COVENTRY TO BIRMINGHAM,

Instead of turning off from Rugby by the new route to Leamington, we will keep the old road, and so push on straight to the great Warwickshire manufactory and mart of ribands and watches. First appears the graceful spire of St. Michael’s Church; then the green pastures of the Lammas, on which, for centuries, the freemen of Coventry have fed their cattle, sweep into sight, and with a whiz, a whirl, and a whistle, we are in the city and county of Coventry—the seat of the joint diocese of Lichfield and Coventry—which return two members to Parliament, at the hands of one of the most stubbornly independent constituencies in England; a constituency which may be soft-sawdered, but cannot be bullied or bribed.

A railroad here branches off to Nuneaton, distant ten miles, a sort of manufacturing dependency of the great city; and on the other, at the same distance, to Leamington, with a station at Kenilworth.

In addition to its manufacturing importance, an importance which has survived and increased in the face of the changes in the silk trade and watch trade, commenced by Huskisson, and completed by Peel, Coventry affords rich food for the antiquarian, scenes of deep interest to the historical student, a legend for poets, a pageant for melodramatists, and a tableau for amateurs of poses plastiques.

Once upon a time Kings held their Courts and summoned Parliaments at Coventry; four hundred years ago the Guilds of Coventry recruited, armed, clothed, and sent forth six hundred stout fellows to take part in the Wars of the Roses; at Coventry the lists were pitched for Mary of Lancaster, and Phillip Mowbray, Duke of Norfolk, to decide in single combat their counter-charges before the soon-to-be-dethroned Richard II.

At Coventry you will find the effigy of vile Peeping Tom, and can follow the course through which the fair Godiva rode naked, veiled by her modesty and flowing tresses, to save her townsmen from a grievous tax. To be sure, some English Niebuhrs have undertaken to prove the whole story a legend; but, for our parts, we are determined to believe in tradition and Alfred Tennyson’s sonnet.

There are three ancient churches in Coventry, of which St. Michael’s, built in the reign of Henry I., is the first; the spire rising 303 feet from the ground, the lofty interior ornamented with a roof of oak, curiously carved, and several windows of stained glass.

St. Mary’s Hall, a large building, now used for corporation council meetings, and festivities, erected in the reign of Henry VI., is one of the richest and most interesting vestiges of the ornamental architecture of England. The principal room has a grotesquely-carved roof of oak, a gallery for minstrels, an armoury, a chair of state, and a great painted window, which need only the filling up of royal and noble personages, their attendants, and the rich burgesses of Coventry, to recall the time when Richard II. held his Court in this ancient city, and, with “old John of Gaunt,” settled the sentence on Harry of Hereford, and Philip of Norfolk.

In this chamber is to be seen a beautiful piece of tapestry, executed in 1450, measuring thirty feet by ten, and containing eighty figures.

In the free school, founded by John Moles, in the reign of Henry VIII., Sir William Dugdale, the antiquarian and historian of Warwickshire, was educated. The income is about £900 a-year, and the scholars have open to competition two fellowships of St. John’s College, Oxon, one at Catherine’s Hall, Cambridge, and six exhibitions at either University. Previous to the investigations of the Charity Commissioners, the fine school-room was locked up, and the books of the library torn for waste paper to light fires. At present, under the reformed system, the school is attended by a large number of scholars.

There are more than a dozen educational and other charities for the benefit of the poor, enjoying a revenue of many thousands a-year.

There are also several curious specimens of domestic architecture of the fourteenth and fifteenth centuries to be found in Coventry. It is, however, on the whole, a dark, dirty, inconvenient city. The surrounding belt of Lammas lands on which the freemen have the right of pasturing their horses and cows, has prevented any increase in the limits of the city.

In the middle ages Coventry was celebrated for its “mysteries and pageants,” of which an account has been published by Mr. Reader, a local bookseller.

The chief manufactures are of ribands and of watches, both transplantations from the Continent. The electors of Coventry distinguished themselves by their consistency during the Free-trade agitation. They exacted a pledge from their members in favour of Free-trade, except in watches and ribands. More recently these same Coventry men have had the good sense to prefer a successful man of business, the architect of his own fortunes, to a Right Honourable Barrister and ex-Railway Commissioner.

One thing needful to preserve the manufacturing position of Coventry is, a first-rate School of Design—labour, and coal, and ample means of conveyance they have, east and west, and north and south; and now the manufacturers only need the cultivation of true principles of taste among the whole riband-weaving population. For taste is a rare article, and many draughts of small fry must be made before one leviathan salmon can be caught. Great advances have been made recently in the production of the best kinds of ribands. A specimen produced by subscription for the Hyde Park Exhibition of 1851, proved that Coventry was quite able to rival the choicest work of France in the class of machine-made ribands. The application of steam power to this class of manufactures is of but recent date. Coventry surveyed, and this may be done in a few hours, unless the traveller is able and willing to examine its rich manufactories, it is difficult to resist the invitation of the railway porter, bawling, to Kenilworth, Leamington, and Warwick, names calling up a crowd of romantic associations, from Shakspeare to Scott and Bulwer; but for the present we must keep steadily on to Birmingham, where steam finds the chief raw materials of poetry and fashioner of beauty.