A WIFE'S STORY
In 1876 we took a house in one of the best streets and parts of B——. I do not give the name of the street or the number of the house, because the circumstances that occurred in that place were such as to make people nervous, and shy—unreasonably so—of taking those lodgings, after reading our experiences therein.
We were a small family—my husband, a grown-up daughter, and myself; and we had two maids—a cook, and the other was house- and parlourmaid in one. We had not been a fortnight in the house before my daughter said to me one morning: "Mamma, I do not like Jane"—that was our house-parlourmaid.
"Why so?" I asked. "She seems respectable, and she does her work systematically. I have no fault to find with her, none whatever."
"She may do her work," said Bessie, my daughter, "but I dislike inquisitiveness."
"Inquisitiveness!" I exclaimed. "What do you mean? Has she been looking into your drawers?"
"No, mamma, but she watches me. It is hot weather now, and when I am in my room, occasionally, I leave my door open whilst writing a letter, or doing any little bit of needlework, and then I am almost certain to hear her outside. If I turn sharply round, I see her slipping out of sight. It is most annoying. I really was unaware that I was such an interesting personage as to make it worth anyone's while to spy out my proceedings."
"Nonsense, my dear. You are sure it is Jane?"
"Well—I suppose so." There was a slight hesitation in her voice. "If not Jane, who can it be?"
"Are you sure it is not cook?"
"Oh, no, it is not cook; she is busy in the kitchen. I have heard her there, when I have gone outside my room upon the landing, after having caught that girl watching me."
"If you have caught her," said I, "I suppose you spoke to her about the impropriety of her conduct."
"Well, caught is the wrong word. I have not actually caught her at it. Only to-day I distinctly heard her at my door, and I saw her back as she turned to run away, when I went towards her."
"But you followed her, of course?"
"Yes, but I did not find her on the landing when I got outside."
"Where was she, then?"
"I don't know."
"But did you not go and see?"
"She slipped away with astonishing celerity," said Bessie.
"I can take no steps in the matter. If she does it again, speak to her and remonstrate."
"But I never have a chance. She is gone in a moment."
"She cannot get away so quickly as all that."
"Somehow she does."
"And you are sure it is Jane?" again I asked; and again she replied: "If not Jane, who else can it be? There is no one else in the house."
So this unpleasant matter ended, for the time. The next intimation of something of the sort proceeded from another quarter—in fact, from Jane herself. She came to me some days later and said, with some embarrassment in her tone—
"If you please, ma'am, if I do not give satisfaction, I would rather leave the situation."
"Leave!" I exclaimed. "Why, I have not given you the slightest cause. I have not found fault with you for anything as yet, have I, Jane? On the contrary, I have been much pleased with the thoroughness of your work. And you are always tidy and obliging."
"It isn't that, ma'am; but I don't like being watched whatever I do."
"Watched!" I repeated. "What do you mean? You surely do not suppose that I am running after you when you are engaged on your occupations. I assure you I have other and more important things to do."
"No, ma'am, I don't suppose you do."
"Then who watches you?"
"I think it must be Miss Bessie."
"Miss Bessie!" I could say no more, I was so astounded.
"Yes, ma'am. When I am sweeping out a room, and my back is turned, I hear her at the door; and when I turn myself about, I just catch a glimpse of her running away. I see her skirts——"
"Miss Bessie is above doing anything of the sort."
"If it is not Miss Bessie, who is it, ma'am?"
There was a tone of indecision in her voice.
"My good Jane," said I, "set your mind at rest. Miss Bessie could not act as you suppose. Have you seen her on these occasions and assured yourself that it is she?"
"No, ma'am, I've not, so to speak, seen her face; but I know it ain't cook, and I'm sure it ain't you, ma'am; so who else can it be?"
I considered for some moments, and the maid stood before me in dubious mood.
"You say you saw her skirts. Did you recognise the gown? What did she wear?"
"It was a light cotton print—more like a maid's morning dress."
"Well, set your mind at ease; Miss Bessie has not got such a frock as you describe."
"I don't think she has," said Jane; "but there was someone at the door, watching me, who ran away when I turned myself about."
"Did she run upstairs or down?"
"I don't know. I did go out on the landing, but there was no one there. I'm sure it wasn't cook, for I heard her clattering the dishes down in the kitchen at the time."
"Well, Jane, there is some mystery in this. I will not accept your notice; we will let matters stand over till we can look into this complaint of yours and discover the rights of it."
"Thank you, ma'am. I'm very comfortable here, but it is unpleasant to suppose that one is not trusted, and is spied on wherever one goes and whatever one is about."
A week later, after dinner one evening, when Bessie and I had quitted the table and left my husband to his smoke, Bessie said to me, when we were in the drawing-room together: "Mamma, it is not Jane."
"What is not Jane?" I asked.
"It is not Jane who watches me."
"Who can it be, then?"
"I don't know."
"And how is it that you are confident that you are not being observed by Jane?"
"Because I have seen her—that is to say, her head."
"When? where?"
"Whilst dressing for dinner, I was before the glass doing my hair, when I saw in the mirror someone behind me. I had only the two candles lighted on the table, and the room was otherwise dark. I thought I heard someone stirring—just the sort of stealthy step I have come to recognise as having troubled me so often. I did not turn, but looked steadily before me into the glass, and I could see reflected therein someone—a woman with red hair. Then I moved from my place quickly. I heard steps of some person hurrying away, but I saw no one then."
"The door was open?"
"No, it was shut."
"But where did she go?"
"I do not know, mamma. I looked everywhere in the room and could find no one. I have been quite upset. I cannot tell what to think of this. I feel utterly unhinged."
"I noticed at table that you did not appear well, but I said nothing about it. Your father gets so alarmed, and fidgets and fusses, if he thinks that there is anything the matter with you. But this is a most extraordinary story."
"It is an extraordinary fact," said Bessie.
"You have searched your room thoroughly?"
"I have looked into every corner."
"And there is no one there?"
"No one. Would you mind, mamma, sleeping with me to-night? I am so frightened. Do you think it can be a ghost?"
"Ghost? Fiddlesticks!"
I made some excuse to my husband and spent the night in Bessie's room. There was no disturbance that night of any sort, and although my daughter was excited and unable to sleep till long after midnight, she did fall into refreshing slumber at last, and in the morning said to me: "Mamma, I think I must have fancied that I saw something in the glass. I dare say my nerves were over-wrought."
