JULY 4. 1833.
DR. JOHNSON.—BOSWELL.—BURKE.—NEWTON.—MILTON.
Dr. Johnson's fame now rests principally upon Boswell. It is impossible not to be amused with such a book. But his bow-wow manner must have had a good deal to do with the effect produced;—for no one, I suppose, will set Johnson before Burke,—and Burke was a great and universal talker;—yet now we hear nothing of this except by some chance remarks in Boswell. The fact is, Burke, like all men of genius who love to talk at all, was very discursive and continuous; hence he is not reported; he seldom said the sharp short things that Johnson almost always did, which produce a more decided effect at the moment, and which are so much more easy to carry off.[1] Besides, as to Burke's testimony to Johnson's powers, you must remember that Burke was a great courtier; and after all, Burke said and wrote more than once that he thought Johnson greater in talking than writing, and greater in Boswell than in real life.[2]
[Footnote 1: Burke, I am persuaded, was not so continuous a talker as Coleridge. Madame de Stael told a nephew of the latter, at Coppet, that Mr. C. was a master of monologue, mais qu'il ne savait pas le dialogue. There was a spice of vindictiveness in this, the exact history of which is not worth explaining. And if dialogue must be cut down in its meaning to small talk, I, for one, will admit that Coleridge, amongst his numberless qualifications, possessed it not. But I am sure that he could, when it suited him, converse as well as any one else, and with women he frequently did converse in a very winning and popular style, confining them, however, as well as he could, to the detail of facts or of their spontaneous emotions. In general, it was certainly otherwise. "You must not be surprised," he said to me, "at my talking so long to you—I pass so much of my time in pain and solitude, yet everlastingly thinking, that, when you or any other persons call on me, I can hardly help easing my mind by pouring forth some of the accumulated mass of reflection and feeling, upon an apparently interested recipient." But the principal reason, no doubt, was the habit of his intellect, which was under a law of discoursing upon all subjects with reference to ideas or ultimate ends. You might interrupt him when you pleased, and he was patient of every sort of conversation except mere personality, which he absolutely hated.—ED.]
[Footnote 2:
This was said, I believe, to the late Sir James Mackintosh.—ED.]
* * * * *
Newton was a great man, but you must excuse me if I think that it would take many Newtons to make one Milton.
July 6. 1833.
PAINTING.——MUSIC.——POETRY.
It is a poor compliment to pay to a painter to tell him that his figure stands out of the canvass, or that you start at the likeness of the portrait. Take almost any daub, cut it out of the canvass, and place the figure looking into or out of a window, and any one may take it for life. Or take one of Mrs. Salmon's wax queens or generals, and you will very sensibly feel the difference between a copy, as they are, and an imitation, of the human form, as a good portrait ought to be. Look at that flower vase of Van Huysum, and at these wax or stone peaches and apricots! The last are likest to their original, but what pleasure do they give? None, except to children.[1]
Some music is above me; most music is beneath me. I like Beethoven and
Mozart—or else some of the aërial compositions of the elder Italians, as
Palestrina[2] and Carissimi.—And I love Purcell.
The best sort of music is what it should be—sacred; the next best, the military, has fallen to the lot of the Devil.
Good music never tires me, nor sends me to sleep. I feel physically refreshed and strengthened by it, as Milton says he did.
I could write as good verses now as ever I did, if I were perfectly free from vexations, and were in the ad libitum hearing of fine music, which has a sensible effect in harmonizing my thoughts, and in animating and, as it were, lubricating my inventive faculty. The reason of my not finishing Christabel is not, that I don't know how to do it—for I have, as I always had, the whole plan entire from beginning to end in my mind; but I fear I could not carry on with equal success the execution of the idea, an extremely subtle and difficult one.
Besides, after this continuation of Faust, which they tell me is very poor, who can have courage to attempt[3] a reversal of the judgment of all criticism against continuations? Let us except Don Quixote, however, although the second part of that transcendant work is not exactly uno flatu with the original conception.
[Footnote 1: This passage, and those following, will evidence, what the readers even of this little work must have seen, that Mr. Coleridge had an eye, almost exclusively, for the ideal or universal in painting and music. He knew nothing of the details of handling in the one, or of rules of composition in the other. Yet he was, to the best of my knowledge, an unerring judge of the merits of any serious effort in the fine arts, and detected the leading thought or feeling of the artist, with a decision which used sometimes to astonish me. Every picture which I have looked at in company with him, seems now, to my mind, translated into English. He would sometimes say, after looking for a minute at a picture, generally a modern one, "There's no use in stopping at this; for I see the painter had no idea. It is mere mechanical drawing. Come on; here the artist meant something for the mind." It was just the same with his knowledge of music. His appetite for what he thought good was literally inexhaustible. He told me he could listen to fine music for twelve hours together, and go away refreshed. But he required in music either thought or feeling; mere addresses to the sensual ear he could not away with; hence his utter distaste for Rossini, and his reverence for Beethoven and Mozart—ED.]
[Footnote 2: Giovanni Pierluigi da Palestrina was born about 1529, and died in 1594. I believe he may be considered the founder or reformer of the Italian church music. His masses, motets, and hymns are tolerably well known amongst lovers of the old composers; but Mr. Coleridge used to speak with delight of some of Palestrina's madrigals which he heard at Rome.
Giacomo Carissimi composed about the years 1640—1650. His style has been charged with effeminacy; but Mr. C. thought it very graceful and chaste. Henry Purcell needs no addition in England.—ED.]
[Footnote 3: "The thing attempted in Christabel is the most difficult of execution in the whole field of romance—witchery by daylight—and the success is complete."—Quarterly Review, No. CIII. p. 29.]
July 8. 1833.
PUBLIC SCHOOLS.
I am clear for public schools as the general rule; but for particular children private education may be proper. For the purpose of moving at ease in the best English society,—mind, I don't call the London exclusive clique the best English society,—the defect of a public education upon the plan of our great schools and Oxford and Cambridge is hardly to be supplied. But the defect is visible positively in some men, and only negatively in others. The first offend you by habits and modes of thinking and acting directly attributable to their private education; in the others you only regret that the freedom and facility of the established and national mode of bringing up is not added to their good qualities.
* * * * *
I more than doubt the expediency of making even elementary mathematics a part of the routine in the system of the great schools. It is enough, I think, that encouragement and facilities should be given; and I think more will be thus effected than by compelling all. Much less would I incorporate the German or French, or any modern language, into the school labours. I think that a great mistake.[1]
[Footnote 1: "One constant blunder"—I find it so pencilled by Mr. C. on a margin—"of these New-Broomers—these Penny Magazine sages and philanthropists, in reference to our public schools, is to confine their view to what schoolmasters teach the boys, with entire oversight of all that the boys are excited to learn from each other and of themselves—with more geniality even because it is not a part of their compelled school knowledge. An Eton boy's knowledge of the St. Lawrence, Mississippi, Missouri, Orellana, &c. will be, generally, found in exact proportion to his knowledge of the Ilissus, Hebrus, Orontes, &c.; inasmuch as modern travels and voyages are more entertaining and fascinating than Cellarius; or Robinson Crusoe, Dampier, and Captain Cook, than the Periegesis. Compare the lads themselves from Eton and Harrow, &c. with the alumni of the New-Broom Institution, and not the lists of school-lessons; and be that comparison the criterion.—ED.]
August 4, 1833.
SCOTT AND COLERIDGE.
Dear Sir Walter Scott and myself were exact, but harmonious, opposites in this;—that every old ruin, hill, river, or tree called up in his mind a host of historical or biographical associations,—just as a bright pan of brass, when beaten, is said to attract the swarming bees;—whereas, for myself, notwithstanding Dr. Johnson, I believe I should walk over the plain of Marathon without taking more interest in it than in any other plain of similar features. Yet I receive as much pleasure in reading the account of the battle, in Herodotus, as any one can. Charles Lamb wrote an essay [1] on a man who lived in past time:—I thought of adding another to it on one who lived not in time at all, past, present, or future,—but beside or collaterally.
[Footnote 1: I know not when or where; but are not all the writings of this exquisite genius the effusions of one whose spirit lived in past time? The place which Lamb holds, and will continue to hold, in English literature, seems less liable to interruption than that of any other writer of our day.—ED.]
August 10. 1833.
NERVOUS WEAKNESS.——HOOKER AND BULL.——-FAITH.——A POET'S NEED OF PRAISE.
A PERSON, nervously weak, has a sensation of weakness which is as bad to him as muscular weakness. The only difference lies in the better chance of removal.
* * * * *
The fact, that Hooker and Bull, in their two palmary works respectively, are read in the Jesuit Colleges, is a curious instance of the power of mind over the most profound of all prejudices.
There are permitted moments of exultation through faith, when we cease to feel our own emptiness save as a capacity for our Redeemer's fulness.
* * * * *
There is a species of applause scarcely less genial to a poet, than the vernal warmth to the feathered songsters during their nest-breeding or incubation; a sympathy, an expressed hope, that is the open air in which the poet breathes, and without which the sense of power sinks back on itself, like a sigh heaved up from the tightened chest of a sick man.
August 14. 1833.
QUAKERS.—PHILANTHROPISTS.—JEWS.
A quaker is made up of ice and flame. He has no composition, no mean temperature. Hence he is rarely interested about any public measure but he becomes a fanatic, and oversteps, in his irrespective zeal, every decency and every right opposed to his course.
* * * * *
I have never known a trader in philanthropy who was not wrong in heart somewhere or other. Individuals so distinguished are usually unhappy in their family relations,—men not benevolent or beneficent to individuals, but almost hostile to them, yet lavishing money and labour and time on the race, the abstract notion. The cosmopolitism which does not spring out of, and blossom upon, the deep-rooted stem of nationality or patriotism, is a spurious and rotten growth.
* * * * *
When I read the ninth, tenth, and eleventh chapters of the Epistle to the Romans to that fine old man Mr. ——, at Ramsgate, he shed tears. Any Jew of sensibility must be deeply impressed by them.
* * * * *
The two images farthest removed from each other which can be comprehended under one term, are, I think, Isaiah [1]—"Hear, O heavens, and give ear, O earth!"—and Levi of Holywell Street—"Old clothes!"—both of them Jews, you'll observe. Immane quantum discrepant!
[Footnote 1: I remember Mr. Coleridge used to call Isaiah his ideal of the Hebrew prophet. He studied that part of the Scripture with unremitting attention and most reverential admiration. Although Mr. C. was remarkably deficient in the technical memory of words, he could say a great deal of Isaiah by heart, and he delighted in pointing out the hexametrical rhythm of numerous passages in the English version:—
"Hear, O heavens, and give ear, | O earth: for the Lord hath spoken.
I have nourished and brought up children, | and they have rebelled
against me.
The ox knoweth his owner, | and the ass his master's crib:
But Israel doth not know, | my people doth not consider."—ED.]
August 15. 1833.
SALLUST.—THUCYDIDES.—HERODOTUS.—GIBBON.—KEY TO THE DECLINE OF THE ROMAN EMPIRE.
I consider the two works of Sallust which have come down to us entire, as romances founded on facts; no adequate causes are stated, and there is no real continuity of action. In Thucydides, you are aware from the beginning that you are reading the reflections of a man of great genius and experience upon the character and operation of the two great political principles in conflict in the civilized world in his time; his narrative of events is of minor importance, and it is evident that he selects for the purpose of illustration. It is Thucydides himself whom you read throughout under the names of Pericles, Nicias, &c. But in Herodotus it is just the reverse. He has as little subjectivity as Homer, and, delighting in the great fancied epic of events, he narrates them without impressing any thing as of his own mind upon the narrative. It is the charm of Herodotus that he gives you the spirit of his age—that of Thucydides, that he reveals to you his own, which was above the spirit of his age.
The difference between the composition of a history in modern and ancient times is very great; still there are certain principles upon which the history of a modern period may be written, neither sacrificing all truth and reality, like Gibbon, nor descending into mere biography and anecdote.
Gibbon's style is detestable, but his style is not the worst thing about him. His history has proved an effectual bar to all real familiarity with the temper and habits of imperial Rome. Few persons read the original authorities, even those which are classical; and certainly no distinct knowledge of the actual state of the empire can be obtained from Gibbon's rhetorical sketches. He takes notice of nothing but what may produce an effect; he skips on from eminence to eminence, without ever taking you through the valleys between: in fact, his work is little else but a disguised collection of all the splendid anecdotes which he could find in any book concerning any persons or nations from the Antonines to the capture of Constantinople. When I read a chapter in Gibbon, I seem to be looking through a luminous haze or fog:—figures come and go, I know not how or why, all larger than life, or distorted or discoloured; nothing is real, vivid, true; all is scenical, and, as it were, exhibited by candlelight. And then to call it a History of the Decline and Fall of the Roman Empire!
