PRINCIPAL MAGAZINE ARTICLES

Alden, W. S.Saturday ReviewAug. 1903.
Alexandre, ArsèneLes ArtsSept. 1903.
American ArchitectNov. 1887.
Art Journalv. 49, p. 10.
Art Journalv. 52, p. 198.
Art Journalv. 49, p. 298.
Bacher, Otto Century Magazine 1902, p. 100-111.
Baldry, A. L. The Studio Sept. 1903.
Beal, S. American Architect v. 81, p. 91.
Beerbohm, Max Metropolitan 1904, p. 728-733.
Beerbohm, Max Saturday Review Nov. 1897.
Bénédite, LéonceGazette des beaux-arts1905, p. 33-34.
Bloor, A. J. Critic 1903.
Brinton, Christian Critic 1902.
Brinton, Christian Munsey's Magazine 1906.
Brownell, W. C. Scribner's Magazine Aug. 1879.
Boughton, G. H. International Studio 1904, p. 210-218.
Caffin, Charles H. International Studio 1903, v. 20.
Coburn, Fred. W. Brush and Pencil 1904, v. 13.
Cortissoz, Royal Atlantic Monthly 1903, v. 92, pp. 826-838.
Cox, Kenyon Nation Magazine 1904 v. 78.
Crawford, Earl Stetson The Reader 1903, v. 2, pp. 387-390.
Current LiteratureSept. 1903.
Dempsey, Charles W.Magazine of Art1882, p. 358.
Dempsey, Charles W.McClure's Magazinev. 7, p. 374.
Dodgson, Campbell Graphische Künste1904.
Dowdeswell, W.American Architectv. 22, p. 258.
Dreyfus, AlbertKunst für Alle 1907.
Eclectic Magazine 1903, v. 10, pp. 556-558.
Fenellosa, Ernest F. Lotus Magazine1903.
Finberg, A. J. Athenæum Magazine 1902-3.
Fortuny, Pascal Gazette des beaux-arts1903, v. 30.
Fourcaud, L. de Gazette des beaux-artsJune, 1884.
Geffroy, GustaveRevue UniverselleSept. 1903.
Hadley, Frank H.Brush and Pencil1903, v. 12.
Harper's WeeklyAug. 1903.
Hartmann, Sadakichi Wilson's MagazineApr. 1910.
Hawthorne, JulianIndependent MagazineNov. 1899.
Hubbard, ElbertIdler Magazine 1903, v. 23.
International Studio1905, v. 25.
Jenney, W. L. B.American Architectv. 59, p. 4.
Jackson, Louise W.Brush and Pencil1908.
Kelley, G. Weston's Magazinev. 130.
Kessler, Harry G. Kunst und Künstler1905.
Knaufft, Ernest Churchman Magazine 1903.
Knaufft, ErnestReview of Reviewsv. 28, p. 173.
Kobbé, GustaveThe Chap Book 1898.
Kunst und Künstler1905.
Kunst und Künstler 1908.
Levin, Julius Illustrirte Zeitung1903.