I was greatly relieved to hear this, and I arrived at much the same conclusion as did Bessie, but was again bewildered, and my mind unsettled by Jane, who came to me just before lunch, when I was alone, and said—
"Please, ma'am, it's only fair to say, but it's not Miss Bessie."
"What is not Miss Bessie? I mean, who is not Miss Bessie?"
"Her as is spying on me."
"I told you it could not be she. Who is it?"
"Please, ma'am, I don't know. It's a red-haired girl."
"But, Jane, be serious. There is no red-haired girl in the house."
"I know there ain't, ma'am. But for all that, she spies on me."
"Be reasonable, Jane," I said, disguising the shock her words produced on me. "If there be no red-haired girl in the house, how can you have one watching you?"
"I don't know; but one does."
"How do you know that she is red-haired?"
"Because I have seen her."
"When?"
"This morning."
"Indeed?"
"Yes, ma'am. I was going upstairs, when I heard steps coming softly after me—the backstairs, ma'am; they're rather dark and steep, and there's no carpet on them, as on the front stairs, and I was sure I heard someone following me; so I twisted about, thinking it might be cook, but it wasn't. I saw a young woman in a print dress, and the light as came from the window at the side fell on her head, and it was carrots—reg'lar carrots."
"Did you see her face?"
"No, ma'am; she put her arm up and turned and ran downstairs, and I went after her, but I never found her."
"You followed her—how far?"
"To the kitchen. Cook was there. And I said to cook, says I: 'Did you see a girl come this way?' And she said, short-like: 'No.'"
"And cook saw nothing at all?"
"Nothing. She didn't seem best pleased at my axing. I suppose I frightened her, as I'd been telling her about how I was followed and spied on."
I mused a moment only, and then said solemnly—
"Jane, what you want is a pill. You are suffering from hallucinations. I know a case very much like yours; and take my word for it that, in your condition of liver or digestion, a pill is a sovereign remedy. Set your mind at rest; this is a mere delusion, caused by pressure on the optic nerve. I will give you a pill to-night when you go to bed, another to-morrow, a third on the day after, and that will settle the red-haired girl. You will see no more of her."
"You think so, ma'am?"
"I am sure of it."
On consideration, I thought it as well to mention the matter to the cook, a strange, reserved woman, not given to talking, who did her work admirably, but whom, for some inexplicable reason, I did not like. If I had considered a little further as to how to broach the subject, I should perhaps have proved more successful; but by not doing so I rushed the question and obtained no satisfaction.
I had gone down to the kitchen to order dinner, and the difficult question had arisen how to dispose of the scraps from yesterday's joint.
"Rissoles, ma'am?"
"No," said I, "not rissoles. Your master objects to them."
"Then perhaps croquettes?"
"They are only rissoles in disguise."
"Perhaps cottage pie?"
"No; that is inorganic rissole, a sort of protoplasm out of which rissoles are developed."
"Then, ma'am, I might make a hash."
"Not an ordinary, barefaced, rudimentary hash?"
"No, ma'am, with French mushrooms, or truffles, or tomatoes."
"Well—yes—perhaps. By the way, talking of tomatoes, who is that red-haired girl who has been about the house?"
"Can't say, ma'am."
I noticed at once that the eyes of the cook contracted, her lips tightened, and her face assumed a half-defiant, half-terrified look.
"You have not many friends in this place, have you, cook?"
"No, ma'am, none."
"Then who can she be?"
"Can't say, ma'am."
"You can throw no light on the matter? It is very unsatisfactory having a person about the house—and she has been seen upstairs—of whom one knows nothing."
"No doubt, ma'am."
"And you cannot enlighten me?"
"She is no friend of mine."
"Nor is she of Jane's. Jane spoke to me about her. Has she remarked concerning this girl to you?"
"Can't say, ma'am, as I notice all Jane says. She talks a good deal."
"You see, there must be someone who is a stranger and who has access to this house. It is most awkward."
"Very so, ma'am."
I could get nothing more from the cook. I might as well have talked to a log; and, indeed, her face assumed a wooden look as I continued to speak to her on the matter. So I sighed, and said—
"Very well, hash with tomato," and went upstairs.
A few days later the house-parlourmaid said to me, "Please, ma'am, may I have another pill?"
"Pill!" I exclaimed. "Why?"
"Because I have seen her again. She was behind the curtains, and I caught her putting out her red head to look at me."
"Did you see her face?"
"No; she up with her arm over it and scuttled away."
"This is strange. I do not think I have more than two podophyllin pills left in the box, but to those you are welcome. Only I should recommend a different treatment. Instead of taking them yourself, the moment you see, or fancy that you see, the red-haired girl, go at her with the box and threaten to administer the pills to her. That will rout her, if anything will."
"But she will not stop for the pills."
"The threat of having them forced on her every time she shows herself will disconcert her. Conceive, I am supposing, that on each occasion Miss Bessie, or I, were to meet you on the stairs, in a room, on the landing, in the hall, we were to rush on you and force, let us say, castor-oil globules between your lips. You would give notice at once."
"Yes; so I should, ma'am."
"Well, try this upon the red-haired girl. It will prove infallible."
"Thank you, ma'am; what you say seems reasonable."
Whether Bessie saw more of the puzzling apparition, I cannot say. She spoke no further on the matter to me; but that may have been so as to cause me no further uneasiness. I was unable to resolve the question to my own satisfaction—whether what had been seen was a real person, who obtained access to the house in some unaccountable manner, or whether it was, what I have called it, an apparition.
As far as I could ascertain, nothing had been taken away. The movements of the red-haired girl were not those of one who sought to pilfer. They seemed to me rather those of one not in her right mind; and on this supposition I made inquiries in the neighbourhood as to the existence in our street, in any of the adjoining houses, of a person wanting in her wits, who was suffered to run about at will. But I could obtain no information that at all threw light on a point to me so perplexing.
Hitherto I had not mentioned the topic to my husband. I knew so well that I should obtain no help from him, that I made no effort to seek it. He would "Pish!" and "Pshaw!" and make some slighting reference to women's intellects, and not further trouble himself about the matter.
But one day, to my great astonishment, he referred to it himself.
"Julia," said he, "do you observe how I have cut myself in shaving?"
"Yes, dear," I replied. "You have cotton-wool sticking to your jaw, as if you were growing a white whisker on one side."
"It bled a great deal," said he.
"I am sorry to hear it."