Was there ever a greater misnomer? I protest I do not remember a single philosophical attempt made throughout the work to fathom the ultimate causes of the decline or fall of that empire. How miserably deficient is the narrative of the important reign of Justinian! And that poor scepticism, which Gibbon mistook for Socratic philosophy, has led him to misstate and mistake the character and influence of Christianity in a way which even an avowed infidel or atheist would not and could not have done. Gibbon was a man of immense reading; but he had no philosophy; and he never fully understood the principle upon which the best of the old historians wrote. He attempted to imitate their artificial construction of the whole work—their dramatic ordonnance of the parts—without seeing that their histories were intended more as documents illustrative of the truths of political philosophy than as mere chronicles of events.
The true key to the declension of the Roman empire—which is not to be found in all Gibbon's immense work—may be stated in two words:—the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
August 16. 1833.
DR. JOHNSON'S POLITICAL PAMPHLETS.—TAXATION.-DIRECT REPRESENTATION.—- UNIVERSAL SUFFRAGE.—-RIGHT OF WOMEN TO VOTE——HORNE TOOKE.——ETYMOLOGY OF THE FINAL IVE.
I like Dr. Johnson's political pamphlets better than any other parts of his works:-particularly his "Taxation no Tyranny" is very clever and spirited, though he only sees half of his subject, and that not in a very philosophical manner. Plunder—Tribute—Taxation—are the three gradations of action by the sovereign on the property of the subject. The first is mere violence, bounded by no law or custom, and is properly an act only between conqueror and conquered, and that, too, in the moment of victory. The second supposes law; but law proceeding only from, and dictated by, one party, the conqueror; law, by which he consents to forego his right of plunder upon condition of the conquered giving up to him, of their own accord, a fixed commutation. The third implies compact, and negatives any right to plunder,—taxation being professedly for the direct benefit of the party taxed, that, by paying a part, he may through the labours and superintendence of the sovereign be able to enjoy the rest in peace. As to the right to tax being only commensurate with direct representation, it is a fable, falsely and treacherously brought forward by those who know its hollowness well enough. You may show its weakness in a moment, by observing that not even the universal suffrage of the Benthamites avoids the difficulty;—for although it may be allowed to be contrary to decorum that women should legislate; yet there can be no reason why women should not choose their representatives to legislate;—and if it be said that they are merged in their husbands, let it be allowed where the wife has no separate property; but where she has a distinct taxable estate, in which her husband has no interest, what right can her husband have to choose for her the person whose vote may affect her separate interest?—Besides, at all events, an unmarried woman of age, possessing one thousand pounds a year, has surely as good a moral right to vote, if taxation without representation is tyranny, as any ten-pounder in the kingdom. The truth, of course, is, that direct representation is a chimera, impracticable in fact, and useless or noxious if practicable.
Johnson had neither eye nor ear; for nature, therefore, he cared, as he knew, nothing. His knowledge of town life was minute; but even that was imperfect, as not being contrasted with the better life of the country.
Horne Tooke was once holding forth on language, when, turning to me, he asked me if I knew what the meaning of the final ive was in English words. I said I thought I could tell what he, Horne Tooke himself, thought. "Why, what?" said he. "Vis," I replied; and he acknowledged I had guessed right. I told him, however, that I could not agree with him; but believed that the final ive came from ick—vicus, [Greek: —] a'txaq; the root denoting collectivity and community, and that it was opposed to the final ing, which signifies separation, particularity, and individual property, from ingle, a hearth, or one man's place or seat: [Greek: —] oi'xo?, vicus, denoted an aggregation of ingles. The alteration of the c and k of the root into the v was evidently the work of the digammate power, and hence we find the icus and ivus indifferently as finals in Latin. The precise difference of the etymologies is apparent in these phrases:—- The lamb is spor_tive;_ that is, has a nature or habit of sporting: the lamb is sport_ing;_ that is, the animal is now performing a sport. Horne Tooke upon this said nothing to my etymology; but I believe he found that he could not make a fool of me, as he did of Godwin and some other of his butts.
August 17. 1833.
"THE LORD" IN THE ENGLISH VERSION OF THE PSALMS, ETC.——SCOTCH KIRK AND IRVING.
It is very extraordinary that, in our translation of the Psalms, which professes to be from the Hebrew, the name Jehovah—[Hebrew: —] 'O — The Being, or God—should be omitted, and, instead of it, the [Hebrew: —] Ktlpio?, or Lord, of the Septuagint be adopted. The Alexandrian Jews had a superstitious dread of writing the name of God, and put [Greek: Kurhios] not as a translation, but as a mere mark or sign—every one readily understanding for what it really stood. We, who have no such superstition, ought surely to restore the Jehovah, and thereby bring out in the true force the overwhelming testimony of the Psalms to the divinity of Christ, the Jehovah or manifested God.[1]
[Footnote 1: I find the same remark in the late most excellent Bishop Sandford's diary, under date 17th December, 1827:—"[Greek: CHairhete en t_o Kurhi_o Kurhios] idem significat quod [Hebrew: —] apud Hebraeos. Hebraei enim nomine [Hebrew: —] sanctissimo nempe Dei nomine, nunquam in colloquio utebantur, sed vice ejus [Hebrew: —] pronuntiabant, quod LXX per [Greek: Kurhios] exprimebant."—Remains of Bishop Sandford, vol. i. p. 207.
Mr. Coleridge saw this work for the first time many months after making the observation in the text. Indeed it was the very last book he ever read. He was deeply interested in the picture drawn of the Bishop, and said that the mental struggles and bodily sufferings indicated in the Diary had been his own for years past. He conjured me to peruse the Memoir and the Diary with great care:—"I have received," said he, "much spiritual comfort and strength from the latter. O! were my faith and devotion, like my sufferings, equal to that good man's! He felt, as I do, how deep a depth is prayer in faith."
In connection with the text, I may add here, that Mr. C. said, that long before he knew that the late Bishop Middleton was of the same opinion, he had deplored the misleading inadequacy of our authorized version of the expression, [Greek: pr_ototokos pas_es ktise_os] in the Epistle to the Colossians, i. 15.: [Greek: hos estin eik_on tou THeou tou aoratou, pr_ototokos pas_es ktise_os.] He rendered the verse in these words:—"Who is the manifestation of God the invisible, the begotten antecedently to all creation;" observing, that in [Greek: pr_ototokos] there was a double superlative of priority, and that the natural meaning of "first-born of every creature,"—the language of our version,—afforded no premiss for the causal [Greek: hoti] in the next verse. The same criticism may be found in the Stateman's Manual, p. 56. n.; and see Bishop Sandford's judgment to the same effect, vol. i. p. 165.—ED.]
* * * * *
I cannot understand the conduct of the Scotch Kirk with regard to poor Irving. They might with ample reason have visited him for the monstrous indecencies of those exhibitions of the spirit;—perhaps the Kirk would not have been justified in overlooking such disgraceful breaches of decorum; but to excommunicate him on account of his language about Christ's body was very foolish. Irving's expressions upon this subject are ill judged, inconvenient, in had taste, and in terms false: nevertheless his apparent meaning, such as it is, is orthodox. Christ's body—as mere body, or rather carcass (for body is an associated word), was no more capable of sin or righteousness than mine or yours;—that his humanity had a capacity of sin, follows from its own essence. He was of like passions as we, and was tempted. How could he be tempted, if he had no formal capacity of being seduced?
It is Irving's error to use declamation, high and passionate rhetoric, not introduced and pioneered by calm and clear logic, which is—to borrow a simile, though with a change in the application, from the witty-wise, but not always wisely-witty, Fuller—like knocking a nail into a board, without wimbling a hole for it, and which then either does not enter, or turns crooked, or splits the wood it pierces.
August 18. 1833.
MILTON'S EGOTISM.—CLAUDIAN.—STERNE.
In the Paradise Lost—indeed in every one of his poems—it is Milton himself whom you see; his Satan, his Adam, his Raphael, almost his Eve—are all John Milton; and it is a sense of this intense egotism that gives me the greatest pleasure in reading Milton's works. The egotism of such a man is a revelation of spirit.
* * * * *
Claudian deserves more attention than is generally paid to him. He is the link between the old classic and the modern way of thinking in verse. You will observe in him an oscillation between the objective poetry of the ancients and the subjective mood of the moderns. His power of pleasingly reproducing the same thought in different language is remarkable, as it is in Pope. Read particularly the Phoenix, and see how the single image of renascence is varied.[1]
[Footnote 1: Mr. Coleridge referred to Claudian's first Idyll:—"Oceani summo circumfluus cequore lucus Trans Indos Eurumque viret," &c. See the lines—
"Hic neque concepto fetu, nec semine surgit;
Sed pater est prolesque sibi, nulloque creante
Emeritos artus foecunda morte reformat,
Et petit alternam totidem per funera vitam.
…
Et cumulum texens pretiosa fronde Sabaeum
Componit bustumque sibi partumque futurum.
…
O senium positure rogo, falsisque sepulcris
Natales habiture vices, qui saepe renasci
Exitio, proprioque soles pubescere leto,
Accipe principium rursus.
…
Parturiente rogo—
…
Victuri cineres—
…
Qm fuerat genitor, natus nunc prosilit idem,
Succeditque novus—-
…
O felix, haeresque tui! quo solvimur omnes,
Hoc tibi suppeditat vires; praebetur origo
Per cinerem; moritur te non pereunte senectus."—ED.]
* * * * *
I think highly of Sterne—that is, of the first part of Tristram Shandy: for as to the latter part about the widow Wadman, it is stupid and disgusting; and the Sentimental Journey is poor sickly stuff. There is a great deal of affectation in Sterne, to be sure; but still the characters of Trim and the two Shandies[1] are most individual and delightful. Sterne's morals are bad, but I don't think they can do much harm to any one whom they would not find bad enough before. Besides, the oddity and erudite grimaces under which much of his dirt is hidden take away the effect for the most part; although, to be sure, the book is scarcely readable by women.
[Footnote 1: Mr. Coleridge considered the character of the father, the elder Shandy, as by much the finer delineation of the two. I fear his low opinion of the Sentimental Journey will not suit a thorough Sterneist; but I could never get him to modify his criticism. He said, "The oftener you read Sterne, the more clearly will you perceive the great difference between Tristram Shandy and the Sentimental Journey. There is truth and reality in the one, and little beyond a clever affectation in the other."—ED.]
August 20. 1833.
HUMOUR AND GENIUS.—GREAT POETS GOOD MEN.—DICTION OF THE OLD AND NEW TESTAMENT VERSION.—HEBREW.—VOWELS AND CONSONANTS.
Men of humour are always in some degree men of genius; wits are rarely so, although a man of genius may amongst other gifts possess wit, as Shakspeare.
* * * * *
Genius must have talent as its complement and implement, just as in like manner imagination must have fancy. In short, the higher intellectual powers can only act through a corresponding energy of the lower.
* * * * *
Men of genius are rarely much annoyed by the company of vulgar people, because they have a power of looking at such persons as objects of amusement of another race altogether.
* * * * *
I quite agree with Strabo, as translated by Ben Jonson in his splendid dedication of the Fox[1]—that there can be no great poet who is not a good man, though not, perhaps, a goody man. His heart must be pure; he must have learned to look into his own heart, and sometimes to look at it; for how can he who is ignorant of his own heart know any thing of, or be able to move, the heart of any one else?
[Footnote 1: [Greek: 'H de (arhet_e) poi_etou synezeyktai t_e tou anthrh_opou kai ouch oion te agathon genesthai poi_et_en, m_e prhoterhon gen_ethenta angrha agathon.]—Lib. I. p. 33. folio.
"For, if men will impartially, and not asquint, look toward the offices and function of a poet, they will easily conclude to themselves the impossibility of any man's being the good poet without first being a good man.">[
* * * * *
I think there is a perceptible difference in the elegance and correctness of the English in our versions of the Old and New Testament. I cannot yield to the authority of many examples of usages which may be alleged from the New Testament version. St. Paul is very often most inadequately rendered, and there are slovenly phrases which would never have come from Ben Jonson or any other good prose writer of that day.
* * * * *
Hebrew is so simple, and its words are so few and near the roots, that it is impossible to keep up any adequate knowledge of it without constant application. The meanings of the words are chiefly traditional. The loss of Origen's Heptaglott Bible, in which he had written out the Hebrew words in Greek characters, is the heaviest which biblical literature has ever experienced. It would have fixed the sounds as known at that time.
* * * * *
Brute animals have the vowel sounds; man only can utter consonants. It is natural, therefore, that the consonants should be marked first, as being the framework of the word; and no doubt a very simple living language might be written quite intelligibly to the natives without any vowel sounds marked at all. The words would be traditionally and conventionally recognized as in short hand—thus—Gd crtd th Hvn nd th Rth. I wish I understood Arabic; and yet I doubt whether to the European philosopher or scholar it is worth while to undergo the immense labour of acquiring that or any other Oriental tongue, except Hebrew.
