II.—EVENING PARTIES.
Evening parties are of various kinds, and more or less ceremonious, as they are more or less fashionable. Their object is or should be social enjoyment, and the manners of the company ought to be such as will best promote it. A few hints, therefore, in addition to the general maxims of good behavior already laid down, will suffice.
1. Invitations.
Having accepted an invitation to a party, never fail to keep your promise, and especially do not allow bad weather, of any ordinary character, to prevent your attendance. A married man should never accept an invitation from a lady in which his wife is not included.
2. Salutations.
When you enter a drawing-room where there is a party, you salute the lady of the house before speaking to any one else. Even your most intimate friends are enveloped in an opake atmosphere until you have made your bow to your entertainer.[I] You then mix with the company, salute your acquaintances, and join in the conversation. You may converse freely with any person you meet on such an occasion, without the formality of an introduction.
3. Conversation.
When conversation is not general, nor the subject sufficiently interesting to occupy the whole company, they break up into different groups. Each one converses with one or more of his neighbors on his right and left. We should, if we wish to speak to any one, avoid leaning upon the person who happens to be between. A gentleman ought not to lean upon the arm of a lady's chair, but he may, if standing, support himself by the back of it, in order to converse with the lady partly turned toward him.[J]
The members of an invited family should never be seen conversing one with another at a party.
4. French Leave.
If you desire to withdraw before the party breaks up, take "French leave"—that is, go quietly out without disturbing any one, and without saluting even the mistress of the house, unless you can do so without attracting attention. The contrary course would interrupt the rest of the company, and call for otherwise unnecessary explanations and ceremony.
5. Sports and Games.
Among young people, and particularly in the country, a variety of sports or plays, as they are called, are in vogue. Some of them are fitting only for children; but others are more intellectual, and may be made sources of improvement as well as of amusement.
Entering into the spirit of these sports, we throw off some of the restraints of a more formal intercourse; but they furnish no excuse for rudeness. You must not forget your politeness in your hilarity, or allow yourself to "take liberties," or lose your sense of delicacy and propriety.
The selection of the games or sports belongs to the ladies, though any person may modestly propose any amusement, and ask the opinion of others in reference to it. The person who gives the party will exercise her prerogative to vary the play, that the interest may be kept up.
If this were the proper place, we should enter an earnest protest against the promiscuous kissing which sometimes forms part of the performances in some of these games, but it is not our office to proscribe or introduce observances, but to regulate them. No true gentleman will abuse the freedom which the laws of the game allows; but if required, will delicately kiss the hand, the forehead, or, at most, the cheek of the lady. A lady will offer her lips to be kissed only to a lover or a husband, and not to him in company. The French code is a good one: "Give your hand to a gentleman to kiss, your cheek to a friend, but keep your lips for your lover."
Never prescribe any forfeiture which can wound the feelings of any of the company, and "pay" those which may be adjudged to you with cheerful promptness.
6. Dancing.
An evening party is often only another name for a ball. We may have as many and as weighty objections to dancing, as conducted at these fashionable parties, as to the formal dinners and rich and late suppers which are in vogue in the same circles, but this is not the place to discuss the merits of the quadrille or the waltz, but to lay down the etiquette of the occasions on which they are practiced. We condense from the various authorities before us the following code:
1. According to the hours now in fashion in our large cities, ten o'clock is quite early enough to present yourself at a dance. You will even then find many coming after you. In the country, you should go earlier.
2. Draw on your gloves (white or yellow) in the dressing-room, and do not be for one moment with them off in the dancing-rooms. At supper take them off; nothing is more preposterous than to eat in gloves.
3. When you are sure of a place in the dance, you go up to a lady and ask her if she will do you the honor to dance with you. If she answers that she is engaged, merely request her to name the earliest dance for which she is not engaged, and when she will do you the honor of dancing with you.
4. If a gentleman offers to dance with a lady, she should not refuse, unless for some particular and valid reason, in which case she can accept the next offer. But if she has no further objection than a temporary dislike or a piece of coquetry, it is a direct insult to him to refuse him and accept the next offer; besides, it shows too marked a preference for the latter.
5. When a woman is standing in a quadrille, though not engaged in dancing, a man not acquainted with her partner should not converse with her.
6. When an unpracticed dancer makes a mistake, we may apprize him of his error; but it would be very impolite to have the air of giving him a lesson.
7. Unless a man has a very graceful figure, and can use it with great elegance, it is better for him to walk through the quadrilles, or invent some gliding movement for the occasion.
8. At the end of the dance, the gentleman re-conducts the lady to her place, bows, and thanks her for the honor which she has conferred. She also bows in silence.
9. The master of the house should see that all the ladies dance. He should take notice particularly of those who seem to serve as drapery to the walls of the ball-room (or wall flowers, as the familiar expression is), and should see that they are invited to dance.
10. Ladies who dance much should be very careful not to boast before those who dance but little or not at all, of the great number of dances for which they are engaged in advance. They should also, without being perceived, recommend these less fortunate ladies to gentlemen of their acquaintance.
11. For any of the members, either sons or daughters, of the family at whose house the ball is given, to dance frequently or constantly, denotes decided ill-breeding; the ladies should not occupy those places in a quadrille which others may wish to fill, and they should, moreover, be at leisure to attend to the rest of the company; and the gentlemen should be entertaining the married women and those who do not dance.
12. Never hazard taking part in a quadrille, unless you know how to dance tolerably; for if you are a novice, or but little skilled, you would bring disorder into the midst of pleasure.
13. If you accompany your wife to a dance, be careful not to dance with her, except perhaps the first set.
14. When that long and anxiously desiderated hour, the hour of supper, has arrived, you hand the lady you attend up or down to the supper-table. You remain with her while she is at the table, seeing that she has all that she desires, and then conduct her back to the dancing-rooms.
15. A gentleman attending a lady should invariably dance the first set with her, and may afterward introduce her to a friend for the purpose of dancing.
16. Ball-room introductions cease with the object—viz.: dancing; nor subsequently anywhere else can a gentleman approach the lady by salutation or in any other mode without a re-introduction of a formal character.
This code must be understood as applying in full only to fashionable dancing parties in the city, though most of the rules should be adhered to in any place. The good sense of the reader will enable him to modify them to suit any particular occasion.