"And I mopped up the blood with the new toilet-cover."
"Never!" I exclaimed. "You haven't been so foolish as to do that?"
"Yes. And that is just like you. You are much more concerned about your toilet-cover being stained than about my poor cheek which is gashed."
"You were very clumsy to do it," was all I could say. Married people are not always careful to preserve the amenities in private life. It is a pity, but it is so.
"It was due to no clumsiness on my part," said he; "though I do allow my nerves have been so shaken, broken, by married life, that I cannot always command my hand, as was the case when I was a bachelor. But this time it was due to that new, stupid, red-haired servant you have introduced into the house without consulting me or my pocket."
"Red-haired servant!" I echoed.
"Yes, that red-haired girl I have seen about. She thrusts herself into my study in a most offensive and objectionable way. But the climax of all was this morning, when I was shaving. I stood in my shirt before the glass, and had lathered my face, and was engaged on my right jaw, when that red-haired girl rushed between me and the mirror with both her elbows up, screening her face with her arms, and her head bowed. I started back, and in so doing cut myself."
"Where did she come from?"
"How can I tell? I did not expect to see anyone."
"Then where did she go?"
"I do not know; I was too concerned about my bleeding jaw to look about me. That girl must be dismissed."
"I wish she could be dismissed," I said.
"What do you mean?"
I did not answer my husband, for I really did not know what answer to make.
I was now the only person in the house who had not seen the red-haired girl, except possibly the cook, from whom I could gather nothing, but whom I suspected of knowing more concerning this mysterious apparition than she chose to admit. That what had been seen by Bessie and Jane was a supernatural visitant, I now felt convinced, seeing that it had appeared to that least imaginative and most commonplace of all individuals, my husband. By no mental process could he have been got to imagine anything. He certainly did see this red-haired girl, and that no living, corporeal maid had been in his dressing-room at the time I was perfectly certain.
I was soon, however, myself to be included in the number of those before whose eyes she appeared. It was in this wise.
Cook had gone out to do some marketing. I was in the breakfast-room, when, wanting a funnel to fill a little phial of brandy I always keep on the washstand in case of emergencies, I went to the head of the kitchen stairs, to descend and fetch what I required. Then I was aware of a great clattering of the fire-irons below, and a banging about of the boiler and grate. I went down the steps very hastily and entered the kitchen.
There I saw a figure of a short, set girl in a shabby cotton gown, not over clean, and slipshod, stooping before the stove, and striking the fender with the iron poker. She had fiery red hair, very untidy.
I uttered an exclamation.
Instantly she dropped the poker, and covering her face with her arms, uttering a strange, low cry, she dashed round the kitchen table, making nearly the complete circuit, and then swept past me, and I heard her clattering up the kitchen stairs.
I was too much taken aback to follow. I stood as one petrified. I felt dazed and unable to trust either my eyes or my ears.
Something like a minute must have elapsed before I had sufficiently recovered to turn and leave the kitchen. Then I ascended slowly and, I confess, nervously. I was fearful lest I should find the red-haired girl cowering against the wall, and that I should have to pass her.
But nothing was to be seen. I reached the hall, and saw that no door was open from it except that of the breakfast-room. I entered and thoroughly examined every recess, corner, and conceivable hiding-place, but could find no one there. Then I ascended the staircase, with my hand on the balustrade, and searched all the rooms on the first floor, without the least success. Above were the servants' apartments, and I now resolved on mounting to them. Here the staircase was uncarpeted. As I was ascending, I heard Jane at work in her room. I then heard her come out hastily upon the landing. At the same moment, with a rush past me, uttering the same moan, went the red-haired girl. I am sure I felt her skirts sweep my dress. I did not notice her till she was close upon me, but I did distinctly see her as she passed. I turned, and saw no more.
I at once mounted to the landing where was Jane.
"What is it?" I asked.
"Please, ma'am, I've seen the red-haired girl again, and I did as you recommended. I went at her rattling the pill-box, and she turned and ran downstairs. Did you see her, ma'am, as you came up?"
"How inexplicable!" I said. I would not admit to Jane that I had seen the apparition.
The situation remained unaltered for a week. The mystery was unsolved. No fresh light had been thrown on it. I did not again see or hear anything out of the way; nor did my husband, I presume, for he made no further remarks relative to the extra servant who had caused him so much annoyance. I presume he supposed that I had summarily dismissed her. This I conjectured from a smugness assumed by his face, such as it always acquired when he had carried a point against me—which was not often.
However, one evening, abruptly, we had a new sensation. My husband, Bessie, and I were at dinner, and we were partaking of the soup, Jane standing by, waiting to change our plates and to remove the tureen, when we dropped our spoons, alarmed by fearful screams issuing from the kitchen. By the way, characteristically, my husband finished his soup before he laid down the spoon and said—
"Good gracious! What is that?"
Bessie, Jane, and I were by this time at the door, and we rushed together to the kitchen stairs, and one after the other ran down them. I was the first to enter, and I saw cook wrapped in flames, and a paraffin lamp on the floor broken, and the blazing oil flowing over it.
I had sufficient presence of mind to catch up the cocoanut matting which was not impregnated with the oil, and to throw it round cook, wrap her tightly in it, and force her down on the floor where not overflowed by the oil. I held her thus, and Bessie succoured me. Jane was too frightened to do other than scream. The cries of the burnt woman were terrible. Presently my husband appeared.
"Dear me! Bless me! Good gracious!" he said.
"You go away and fetch a doctor," I called to him; "you can be of no possible service here—you only get in our way."
"But the dinner?"
"Bother the dinner! Run for a surgeon."
In a little while we had removed the poor woman to her room, she shrieking the whole way upstairs; and, when there, we laid her on the bed, and kept her folded in the cocoanut matting till a medical man arrived, in spite of her struggles to be free. My husband, on this occasion, acted with commendable promptness; but whether because he was impatient for the completion of his meal, or whether his sluggish nature was for once touched with human sympathy, it is not for me to say.
All I know is that, so soon as the surgeon was there, I dismissed Jane with "There, go and get your master the rest of his dinner, and leave us with cook."
The poor creature was frightfully burnt. She was attended to devotedly by Bessie and myself, till a nurse was obtained from the hospital. For hours she was as one mad with terror as much as with pain.
Next day she was quieter and sent for me. I hastened to her, and she begged the nurse to leave the room. I took a chair and seated myself by her bedside, and expressed my profound commiseration, and told her that I should like to know how the accident had taken place.