August 23. 1833.
GREEK ACCENT AND QUANTITY.
The distinction between accent and quantity is clear, and was, no doubt, observed by the ancients in the recitation of verse. But I believe such recitation to have been always an artificial thing, and that the common conversation was entirely regulated by accent. I do not think it possible to talk any language without confounding the quantity of syllables with their high or low tones[1]; although you may sing or recitative the difference well enough. Why should the marks of accent have been considered exclusively necessary for teaching the pronunciation to the Asiatic or African Hellenist, if the knowledge of the acuted syllable did not also carry the stress of time with it? If [Greek: **anthropos] was to be pronounced in common conversation with a perceptible distinction of the length of the penultima as well as of the elevation of the antepenultima, why was not that long quantity also marked? It was surely as important an ingredient in the pronunciation as the accent. And although the letter omega might in such a word show the quantity, yet what do you say to such words as [Greek: lelonchasi, tupsasa], and the like—the quantity of the penultima of which is not marked to the eye at all? Besides, can we altogether disregard the practice of the modern Greeks? Their confusion of accent and quantity in verse is of course a barbarism, though a very old one, as the versus politici of John Tzetzes [2] in the twelfth century and the Anacreontics prefixed to Proclus will show; but these very examples prove a fortiori what the common pronunciation in prose then was.
[Footnote 1: This opinion, I need not say, is in direct opposition to the conclusion of Foster and Mitford, and scarcely reconcilable with the apparent meaning of the authorities from the old critics and grammarians. Foster's opponent was for rejecting the accents and attending only to the syllabic quantity;—Mr. C. would, in prose, attend to the accents only as indicators of the quantity, being unable to conceive any practical distinction between time and tone in common speech. Yet how can we deal with the authority of Dionysius of Halicarnassus alone, who, on the one hand, discriminates quantity so exquisitely as to make four degrees of shortness in the penultimates of [Greek: —hodos hr odos, tz opos] and [Greek: —stz ophos], and this expressly [Greek: —eu logois psilois], or plain prose, as well as in verse; and on the other hand declares, according to the evidently correct interpretation of the passage, that the difference between music and ordinary speech consists in the number only, and not in the quality, of tones:—[Greek: **to Poso diallattousa taes su odais kahi oznauois, kahi ouchi to Poio. (Pezhi Sun. c. 11.?]) The extreme sensibility of the Athenian ear to the accent in prose is, indeed, proved by numerous anecdotes, one of the most amusing of which, though, perhaps, not the best authenticated as a fact, is that of Demosthenes in the Speech for the Crown, asking, "Whether, O Athenians, does Aeschines appear to you to be the mercenary ([Greek: **misthothos]} of Alexander, or his guest or friend ([Greek: **xenos])?" It is said that he pronounced [Greek: **misthothos] with a false accent on the antepenultima, as [Greek: **misthotos], and that upon the audience immediately crying out, by way of correction, [Greek: **misthothos], with an emphasis, the orator continued coolly,—[Greek: **achoueis a legousi]—"You yourself hear what they say!" Demosthenes is also said, whether affectedly, or in ignorance, to have sworn in some speech by [Greek: Asklaepios], throwing the accent falsely on the antepenultima, and that, upon being interrupted for it, he declared, in his justification, that the pronunciation was proper, for that the divinity was [Greek: aepios], mild. The expressions in Plutarch are very striking:—"[Greek: **Thozuxon ekinaesen, omnue dhe kahi thon' Asklaepion, pzopasoxunon' Asklaepion, kai pazedeiknuen autohn ozthos legonta' einai gahz tohn thehon aepion' kahi epi outo polakis hethozuzaethae." Dec. Orat._—Ed.]
[Footnote 2: See his Chiliads. The sort of verses to which Mr. Coleridge alluded are the following, which those who consider the scansion to be accentual, take for tetrameter catalectic iambics, like—
[Greek: ——] (
Chil. I.
I 'll climb the frost | y mountains high |, and there I 'll coin | the weather;
I'll tear the rain | bow from the sky |, and tie both ends | together.
Some critics, however, maintain these verses to be trochaics, although very loose and faulty. See Foster, p. 113. A curious instance of the early confusion of accent and quantity may be seen in Prudentius, who shortens the penultima in eremus and idola, from [Greek: ezaemos] and [Greek: eidola].
Cui jejuna eremi saxa loquacibus Exundant scatebris, &c. Cathemer. V. 89.
—cognatumque malum, pigmenta, Camoenas, Idola, conflavit fallendi trina potestas. Cont. Symm. 47.—ED.]
August 24. 1833.
CONSOLATION IN DISTRESS.—-MOCK EVANGELICALS.—AUTUMN DAY.
I am never very forward in offering spiritual consolation to any one in distress or disease. I believe that such resources, to be of any service, must be self-evolved in the first instance. I am something of the Quaker's mind in this, and am inclined to wait for the spirit.
* * * * *
The most common effect of this mock evangelical spirit, especially with young women, is self-inflation and busy-bodyism.
* * * * *
How strange and awful is the synthesis of life and death in the gusty winds and falling leaves of an autumnal day!
August 25. 1833.
ROSETTI ON DANTE.—LAUGHTER: FARCE AND TRAGEDY.
Rosetti's view of Dante's meaning is in great part just, but he has pushed it beyond all bounds of common sense. How could a poet—and such a poet as Dante—have written the details of the allegory as conjectured by Rosetti? The boundaries between his allegory and his pure picturesque are plain enough, I think, at first reading.
* * * * *
To resolve laughter into an expression of contempt is contrary to fact, and laughable enough. Laughter is a convulsion of the nerves; and it seems as if nature cut short the rapid thrill of pleasure on the nerves by a sudden convulsion of them, to prevent the sensation becoming painful. Aristotle's definition is as good as can be:—surprise at perceiving any thing out of its usual place, when the unusualness is not accompanied by a sense of serious danger. Such surprise is always pleasurable; and it is observable that surprise accompanied with circumstances of danger becomes tragic. Hence farce may often border on tragedy; indeed, farce is nearer tragedy in its essence than comedy is.
August 28. 1833.
BARON VON HUMBOLDT.—MODERN DIPLOMATISTS.
Baron von Humboldt, brother of the great traveller, paid me the following compliment at Rome:—"I confess, Mr. Coleridge, I had my suspicions that you were here in a political capacity of some sort or other; but upon reflection I acquit you. For in Germany and, I believe, elsewhere on the Continent, it is generally understood that the English government, in order to divert the envy and jealousy of the world at the power, wealth, and ingenuity of your nation, makes a point, as a ruse de guerre, of sending out none but fools of gentlemanly birth and connections as diplomatists to the courts abroad. An exception is, perhaps, sometimes made for a clever fellow, if sufficiently libertine and unprincipled." Is the case much altered now, do you know?
* * * * *
What dull coxcombs your diplomatists at home generally are. I remember dining at Mr. Frere's once in company with Canning and a few other interesting men. Just before dinner Lord —— called on Frere, and asked himself to dinner. From the moment of his entry he began to talk to the whole party, and in French—all of us being genuine English—and I was told his French was execrable. He had followed the Russian army into France, and seen a good deal of the great men concerned in the war: of none of those things did he say a word, but went on, sometimes in English and sometimes in French, gabbling about cookery and dress and the like. At last he paused for a little—and I said a few words remarking how a great image may be reduced to the ridiculous and contemptible by bringing the constituent parts into prominent detail, and mentioned the grandeur of the deluge and the preservation of life in Genesis and the Paradise Lost [1], and the ludicrous effect produced by Drayton's description in his Noah's Flood:—
"And now the beasts are walking from the wood,
As well of ravine, as that chew the cud.
The king of beasts his fury doth suppress,
And to the Ark leads down the lioness;
The bull for his beloved mate doth low,
And to the Ark brings on the fair-eyed cow," &c.
Hereupon Lord —— resumed, and spoke in raptures of a picture which he had lately seen of Noah's Ark, and said the animals were all marching two and two, the little ones first, and that the elephants came last in great majesty and filled up the fore-ground. "Ah! no doubt, my Lord," said Canning; "your elephants, wise fellows! staid behind to pack up their trunks!" This floored the ambassador for half an hour.
In the sixteenth and seventeenth centuries almost all our ambassadors were distinguished men. [2] Read Lloyd's State Worthies. The third-rate men of those days possessed an infinity of knowledge, and were intimately versed not only in the history, but even in the heraldry, of the countries in which they were resident. Men were almost always, except for mere compliments, chosen for their dexterity and experience—not, as now, by parliamentary interest.
[Footnote 1: Genesis, c. vi. vii. Par. Lost, book xi. v. 728, &c.]
[Footnote 2: Yet Diego de Mendoza, the author of Lazarillo de Tormes, himself a veteran diplomatist, describes his brethren of the craft, and their duties, in the reigns of Charles the Emperor and Philip the Second, in the following terms:—
O embajadores, puros majaderos,
Que si los reyes quieren engañar,
Comienzan por nosotros los primeros.
Nuestro mayor negocio es, no dañar,
Y jamas hacer cosa, ni dezilla,
Que no corramos riesgo de enseñar.
What a pity it is that modern diplomatists, who, for the most part, very carefully observe the precept contained in the last two lines of this passage, should not equally bear in mind the importance of the preceding remark—that their principal business is just to do no mischief.—ED.]
* * * * *
The sure way to make a foolish ambassador is to bring him up to it. What can an English minister abroad really want but an honest and bold heart, a love for his country and the ten commandments? Your art diplomatic is stuff:—no truly greatly man now would negotiate upon any such shallow principles.
August 30. 1833.
MAN CANNOT BE STATIONARY.—FATALISM AND PROVIDENCE.—SYMPATHY IN JOY.
If a man is not rising upwards to be an angel, depend upon it, he is sinking downwards to be a devil. He cannot stop at the beast. The most savage of men are not beasts; they are worse, a great deal worse.
* * * * *
The conduct of the Mohammedan and Western nations on the subject of contagious plague illustrates the two extremes of error on the nature of God's moral government of the world. The Turk changes Providence into fatalism; the Christian relies upon it—when he has nothing else to rely on. He does not practically rely upon it at all.
* * * * *
For compassion a human heart suffices; but for full and adequate sympathy with joy an angel's only. And ever remember, that the more exquisite and delicate a flower of joy, the tenderer must be the hand that plucks it.
September 2. 1833.
CHARACTERISTIC TEMPERAMENT OF NATIONS.—GREEK PARTICLES.—LATIN COMPOUNDS.- -PROPERTIUS.—TIBULLUS.—LUCAN.—STATIUS.—VALERIUS FLACCUS.—CLAUDIAN.— PERSIUS.———PRUDENTIUS.—HERMESIANAX.
The English affect stimulant nourishment—beef and beer. The French, excitants, irritants—nitrous oxide, alcohol, champagne. The Austrians, sedatives—hyoscyamus. The Russians, narcotics—opium, tobacco, and beng.
* * * * *
It is worth particular notice how the style of Greek oratory, so full, in the times of political independence, of connective particles, some of passion, some of sensation only, and escaping the classification of mere grammatical logic, became, in the hands of the declaimers and philosophers of the Alexandrian era, and still later, entirely deprived of this peculiarity. So it was with Homer as compared with Nonnus, Tryphiodorus, and the like. In the latter there are in the same number of lines fewer words by one half than in the Iliad. All the appoggiaturas of time are lost.
All the Greek writers after Demosthenes and his contemporaries, what are they but the leavings of tyranny, in which a few precious things seem sheltered by the mass of rubbish! Yet, whenever liberty began but to hope and strive, a Polybius appeared. Theocritus is almost the only instance I know of a man of true poetic genius nourishing under a tyranny.
The old Latin poets attempted to compound as largely as the Greek; hence in Ennius such words as belligerentes, &c. In nothing did Virgil show his judgment more than in rejecting these, except just where common usage had sanctioned them, as omnipotens and a few more. He saw that the Latin was too far advanced in its formation, and of too rigid a character, to admit such composition or agglutination. In this particular respect Virgil's Latin is very admirable and deserving preference. Compare it with the language of Lucan or Statius, and count the number of words used in an equal number of lines, and observe how many more short words Virgil has.
* * * * *
I cannot quite understand the grounds of the high admiration which the ancients expressed for Propertius, and I own that Tibullus is rather insipid to me. Lucan was a man of great powers; but what was to be made of such a shapeless fragment of party warfare, and so recent too! He had fancy rather than imagination, and passion rather than fancy. His taste was wretched, to be sure; still the Pharsalia is in my judgment a very wonderful work for such a youth as Lucan[1] was.
I think Statius a truer poet than Lucan, though he is very extravagant sometimes. Valerius Flaccus is very pretty in particular passages. I am ashamed to say, I have never read Silius Italicus. Claudian I recommend to your careful perusal, in respect of his being properly the first of the moderns, or at least the transitional link between the Classic and the Gothic mode of thought.