Living Age 1905, v. 28 (v. 246).
Losee, William F.Brush and Pencil1903, v. 12.
Ludovici, A.Art Journal 1906, v. 68.
Masters in Art 1907, v. 8.
Macfall, H. Academyv. 66, p. 633.
Mather, Frank, Jr.World's Work1903.
Matsuki, BunkioLotus Magazine1903.
Mauclair, Camille Rev. Polit. and Litter.1903, v. 20.
Mans, OctaveInternational Studio 1904, v. 23.
Meier-Graefe, JuliusDie Zukunft1903.
Menpes, DorothyInternational Studio1904, v 20, pp. 245-257.
Menpes, MortimerCornhill Magazine1903, v. 15.
McColl, D. S.Art Journalv. 15, p. 88.
McColl, D. S. Saturday Reviewv. 13, p. 357.
Meynell, WilfredPall Mall Magazine1903, v. 31.
Morton, Fred. W. Brush and Pencil 1903, v. 12.
Mulliken, Mary A.International Studio1905, v. 25.
Muster, John de Elseviers Geillust 1907, v. 33.
The Nation1903, pp. 149-151.
Patini, RinaldoNuova antologia 1909, v. 140.
Pennell, JosephBurlington Magazine1903, v. 3.
Pennell, JosephNation v. 54, p. 280.
Pennell, Joseph North American Review1903, v. 177.
Scribner's Magazinev. 21, p. 277.
Pennington, HarperInternational Quar'ly 1904, v. 10, No. 1.
Pennington, HarperMetropolitan Magazine 1910, pp. 769-776.
Princep, ValMagazine of Art 1903.
Quilter, HarryChamber's Magazine1903, v. 66.
Revista Latino Americana1903, v. 1.
Rosenhagen, HansNord und Süd 1909, v. 130.
Saturday Reviewv. 3 p. 208.
Scott, WilliamInternational Studio 1903, pp. 97-107.
Sickert, BernhardBurlington Magazine1905, v. 6.
Sickert, OswaldInternational Studio 1903, v. 21.
Sickert, OswaldKunst und Künstler1903, v. 1.
Sickert, WalkerFortnightly Reviewv. 54, p. 243.
Sketchley, R. E. D.Kunst und Künstler 1906, v. 4.
Smalley, Phoebe J.The Lampv. 27, p. 110.
Spielmann, M. H.Magazine of ArtNov. 1903, pp. 69-70.
Swinburne, A. C.Fortnightly Review v. 49, p. 745.
Swinburne, A. C. Ecclesiastic Magazine v. 111, p. 154.
Teall, Gardner C. The Bookman1903, pp. 265-268.
Thompson, D.Art Journal 1903, v. 55.
Academyv. 23, p. 134.
Wedmore, Fred 19th Century Magazine1904, v. 21.
Knowledgev. 3, p. 208.
Way, Thomas R.International Studio1903.
Wuerpel, G. H.Independentv. 56, p. 131.
Wilson, T. Book Buyer v. 17, p. 113.