"Ma'am, it was the red-haired girl did it."
"The red-haired girl!"
"Yes, ma'am. I took a lamp to look how the fish was getting on, and all at once I saw her rush straight at me, and I—I backed, thinking she would knock me down, and the lamp fell over and smashed, and my clothes caught, and——"
"Oh, cook! you should not have taken the lamp."
"It's done. And she would never leave me alone till she had burnt or scalded me. You needn't be afraid—she don't haunt the house. It is me she has haunted, because of what I did to her."
"Then you know her?"
"She was in service with me, as kitchenmaid, at my last place, near Cambridge. I took a sort of hate against her, she was such a slattern and so inquisitive. She peeped into my letters, and turned out my box and drawers, she was ever prying; and when I spoke to her, she was that saucy! I reg'lar hated her. And one day she was kneeling by the stove, and I was there, too, and I suppose the devil possessed me, for I upset the boiler as was on the hot-plate right upon her, just as she looked up, and it poured over her face and bosom, and arms, and scalded her that dreadful, she died. And since then she has haunted me. But she'll do so no more. She won't trouble you further. She has done for me, as she has always minded to do, since I scalded her to death."
The unhappy woman did not recover.
"Dear me! no hope?" said my husband, when informed that the surgeon despaired of her. "And good cooks are so scarce. By the way, that red-haired girl?"
"Gone—gone for ever," I said.
A PROFESSIONAL SECRET
Mr. Leveridge was in a solicitor's office at Swanton. Mr. Leveridge had been brought up well by a sensible father and an excellent mother. His principles left nothing to be desired. His father was now dead, and his mother did not reside at Swanton, but near her own relations in another part of England. Joseph Leveridge was a mild, inoffensive man, with fair hair and a full head. He was so shy that he did not move in Society as he might have done had he been self-assertive. But he was fairly happy—not so happy as he might have been, for reasons to be shortly given.
Swanton was a small market-town, that woke into life every Friday, which was market-day, burst into boisterous levity at the Michaelmas fair, and then lapsed back into decorum; it was, except on Fridays, somnolent during the day and asleep at night.
Swanton was not a manufacturing town. It possessed one iron foundry and a brewery, so that it afforded little employment for the labouring classes, yet the labouring classes crowded into it, although cottage rents were high, because the farmers could not afford, owing to the hard times, to employ many hands on the land, and because their wives and daughters desired the distractions and dissipations of a town, and supposed that both were to be found in superfluity at Swanton.
There was a large town hall with a magistrates' court, where the bench sat every month once. The church, in the centre of the town, was an imposing structure of stone, very cold within. The presentation was in the hands of the Simeonite Trustees, so that the vicar was of the theological school—if that can be called a school where nothing is taught—called Evangelical. The services ever long and dismal. The Vicar slowly and impressively declaimed the prayers, preached lengthy sermons, and condemned the congregation to sing out of the Mitre hymnal.
The principal solicitor, Mr. Stork, was clerk of the petty sessions and registrar. He did a limited amount of legal work for the landed gentry round, was trustee to some widows and orphans, and was consulted by tottering yeomen as to their financial difficulties, lent them some money to relieve their immediate embarrassments, on the security of their land, which ultimately passed into his possession.
To this gentleman Mr. Leveridge had been articled. He had been induced to adopt the legal profession, not from any true vocation, but at the instigation of his mother, who had urged him to follow in the professional footsteps of his revered father. But the occupation was not one that accorded with the tastes of the young man, who, notwithstanding his apparent mildness and softness, was not deficient in brains. He was a shrewd observer, and was endowed with a redundant imagination.
From a child he had scribbled stories, and with his pencil had illustrated them; but this had brought upon him severe rebukes from his mother, who looked with disfavour on works of imagination, and his father had taken him across his knee, of course before he was adult, and had castigated him with the flat of the hairbrush for surreptitiously reading the Arabian Nights.
Mr. Leveridge's days passed evenly enough; there was some business coming into the office on Fridays, and none at all on Sundays, on which day he wrote a long and affectionate letter to his widowed mother.
He would have been a happy man, happy in a mild, lotus-eating way, but for three things. In the first place, he became conscious that he was not working in his proper vocation. He took no pleasure in engrossing deeds; indentures his soul abhorred. He knew himself to be capable of better things, and feared lest the higher faculties of his mind should become atrophied by lack of exercise. In the second place, he was not satisfied that his superior was a man of strict integrity. He had no reason whatever for supposing that anything dishonest went on in the office, but he had discovered that his "boss" was a daring and venturesome speculator, and he feared lest temptation should induce him to speculate with the funds of those to whom he acted as trustee. And Joseph, with his high sense of rectitude, was apprehensive lest some day something might there be done, which would cause a crash. Lastly, Joseph Leveridge had lost his heart. He was consumed by a hopeless passion for Miss Asphodel Vincent, a young lady with a small fortune of about £400 per annum, to whom Mr. Stork was guardian and trustee.
This young lady was tall, slender, willowy, had a sweet, Madonna-like face, and like Joseph himself was constitutionally shy; and she was unconscious of her personal and pecuniary attractions. She moved in the best society, she was taken up by the county people. No doubt she would be secured by the son of some squire, and settle down as Lady Bountiful in some parish; or else some wily curate with a moustache would step in and carry her off. But her bashfulness and her indifference to men's society had so far protected her. She loved her garden, cultivated herbaceous plants, and was specially addicted to a rockery in which she acclimatised flowers from the Alps.
As Mr. Stork was her guardian, she often visited the office, when Joseph flew, with heightened colour, to offer her a chair till Mr. Stork was disengaged. But conversation between them had never passed beyond generalities. Mr. Leveridge occasionally met her in his country walks, but never advanced in intimacy beyond raising his hat and remarking on the weather.
Probably it was the stimulus of this devouring and despairing passion which drove Mr. Leveridge to writing a novel, in which he could paint Asphodel, under another name, in all her perfections. She should move through his story diffusing an atmosphere of sweetness and saintliness, but he could not bring himself to provide her with a lover, and to conclude his romance with her union to a being of the male sex.
Impressed as he had been in early youth by the admonitions of his mother, and the applications of the hairbrush by his father, that the imagination was a dangerous and delusive gift, to be restrained, not indulged, he resolved that he would create no characters for his story, but make direct studies from life. Consequently, when the work was completed, it presented the most close portraits of a certain number of the residents in Swanton, and the town in which the scene was laid was very much like Swanton, though he called it Buzbury.
