ART IN AMERICA
A CRITICAL AND HISTORICAL SKETCH
BY
S. G. W. BENJAMIN
AUTHOR OF "CONTEMPORARY ART IN EUROPE" "WHAT IS ART" &c.
ILLUSTRATED
NEW YORK
HARPER & BROTHERS, PUBLISHERS
FRANKLIN SQUARE
1880
Entered according to Act of Congress, in the year 1879, by
H A R P E R & B R O T H E R S,
In the Office of the Librarian of Congress, at Washington.
ERRATUM.
The cut on page 28, attributed to Rembrandt Peale, should be credited to
John T. Peele.
PREFACE.
THE aim of this book has been to give a historical outline of the growth of the arts in America. But while this has been the dominating idea in the mind of the writer, criticism has necessarily entered, more or less, into the preparation of the work, since only by weighing the differences or the comparative merits of those artists who seemed best to illustrate the various phases of American art has it been possible to trace its progress from one step to another.
It is from no lack of appreciation of their talents that the author has apparently neglected mention of the American artists resident in foreign capitals—like Bridgman, Duveneck, Wight, Neal, Bacon, Benson, Ernest Parton, Millet, Whistler, Dana, Blashfield, Miss Gardner, Miss Conant, and many others who have done credit to American æsthetic culture. But it was necessary to draw the line somewhere; and to discuss what our artists are painting abroad would have at once enlarged the scope of the work beyond the limits of the plan adopted. An exception has been made in the case of our sculptors, because they have so uniformly lived and wrought in Europe, and so large a proportion of them are still resident there, that, were we to confine this branch of the subject only to the sculptors now actually in America, there would be little left to say about their department of our arts.
The author takes this occasion cordially to thank the artists and amateurs who have kindly permitted copies of their paintings and drawings to be engraved for this volume.
CONTENTS.
| Page | |
| [I.] | |
| EARLY AMERICAN ART | [13] |
| [II.] | |
| AMERICAN PAINTERS (1828-1878) | [39] |
| [III.] | |
| AMERICAN PAINTERS (1828-1878) | [66] |
| [IV.] | |
| AMERICAN PAINTERS (1828-1878) | [97] |
| [V.] | |
| SCULPTURE IN AMERICA | [134] |
| [VI.] | |
| PRESENT TENDENCIES OF AMERICAN ART | [164] |
| [INDEX.]([A],[B],[C],[D],[E],[F],[G],[H],[I],[J],[K],[L],[M],[N],[O],[P],[Q],[R],[S],[T],[V],[W],[Y].) | |
ILLUSTRATIONS.
[Some of the illustrations have been moved to the nearest paragraph break for ease of reading. (n. of etext transcriber)]
| Subject. | Artist. | Page. |
| Portrait of a Lady | John Singleton Copley | [Frontispiece] |
| Family of Bishop Berkeley | John Smybert | [16] |
| Death on the Pale Horse | Benjamin West | [19] |
| Death of Montgomery | John Trumbull | [23] |
| General Knox | Gilbert Stuart | [25] |
| "Beggar's Opera" | G. Stuart Newton | [27] |
| "Babes in the Wood" | Rembrandt Peale | [28] |
| Fanny Kemble | Thomas Sully | [29] |
| Ariadne | John Vanderlyn | [30] |
| The Hours | E. G. Malbone | [32] |
| Jeremiah | Washington Allston | [34] |
| Dying Hercules | Samuel F. B. Morse | [35] |
| "Mumble The Peg" | Henry Inman | [40] |
| Portrait of Parke Godwin | Thomas Le Clear | [43] |
| Portrait of Fletcher Harper | C. L. Elliott | [45] |
| An Ideal Head | G. A. Baker | [48] |
| The Judgement of Paris | Henry Peters Grey | [50] |
| Miranda | Daniel Huntington | [53] |
| A Surprise | William Sidney Mount | [55] |
| Taking the Veil | Robert Weir | [57] |
| Desolation. From "The Course of Empire" | Thomas Cole | [59] |
| A Study from Nature | A. B. Durand | [61] |