PRINCIPAL PAINTINGS[2]

[2] p. indicates when picture was painted, or started, as it sometimes took Whistler more than ten years to finish a picture; e. indicates when first exhibited. Dates and ownership are omitted whenever author failed to verify facts.

La Fumette p. 1859.
Self-portrait (S. P. Avery, Esq.)p. 1859.
La Mère Gérard p. 1859.
The Music Room(Frank J. Hecker, Esq.)p. 1860.
The Woman in White(J. H. Whittemore, Esq.)p. 1863 e. 1863.
Lange Leizen of Six Marks: In Purple and Rose (John G. Johnson, Esq.)p. 1864 e. 1864.
Harmony in Purple and Gold: The Golden Screen(Chas. W. Freer, Esq.) p. 1864 e. 1865.
Symphony in White II: The Little White Girl(Arthur Studd, Esq.) p. and e. 1864.
Symphony in White III (E. Davis, Esq.)
At the Piano(E. Davis, Esq.)p. 1859 e. 1867.
La Princesse du Pays de la Porcelaine(Chas. W. Freer, Esq.)p. 1864 e. 1865.
On the Balcony: Harmony in Flesh Colour and Green(Chas. W. Freer, Esq.)e. 1866.
Self-portrait(George McCullough, Esq.)p. 1867.
Arrangement in Black: F. R. Leyland (Chas. W. Freer, Esq.)e. 1873
Arrangement in Brown and Gold(J. J. Cowan, Esq.)
Woman in Gray (Rijks Museum, Amsterdam)
Lady in Gray(Metropolitan Museum, New York)
L'Andalusienne(John H. Whittemore, Esq.)p. about 1894.
Arrangement in Black and Brown: Miss Rose Corder(R. A. Canfield, Esq.)p. 1876 e. 1881.
The Peacock Room(Chas. W. Freer, Esq.)1876.
Arrangement in Black and Brown: The Fur Jacket(William Burrell, Esq.)p. 1876.
Américaine p. 1876 e. 1878.
Florence Leyland(Brooklyn Institute, New York)p. 1876 e. 1878.
Arrangement in Gray and Black: Thomas Carlyle (City Art Galleries, Glasgow) p. 1872 e. 1877.
Sir Henry Irving as Philip II e. 1877.
Arrangement in Gray and Black: The Artist's Mother (Luxembourg Gallery) p. 1871 e. 1881.
Arrangement in Gray and Green: Miss Alexander (W. C. Alexander, Esq.)p. 1872 e. 1881.
Arrangement in Black and White: Lady Meux p. 1877 e. 1884.
Harmony in Pink and Gray: Lady Meux e. 1882.
Theodore Duret e. 1883.
Arrangement in Black: Lady Archibald Campbell(Wilstach Gallery, Phila.) e. 1883.
Mrs. Louis Huth p. 1877 e. 1884.
Arrangement in Black: Mme. Cassatt e. 1855.
Arrangement in Black: Pablo Sarasate(Carnegie Art Institute, Pittsburg, Pa.)p. 1884 e. 1886.
Harmony in Ivory: Lady Colin Campbell e. 1866.
Arrangement in Violet and Rose: Mme. Walter Sickert e. 1887.
Arrangement in Black and Gold: Comte de Montesquieu(R. A. Canfield, Esq.)e. 1891.
The Master Smith of Lyme Regis (Boston Museum) e. 1895.
Little Rose of Lyme Regis (Boston Museum)e. 1895.
Full length Self-portrait(G. W. Vanderbilt, Esq.)e. 1900.

NOCTURNES

The majority of Nocturnes were painted during the years 1866-1884.

Nocturne in Blue and Gold: Valparaisop. 1866 e. 1871. (Chas. W. Freer, Esq.)
Symphony in Gray and Green: The Oceanp. 1871. (R. A. Canfield, Esq.)
Crepuscule in Flesh Color and Green: Valparaisop. 1871.
Nocturne in Blue and Silver: Battersea Reachp. 1877. (Chas. W. Freer, Esq.)
Nocturne in Blue and Silverp. 1877.
Nocturne in Blue and Gold: Old Battersea Bridge(Tate Gallery, London.)
Nocturne: Trafalgar Square, Snow.
Nocturne in Blue and Silver: Bognor. (Chas. W. Freer, Esq.)
Nocturne in Opal and Silver: The Music Room.
Nocturne in Gray and Gold: Chelsea, Snow.
Nocturne in Gray and Gold: Westminster Bridge.
Nocturne in Blue and Gold: Southampton Waters(Art Institute, Chicago.)
Nocturne in Brown and Silver: Old Battersea Bridge.
Nocturne in Blue and Gold: St. Mark's, Venice.
Pink and Gray: Chelsea(Lord Battersea.)
Nocturne in Black and Gold: The Falling Rocket p. 187 (Mrs. S. Untermyer)
Cremorne Gardens(Metropolitan Museum, N.Y.)
An Orange Note: Sweet Shop.

INDEX

Abbey, Edwin A., [37]

Adam and Eve Tavern, [153]

Adams, Clifford, [72]

Alexander, Portrait of Miss, [109], [124], [137-138], [139], [238]

"Américaine, La Belle," [134], [237], [238]

Appian, [152]

Amsterdam Canal, [154]

Annual Review at Spithead, [157]

Armstrong, [219]

Arrangements, [21], [116], [129]

Artist's Mother, Portrait of the, [8], [21], [29], [31], [41], [76], [90], [109], [124], [136], [137], [143], [144-146], [176], [234]

At the Piano, [3], [17], [122-123]

Aubrey, [110]

Avery, S. P., [219]

Bacher, Otto H., [155-156], [221]

Balleroy, De, [17]

Balzac, [94]

Barber, The, [158]

Battersea Bridge, [153]

Baudelaire, [17]