But to find a publisher was a more difficult work than to write the novel. Mr. Leveridge sent his MS. type-written to several firms, and it was declined by one after another. At last, however, it fell into the hands of an unusually discerning reader, who saw in it distinct tokens of ability. It was not one to appeal to the general public. It contained no blood-curdling episodes, no hair-breadth escapes, no risky situations; it was simply a transcript of life in a little English country town. Though not high-spiced to suit the vulgar taste, still the reader and the publisher considered that there was a discerning public, small and select, that relished good, honest work of the Jane Austen kind, and the latter resolved on risking the production. Accordingly he offered the author fifty pounds for the work, he buying all rights. Joseph Leveridge was overwhelmed at the munificence of the offer, and accepted it gratefully and with alacrity.
The next stage in the proceedings consisted in the revision of the proofs. And who that has not experienced it can judge of the sensation of exquisite delight afforded by this to the young author? After the correction of his romance—if romance such a prosaic tale can be called—in print, with characteristic modesty Leveridge insisted that his story should appear under an assumed name. What the name adopted was it does not concern the reader of this narrative to know. Some time now elapsed before the book appeared, at the usual publishing time, in October.
Eventually it came out, and Mr. Leveridge received his six copies, neatly and quietly bound in cloth. He cut and read one with avidity, and at once perceived that he had overlooked several typographical errors, and wrote to the publisher to beg that these might be corrected in the event of a second edition being called for.
On the morning following the publication and dissemination of the book, Joseph Leveridge lay in bed a little longer than usual, smiling in happy self-gratification at the thought that he had become an author. On the table by his bed stood his extinguished candle, his watch, and the book. He had looked at it the last thing before he closed his eyes in sleep. It was moreover the first thing that his eyes rested on when they opened. A fond mother could not have gazed on her new-born babe with greater pride and affection.
Whilst he thus lay and said to himself, "I really must—I positively must get up and dress!" he heard a stumping on the stairs, and a few moments later his door was burst open, and in came Major Dolgelly Jones, a retired officer, resident in Swanton, who had never before done him the honour of a call—and now he actually penetrated to Joseph's bedroom.
The major was hot in the face. He panted for breath, his cheeks quivered. The major was a man who, judging by what could be perceived of his intellectual gifts, could not have been a great acquisition to the Army. He was a man who never could have been trusted to act a brilliant part. He was a creature of routine, a martinet; and since his retirement to Swanton had been a passionate golf-player and nothing else.
"What do you mean, sir? What do you mean?" spluttered he, "by putting me into your book?"
"My book!" echoed Joseph, affecting surprise. "What book do you refer to?"
"Oh! it's all very well your assuming that air of injured innocence, your trying to evade my question. Your sheepish expression does not deceive me. Why—there is the book in question by your bedside."
"I have, I admit, been reading that novel, which has recently appeared."
"You wrote it. Everyone in Swanton knows it. I don't object to your writing a book; any fool can do that—especially a novel. What I do object to is your putting me into it."
"If I remember rightly," said Joseph, quaking under the bedclothes, and then wiping his upper lip on which a dew was forming, "If I remember aright, there is in it a major who plays golf, and does nothing else; but his name is Piper."
"What do I care about a name? It is I—I. You have put me in."
"Really, Major Jones, you have no justification in thus accusing me. The book does not bear my name on the back and title-page."
"Neither does the golfing retired military officer bear my name, but that does not matter. It is I myself. I am in your book. I would horsewhip you had I any energy left in me, but all is gone, gone with my personality into your book. Nothing is left of me—nothing but a body and a light tweed suit. I—I—have been taken out of myself and transferred to that——" he used a naughty word, "that book. How can I golf any more? Walk the links any more with any heart? How can I putt a ball and follow it up with any feeling of interest? I am but a carcass. My soul, my character, my individuality have been burgled. You have broken into my inside, and have despoiled me of my personality." And he began to cry.
"Possibly," suggested Mr. Leveridge, "the author might——"
"The author can do nothing. I have been robbed—my fine ethereal self has been purloined. I—Dolgelly Jones—am only an outside husk. You have despoiled me of my richest jewel—myself."
"I really can do nothing, major."
"I know you can do nothing, that is the pity of it. You have sucked all my spiritual being with its concomitants out of me, and cannot put it back again. You have used me up."
Then, wringing his hands, the major left the room, stumped slowly downstairs, and quitted the house.
Joseph Leveridge rose from his bed and dressed in great perturbation of mind. Here was a condition of affairs on which he had not reckoned. He was so distracted in mind that he forgot to brush his teeth.
When he reached his little sitting-room he found that the table was laid for his breakfast, and that his landlady had just brought up the usual rashers of bacon and two boiled eggs. She was sobbing.
"What is the matter, Mrs. Baker?" asked Joseph. "Has Lasinia"—that was the name of the servant—"broken any more dishes?"
"Everything has happened," replied the woman; "you have taken away my character."
"I—I never did such a thing."
"Oh, yes, sir, you have. All the time you've been writing, I've felt it going out of me like perspiration, and now it is all in your book."
"My book!"
"Yes, sir, under the name of Mrs. Brooks. But law! sir, what is there in a name? You might have taken the name of Baker and used that as you likes. There be plenty of Bakers in England and the Colonies. But it's my character, sir, you've taken away, and shoved it into your book." Then the woman wiped her eyes with her apron.
"But really, Mrs. Baker, if there be a landlady in this novel of which you complain——"
"There is, and it is me."
"But it is a mere work of fiction."
"It is not a work of fiction, it is a work of fact, and that a cruel fact. What has a poor lorn widow like me got to boast of but her character? I'm sure I've done well by you, and never boiled your eggs hard—and to use me like this."
"Good gracious, dear Mrs. Baker!"
"Don't dear me, sir. If you had loved me, if you had been decently grateful for all I have done for you, and mended your socks too, you'd not have stolen my character from me, and put it into your book. Ah, sir! you have dealt by me what I call regular shameful, and not like a gentleman. You have used me up."
Joseph was silent, cowed. He turned the rashers about on the dish with his fork in an abstracted manner. All desire to eat was gone from him.
Then the landlady went on: "And it's not me only as has to complain. There are three gentlemen outside, sitting on the doorstep, awaiting of you. And they say that there they will remain, till you go out to your office. And they intend to have it out with you."