| Noon by the Sea-Shore.—Beverly Beach | J. F. Kensett | [63] |
| Altorf, Birth-Place of William Tell | George L. Brown | [64] |
| Brook in the Woods | Worthington Whittredge | [67] |
| Landscape Composition | R. W. Hubbard | [70] |
| "The Vasty Deep" | William T. Richards | [72] |
| High Torn, Rockland Lake | Jasper F. Cropsey | [74] |
| The Parsonage | A. F. Bellows | [75] |
| Landscape with Cattle | James Hart | [77] |
| Sunset on the Hudson | Sandford R. Gifford | [80] |
| A Composition | Frederick E. Church | [82] |
| A Winter Scene | Louis R. Mignot | [84] |
| Ship of "The Ancient Mariner" | James Hamilton | [85] |
| "Whoo!" | William H. Beard | [87] |
| Lafayette in Prison | E. Leutze | [89] |
| Portrait of a Lady | William Page | [91] |
| The Refuge | Elihu Vedder | [93] |
| Cartoon Sketch: Christ and Nicodemus | John Lafarge | [95] |
| View on the Kern River | A. Bierstadt | [99] |
| The Yosemite | Thomas Hill | [100] |
| The Bathers | Thomas Moran | [101] |
| Landscape | Jervis M'Entee | [104] |
| County Kerry | A. H. Wyant | [105] |
| The Adirondacks | Homer Martin | [107] |
| A Landscape | J. W. Casilear | [109] |
| Ship Ashore | M. F. H. De Haas | [111] |
| A Foggy Morning | W. E. Norton | [112] |
| A Marine | Arthur Quartley | [114] |
| Arguing the Question | T. W. Wood | [116] |
| The Rose | B. F. Mayer | [118] |
| Dress Parade | J. G. Brown | [120] |
| A Bed-time Story | S. J. Guy | [121] |
| The Mother | Eastman Johnson | [123] |
| Sail-boat | Winslow Homer | [124] |
| The Scout | Wordsworth Thompson | [126] |
| On the Old Sod | William Magrath | [127] |
| "A Matin Song" | Fidelia Bridges | [129] |
| Study of a Dog | Frank Rogers | [130] |
| Lost in the Snow | A. F. Tait | [132] |
| Eve Before the Fall | Hiram Powers | [135] |
| Orpheus | Thomas Crawford | [137] |
| Columbus Before the Council. From the Bronze Door of the Capitol at Washington | Randolph Rogers | [139] |
| The Ghost in "Hamlet" | Thomas R. Gould | [141] |
| George Washington | J. Q. A. Ward | [143] |
| Medea | William Wetmore Story | [146] |
| The Promised Land | Franklin Simmons | [147] |
| Latona and Her Infants | W. H. Rinehart | [150] |
| Zenobia | Harriet Hosmer | [152] |
| Evening | E. D. Palmer | [153] |
| Bust of William Page | William R. O'Donovan | [155] |
| Abraham Pierson | Launt Thompson | [157] |
| The Charity Patient | John Rogers | [158] |
| The Whirlwind | J. S. Hartley | [159] |
| Adoration of the Cross byAngels. St. Thomas's Church, New York | Augustus St. Gaudens | [160] |
| Thomas Jefferson's Idea of a Monument | [162] | |
| The Mowing | Alfred Fredericks | [165] |
| Birds in the Forest | Miss Jessie Curtis | [169] |
| Representing the Manner ofPeter's Courtship | Howard Pyle | [171] |
| Some Art Connoisseurs | W. Hamilton Gibson | [173] |
| Washington Opening the Ball | C. S. Reinhart | [175] |
| Museum of Fine Arts, Boston | [178] | |
| The Astonished Abbé | E. A. Abbey | [181] |
| A Child's Portrait | B. C. Porter | [184] |
| A Bit of Venice | Samuel Colman | [185] |
| The Old Orchard | R. Swain Gifford | [187] |
| A Landscape | George Inness | [188] |
| La Marguerette—the Daisy | William M. Hunt | [189] |
| Moonlight | John J. Enneking | [191] |
| Having a Good Time | Louis C. Tiffany | [192] |
| Southampton, Long Island | C. H. Miller | [193] |
| A Study | Frederick Dielman | [195] |
| The Burgomaster | H. Muhrman | [197] |
| Burial of the Dead Bird | J. Alden Wier | [200] |
| The Apprentice | William M. Chase | [201] |
| The Professor | Thomas Eakins | [204] |
| The Goose-herd | Walter Shirlaw | [205] |
| A Spanish Lady | Mary S. Cassatt | [208] |
| Study of a Boy's Head | W. Sartain | [209] |