Bayliss, Wyke, [190]

Becquet, [153]

"Belle Dame Paresseuse, La," [175]

"Belle New-Yorkaise, La," [175]

Besnard, [85], [89]

Bing, [45]

Binyon, Laurence, [210]

Blue Wave, The; Biarritz, [42]

Böcklin, [69]

Bognor, [40]

Boldini, [138], [230], [236]

Bonvin, [17]

Bracquemond, [17], [18]

Burne-Jones, [72], [193], [236]

Butterfly Monogram, The, [39-41], [56-57]

Cadogan Pier, [162]

Campbell, Portrait of Lady Archibald, [3], [4], [5], [27], [124], [128], [137], [238]

Canaletto, [151]

Canfield, R. A., [73], [128]

Caprice, [177]

Caprices, [21]

Caravaggio, [93]

Carlyle, Thomas, [23], [110], [138]

Carlyle, Portrait of Thomas, [8], [76], [109], [136], [137], [143], [144]

Carrière, [69], [90], [96]

Carte, D'Oyly, [110]

Casanova, [196]

Cassatt, Portrait of Mme., [124]

Cazin, [18], [68], [69]

Cellini, Benvenuto, [196], [231]

Cernuschi, [45]

Cézanne, [247]

Champfleury, [17]

Chandler, Rob, [104]

Chardin, [87]

Chase, William M., [191], [201]

Chavannes, [55], [68], [69], [76], [202], [204]

Chelsea, [3], [70], [153]

Cheret, [47]

Chevalet Pieces, [29]

Chevreul, [87]

Child, Theodore, [191]

Church, F. E., [76]

Cimabue, [35]

Clews, [247]

Colarossi, [42]

Collins, Wilkie, [187]

"Confidences dans le Jardin, Les," [175]

Constable, [90], [134], [203]

Corder, Portrait of Rose, [124], [128-129], [137]

Cordier, [17]

Corot, [69]

Courbet, [17], [18], [42], [43], [64], [79]

"Cuisine, La," [149]

Dabo, Leon, [34], [90]

Dagnan-Bouveret, [69]

Dam Wood, The, [162]

Dancing Girl, [173]

Dannat, [84]

Daubigny, [75]

David, [78]

Dawson, Daniel, [242]

Degas, [18], [85], [87], [89]

Delacroix, [17], [87], [133]

Delaroche, [78]

Delâtre, [166]

Delonney, [150]

Denton, Watts, [221]

Doorway, [154]

Drouet, [219]

Drouet, Portrait of, [153]

Du Maurier, [16], [192], [218], [219]

Duran, Carolus, [33]

Duranty, [17]

Dürer, [147], [148], [203]

Duret, Theodore, [37], [125], [173]

Duret, Portrait of Theodore, [124], [136], [137], [138], [139], [143]

Duveneck, Frank, [190]

Eden, Sir William, [190], [191]

Elsheimer, [94]

Etchings, [7], [27], [28], [66], [116], [149-154], [158-162], [166-167]

Eugenie, Empress, [16], [18]

Early Morning, [175]

Falling Rocket, The, [24], [58-60]

Fantin-Latour, [13], [16], [17], [172], [229]

Flaubert, [80]

Ford, Sheridan, [30], [100], [182], [195]

Fortuny, [236]

Fragonard, [133]

France, Anatole, [208]

Freer, Charles W., [36], [37], [50], [229]

Frith, W. P., [191]

Fromentin, [186]

Fuller, [239]

Fumette, [17]

Fur Jacket, The, [124], [128], [137], [238]

Gainsborough, [138], [203]

Garden, The, [66], [151]

"Gentle Art of Making Enemies, The," [8], [30], [40], [182]

Girl on a Couch, [153]

Gleyre, Charles, [12], [41-42]

Godwin, Edwin W., [8], [37]

Golden Screen, The, [50], [51]

Goncourt, Edmond and Jules de, [45], [80], [206]

Goya, [79]