Joseph started from the chair he had taken, and went to the window, and threw up the sash.
Leaning out, he saw three hats below. It was as Mrs. Baker had intimated. Three gentlemen were seated on the doorstep. One was the vicar, another his "boss" Mr. Stork, and the third was Mr. Wotherspoon.
There could be no mistake about the vicar; he wore a chimney-pot hat of silk, that had begun to curl at the brim, anticipatory of being adapted as that of an archdeacon. Moreover, he wore extensive, well-cultivated grey whiskers on each cheek. If we were inclined to adopt the modern careless usage, we might say that he grew whiskers on either cheek. But in strict accuracy that would mean that the whiskers grew indifferently, or alternatively, intermittently on one cheek or the other. This, however, was not the case, consequently we say on each cheek. These whiskers now waved and fluttered in the light air passing up and down the street.
The second was Mr. Stork; he wore a stiff felt hat, his fiery hair showed beneath it, behind, and in front; when he lifted his head, the end of his pointed nose showed distinctly to Joseph Leveridge who looked down from above. The third, Mr. Wotherspoon, had a crushed brown cap on; he sat with his hands between his knees, dejected, and looking on the ground.
Mr. Wotherspoon lived in Swanton with his mother and three sisters. The mother was the widow of an officer, not well off. He was an agreeable man, an excellent player at lawn-tennis, croquet, golf, rackets, billiards, and cards. His age was thirty, and he had as yet no occupation. His mother gently, his sisters sharply, urged him to do something, so as to earn his livelihood. With his mother's death her pension would cease, and he could not then depend on his sisters. He always answered that something would turn up. Occasionally he ran to town to look for employment, but invariably returned without having secured any, and with his pockets empty. He was so cheerful, so good-natured, was such good company, that everyone liked him, but also everyone was provoked at his sponging on his mother and sisters.
"Really," said Mr. Leveridge, "I cannot encounter those three. It is true that I have drawn them pretty accurately in my novel, and here they are ready to take me to account for so doing. I will leave the house by the back door."
Without his breakfast, Joseph fled; and having escaped from those who had hoped to intercept him, he made his way to the river. Here were pleasant grounds, with walks laid out, and benches provided. The place was not likely to be frequented at that time of the morning, and Mr. Leveridge had half an hour to spare before he was due at the office. There, later, he was likely to meet his "boss"; but it was better to face him alone, than him accompanied by two others who had a similar grievance against him.
He seated himself on a bench and thought. He did not smoke; he had promised his "mamma" not to do so, and he was a dutiful son, and regarded his undertaking.
What should he do? He was becoming involved in serious embarrassments. Would it be possible to induce the publisher to withdraw the book from circulation and to receive back the fifty pounds? That was hardly possible. He had signed away all his rights in the novel, and the publisher had been to a considerable expense for paper, printing, binding, and advertising.
He was roused from his troubled thoughts by seeing Miss Asphodel Vincent coming along the walk towards him. Her step had lost its wonted spring, her carriage its usual buoyancy. In a minute or two she would reach him. Would she deign to speak? He felt no compunction towards her. He had made her his heroine in the tale. By not a word had he cast a shadow over her character or her abilities. Indeed, he had pictured her as the highest ideal of an English girl. She might be flattered, she could not be offended. And yet there was no flattery in his pencil—he had sketched her in as she was.
As she approached she noticed the young author. She did not hasten her step. She displayed a strange listlessness in her movements, and lack of vivacity in her eye.
When she stood over against him, Joseph Leveridge rose and removed his hat. "An early promenade, Miss Vincent," he said.
"Oh!" she said, "I am glad to meet you here where we cannot be overheard. I have something about which I must speak to you, to complain of a great injury done to me."
"You do me a high honour," exclaimed Joseph. "If I can do anything to alleviate your distress and to redress the wrong, command me."
"You can do nothing. It is impossible to undo what has already been done. You put me into your book."
"Miss Vincent," protested Leveridge with vehemence, "if I have, what then? I have not in the least overcharged the colours, by a line caricatured you." It was in vain for him further to pretend not to be the author and to have merely read the book.
"That may be, or it may not. But you have taken strange liberties with me in transferring me to your pages."
"And you really recognised yourself?"
"It is myself, my very self, who is there."
"And yet you are here, before my humble self."
"That is only my outer shell. All my individuality, all that goes to make up the Ego—I myself—has been taken from me and put into your book."
"Surely that cannot be."
"But it is so. I feel precisely as I suppose felt my doll when I was a child, when it became unstitched and all the bran ran out; it hung limp like a rag. But it is not bran you have deprived me of, it is my personality."
"In my novel is your portraiture indeed—but you yourself are here," said Leveridge.
"It is my very self, my noblest and best part, my moral and intellectual self, which has been carried off and put into your book."
"This is quite impossible, Miss Vincent."
"A moment's thought," said she, "will convince you that it is as I say. If I pick an Alpine flower and transfer it to my blotting-book, it remains in the herbarium. It is no longer on the Alp where it bloomed."
"But——" urged Joseph.
"No," she interrupted, "you cannot undeceive me. No one can be in two places at the same time. If I am in your book, I cannot be here—except so far as goes my animal nature and frame. You have subjected me, Mr. Leveridge, to the greatest humiliation. I am by you reduced to the level of a score of girls that I know, with no pursuits, no fixed principles, no opinions of their own, no ideas. They are swayed by every fashion, they are moulded by their surroundings; they are destitute of what some would call moral fibre, and I would term character. I had all this, but you have deprived me of it, by putting it into your book. I shall henceforth be the sport of every breath, be influenced by every folly, be without self-confidence and decision, the prey to any adventurer."
"For Heaven's sake, do not say that."
"I cannot say anything other. If I had a sovereign in my purse, and a pickpocket stole it, I should no longer have the purse and sovereign, only the pocket; and I am a mere pocket now without the coin of my personality that you have filched from me. Mr. Leveridge, it was a cruel wrong you did me, when you used me up."
Then, sighing, Miss Asphodel went languidly on her way. Joseph was as one stunned. He buried his face in his hands. The person of all others with whom he desired to stand well, that person looked upon him as her most deadly enemy, at all events as the one who had most cruelly aggrieved her.
Presently, hearing the clock strike, he started. He was due at the office, and Joseph Leveridge had always made a point of punctuality.