I call Persius hard—not obscure. He had a bad style; but I dare say, if he had lived[2], he would have learned to express himself in easier language. There are many passages in him of exquisite felicity, and his vein of thought is manly and pathetic.
Prudentius[3] is curious for this,—that you see how Christianity forced allegory into the place of mythology. Mr. Frere [Greek: ho philokalos, ho kalokagathos] used to esteem the Latin Christian poets of Italy very highly, and no man in our times was a more competent judge than he.
[Footnote 1:
Lucan died by the command of Nero, A.D. 65, in his twenty-sixth year. I
think this should be printed at the beginning of every book of the
Pharsalia.—ED.]
[Footnote 2:
Aulus Persius Flaccus died in the 30th year of his age, A.D. 62.—ED.]
[Footnote 3:
Aurelius Prudentius Clemens was born A.D. 348, in Spain.—ED.]
* * * * *
How very pretty are those lines of Hermesianax in Athenaeus about the poets and poetesses of Greece![1]
[Footnote 1:
See the fragment from the Leontium:—
[Greek: HOi_en men philos huios an_egagen Oiagrhoio
Agrhiop_en, THr_essan steilamenos kithar_en
Aidothen k. t. l.] Athen. xiii. s. 71—ED]
September 4. 1833.
DESTRUCTION OF JERUSALEM.—EPIC POEM.—GERMAN AND ENGLISH.—MODERN TRAVELS.—PARADISE LOST.
I have already told you that in my opinion the destruction of Jerusalem is the only subject now left for an epic poem of the highest kind. Yet, with all its great capabilities, it has this one grand defect—that, whereas a poem, to be epic, must have a personal interest,—in the destruction of Jerusalem no genius or skill could possibly preserve the interest for the hero from being merged in the interest for the event. The fact is, the event itself is too sublime and overwhelming.
* * * * *
In my judgment, an epic poem must either be national or mundane. As to Arthur, you could not by any means make a poem on him national to Englishmen. What have we to do with him? Milton saw this, and with a judgment at least equal to his genius, took a mundane theme—one common to all mankind. His Adam and Eve are all men and women inclusively. Pope satirizes Milton for making God the Father talk like a school divine.[1] Pope was hardly the man to criticize Milton. The truth is, the judgment of Milton in the conduct of the celestial part of his story is very exquisite. Wherever God is represented as directly acting as Creator, without any exhibition of his own essence, Milton adopts the simplest and sternest language of the Scriptures. He ventures upon no poetic diction, no amplification, no pathos, no affection. It is truly the Voice or the Word of the Lord coming to, and acting on, the subject Chaos. But, as some personal interest was demanded for the purposes of poetry, Milton takes advantage of the dramatic representation of God's address to the Son, the Filial Alterity, and in those addresses slips in, as it were by stealth, language of affection, or thought, or sentiment. Indeed, although Milton was undoubtedly a high Arian in his mature life, he does in the necessity of poetry give a greater objectivity to the Father and the Son, than he would have justified in argument. He was very wise in adopting the strong anthropomorphism of the Hebrew Scriptures at once. Compare the Paradise Lost with Klopstock's Messiah, and you will learn to appreciate Milton's judgment and skill quite as much as his genius.
[Footnote 1:
"Milton's strong pinion now not Heav'n can bound,
Now, serpent-like, in prose he sweeps the ground;
In quibbles angel and archangel join,
And God the Father turns a school divine."
1 Epist. 2d book of Hor. v. 99.]
* * * * *
The conquest of India by Bacchus might afford scope for a very brilliant poem of the fancy and the understanding.
* * * * *
It is not that the German can express external imagery more fully than
English; but that it can flash more images at once on the mind than the
English can. As to mere power of expression, I doubt whether even the Greek
surpasses the English. Pray, read a very pleasant and acute dialogue in
Schlegel's Athenaeum between a German, a Greek, a Roman, Italian, and a
Frenchman, on the merits of their respective languages.
* * * * *
I wish the naval and military officers who write accounts of their travels
would just spare us their sentiment. The Magazines introduced this cant.
Let these gentlemen read and imitate the old captains and admirals, as
Dampier, &c.
October 15. 1833.
THE TRINITY.—INCARNATION.—REDEMPTION.—EDUCATION.
The Trinity is the idea: the Incarnation, which implies the Fall, is the fact: the Redemption is the mesothesis of the two—that is—the religion.
* * * * *
If you bring up your children in a way which puts them out of sympathy with the religious feelings of the nation in which they live, the chances are, that they will ultimately turn out ruffians or fanatics—and one as likely as the other.
October 23. 1833.
ELEGY.—LAVACRUM PALLADOS.—GREEK AND LATIN PENTAMETER.—MILTON'S LATIN POEMS.—POETICAL FILTER.—GRAY AND COTTON.
Elegy is the form of poetry natural to the reflective mind. It may treat of any subject, but it must treat of no subject for itself; but always and exclusively with reference to the poet himself. As he will feel regret for the past or desire for the future, so sorrow and love become the principal themes of elegy. Elegy presents every thing as lost and gone, or absent and future. The elegy is the exact opposite of the Homeric epic, in which all is purely external and objective, and the poet is a mere voice.
The true lyric ode is subjective too; but then it delights to present things as actually existing and visible, although associated with the past, or coloured highly by the subject of the ode itself.
* * * * *
I think the Lavacrum Pallados of Callimachus very beautiful indeed, especially that part about the mother of Tiresias and Minerva.[1] I have a mind to try how it would bear translation; but what metre have we to answer in feeling to the elegiac couplet of the Greeks?
I greatly prefer the Greek rhythm of the short verse to Ovid's, though, observe, I don't dispute his taste with reference to the genius of his own language. Augustus Schlegel gave me a copy of Latin elegiacs on the King of Prussia's going down the Rhine, in which he had almost exclusively adopted the manner of Propertius. I thought them very elegant.
[Footnote 1: Greek: Paides, Athanaia numphan mian en poka Th_ezais po_olu ti kai pezi d_e philato tan hetezan, mateza Teizesiao, kai oupoka ch_ozis egento k.t.l. v 57, &c.]
* * * * *
You may find a few minute faults in Milton's Latin verses; but you will not persuade me that, if these poems had come down to us as written in the age of Tiberius, we should not have considered them to be very beautiful.
* * * * *
I once thought of making a collection,—to be called "The Poetical Filter,"—upon the principle of simply omitting from the old pieces of lyrical poetry which we have, those parts in which the whim or the bad taste of the author or the fashion of his age prevailed over his genius. You would be surprised at the number of exquisite wholes which might be made by this simple operation, and, perhaps, by the insertion of a single line or half a line, out of poems which are now utterly disregarded on account of some odd or incongruous passages in them;—just as whole volumes of Wordsworth's poems were formerly neglected or laughed at, solely because of some few wilfulnesses, if I may so call them, of that great man—whilst at the same time five sixths of his poems would have been admired, and indeed popular, if they had appeared without those drawbacks, under the name of Byron or Moore or Campbell, or any other of the fashionable favourites of the day. But he has won the battle now, ay! and will wear the crown, whilst English is English.
* * * * *
I think there is something very majestic in Gray's Installation Ode; but as to the Bard and the rest of his lyrics, I must say I think them frigid and artificial. There is more real lyric feeling in Cotton's Ode on Winter.[1]
[Footnote 1:
Let me borrow Mr. Wordsworth's account of, and quotation from, this poem:—
"Finally, I will refer to Cotton's 'Ode upon Winter,' an admirable composition, though stained with some peculiarities of the age in which he lived, for a general illustration of the characteristics of Fancy. The middle part of this ode contains a most lively description of the entrance of Winter, with his retinue, as 'a palsied king,' and yet a military monarch, advancing for conquest with his army; the several bodies of which, and their arms and equipments, are described with a rapidity of detail, and a profusion of fanciful comparisons, which indicate, on the part of the poet, extreme activity of intellect, and a correspondent hurry of delightful feeling. He retires from the foe into his fortress, where—
a magazine
Of sovereign juice is cellared in;
Liquor that will the siege maintain
Should Phoebus ne'er return again."
Though myself a water-drinker, I cannot resist the pleasure of transcribing what follows, as an instance still more happy of Fancy employed in the treatment of feeling than, in its preceding passages, the poem supplies of her management of forms.
'Tis that, that gives the Poet rage,
And thaws the gelly'd blood of Age;
Matures the Young, restores the Old,
And makes the fainting coward bold.
It lays the careful head to rest,
Calms palpitations in the breast,
Renders our lives' misfortune sweet;
* * * * *
Then let the chill Scirocco blow,
And gird us round with hills of snow;
Or else go whistle to the shore,
And make the hollow mountains roar:
Whilst we together jovial sit
Careless, and crowned with mirth and wit;
Where, though bleak winds confine us home,
Our fancies round the world shall roam.
We'll think of all the friends we know,
And drink to all worth drinking to;
When, having drunk all thine and mine,
We rather shall want healths than wine.
But where friends fail us, we'll supply
Our friendships with our charity;
Men that remote in sorrows live
Shall by our lusty brimmers thrive.
We'll drink the wanting into wealth,
And those that languish into health,
Th' afflicted into joy, th' opprest
Into security and rest.
The worthy in disgrace shall find
Favour return again more kind,
And in restraint who stifled lie
Shall taste the air of liberty.
The brave shall triumph in success,
The lovers shall have mistresses,
Poor unregarded virtue, praise,
And the neglected poet, bays.
Thus shall our healths do others good,
Whilst we ourselves do all we would;
For, freed from envy and from care,
What would we be but what we are?
Preface to the editions of Mr. W.'s Poems, in 1815 and 1820.—ED.]
November 1. 1833.
HOMERIC HEROES IN SHAKSPEARE.—DRYDEN.—DR. JOHNSON.—SCOTT'S NOVELS.— SCOPE OF CHRISTIANITY.
Compare Nestor, Ajax, Achilles, &c. in the Troilus and Cressida of Shakspeare with their namesakes in the Iliad. The old heroes seem all to have been at school ever since. I scarcely know a more striking instance of the strength and pregnancy of the Gothic mind.
Dryden's genius was of that sort which catches fire by its own motion; his chariot wheels get hot by driving fast.
* * * * *
Dr. Johnson seems to have been really more powerful in discoursing vivâ voce in conversation than with his pen in hand. It seems as if the excitement of company called something like reality and consecutiveness into his reasonings, which in his writings I cannot see. His antitheses are almost always verbal only; and sentence after sentence in the Rambler may be pointed out to which you cannot attach any definite meaning whatever. In his political pamphlets there is more truth of expression than in his other works, for the same reason that his conversation is better than his writings in general. He was more excited and in earnest.
* * * * *
When I am very ill indeed, I can read Scott's novels, and they are almost the only books I can then read. I cannot at such times read the Bible; my mind reflects on it, but I can't bear the open page.
* * * * *
Unless Christianity be viewed and felt in a high and comprehensive way, how large a portion of our intellectual and moral nature does it leave without object and action!
* * * * *
Let a young man separate I from Me as far as he possibly can, and remove Me till it is almost lost in the remote distance. "I am me," is as bad a fault in intellectuals and morals as it is in grammar, whilst none but one—God— can say, "I am I," or "That I am."
November 9. 1833.
TIMES OF CHARLES I.
How many books are still written and published about Charles the First and his times! Such is the fresh and enduring interest of that grand crisis of morals, religion, and government! But these books are none of them works of any genius or imagination; not one of these authors seems to be able to throw himself back into that age; if they did, there would be less praise and less blame bestowed on both sides.
December 21. 1833.
MESSENGER OF THE COVENANT—PROPHECY.—LOGIC OF IDEAS AND OF SYLLOGISMS.
When I reflect upon the subject of the messenger of the covenant, and observe the distinction taken in the prophets between the teaching and suffering Christ,—the Priest, who was to precede, and the triumphant Messiah, the Judge, who was to follow,—and how Jesus always seems to speak of the Son of Man in a future sense, and yet always at the same time as identical with himself; I sometimes think that our Lord himself in his earthly career was the Messenger; and that the way is now still preparing for the great and visible advent of the Messiah of Glory. I mention this doubtingly.
* * * * *
What a beautiful sermon or essay might be written on the growth of prophecy!—from the germ, no bigger than a man's hand, in Genesis, till the column of cloud gathers size and height and substance, and assumes the shape of a perfect man; just like the smoke in the Arabian Nights' tale, which comes up and at last takes a genie's shape.[1]
[Footnote 1: The passage in Mr. Coleridge's mind was, I suppose, the following:—"He (the fisherman) set it before him, and while he looked upon it attentively, there came out a very thick smoke, which obliged him to retire two or three paces from it. The smoke ascended to the clouds, and extending itself along the sea, and upon the shore, formed a great mist, which, we may well imagine, did mightily astonish the fisherman. When the smoke was all out of the vessel, it reunited itself, and became a solid body, of which there was formed a genie twice as high as the greatest of giants." Story of the Fisherman. Ninth Night.—ED.]
