THE HOUSE OF JULIUS CÆSAR.
The recent excavations along the line of the Via Sacra brought to light some unimportant remains of shops and houses facing towards the street. These buildings are of the time of Constantine, and agree in their construction with his Basilica on the opposite side of the street. This part of Rome was destroyed by fire in the reign of Commodus, and again under Maxentius (Dion Cassius, Herodian, Galen, Capitolinus). In this rebuilding they did not clear away the remains of the older houses, but built on and over them—a not unusual custom in Rome. Let us carefully examine the older remains. Our attention is first attracted by different fragments of beautiful mosaic pavements of the best period of the art, and evidently the flooring of no mean house. The first piece that we come across is composed of a pattern made up of several cubes in different colours; in the rebuilding this was hid by a pavement of herring-bone brickwork. Beyond is a beautiful black and white octangular and diamond mosaic pavement, which also did duty to the rebuilt house. In a small room adjoining we notice a travertine base of a column, which stands near a piece of black mosaic pavement, in which are inserted small squares of white marble; in another chamber close by is a white mosaic with a black border, and near this another, of white and black sexangular and diamond shape. Near the cube mosaic are two more bases of columns of travertine, and a travertine well head: travertine stone, from Tivoli, was not used in Rome as a building material till about 50 B.C. Amongst the constructions of the older period we notice six distinct pieces of walls composed of tufa blocks, perhaps old material re-used, some blocks of peperino, and a small piece of opus reticulatum. Tufa was used during the kingly period, peperino during the republic, and opus reticulatum—net-work wedges of tufa—by the late republic and early empire. Amidst the later construction, which is of brickwork, we notice terra-cotta hot-air pipes, and one piece of a lead pipe, and remains of flights of stairs leading to upper floors. The brick stamps found were of the second, third, and fourth centuries. Amongst these remains was found a small altar. On the scroll at the top is a Roman eagle, and beneath,—
LARIBUS AUG. SACRUM.
From the line of the bases of the columns we see that the front of the older house sloped back diagonally from the Via Sacra, the point farthest from the Forum being nearest to the Via Sacra; whilst the more recent construction was on a line parallel with, and abutting on to, the Sacred Way.
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This early house, appearing beneath the building of later date, is in all probability the house in which Julius Cæsar lived. The construction agrees with that of earlier and contemporary date. It is the first house on the Via Sacra, and the site coincides with the notices which we have of Cæsar's house:—
"He first inhabited a small house in the Suburra; but after his advancement to the pontificate, he occupied a palace belonging to the state in the Via Sacra. Many writers say that he liked his residence to be elegant ... and that he carried about in his expeditions tesselated and marble slabs for the floor of his tent" (Suetonius, "Cæsar," xlvi.).
"As a mark of distinction he was allowed to have a pediment on his house" (Florus, iv. 3).
"Julius Cæsar once shaded the whole Forum and Via Sacra from his house, as far as the Clivus Capitolinus" (Pliny, xix. 6).
"The night before his murder, as he was in bed with his wife, the doors and windows of the room flew open at once.... Calpurnia dreamed that the pediment was fallen, which, as Livy tells us (in the lost books), the senate had ordered to be erected upon Cæsar's house by way of ornament and distinction; and that it was the fall of it which she lamented and wept for" (Plutarch, in "Cæsar").
"He lay for some little time after he expired, until three of his slaves laid the body on a litter and carried it home, with one arm hanging down over the side" (Suetonius, "Cæsar," lxxxii.).
The house of Cæsar was under the Palatine, on which, above Cæsar's, stood the house of Cicero. "He (Vettius) did not name me, but mentioned that a certain speaker, of consular rank (Cicero), and neighbour to the consul (Cæsar), had suggested to him that some Ahala Servilius, or Brutus, must be found" (Cicero, "Ad Att." ii. 24).
In Cæsar's fourth consulship, the year before he was killed, for some reason or other the defence of King Deiotarus by Cicero was heard by Cæsar in his own house. Cicero says to Cæsar: "I am affected also by the unusual circumstance of the trial in this place, because I am pleading so important a cause—one the fellow of which has never been brought under discussion—within the walls of a private house. I am pleading it out of the hearing of any court or body of auditors, which are a great support and encouragement to an orator. I rest on nothing but your eyes, your person, your countenance. I behold you alone; the whole of my speech is necessarily confined to you alone.... But since the walls of a house narrow all these topics, and since the pleading of the cause is greatly crippled by the place, it behoves you, O Cæsar," &c. ("Pro Deiot." ii.).
It was in the year of his prætorship (62 B.C.) that the scandal of Clodius being found in the house whilst they were about to celebrate the rites of the Bona Dea happened. "When the anniversary of the festival comes, the consul or prætor (for it is at the house of one of them that it is kept) goes out, and not a male is left in it" (Plutarch, "Cæsar"). The trial that such a scene gave rise to caused Cæsar's celebrated words on being asked why he had divorced his wife: "Because I would have the chastity of my wife clear even of suspicion" (Plutarch, "Cæsar").
Plutarch speaks of it as "a great house." Ovid says the house of Numa, the Regia, was "small," showing that the house of Cæsar and the Regia were two distinct edifices.
This old house of which we have been speaking fronted towards the Temple of Vesta, whilst the portico and shops, built at a late period over its ruins, ran parallel with the Via Sacra. The house side of the atrium is plainly marked by the fragments of columns, composed of travertine coated with stucco, and frescoed. There is the base of an isolated column near what must have been the middle of the house side; and to its right there is a half column of the same workmanship, and between these two bases runs a travertine gutter which drained the atrium. Amidst the shops built over the atrium are remains of beautiful black and white mosaic pavement, the fragments of the borders showing that they once belonged to the older edifice. On the right of the atrium, towards the Via Sacra, was an area-vestibulum, giving access to the house from the Via Sacra, and, like it, paved with polygonal blocks of silex.
There was another entrance to the house at the point where it nearly touched, at its north-eastern corner, the Via Sacra. The bases of two columns mark the ingress into a small vestibule which has a mosaic pavement, on the right of which was the entrance to the house, the threshold of travertine stone being in situ. There are the two holes at the ends where the doors turned on their pivots, and the bolt-hole in the middle.