Gozzolli, [124], [125]

Grain, Corney, [108]

Grand Gallery of the Louvre, The, [174]

Gray, Walter, [226]

Greaves, [227]

Guimet, [45]

Guthrie, Sir James, [37]

Haden, F. Seymour, [9], [17], [44], [122], [155], [190]

Hals, Franz, [79], [91], [122], [134], [141]

Hamerton, P. G., [153], [190]

Harmonies, [21], [28], [29], [44], [116], [118], [129], [178]

Harpignies, [18]

Harrison, Alexander, [225]

Harunobu, [147], [148]

Hawkins, C. R., [191], [235]

Hawthorne, [247]

Hecker, Frank J., [44]

Heffernan, Joanna, [51-52]

Heine, Heinrich, [49], [151]

Helleu, [230]

Helmholtz, [87]

Henley, Portraits of Mr. and Mrs. W. E., [176]

Henner, [69], [93]

Henri, Robert, [91], [247]

Heyse, Paul, [206]

Herrick, [172]

Hiroshige, [40], [51], [53], [62], [66], [67]

Hogarth, [37], [203]

Hokusai, [148]

Homer, Winslow, [239]

Horsley, R. A., [177]

Hôtel de Ville at Loches, [151]

House Beautiful, see White House

Huddleston, Judge, [194]

Huth, Portrait of Mrs., [124], [137]

Ingres, [12], [64], [78], [147]

Inness, [201]

Ionides, Luke, [218]

Irving as Philip II., Portrait of Sir Henry, [124], [136]

Israels, [64], [134], [202], [236]

Jacquemart, [152]

Jameson, Mrs., [220]

Jo, [52], [153]

Johnson, John G., [49]

Jongkind, [18]

Julian, [42]

Keene, Charles, [195]

Kennedy, [192]

Khnopff, [90]

Kiyonaga, [46]

Klinger, [153]

Lalanne, [152]

Lalouette, Madame, [13]

Lange-Leizen of the Six Marks, [49], [50]

Lannion, A, [178]

Lautrec, Toulouse, [47]

Lavery, John, [37], [90]

Legros, [13], [16], [17], [191]

Leighton, Sir Frederick, [64], [69], [191], [192], [193]

Lenbach, [83], [236]

Leonardo da Vinci, [16], [79], [90], [92]

Lessing, [186]

Leyland, F. R., [9], [22], [54], [103], [104], [105], [157], [190], [211], [223]

Leyland, Portrait of Florence, [124], [129-130], [134], [139]

Leyland, Portrait of F. R., [124], [127-128], [140], [143]

Lime Burner, The, [66]

Lindsey, Sir Coutts, [193], [194]

Lion's Wharf, [153]

Lithographs, [8], [27], [29], [172-178]

Little Mast, The, [158]

Little Nude Reading, The, [178]

Little Pool, The, [162]

Little Rose of Lyme Regis, [175]

Little Venice, [151]

Little Wapping, [162]

Little White Girl, The, [49], [52-53], [123]

Locksmith of the Dragon Square, The, [175]

London Bridge, [158]

Long Lagoon, The, [162]

Lorraine, Claude, [151]

Ludovici, A, [224]

Luks, [247]

Luxembourg Gardens, The, [174]

"Maison Jaune, La," [178]

"Maison Rouge à Paimpol, La," [178]

Makart, [134]

Mallarmé, Stéphane, [176], [206], [209]

Mallarmé, Portrait of Stéphane, [175-176]

Mancini, [247]

Manet, [17], [18], [19], [87], [90], [141], [204], [243]

Mantz, Paul, [19]

"Marchande de Moutarde, La," [149]

Marines, [29]

Maris, [71], [247]

Martin, Homer, [239]

Master Smith, The, [175]

"Maud," [110]

Maupassant, Guy de, [206]

Max, Gabriel, [124]

McCullough, George, [229]

Memling, [133]

Menpes, Mortimer, [195], [197], [222]