* * * * *
The logic of ideas is to that of syllogisms as the infinitesimal calculus to common arithmetic; it proves, but at the same time supersedes.
January 1. 1834.
LANDOR'S POETRY.—BEAUTY.—CHRONOLOGICAL ARRANGEMENT OF WORKS.
What is it that Mr. Landor wants, to make him a poet? His powers are certainly very considerable, but he seems to be totally deficient in that modifying faculty, which compresses several units into one whole. The truth is, he does not possess imagination in its highest form,—that of stamping il più nell' uno. Hence his poems, taken as wholes, are unintelligible; you have eminences excessively bright, and all the ground around and between them in darkness. Besides which, he has never learned, with all his energy, how to write simple and lucid English.
* * * * *
The useful, the agreeable, the beautiful, and the good, are distinguishable. You are wrong in resolving beauty into expression or interest; it is quite distinct; indeed it is opposite, although not contrary. Beauty is an immediate presence, between (inter) which and the beholder nihil est. It is always one and tranquil; whereas the interesting always disturbs and is disturbed. I exceedingly regret the loss of those essays on beauty, which I wrote in a Bristol newspaper. I would give much to recover them.
* * * * *
After all you can say, I still think the chronological order the best for arranging a poet's works. All your divisions are in particular instances inadequate, and they destroy the interest which arises from watching the progress, maturity, and even the decay of genius.
January 3. 1834.
TOLERATION.—NORWEGIANS.
I have known books written on Tolerance, the proper title of which would be—intolerant or intolerable books on tolerance. Should not a man who writes a book expressly to inculcate tolerance learn to treat with respect, or at least with indulgence, articles of faith which tens of thousands ten times told of his fellow-subjects or his fellow-creatures believe with all their souls, and upon the truth of which they rest their tranquillity in this world, and their hopes of salvation in the next,—those articles being at least maintainable against his arguments, and most certainly innocent in themselves?—Is it fitting to run Jesus Christ in a silly parallel with Socrates—the Being whom thousand millions of intellectual creatures, of whom I am a humble unit, take to be their Redeemer, with an Athenian philosopher, of whom we should know nothing except through his glorification in Plato and Xenophon?—And then to hitch Latimer and Servetus together! To be sure there was a stake and a fire in each case, but where the rest of the resemblance is I cannot see. What ground is there for throwing the odium of Servetus's death upon Calvin alone?—Why, the mild Melancthon wrote to Calvin[1], expressly to testify his concurrence in the act, and no doubt he spoke the sense of the German reformers; the Swiss churches advised the punishment in formal letters, and I rather think there are letters from the English divines, approving Calvin's conduct!— Before a man deals out the slang of the day about the great leaders of the Reformation, he should learn to throw himself back to the age of the Reformation, when the two great parties in the church were eagerly on the watch to fasten a charge of heresy on the other. Besides, if ever a poor fanatic thrust, himself into the fire, it was Michael Servetus. He was a rabid enthusiast, and did every thing he could in the way of insult and ribaldry to provoke the feeling of the Christian church. He called the Trinity triceps monstrum et Cerberum quendam tripartitum, and so on.
Indeed, how should the principle of religious toleration have been acknowledged at first?—It would require stronger arguments than any which I have heard as yet, to prove that men in authority have not a right, involved in an imperative duty, to deter those under their control from teaching or countenancing doctrines which they believe to be damnable, and even to punish with death those who violate such prohibition. I am sure that Bellarmine would have had small difficulty in turning Locke round his fingers' ends upon this ground. A right to protection I can understand; but a right to toleration seems to me a contradiction in terms. Some criterion must in any case be adopted by the state; otherwise it might be compelled to admit whatever hideous doctrine and practice any man or number of men may assert to be his or their religion, and an article of his or their faith. It was the same Pope who commanded the Romanists of England to separate from the national church, which previously their own consciences had not dictated, nor the decision of any council,—and who also commanded them to rebel against Queen Elizabeth, whom they were bound to obey by the laws of the land; and if the Pope had authority for one, he must have had it for the other. The only true argument, as it seems to me, apart from Christianity, for a discriminating toleration is, that it is of no use to attempt to stop heresy or schism by persecution, unless, perhaps, it be conducted upon the plan of direct warfare and massacre. You cannot preserve men in the faith by such means, though you may stifle for a while any open appearance of dissent. The experiment has now been tried, and it has failed; and that is by a great deal the best argument for the magistrate against a repetition of it.
I know this,—that if a parcel of fanatic missionaries were to go to Norway, and were to attempt to disturb the fervent and undoubting Lutheranism of the fine independent inhabitants of the interior of that country, I should be right glad to hear that the busy fools had been quietly shipped off—any where. I don't include the people of the seaports in my praise of the Norwegians;—I speak of the agricultural population. If that country could be brought to maintain a million more of inhabitants, Norway might defy the world; it would be [Greek: autarhk_as] and impregnable; but it is much under-handed now.
[Footnote 1: Melancthon's words are:—"Tuo judicio prorsus assentior. Affirmo etiam vestros magistratus juste fecisse quod hominem blasphemum, re ordine judicata, interfecerunt." 14th Oct. 1554.—ED.]
January 12. 1834.
ARTICLES OF FAITH.—MODERN QUAKERISM.—DEVOTIONAL SPIRIT.—SECTARIANISM.—ORIGEN.
I have drawn up four or perhaps five articles of faith, by subscription, or rather by assent, to which I think a large comprehension might take place. My articles would exclude Unitarians, and I am sorry to say, members of the church of Rome, but with this difference—that the exclusion of Unitarians would be necessary and perpetual; that of the members of the church of Rome depending on each individual's own conscience and intellectual light. What I mean is this:—that the Romanists hold the faith in Christ,—but unhappily they also hold certain opinions, partly ceremonial, partly devotional, partly speculative, which have so fatal a facility of being degraded into base, corrupting, and even idolatrous practices, that if the Romanist will make them of the essence of his religion, he must of course be excluded. As to the Quakers, I hardly know what to say. An article on the sacraments would exclude them. My doubt is, whether Baptism and the Eucharist are properly any parts of Christianity, or not rather Christianity itself;—the one, the initial conversion or light,—the other, the sustaining and invigorating life;—both together the [Greek: ph_os ahi z_oh_a], which are Christianity. A line can only begin once; hence, there can be no repetition of baptism; but a line may be endlessly prolonged by continued production; hence the sacrament of love and life lasts for ever.
But really there is no knowing what the modern Quakers are, or believe, excepting this—that they are altogether degenerated from their ancestors of the seventeenth century. I should call modern Quakerism, so far as I know it as a scheme of faith, a Socinian Calvinism. Penn himself was a Sabellian, and seems to have disbelieved even the historical fact of the life and death of Jesus;—most certainly Jesus of Nazareth was not Penn's Christ, if he had any. It is amusing to see the modern Quakers appealing now to history for a confirmation of their tenets and discipline—and by so doing, in effect abandoning the strong hold of their founders. As an imperium in imperio, I think the original Quakerism a conception worthy of Lycurgus. Modern Quakerism is like one of those gigantic trees which are seen in the forests of North America,—apparently flourishing, and preserving all its greatest stretch and spread of branches; but when you cut through an enormously thick and gnarled bark, you find the whole inside hollow and rotten. Modern Quakerism, like such a tree, stands upright by help of its inveterate bark alone. Bark a Quaker, and he is a poor creature.
* * * * *
How much the devotional spirit of the church has suffered by that necessary evil, the Reformation, and the sects which have sprung up subsequently to it! All our modern prayers seem tongue-tied. We appear to be thinking more of avoiding an heretical expression or thought than of opening ourselves to God. We do not pray with that entire, unsuspecting, unfearing, childlike profusion of feeling, which so beautifully shines forth in Jeremy Taylor and Andrewes and the writings of some of the older and better saints of the Romish church, particularly of that remarkable woman, St. Theresa.[1] And certainly Protestants, in their anxiety to have the historical argument on their side, have brought down the origin of the Romish errors too late. Many of them began, no doubt, in the Apostolic age itself;—I say errors— not heresies, as that dullest of the fathers, Epiphanius, calls them. Epiphanius is very long and fierce upon the Ebionites. There may have been real heretics under that name; but I believe that, in the beginning, the name was, on account of its Hebrew meaning, given to, or adopted by, some poor mistaken men—perhaps of the Nazarene way—who sold all their goods and lands, and were then obliged to beg. I think it not improbable that Barnabas was one of these chief mendicants; and that the collection made by St. Paul was for them. You should read Rhenferd's account of the early heresies. I think he demonstrates about eight of Epiphanius's heretics to be mere nicknames given by the Jews to the Christians. Read "Hermas, or the Shepherd," of the genuineness of which and of the epistle of Barnabas I have no doubt. It is perfectly orthodox, but full of the most ludicrous tricks of gnostic fancy—the wish to find the New Testament in the Old. This gnosis is perceptible in the Epistle to the Hebrews, but kept exquisitely within the limit of propriety. In the others it is rampant, and most truly "puffeth up," as St. Paul said of it.
What between the sectarians and the political economists, the English are denationalized. England I see as a country, but the English nation seems obliterated. What could redintegrate us again? Must it be another threat of foreign invasion?
[Footnote 1: She was a native of Avila in Old Castile, and a Carmelite nun. Theresa established an order which she called the "Reformed," and which became very powerful. Her works are divided into ten books, of which her autobiography forms a remarkable part. She died in 1582, and was canonised by Gregory XV. in 1622—ED.]
* * * * *
I never can digest the loss of most of Origen's works: he seems to have been almost the only very great scholar and genius combined amongst the early Fathers. Jerome was very inferior to him.
January 20. 1834.
SOME MEN LIKE MUSICAL GLASSES.—SUBLIME AND NONSENSE.—ATHEIST.
Some men are like musical glasses;—to produce their finest tones, you must keep them wet.
* * * * *
Well! that passage is what I call the sublime dashed to pieces by cutting too close with the fiery four-in-hand round the corner of nonsense.
* * * * *
How did the Atheist get his idea of that God whom he denies?
February 22. 1834.
PROOF OF EXISTENCE OF GOD.—KANT'S ATTEMPT.—PLURALITY OF WORLDS.
Assume the existence of God,—and then the harmony and fitness of the physical creation may be shown to correspond with and support such an assumption;—but to set about proving the existence of a God by such means is a mere circle, a delusion. It can be no proof to a good reasoner, unless he violates all syllogistic logic, and presumes his conclusion.
Kant once set about proving the existence of God, and a masterly effort it was.* But in his later great work, the "Critique of the Pure Reason," he saw its fallacy, and said of it—that if the existence could he proved at all, it must be on the grounds indicated by him.
* * * * *
I never could feel any force in the arguments for a plurality of worlds, in the common acceptation of that term. A lady once asked me—"What then could be the intention in creating so many great bodies, so apparently useless to us?" I said—I did not know, except perhaps to make dirt cheap. The vulgar inference is in alio genere. What in the eye of an intellectual and omnipotent Being is the whole sidereal system to the soul of one man for whom Christ died?
March 1. 1834.
A REASONER.
I am by the law of my nature a reasoner. A person who should suppose I meant by that word, an arguer, [1] would not only not understand me, but would understand the contrary of my meaning. I can take no interest whatever in hearing or saying any thing merely as a fact—merely as having happened. It must refer to something within me before I can regard it with any curiosity or care. My mind is always energic—I don't mean energetic; I require in every thing what, for lack of another word, I may call propriety,—that is, a reason why the thing is at all, and why it is there or then rather than elsewhere or at another time.
[Footnote 1:
In his essay, "Der einzig mögliche Beweisgrund zu einer Demonstration des
Daseyns Gottes."—"The only possible argument or ground of proof for a
demonstration of the existence of God." It was published in 1763; the
"Critique" in 1781.—ED.]
March 5. 1834.
SHAKSPEARE'S INTELLECTUAL ACTION.—CRABBE AND SOUTHEY.—PETER SIMPLE AND TOM CRINGLE'S LOG.
Shakspeare's intellectual action is wholly unlike that of Ben Jonson or Beaumont and Fletcher. The latter see the totality of a sentence or passage, and then project it entire. Shakspeare goes on creating, and evolving B. out of A., and C. out of B., and so on, just as a serpent moves, which makes a fulcrum of its own body, and seems for ever twisting and untwisting its own strength.
* * * * *
I think Crabbe and Southey are something alike; but Crabbe's poems are founded on observation and real life—Southey's on fancy and books. In facility they are equal, though Crabbe's English is of course not upon a level with Southey's, which is next door to faultless. But in Crabbe there is an absolute defect of the high imagination; he gives me little or no pleasure: yet, no doubt, he has much power of a certain kind, and it is good to cultivate, even at some pains, a catholic taste in literature. I read all sorts of books with some pleasure except modern sermons and treatises on political economy.