He now went to the office, and learned from his fellow-clerk that Mr. Stork had not returned; he had been there, and then had gone away to seek Leveridge at his lodgings. Joseph considered it incumbent on him to resume his hat and go in quest of his "boss."
On his way it occurred to him that there was monotony in bacon and eggs for breakfast every morning, and he would like a change. Moreover, he was hungry; he had left the house of Mrs. Baker without taking a mouthful, and if he returned now for a snack the eggs and the bacon would be cold. So he stepped into the shop of Mr. Box, the grocer, for a tin of sardines in oil.
When the grocer saw him he said: "Will you favour me with a word, sir, in the back shop?"
"I am pressed for time," replied Leveridge nervously.
"But one word; I will not detain you," said Mr. Box, and led the way. Joseph walked after him.
"Sir," said the grocer, shutting the glass door, "you have done me a prodigious wrong. You have deprived me of what I would not have lost for a thousand pounds. You have put me into your book. How my business will get on without me—I mean my intellect, my powers of organisation, my trade instincts, in a word, myself—I do not know. You have taken them from me and put them into your book. I am consigned to a novel, when I want all my powers behind the counter. Possibly my affairs for a while will go on by the weight of their own momentum, but it cannot be for long without my controlling brain. Sir, you have brought me and my family to ruin—you have used me up."
Leveridge could bear this no more; he seized the handle of the door, rushed through the outer shop, precipitated himself into the street, carrying the sardine tin in his hand, and hurried to his lodgings.
But there new trouble awaited him. On the doorstep still sat the three gentlemen.
When they saw him they rose to their feet.
"I know, I know what you have to say," gasped Joseph. "In pity do not attack me all together. One at a time. With your leave, Mr. Vicar, will you step up first into my humble little sanctum, and I will receive the others later. I believe that the smell of bacon and eggs is gone from the room. I left the window open."
"I will most certainly follow you," said the Vicar of Swanton. "This is a most serious matter."
"Excuse me, will you take a chair?"
"No, thank you; I can speak best when on my legs. I lose impressiveness when seated. But I fear, alas! that gift has been taken from me. Sir! sir! you have put me into your book. My earthly tabernacle may be here, standing on your—or Mrs. Baker's drugget—but all my great oratorical powers have gone. I have been despoiled of what was in me my highest, noblest, most spiritual parts. What my preaching henceforth will be I fear to contemplate. I may be able to string together a number of texts, and tack on an application, but that is mere mechanical work. I used to dredge in much florid eloquence, to stick in the flowers of elocution between every joint. And now!—I am despoiled of all. I, the Vicar of Swanton, shall be as a mere stick; I shall no more be a power in the pulpit, a force on the platform. My prospects in the diocese are put an end to. Miserable, miserable young man, you might have pumped others, but why me? I know but too surely that you have used me up." The vicar had taken off his hat, his bald forehead was beaded, his bristling grey whiskers drooped, his unctuous expression had faded away. His eyes, usually bearing the look as though turned inward in ecstatic contemplation of his personal piety, with only a watery stare on the world without, were now dull.
He turned to the door. "I will send up Stork," he said.
"Do so by all means, sir," was all that Joseph could say.
When the solicitor entered his red hair had assumed a darker dye, through the moisture that exuded from his head.
"Mr. Leveridge," said he, "this is a scurvy trick you have played me. You have put me into your book."
"I only sketched a not over-scrupulous lawyer," protested Joseph. "Why should you put the cap on your own head?"
"Because it fits. It is myself you have put into your book, and by no legal process can I get out of it. I shall not be competent to advise the magistrates on the bench, and, good heavens! what a mess they will get into. I do not know whether your fellow-clerk can carry on the business. I have been used up. I'll tell you what. You go away; I want you no more at the office. Whenever you revisit Swanton you will see only the ruins of the respected firm of Stork. It cannot go on when I am not in it, but in your book."
The last to arrive was Mr. Wotherspoon. He was in a most depressed condition. "There was not much in me," said he, "not at any time. You might have spared such a trifle as me, and not put me also into your book and used me up. Oh, dear, dear! what will my poor mother do! And how Sarah and Jane will bully me."
That same day Mr. Leveridge packed up his traps and departed from Swanton for his mother's house.
That she was delighted to see him need not be said; that something was wrong, her maternal instinct told her. But it was not for some days that he confided to her so much as this: "Oh, mother, I have written a novel, and have put into it the people of Swanton—and so have had to leave."
"My dear Joe," said the old lady, "you have done wrong and made a great mistake. You never should introduce actual living personages into a work of fiction. You should pulp them first, and then run out your characters fresh from the pulp."
"I was so afraid of using my imagination," explained Joe.
Some months elapsed, and Leveridge could not resolve on an employment that would suit him and at the same time maintain him. The fifty pounds he had earned would not last long. He began to be sensible of the impulse to be again writing. He resisted it for a while, but when he got a letter from his publisher, saying that the novel had sold well, far better than had been expected, and that he would be pleased to consider another from Mr. Leveridge's pen, and could promise him for it more liberal terms, then Joseph's scruples vanished. But on one thing he was resolved. He would now create his characters. They should not be taken from observation.
Moreover, he determined to differentiate his new work from the old in other material points. His characters should be the reverse of those in the first novel. For his heroine he imagined a girl of boisterous spirits, straightforward, true, but somewhat unconventional, and given to use slang expressions. He had never met with such a girl, so that she would be a pure creation of his brain, and he made up his mind to call her Poppy. Then he would avoid drawing the portrait of an Evangelical parson, and introduce one decidedly High Church; he would have no heavy, narrow tradesman like Box, but a man full of venture and speculative push. Moreover, having used up the not over-scrupulous lawyer, he would portray one, the soul of honour, the confidant of not only the county gentry but of the county nobility. And as he had caused so much trouble by the introduction of good old Mother Baker, he would trace the line of a lively, skittish young widow, always on the hunt after admirers, and endeavouring to entangle the youths who lodged with her.
As he went on with his story, it worked out to his satisfaction, and what especially gratified him and gave repose to his mind was the consciousness that he was using no one up, with whom he was acquainted, and that all his characters were pure creations.
The work was complete, and the publisher agreed to give a hundred pounds for it. Then it passed through the press, and in due course Leveridge heard from the publisher that his six free copies had been sent off to him by train. Joseph was almost as excited over his second novel as he was over the first.
