head, and could in no sense be regarded as a covering for it. It would be an exaggeration to say that they were no bigger than a ten-cent piece, but not so very much of an exaggeration. To be as exact as possible without actual measurements, I should say that the diameter of most of these was three or four inches. The wearers of them were often clad in an ordinary modern suit of clothes. In Sebenico I continued my comparative study of these red disks. I then found some that nearly covered the top of the head, and at last a few cases that had a slight extension downward all around the head. This made it clear that it was intended for a cap. It furthermore appeared that the more a fellow partook of the nature of a “howling swell” the smaller was his disk. It became perfectly clear, then, that we have in Sebenico a case not of the development but of the disappearance of the cap, what is left being only symbolical, the antithesis of the “tall hat.”

We had four or five hours in Sebenico, and I spent most of the time in visiting two great discarded forts on high hills back of the city. It would have been worth while to stop and wait for another steamer in order to make an excursion into the interior; but I had had almost a surfeit of fine views, and kept on my course. Sebenico is one of the strangest of harbors. After heading for it the steamer has to dodge around island after island, and at last, when it seems confronted by a continuous coast line, it finds a little break through which it goes in and finds itself in a broad bay. When one looks back one wonders how he ever got so far inland with a steamer, and how he is ever going to get out again to the sea that looks so far away. From its sheltered situation, Sebenico was for ages a pirates’ nest. The hand of Venice was here also needed to keep Sebenico from preying on her neighbors, Traü and Spalato. Now all the jarring states rest quietly in the bosom of Austria, except that the contention between the old Italian civilization and the new and aggressive Slave element grows ever fiercer, with the danger that the Italian element will be crowded to the wall.

In about four hours after leaving Sebenico we were at Zara, which enjoys the double distinction of being the capital of Dalmatia and the home of maraschino. It has several churches of absorbing interest, both for their architecture and for their contents. Although it has lost immensely in picturesqueness by the tearing down of its old walls, it is still a beautiful city; but it is a modern kind of beauty, which has come from broad boulevards taking the place of the landward wall, and a splendid quay taking the place of the sea wall. Austrian officers in fine uniforms set the tone. It has almost too much of an air of thrift to be picturesque. One sees everywhere, signs of maraschino factories, maraschino stores, and maraschino cafés.

As I sat in front of a café on the modern quay, sipping my second glass of maraschino at what claimed to be the original maraschino establishment in the city, and looked off at the eight Austrian war-ships lying off the shore, a feeling of “change from the old to the new” came over me. Just then such a sunset as is rarely vouchsafed to man was transpiring. The blood-red sun of double size was setting in the illumined sea. I took it as a signal that my Dalmatian journey was at an end. Pola and Fiume I already knew, and Trieste was a common mart. I went back to the steamer.


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Transcriber’s Note

Minor errors or inconsistencies in punctuation have been corrected silently. The pages referred to in the following remarks refer to the original printed edition.

On p. 9, the phrases regarding an inscription introduced with “It read thus:”, include an unbalanced quotation mark, but it is not clear where it should be placed, or which might be spurious.

The following list describes any obvious printer’s errors that were detected, and the resolution of each.

p. 31approp[r]iate]Added.
p. 134I[t/n] spite of great careCorrected.
p. 166in [f]ront of his sea-wallAdded.
p. 191entertai[n]mentAdded.
p. 192their sea-sickness and fright[./;]Corrected.
p. 239and the new and aggressive [Slave] elementsic. Slav?
p. 240One sees everywhere[,] signs of maraschinosic.