* * * * *
I have received a great deal of pleasure from some of the modern novels, especially Captain Marryat's "Peter Simple." That book is nearer Smollett than any I remember. And "Tom Cringle's Log" in Blackwood is also most excellent.
March 15. 1834.
CHAUCER.—SHAKSPEARE.—BEN JONSON.—BEAUMONT AND FLETCHER.—DANIEL.—MASSINGER.
I take unceasing delight in Chaucer. His manly cheerfulness is especially delicious to me in my old age.[1] How exquisitely tender he is, and yet how perfectly free from the least touch of sickly melancholy or morbid drooping! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakspeare and Chaucer; but what the first effects by a strong act of imagination and mental metamorphosis, the last does without any effort, merely by the inborn kindly joyousness of his nature. How well we seem to know Chaucer! How absolutely nothing do we know of Shakspeare!
I cannot in the least allow any necessity for Chaucer's poetry, especially the Canterbury Tales, being considered obsolete. Let a few plain rules be given for sounding the final è of syllables, and for expressing the termination of such words as ocëan, and natiön, &c. as dissyllables,— or let the syllables to be sounded in such cases be marked by a competent metrist. This simple expedient would, with a very few trifling exceptions, where the errors are inveterate, enable any reader to feel the perfect smoothness and harmony of Chaucer's verse.
[Footnote 1: Eighteen years before, Mr. Coleridge entertained the same feelings towards Chaucer:—"Through all the works of Chaucer there reigns a cheerfulness, a manly hilarity, which makes it almost impossible to doubt a correspondent habit of feeling in the author himself." Biog. Lit., vol. i. p. 32.—ED.]
* * * * *
As to understanding his language, if you read twenty pages with a good glossary, you surely can find no further difficulty, even as it is; but I should have no objection to see this done:—Strike out those words which are now obsolete, and I will venture to say that I will replace every one of them by words still in use out of Chaucer himself, or Gower his disciple. I don't want this myself: I rather like to see the significant terms which Chaucer unsuccessfully offered as candidates for admission into our language; but surely so very slight a change of the text may well be pardoned, even by black—letterati, for the purpose of restoring so great a poet to his ancient and most deserved popularity.
* * * * *
Shakspeare is of no age. It is idle to endeavour to support his phrases by quotations from Ben Jonson, Beaumont and Fletcher, &c. His language is entirely his own, and the younger dramatists imitated him. The construction of Shakspeare's sentences, whether in verse or prose, is the necessary and homogeneous vehicle of his peculiar manner of thinking. His is not the style of the age. More particularly, Shakspeare's blank verse is an absolutely new creation. Read Daniel[1]—the admirable Daniel—in his "Civil Wars," and "Triumphs of Hymen."
The style and language are just such as any very pure and manly writer of the present day—Wordsworth, for example—would use; it seems quite modern in comparison with the style of Shakspeare. Ben Jonson's blank verse is very masterly and individual, and perhaps Massinger's is even still nobler. In Beaumont and Fletcher it is constantly slipping into lyricisms.
I believe Shakspeare was not a whit more intelligible in his own day than he is now to an educated man, except for a few local allusions of no consequence. As I said, he is of no age—nor, I may add, of any religion, or party, or profession. The body and substance of his works came out of the unfathomable depths of his own oceanic mind: his observation and reading, which was considerable, supplied him with the drapery of his figures.[2]
[Footnote 1: "This poet's well-merited epithet is that of the 'well-languaged Daniel;' but, likewise, and by the consent of his contemporaries, no less than of all succeeding critics, the 'prosaic Daniel.' Yet those who thus designate this wise and amiable writer, from the frequent incorrespondency of his diction with his metre, in the majority of his compositions, not only deem them valuable and interesting on other accounts, but willingly admit that there are to be found throughout his poems, and especially in his Epistles and in his Hymen's Triumph, many and exquisite specimens of that style, which, as the neutral ground of prose and verse, is common to both."—Biog. Lit., vol. ii. p. 82.]
[Footnote 2: Mr. Coleridge called Shakspeare "the myriad-minded man," [Greek: au_az muzioyous]—" a phrase," said he, "which I have borrowed from a Greek monk, who applies it to a patriarch of Constantinople. I might have said, that I have reclaimed, rather than borrowed, it, for it seems to belong to Shakspeare _de jure singulari, et ex privilegio naturae." See Biog. Lit., vol. ii. p. 13.—ED.]
* * * * *
As for editing Beaumont and Fletcher, the task would be one immensi laboris. The confusion is now so great, the errors so enormous, that the editor must use a boldness quite unallowable in any other case. All I can say as to Beaumont and Fletcher is, that I can point out well enough where something has been lost, and that something so and so was probably in the original; but the law of Shakspeare's thought and verse is such, that I feel convinced that not only could I detect the spurious, but supply the genuine, word.
March 20. 1834.
LORD BYRON AND H. WALPOLE'S "MYSTERIOUS MOTHER."—LEWIS'S "JAMAICA JOURNAL."
Lord Byron, as quoted by Lord Dover[1], says, that the "Mysterious Mother" raises Horace Walpole above every author living in his, Lord Byron's, time. Upon which I venture to remark, first, that I do not believe that Lord Byron spoke sincerely; for I suspect that he made a tacit exception in favour of himself at least;—secondly, that it is a miserable mode of comparison which does not rest on difference of kind. It proceeds of envy and malice and detraction to say that A. is higher than B., unless you show that they are in pari materia;—thirdly, that the "Mysterious Mother" is the most disgusting, vile, detestable composition that ever came from the hand of man. No one with a spark of true manliness, of which Horace Walpole had none, could have written it. As to the blank verse, it is indeed better than Rowe's and Thomson's, which was execrably bad:—any approach, therefore, to the manner of the old dramatists was of course an improvement; but the loosest lines in Shirley are superior to Walpole's best.
[Footnote 1: In the memoir prefixed to the correspondence with Sir H. Mann. Lord Byron's words are:—"He is the ultimus Romanorum, the author of the 'Mysterious Mother,' a tragedy of the highest order, and not a puling love play. He is the father of the first romance, and of the last tragedy, in our language; and surely worthy of a higher place than any living author, be he who he may."—Preface to Marino Faliero. Is not "Romeo and Juliet" a love play? —But why reason about such insincere, splenetic trash?—ED.]
* * * * *
Lewis's "Jamaica Journal" is delightful; it is almost the only unaffected book of travels or touring I have read of late years. You have the man himself, and not an inconsiderable man,—certainly a much finer mind than I supposed before from the perusal of his romances, &c. It is by far his best work, and will live and be popular. Those verses on the Hours are very pretty; but the Isle of Devils is, like his romances,—a fever dream— horrible, without point or terror.
April 16. 1834.
SICILY.—MALTA—SIR ALEXANDER BALL.
I found that every thing in and about Sicily had been exaggerated by travellers, except two things—the folly of the government and the wretchedness of the people. They did not admit of exaggeration.
Really you may learn the fundamental principles of political economy in a very compendious way, by taking a short tour through Sicily, and simply reversing in your own mind every law, custom, and ordinance you meet with. I never was in a country in which every thing proceeding from man was so exactly wrong. You have peremptory ordinances against making roads, taxes on the passage of common vegetables from one miserable village to another, and so on.
By the by, do you know any parallel in modern history to the absurdity of our giving a legislative assembly to the Sicilians? It exceeds any thing I know. This precious legislature passed two bills before it was knocked on the head: the first was, to render lands inalienable; and the second, to cancel all debts due before the date of the bill.
And then consider the gross ignorance and folly of our laying a tax upon the Sicilians! Taxation in its proper sense can only exist where there is a free circulation of capital, labour, and commodities throughout the community. But to tax the people in countries like Sicily and Corsica, where there is no internal communication, is mere robbery and confiscation. A crown taken from a Corsican living in the sierras would not get back to him again in ten years.
* * * * *
It is interesting to pass from Malta to Sicily—from the highest specimen of an inferior race, the Saracenic, to the most degraded class of a superior race, the European.
* * * * *
No tongue can describe the moral corruption of the Maltese when the island was surrendered to us. There was not a family in it in which a wife or a daughter was not a kept mistress. A marquis of ancient family applied to Sir Alexander Ball to be appointed his valet. "My valet!" said Ball, "what can you mean, Sir?" The marquis said, he hoped he should then have had the honour of presenting petitions to his Excellency. "Oh, that is it, is it!" said Sir Alexander: "my valet, Sir, brushes my clothes, and brings them to me. If he dared to meddle with matters of public business, I should kick him down stairs."
In short, Malta was an Augean stable, and Ball had all the inclination to be a Hercules.[1] His task was most difficult, although his qualifications were most remarkable. I remember an English officer of very high rank soliciting him for the renewal of a pension to an abandoned woman who had been notoriously treacherous to us. That officer had promised the woman as a matter of course—she having sacrificed her daughter to him. Ball was determined, as far as he could, to prevent Malta from being made a nest of home patronage. He considered, as was the fact, that there was a contract between England and the Maltese. Hence the government at home, especially Dundas, disliked him, and never allowed him any other title than that of Civil Commissioner. We have, I believe, nearly succeeded in alienating the hearts of the inhabitants from us. Every officer in the island ought to be a Maltese, except those belonging to the immediate executive: 100_l_. per annum to a Maltese, to enable him to keep a gilt carriage, will satisfy him where an Englishman must have 2000_l_.
[Footnote 1: I refer the reader to the five concluding essays of the third volume of the "Friend," as a specimen of what Mr. C. might have done as a biographer if an irresistible instinct had not devoted him to profounder labours. As a sketch—and it pretends to nothing more—is there any thing more perfect in our literature than the monument raised in those essays to the memory of Sir Alexander Ball?—and there are some touches added to the character of Nelson, which the reader, even of Southey's matchless Life of our hero, will find both new and interesting.—ED.]
May 1. 1834.
CAMBRIDGE PETITION TO ADMIT DISSENTERS.
There are, to my grief, the names of some men to the Cambridge petition for admission of the Dissenters to the University, whose cheeks I think must have burned with shame at the degrading patronage and befouling eulogies of the democratic press, and at seeing themselves used as the tools of the open and rancorous enemies of the church. How miserable to be held up for the purpose of inflicting insult upon men, whose worth and ability and sincerity you well know,—and this by a faction banded together like obscene dogs and cats and serpents, against a church which you profoundly revere! The time—the time—the occasion and the motive ought to have been argument enough, that even if the measure were right or harmless in itself, not now, nor with such as these, was it to be effected!
May 3. 1834.
CORN LAWS.
Those who argue that England may safely depend upon a supply of foreign corn, if it grow none or an insufficient quantity of its own, forget that they are subjugating the necessaries of life itself to the mere luxuries or comforts of society. Is it not certain that the price of corn abroad will be raised upon us as soon as it is once known that we must buy?—and when that fact is known, in what sort of a situation shall we be? Besides this, the argument supposes that agriculture is not a positive good to the nation, taken in and by itself, as a mode of existence for the people, which supposition is false and pernicious; and if we are to become a great horde of manufacturers, shall we not, even more than at present, excite the ill will of all the manufacturers of other nations? It has been already shown, in evidence which is before all the world, that some of our manufacturers have acted upon the accursed principle of deliberately injuring foreign manufactures, if they can, even to the ultimate disgrace of the country and loss to themselves.
May 19. 1834.
CHRISTIAN SABBATH.
How grossly misunderstood the genuine character of the Christian sabbath, or Lord's day, seems to be even by the church! To confound it with the Jewish sabbath, or to rest its observance upon the fourth commandment, is, in my judgment, heretical, and would so have been considered in the primitive church. That cessation from labour on the Lord's day could not have been absolutely incumbent on Christians for two centuries after Christ, is apparent; because during that period the greater part of the Christians were either slaves or in official situations under Pagan masters or superiors, and had duties to perform for those who did not recognize the day. And we know that St. Paul sent back Onesimus to his master, and told every Christian slave, that, being a Christian, he was free in his mind indeed, but still must serve his earthly master, although he might laudably seek for his personal freedom also. If the early Christians had refused to work on the Lord's day, rebellion and civil war must have been the immediate consequences. But there is no notice of any such cessation.
The Jewish sabbath was commemorative of the termination of the great act of creation; it was to record that the world had not been from eternity, nor had arisen as a dream by itself, but that God had created it by distinct acts of power, and that he had hallowed the day or season in which he rested or desisted from his work. When our Lord arose from the dead, the old creation was, as it were, superseded, and the new creation then began; and therefore the first day and not the last day, the commencement and not the end, of the work of God was solemnized.