He was too impatient to wait till the parcels were sent round in the ordinary way. He hurried to the station in the evening, to meet the train from town, by which he expected his consignment; and having secured it, he hurried home, carrying the heavy parcel.
His mother's house was comparatively large; she occupied but a corner of it, and she had given over to her son a little cosy sitting-room, in which he might write and read. Into this room Joseph carried his parcel, full of impatience to cut the string and disclose the volumes.
But he had hardly passed through his door before he was startled to see that his room was full of people; all but one were seated about the table. That one who was not, lounged against the bookcase, standing on one foot. With a shock of surprise, Joseph recognised all those there gathered together. They were the characters in his book, his own creations. And that individual who stood, in an indifferent attitude, was his new heroine, Poppy. The first shock of surprise rapidly passed. Joseph Leveridge felt no fear, but rather a sense of pleasure. He was in the presence of his own creations, and knew them familiarly. There were seven in all. At his appearance they all saluted him respectfully as their creator—all except Poppy, who gave him a wink and a nod.
At the head of the table sat the High Church parson, shaven, with a long coat and a grave face, next to him, on the right, Lady Mabel Forraby, a tall, elderly, aristocratic-looking woman, the aunt of Poppy. One element of lightness in the book had consisted in the struggles of Lady Mabel to control her wayward niece and the revolt of the latter. Mr. Leveridge had never known a person of title in his life, so that Lady Mabel was a pure creation; so also, brought up, as he had been, by a Calvinistic mother, and afterwards thrown under the ministry of the Vicar of Swanton, he had not once come across a Ritualist. Consequently his parson, in this instance, was also a pure creation. A young gentleman, the hero of the novel, a bright intelligent fellow, full of vigour and good sense, and highly cultured, sat next to Lady Mabel. Joseph had never been thrown into association with men of quite this type. He had met nice respectable clerks and amusing and agreeable travellers for commercial houses, so that this personage also was a creation. So most certainly was the bold, pert little widow who rolled her eyes and put on winsome airs. Joseph had kept clear of all such instances, but he had heard and read of them. She could look to him as her creator.
And that naughty little Poppy! Her naughtiness was all mischief, put on to aggravate her staid old aunt, so full of daring, and yet withal so steady of heart; so full of frolic, but with principle underlying it all. Joseph had never encountered anyone like her, anyone approaching to her. The young ladies to whom his mother introduced him were all very prim and proper. At Swanton he had been little in society: the vicar's daughter was a tract distributer and a mission woman, and Mr. Stork's daughter a domestic drudge. Of all the characters in Joseph's book she was his most especial and delightful creation.
Then the white-haired family lawyer, fond of his jokes, able to tell a good story, close as a walnut relative to all matters communicated to him, strict and honourable in all his dealings, content with his small earnings, and frugally laying them by. Joseph had not met such a man, but he had idealised him as the sort of lawyer he would wish to be should he stick to his profession. He also, accordingly, was a creation. And last, but not least, was the red-faced, audacious stockbroker; a man of sharp and quick determination, who saw a chance in a moment and closed on it, who was keen of scent and smelt a risky investment the moment it came before him. Joseph knew no stockbroker—had only heard of them by rumour. He, therefore, was a creation.
"Well, my children, not of my loins, but of my brain," said the author. "What do you all want?"
"Bodies," they replied with one voice.
"Bodies!" gasped Joseph, stepping backwards. "Why, what possesses you all? You can't expect me to furnish you with them."
"But, indeed, we do, old chap," said Poppy.
"Niece!" said Lady Mabel, turning about in her chair, "address your creator with more respect."
"Stay, my lady," said the parson. "Allow me to explain matters to Mr. Leveridge. He is young and an inexperienced writer of fiction, and is therefore unaware of the exigencies of his profession. You must know, dear author of our being, that every author of a work of imagination, such as you have been, lays himself under a moral and an inexorable obligation to find bodies for all those whom he has called into existence through his fertile brain. Mr. Leveridge has not mixed in the literary world. He does not belong to the Society of Authors. He is—he will excuse the expression—raw in his profession. It is a well-known law among novelists that they must furnish bodies for such as they have called into existence out of their pure imagination. For this reason they invariably call their observation to their assistance, and they balance in their books the creations with the transcripts from life. The only exception to this rule that I am aware of," continued the parson, "is where the author is able to get his piece dramatised, in which case, of course, the difficulty ceases."
"I should love to go on the stage," threw in Poppy.
"Niece, you do not know what you say," remarked Lady Mabel, turning herself about.
"Allow me, my lady," said the parson. "What I have said is fact, is it not?"
"Most certainly," replied all. Lady Mabel said: "I suppose it is."
"Then," pursued the parson, "the situation is this: Have you secured the dramatisation of your novel?"
"I never gave it a thought," said Joseph.
"In that case, as there is no prospect of our being so accommodated, the position is this: We shall have to haunt you night and day, mainly at night, till you have accommodated us with bodies; we cannot remain as phantom creations of a highly imaginative soul such as is yours, Mr. Leveridge. If you have your rights, so have we. And we insist on ours, and will insist till we are satisfied."
At once all vanished.
Joseph Leveridge felt that he had got himself into a worse hobble than before. From his former difficulties he had escaped by flight. But there was, he feared, no flying from these seven impatient creations all clamouring for bodies, and to provide them with such was beyond his powers. All his delight in the publication of his new novel was spent. It had brought with it care and perplexity.
He went to bed.
During the night, he was troubled with his characters; they peeped in at him. Poppy got a peacock's feather and tickled his nose just as he was dropping asleep. "You bounder!" she said; "I shall give you no peace till you have settled me into a body—but oh! get me on to the stage if you can."
"Poppy, come away," called Lady Mabel. "Don't be improper. Mr. Leveridge will do his best. I want a body quite as much as do you, but I know how to ask for it properly."
"And I," said the parson, "should like to have mine before Easter, but have one I must."
Mr. Leveridge's state now was worse than the first. One or other of his creatures was ever watching him. His every movement was spied on. There was no escaping their vigilance. Sometimes they attended him in groups of two or three; sometimes they were all around him.
At meals not one was missing, and they eyed every mouthful of his food as he raised it to his lips. His mother saw nothing—the creations were invisible to all eyes save those of their creator.
If he went out for a country walk, they trotted forth with him, some before, looking round at every turn to see which way he purposed going, some following. Poppy and the skittish widow managed to attach themselves to him, one on each side. "I hate that little woman," said Poppy. "Why did you call her into being?"