Meredith, George, [3], [23]

"Mère Gérard, La," [17], [149]

Meux, Portraits of Lady, [27], [124], [133], [137]

Meyrion, [153], [154]

Millais, [193]

Model resting, The, [153], [178]

Monet, [75], [79], [87], [90], [141], [142], [204], [244]

Montesquiou de Fezensac, Comte, [195], [237]

Montesquiou de Fezensac, Portraits of Comte, [27], [142-143], [176]

Monticelli, [136], [247]

Moore, Albert, [229]

Moore, George, [191]

Morning Call, The, see Music Room, The

Morris, William, [100-102]

Murger, Henri, [13]

Music Room, The, [42], [44]

Napoleon III, [18]

Nocturnes, [21], [24-25], [28], [29], [40], [59-61], [67], [71-80], [118], [193], [226-228]

Notes, [21], [28], [29], [118]

Ocean, The, [39], [67]

Old Battersea Bridge, [3], [59], [67], [70]

Old Hungerford Bridge, [162]

On the Balcony (Terrace), [50], [54-55], [70], [154]

Outomaro, [46], [49], [54], [64]

Palace, [154]

Palmer, Emma, [216]

Pantheon, [174]

Pastels, [7], [28], [178-179]

Peacock Room, [21], [54], [103], [104-105], [211]

Peladan, Mérodack, [147]

Pelligrini, Carlo, [195]

Pennell, Joseph, [105], [125], [139], [153], [157], [166-167], [196], [216], [226], [229], [230]

Pennell, Portraits of Mr. and Mrs. Joseph, [176]

Pennington, Harper, [107], [211]

"Pepys' Diary," [9]

Philip, John Bernie, [8]

Philip, Portrait of Miss, [176]

Pinturicchio, [133]

Pissaro, [18]

Poe, Edgar Allan, [11]

Pool, The, [151]

Price's Candle Works, [151]

Princess of the Porcelain Land, [50], [54], [65], [103], [123]

Prinsep, Val, [191], [223]

Prudhon, [93]

Quilter, Harry, [113-114], [190]

Raffaelli, Jean François, [6], [86], [124], [153]

Raphael, [91], [147], [246]

Regamey, [45]

Reid, [247]

Rembrandt, [18], [79], [81], [82], [91], [95], [98], [149], [152], [199], [203], [246]

Renoir, [89], [95], [247]

Ribera, [93]

Ribot, [16], [134]

Riva, The, [158]

Robertson, Graham, [128]

Rodin, [94]

Rood, Ogden, [87]

Rops, [153]

Rossetti, Dante Gabriel, [23], [34], [54], [191], [221]

Rossetti, W. M., [103], [228]

Rossi, Mme. Carmen, [33]

Rousseau, [75]

Rowley, [219]

Roybet, [134]

Rubens, [13], [65], [133], [219]

Ruskin, John, [24], [58-60], [72], [87], [117], [151], [177], [193-194]

Ryder, [71], [201]

San Biagio, [151]

Sarasate, Pablo de, [22], [110], [113], [195]

Sarasate, Portrait of Pablo de, [27], [97], [124], [136], [139-140], [145]

Sargent, [84], [141], [201]

Scene in Alsatian Village, [150]

Schalcken, [82]

Segantini, [236], [247]

Sharaku, [46]

Shunsho, [46]

Sickert, Portrait of Walter, [176]

Silent Canal, The, [153]

Singer, H. W., [196]

"Soupe à Trois Sous," [153]

Southampton Docks, [153]

Southampton Water, [70]

Spartali, Christie, [54]

Spencer, Herbert, [85]

Starr, Sidney, [140]

Steichen, [94]

Stevens, [42], [43-44], [103], [123]

St. Mark's, Venice, [70]

Stott, [191]

Street at Saverne, [150]

Studd, Arthur, [49]

Sutherland, [106]

Swinburne, [23], [53], [191]

Symphony in White, A, [19], [42], [50], [189], see also Woman in White

Symphonies, [21], [39], [40], [42]