Luther, in speaking of the good by itself, and the good for its expediency alone, instances the observance of the Christian day of rest,— a day of repose from manual labour, and of activity in spiritual labour,—a day of joy and co-operation in the work of Christ's creation. "Keep it holy"—says he—"for its use' sake,—both to body and soul! But if any where the day is made holy for the mere day's sake,—if any where any one sets up its observance upon a Jewish foundation, then I order you to work on it, to ride on it, to dance on it, to feast on it—to do any thing that shall reprove this encroachment on the Christian spirit and liberty."
The early church distinguished the day of Christian rest so strongly from a fast, that it was unlawful for a man to bewail even his own sins, as such only, on that day. He was to bewail the sins of all, and to pray as one of the whole of Christ's body.
And the English Reformers evidently took the same view of the day as Luther and the early church. But, unhappily, our church, in the reigns of James and Charles the First, was so identified with the undue advancement of the royal prerogative, that the puritanical Judaizing of the Presbyterians was but too well seconded by the patriots of the nation, in resisting the wise efforts of the church to prevent the incipient alteration in the character of the day of rest. After the Restoration, the bishops and clergy in general adopted the view taken and enforced by their enemies.
By the by, it is curious to observe, in this semi-infidel and Malthusian Parliament, how the Sabbatarian spirit unites itself with a rancorous hostility to that one institution, which alone, according to reason and experience, can insure the continuance of any general religion at all in the nation at large. Some of these gentlemen, who are for not letting a poor labouring man have a dish of baked potatoes on a Sunday, religionis gratia—(God forgive that audacious blasphemy!)—are foremost among those who seem to live but in vilifying, weakening, and impoverishing the national church. I own my indignation boils over against such contemptible fellows.
I sincerely wish to preserve a decent quiet on Sunday. I would prohibit compulsory labour, and put down operas, theatres, &c., for this plain reason—that if the rich be allowed to play, the poor will be forced, or, what comes to the same thing, will be induced, to work. I am not for a Paris Sunday. But to stop coaches, and let the gentleman's carriage run, is monstrous.
May 25. 1834.
HIGH PRIZES AND REVENUES OF THE CHURCH.
Your argument against the high prizes in the church might be put strongly thus:—Admit that in the beginning it might have been fairly said, that some eminent rewards ought to be set apart for the purpose of stimulating and rewarding transcendant merit; what have you to say now, after centuries of experience to the contrary?—Have the high prizes been given to the highest genius, virtue, or learning? Is it not rather the truth, as Jortin said, that twelve votes in a contested election will do more to make a man a bishop than an admired commentary on the twelve minor prophets?—To all which and the like I say again, that you ought not to reason from the abuse, which may be rectified, against the inherent uses of the thing. Appoint the most deserving—and the prize will answer its purpose. As to the bishops' incomes,—in the first place, the net receipts—that which the bishops may spend—have been confessedly exaggerated beyond measure; but, waiving that, and allowing the highest estimate to be correct, I should like to have the disposition of the episcopal revenue in any one year by the late or the present Bishop of Durham, or the present Bishops of London or Winchester, compared with that of the most benevolent nobleman in England of any party in politics. I firmly believe that the former give away in charity of one kind or another, public, official, or private, three times as much in proportion as the latter. You may have a hunks or two now and then; but so you would much more certainly, if you were to reduce the incomes to 2000_l_. per annum. As a body, in my opinion the clergy of England do in truth act as if their property were impressed with a trust to the utmost extent that can be demanded by those who affect to believe, ignorantly or not, that lying legend of a tripartite or quadripartite division of the tithe by law.
May 31. 1834.
SIR C. WETHERELL'S SPEECH.—NATIONAL CHURCH.—DISSENTERS.—PAPACY.—— UNIVERSITIES.
I think Sir Charles Wetherell's speech before the Privy Council very effective. I doubt if any other lawyer in Westminster Hall could have done the thing so well.
* * * * *
The National Church requires, and is required by, the Christian Church, for the perfection of each. For if there were no national Church, the mere spiritual Church would either become, like the Papacy, a dreadful tyranny over mind and body;—or else would fall abroad into a multitude of enthusiastic sects, as in England in the seventeenth century. It is my deep conviction that, in a country of any religion at all, liberty of conscience can only be permanently preserved by means and under the shadow of a national church—a political establishment connected with, but distinct from, the spiritual Church.
* * * * *
I sometimes hope that the undisguised despotism of temper of the Dissenters may at last awaken a jealousy in the laity of the Church of England. But the apathy and inertness are, I fear, too profound—too providential.
* * * * *
Whatever the Papacy may have been on the Continent, it was always an unqualified evil to this country. It destroyed what was rising of good, and introduced a thousand evils of its own. The Papacy was and still is essentially extra-national;—it affects, temporally, to do that which the spiritual Church of Christ can alone do—to break down the natural distinctions of nations. Now, as the Roman Papacy is in itself local and peculiar, of course this attempt is nothing but a direct attack on the political independence of other nations.
The institution of Universities was the single check on the Papacy. The Pope always hated and maligned the Universities. The old coenobitic establishments of England were converted—perverted, rather—into monasteries and other monking receptacles. You see it was at Oxford that Wicliffe alone found protection and encouragement.
June 2. 1834.
SCHILLER'S VERSIFICATION.—GERMAN BLANK VERSE.
Schiller's blank verse is bad. He moves in it as a fly in a glue bottle.
His thoughts have their connection and variety, it is true, but there is no
sufficiently corresponding movement in the verse. How different from
Shakspeare's endless rhythms!
There is a nimiety—a too-muchness—in all Germans. It is the national fault. Leasing had the best notion of blank verse. The trochaic termination of German words renders blank verse in that language almost impracticable. We have it in our dramatic hendecasyllable; but then we have a power of interweaving the iambic close ad libitum.
June 14. 1834.
ROMAN CATHOLIC EMANCIPATION.—DUKE OF WELLINGTON.—CORONATION OATH.
The Roman Catholic Emancipation Act—carried in the violent, and, in fact, unprincipled manner it was—was in effect a Surinam toad;—and the Reform Bill, the Dissenters' admission to the Universities, and the attack on the Church, are so many toadlets, one after another detaching themselves from their parent brute.
* * * * *
If you say there is nothing in the Romish religion, sincerely felt, inconsistent with the duties of citizenship and allegiance to a territorial Protestant sovereign, cadit quæstio. For if that is once admitted, there can be no answer to the argument from numbers. Certainly, if the religion of the majority of the people be innocuous to the interests of the nation, the majority have a natural right to be trustees of the nationalty—that property which is set apart for the nation's use, and rescued from the gripe of private hands. But when I say—for the nation's use.—I mean the very reverse of what the Radicals mean. They would convert it to relieve taxation, which I call a private, personal, and perishable use. A nation's uses are immortal.
* * * * *
How lamentable it is to hear the Duke of Wellington expressing himself doubtingly on the abominable sophism that the Coronation Oath only binds the King as the executive power—thereby making a Highgate oath of it. But the Duke is conscious of the ready retort which his language and conduct on the Emancipation Bill afford to his opponents. He is hampered by that affair.
June 20. 1834.
CORN LAWS.—MODERN POLITICAL ECONOMY.
In the argument on the Corn Laws there is a [Greek: metazasis eis allo gevos]. It may be admitted that the great principles of commerce require the interchange of commodities to be free; but commerce, which is barter, has no proper range beyond luxuries or conveniences;—it is properly the complement to the full existence and development of a state. But how can it be shown that the principles applicable to an interchange of conveniences or luxuries apply also to an interchange of necessaries? No state can be such properly, which is not self-subsistent at least; for no state that is not so, is essentially independent. The nation that cannot even exist without the commodity of another nation, is in effect the slave of that other nation. In common times, indeed, pecuniary interest will prevail, and prevent a ruinous exercise of the power which the nation supplying the necessary must have over the nation which has only the convenience or luxury to return; but such interest, both in individuals and nations, will yield to many stronger passions. Is Holland any authority to the contrary? If so, Tyre and Sidon and Carthage were so! Would you put England on a footing with a country, which can be overrun in a campaign, and starved in a year?
* * * * *
The entire tendency of the modern or Malthusian political economy is to denationalize. It would dig up the charcoal foundations of the temple of Ephesus to burn as fuel for a steam-engine!
June 21. 1834.
Mr. ——, in his poem, makes trees coeval with Chaos;—which is next door to Hans Sachse[1] who, in describing Chaos, said it was so pitchy dark, that even the very cats ran against each other!
[Footnote 1: Hans Sachse was born 1494, and died 1576.—ED],
June 23. 1834.
SOCINIANISM.—UNITARIANISM.—FANCY AND IMAGINATION.
Faustus Socinus worshipped Jesus Christ, and said that God had given him the power of being omnipresent. Davidi, with a little more acuteness, urged that mere audition or creaturely presence could not possibly justify worship from men;—that a man, how glorified soever, was no nearer God in essence than the vulgarest of the race. Prayer, therefore, was inapplicable. And how could a man be a mediator between God and man? How could a man with sins himself offer any compensation for, or expiation of, sin, unless the most arbitrary caprice were admitted into the counsels of God?—And so, at last, you see, it was discovered by the better logicians amongst the Socinians, that there was no such thing as sin at all.
It is wonderful how any Socinian can read the works of Philo Judæus without some pause of doubt in the truth of his views as to the person of Christ. Whether Philo wrote on his own ground as a Jew, or borrowed from the Christians, the testimony as to the then Jewish expectation and belief, is equally strong. You know Philo calls the Logos [Greek: yios Theoy], the Son of God, and [Greek: agap_athon te non], beloved Son. He calls him [Greek: arhchierheus], high priest, [Greek: deuterhos Thehos], second divinity, [Greek: ei an Theoy], image of God, and describes him as [Greek: eggutat_o m_adenhos ovtos methorhioy diast_amatos], the nearest possible to God without any intervening separation. And there are numerous other remarkable expressions of the same sort.
My faith is this:—God is the Absolute Will: it is his Name and the meaning of it. It is the Hypostasis. As begetting his own Alterity, the Jehovah, the Manifested—He is the Father; but the Love and the Life—the Spirit— proceeds from both.
I think Priestley must be considered the author of the modern Unitarianism. I owe, under God, my return to the faith, to my having gone much further than the Unitarians, and so having come round to the other side. I can truly say, I never falsified the Scripture. I always told them that their interpretations of the Scripture were intolerable upon any principles of sound criticism; and that, if they were to offer to construe the will of a neighbour as they did that of their Maker, they would be scouted out of society. I said then plainly and openly, that it was clear enough that John and Paul were not Unitarians. But at that time I had a strong sense of the repugnancy of the doctrine of vicarious atonement to the moral being, and I thought nothing could counterbalance that. "What care I," I said, "for the Platonisms of John, or the Rabbinisms of Paul?— My conscience revolts!" That was the ground of my Unitarianism.
Always believing in the government of God, I was a fervent Optimist. But as I could not but see that the present state of things was not the best, I was necessarily led to look forward to some future state.
* * * * *
You may conceive the difference in kind between the Fancy and the Imagination in this way,—that if the check of the senses and the reason were withdrawn, the first would become delirium, and the last mania. The
Fancy brings together images which have no connection natural or moral, but are yoked together by the poet by means of some accidental coincidence; as in the well-known passage in Hudibras:
"The sun had long since in the lap
Of Thetis taken out his nap,
And like a lobster boyl'd, the morn
From black to red began to turn."[1]
The Imagination modifies images, and gives unity to variety; it sees all things in one, il più nell' uno. There is the epic imagination, the perfection of which is in Milton; and the dramatic, of which Shakspeare is the absolute master. The first gives unity by throwing back into the distance; as after the magnificent approach of the Messiah to battle[2], the poet, by one touch from himself—
—"far off their coming shone!"—
makes the whole one image.
And so at the conclusion of the description of the appearance of the entranced angels, in which every sort of image from all the regions of earth and air is introduced to diversify and illustrate,—the reader is brought back to the single image by—
"He call'd so loud, that all the hollow deep
Of Hell resounded."[3]
The dramatic imagination does not throw back, but brings close; it stamps all nature with one, and that its own, meaning, as in Lear throughout.
[Footnote 1: Part II. c. 2. v.29.]
[Footnote 2:
——"Forth rush'd with whirlwind sound
The chariot of Paternal Deity,
Flashing thick flames, wheel within wheel undrawn,
Itself instinct with spirit, but convoy'd
By four cherubic shapes; four faces each
Had wonderous; as with stars their bodies all
And wings were set with eyes; with eyes the wheels
Of beryl, and careering fires between;
Over their heads a crystal firmament,
Whereon a sapphire throne, inlaid with pure
Amber, and colours of the showery arch.