Tadema, Alma, [42]

Taine, H., [81]

Tanyu, [148]

Tarbell, [247]

Taylor, Tom, [190]

"Ten O'clock," [8], [61], [182], [186], [198-200], [251]

Terborg, [93]

Thayer, Abbott, [201], [239]

Thomas, Percy, [225]

Thomas, Ralph, [229]

Thompson, Sir H., [22]

Tintoretto, [65]

Tissot, [12], [95], [133], [134]

Titian, [65], [81], [91], [95], [130], [133], [168]

Tryon, [68], [69]

Turner, [75], [87], [151]

Unsafe Tenement, [153]

Valparaiso Harbour, [20-21], [59], [70]

Vanderbilt, George W., [37], [230]

Van der Helst, [18]

Van Dyke, [79], [82], [122]

Van Rensselaer, Mrs. Schuyler, [167]

Variations, [21]

Velasquez, [11], [42], [79], [95], [97], [124-125], [132], [134], [142], [192], [203], [231], [243]

Velvet Dress, The, [162]

Vermeer, [18]

Vernet, [78]

Veronese, [168], [169], [246]

Veyrasset, [153]

"Vielle aux Loques, La," [149]

View on the Thames, [173]

Vollon, [18]

Watteau, [87]

Way, Thomas, [174], [176], [229]

Wedmore, Frederick, [166], [174], [190]

Westminster Bridge, [70]

Whistler George Washington, [9-11]

Whistler, James (Abbott) McNeill

Private Life, [8-38], [214-218], [234]
Birth, [9]
Youth, [9-11]
Marriage, [8], [32]
In Russia, [10-11]
At West Point, [11-12], [16]
Student Life in Paris, [12-17], [41-43]
In London, [6-7], [17], [19], [21-26], [27], [36-37]
In Paris, [6-7], [19], [28-36]
In Venice, [7], [26-27], [151-152]
In Holland, [7], [18], [36]
In South America, [20-21], [74]
Financial Difficulties, [26-27]
His Art School, [33-35]
Japanese Influence, [45-57]
Butterfly Monogram, [39-41], [56-57]

Whistler's Portraits of Himself, [219], [228-230]

Whistler, William, [214]

White Girl, The, see Symphony in White, A

White House, The, [8], [22-23], [106-109], [113]

White, Stanford, [118]

Whitman, [204]

Whittemore, John G., [50]

Wilde, Oscar, [25-26], [192]

Wine Glass, The, [153]

Woman in White, [49], [52], [123], [186-187], [229]

Wuerpel, E. H., [28]

Yacht Race, The, [188]

Yellow Buskin, The, see Campbell, Portrait of Lady Archibald

Young, [87]

Zaandam, [158]

Zola, [19]

Zorn, [84], [141], [153]


Transcriber's Notes:

PUNCTUATION
Obvious punctuation errors have been repaired; however, inconsistencies in hyphenation (e.g. "every-day"/"everyday") have been retained.

WORDS AND SPELLING

pg 25: "Grey" changed to "Gray" (The author of "Dorian Gray")
pg 32 and 45: "ae" normalised to "æ" (Men of very dissimilar æsthetic convictions) (the æsthetes of the Empire)
pg 110 and index: "D'Oyle" changed to "D'Oyly" (the home of Mr. D'Oyly Carte)
pg 166: Word "he" added (I believe he himself knew)
pg 186: "Laakoon" changed to "Laokoon"
pg 227: "absorbant" changed to "absorbent" (painted on very absorbent canvas)
pg 227: "noctures" changed to "nocturnes" (For the blue nocturnes)
pg 229: "frontpiece" changed to "frontispiece" (appears as the frontispiece)
pg 241: "enlightment" changed to "enlightenment" (proof of enlightenment)
pg 263: "Riks Museum" changed to "Rijks Museum" (Rijks Museum, Amsterdam)
pg 269: "Hellew" changed to "Helleu"