He, in celestial panoply all arm'd
Of radiant Urim, work divinely wrought,
Ascended; at his right hand Victory
Sat eagle-wing'd; beside him hung his bow
And quiver, with three-bolted thunder stored;
And from about him fierce effusion roll'd
Of smoke, and bickering flame, and sparkles dire;
Attended with ten thousand thousand saints,
He onward came; far off their coming shone;
And twenty thousand (I their number heard)
Chariots of God, half on each hand, were seen:
He on the wings of cherub rode sublime
On the crystalline sky, in sapphire throned,
Illustrious far and wide; but by his own
First seen."—P. L. b. vi. v. 749, &c.]
[Footnote 3:
——"and call'd
His legions, angel forms, who lay intranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th' Etrurian shades,
High over arch'd, embower; or scatter'd sedge
Afloat, when with fierce winds Orion arm'd
Hath vex'd the Red Sea coast, whose waves o'erthrew
Busiris, and his Memphian chivalry,
While with perfidious hatred they pursued
The sojourners of Goshen, who beheld
From the safe shore their floating carcasses
And broken chariot wheels; so thick bestrewn,
Abject and lost lay these, covering the flood,
Under amazement of their hideous change.
He call'd so loud, that all the hollow deep
Of Hell resounded."—P. L. b. i. v. 300, &c.]
* * * * *
At the very outset, what are we to think of the soundness of this modern system of political economy, the direct tendency of every rule of which is to denationalize, and to make the love of our country a foolish superstition?
June 28. 1834.
MR. COLERIDGE'S SYSTEM.—BIOGRAPHIA LITERAHIA.—DISSENTERS.
You may not understand my system, or any given part of it,—or by a determined act of wilfulness, you may, even though perceiving a ray of light, reject it in anger and disgust:—but this I will say,—that if you once master it, or any part of it, you cannot hesitate to acknowledge it as the truth. You cannot be sceptical about it.
The metaphysical disquisition at the end of the first volume of the "Biographia Literaria" is unformed and immature;—it contains the fragments of the truth, but it is not fully thought out. It is wonderful to myself to think how infinitely more profound my views now are, and yet how much clearer they are withal. The circle is completing; the idea is coming round to, and to be, the common sense.
* * * * *
The generation of the modern worldly Dissenter was thus: Presbyterian,
Arian, Socinian, and last, Unitarian.
* * * * *
Is it not most extraordinary to see the Dissenters calling themselves the descendants of the old Nonconformists, and yet clamouring for a divorce of Church and State? Why—Baxter, and the other great leaders, would have thought a man an atheist who had proposed such a thing. They were rather for merging the State in the Church. But these our modern gentlemen, who are blinded by political passion, give the kiss of alliance to the harlot of Rome, and walk arm in arm with those who deny the God that redeemed them, if so they may but wreak their insane antipathies on the National Church! Well! I suppose they have counted the cost, and know what it is they would have, and can keep.
July 5. 1834.
LORD BROOKE.—BARROW AND DRYDEN.—PETER WILKINS AND STOTHARD.—FIELDING AND RICHARDSON.—BISHOP SANDFORD.—ROMAN CATHOLIC RELIGION.
I do not remember a more beautiful piece of prose in English than the consolation addressed by Lord Brooke (Fulke Greville) to a lady of quality on certain conjugal infelicities. The diction is such that it might have been written now, if we could find any one combining so thoughtful a head with so tender a heart and so exquisite a taste.
* * * * *
Barrow often debased his language merely to evidence his loyalty. It was, indeed, no easy task for a man of so much genius, and such a precise mathematical mode of thinking, to adopt even for a moment the slang of L'Estrange and Tom Brown; but he succeeded in doing so sometimes. With the exception of such parts, Barrow must be considered as closing the first great period of the English language. Dryden began the second. Of course there are numerous subdivisions.
* * * * *
Peter Wilkins is to my mind a work of uncommon beauty; and yet Stothard's illustrations have added beauties to it. If it were not for a certain tendency to affectation, scarcely any praise could be too high for Stothard's designs. They give me great pleasure. I believe that Robinson Crusoe and Peter Wilkins could only have been written by islanders. No continentalist could have conceived either tale. Davis's story is an imitation of Peter Wilkins; but there are many beautiful things in it; especially his finding his wife crouching by the fireside—she having, in his absence, plucked out all her feathers—to be like him!
It would require a very peculiar genius to add another tale, ejusdem generis, to Robinson Crusoe and Peter Wilkins. I once projected such a thing; but the difficulty of a pre-occupied ground stopped me. Perhaps La Motte Fouqué might effect something; but I should fear that neither he, nor any other German, could entirely understand what may be called the "desert island" feeling. I would try the marvellous line of Peter Wilkins, if I attempted it, rather than the real fiction of Robinson Crusoe.
* * * * *
What a master of composition Fielding was! Upon my word, I think the Oedipus Tyrannus, the Alchemist, and Tom Jones the three most perfect plots ever planned. And how charming, how wholesome, Fielding always is! To take him up after Richardson, is like emerging from a sick room heated by stoves, into an open lawn, on a breezy day in May.
* * * * *
I have been very deeply interested in the account of Bishop Sandford's life, published by his son. He seems to have been a thorough gentleman upon the model of St. Paul, whose manners were the finest of any man's upon record.
* * * * *
I think I could have conformed to the then dominant Church before the Reformation. The errors existed, but they had not been riveted into peremptory articles of faith before the Council of Trent. If a Romanist were to ask me the question put to Sir Henry Wotton, [1]I should content myself by answering, that I could not exactly say when my religion, as he was pleased to call it, began—but that it was certainly some sixty or seventy years before his, at all events—which began at the Council of Trent.
[Footnote 1: "Having, at his being in Rome, made acquaintance with a pleasant priest, who invited him, one evening, to hear their vesper music at church; the priest, seeing Sir Henry stand obscurely in a corner, sends to him by a boy of the choir this question, writ in a small piece of paper;—'Where was your religion to be found before Luther?' To which question Sir Henry presently underwrit;—'My religion was to be found then, where yours is not to be found now—in the written word of God.'"—Isaak Walton's Life of Sir Henry Wotton.]
July 10. 1834.
EUTHANASIA.
I am, dying, but without expectation of a speedy release. Is it not strange that very recently by-gone images, and scenes of early life, have stolen into my mind, like breezes blown from the spice-islands of Youth and Hope— those twin realities of this phantom world! I do not add Love,—for what is Love but Youth and Hope embracing, and so seen as one? I say realities; for reality is a thing of degrees, from the Iliad to a dream; [Greek: *ai g_or t onar e Di s esti]. Yet, in a strict sense, reality is not predicable at all of aught below Heaven. "Es enim in coelis, Pater noster, qui tu vere es!" Hooker wished to live to finish his Ecclesiastical Polity;—so I own I wish life and strength had been spared to me to complete my Philosophy. For, as God hears me, the originating, continuing, and sustaining wish and design in my heart were to exalt the glory of his name; and, which is the same thing in other words, to promote the improvement of mankind. But visum aliter Deo, and his will be done.
* * * * *
** This note may well finish the present specimens. What followed was for the memory of private friends only. Mr. Coleridge was then extremely ill; but certainly did not believe his end to be quite so near at hand as it was.—ED.
The following Recollections of Mr. Coleridge, written in May, 1811, have been also communicated to me by my brother, Mr. Justice Coleridge:—
"20_th April_, 1811, at Richmond.
"We got on politics, and he related some curious facts of the Prince and Perceval. Then, adverting to the present state of affairs in Portugal, he said that he rejoiced not so much in the mere favourable turn, as in the end that must now be put to the base reign of opinion respecting the superiority and invincible skill of the French generals. Brave as Sir John Moore was, he thought him deficient in that greater and more essential manliness of soul which should have made him not hold his enemy in such fearful respect, and which should have taught him to care less for the opinion of the world at home.
"We then got, I know not how, to German topics. He said that the language of their literature was entirely factitious, and had been formed by Luther from the two dialects, High and Low German; that he had made it, grammatically, most correct, more so, perhaps, than any other language; it was equal to the Greek, except in harmony and sweetness. And yet the Germans themselves thought it sweet;—Klopstock had repeated to him an ode of his own to prove it, and really had deceived himself, by the force of association, into a belief that the harsh sounds, conveying, indeed, or being significant of, sweet images or thoughts, were themselves sweet. Mr. C. was asked what he thought of Klopstock. He answered, that his fame was rapidly declining in Germany; that an Englishman might form a correct notion of him by uniting the moral epigram of Young, the bombast of Hervey, and the minute description of Richardson. As to sublimity, he had, with all Germans, one rule for producing it;—it was, to take something very great, and make it very small in comparison with that which you wish to elevate. Thus, for example, Klopstock says,—'As the gardener goes forth, and scatters from his basket seed into the garden; so does the Creator scatter worlds with his right hand.' Here worlds, a large object, are made small in the hands of the Creator; consequently, the Creator is very great. In short, the Germans were not a poetical nation in the very highest sense. Wieland was their best poet: his subject was bad, and his thoughts often impure; but his language was rich and harmonious, and his fancy luxuriant. Sotheby's translation had not at all caught the manner of the original. But the Germans were good metaphysicians and critics: they criticised on principles previously laid down; thus, though they might be wrong, they were in no danger of being self-contradictory, which was too often the case with English critics.
"Young, he said, was not a poet to be read through at once. His love of point and wit had often put an end to his pathos and sublimity; but there were parts in him which must be immortal. He (Mr. C.) loved to read a page of Young, and walk out to think of him.
"Returning to the Germans, he said that the state of their religion, when he was in Germany, was really shocking. He had never met one clergyman a Christian; and he found professors in the universities lecturing against the most material points in the Gospel. He instanced, I think, Paulus, whose lectures he had attended. The object was to resolve the miracles into natural operations; and such a disposition evinced was the best road to preferment. He severely censured Mr. Taylor's book, in which the principles of Paulus were explained and insisted on with much gratuitous indelicacy. He then entered into the question of Socinianism, and noticed, as I recollect, the passage in the Old Testament; 'The people bowed their faces, and worshipped God and the king.' He said, that all worship implied the presence of the object worshipped: the people worshipped, bowing to the sensuous presence of the one, and the conceived omnipresence of the other. He talked of his having constantly to defend the Church against the Socinian Bishop of Llandaff, Watson. The subject then varied to Roman Catholicism, and he gave us an account of a controversy he had had with a very sensible priest in Sicily on the worship of saints. He had driven the priest from one post to another, till the latter took up the ground, that though the saints were not omnipresent, yet God, who was so, imparted to them the prayers offered up, and then they used their interference with Him to grant them. 'That is, father, (said C. in reply)—excuse my seeming levity, for I mean no impiety—that is; I have a deaf and dumb wife, who yet understands me, and I her, by signs. You have a favour to ask of me, and want my wife's interference; so you communicate your request to me, who impart it to her, and she, by signs back again, begs me to grant it.' The good priest laughed, and said, 'Populus milt decipi, et decipiatur!'
"We then got upon the Oxford controversy, and he was decidedly of opinion that there could be no doubt of Copleston's complete victory. He thought the Review had chosen its points of attack ill, as there must doubtless be in every institution so old much to reprehend and carp at. On the other hand, he thought that Copleston had not been so severe or hard upon them as he might have been; but he admired the critical part of his work, which he thought very highly valuable, independently of the controversy. He wished some portion of mathematics was more essential to a degree at Oxford, as he thought a gentleman's education incomplete without it, and had himself found the necessity of getting up a little, when he could ill spare the time. He every day more and more lamented his neglect of them when at Cambridge,
"Then glancing off to Aristotle, he gave a very high character of him. He said that Bacon objected to Aristotle the grossness of his examples, and Davy now did precisely the same to Bacon: both were wrong; for each of those philosophers wished to confine the attention of the mind in their works to the form of reasoning only, by which other truths might be established or elicited, and therefore the most trite and common-place examples were in fact the best. He said that during a long confinement to his room, he had taken up the Schoolmen, and was astonished at the immense learning and acute knowledge displayed by them; that there was scarcely any thing which modern philosophers had proudly brought forward as their own, which might not be found clearly and systematically laid down by them in some or other of their writings. Locke had sneered at the Schoolmen unfairly, and had raised a foolish laugh against them by citations from their Quid libet questions, which were discussed on the eyes of holydays, and in which the greatest latitude was allowed, being considered mere exercises of ingenuity. We had ridiculed their quiddities, and why? Had we not borrowed their quantity and their quality, and why then reject their quiddity, when every schoolboy in logic must know, that of every thing may be asked, Quantum est? Quale est? and Quid est? the last bringing you to the most material of all points, its individual being. He afterwards stated, that in a History of Speculative Philosophy which he was endeavouring to prepare for publication, he had proved, and to the satisfaction of Sir James Mackintosh, that there was nothing in Locke which his best admirers most admired, that might not be found more clearly and better laid down in Descartes or the old Schoolmen; not that he was himself an implicit disciple of Descartes, though he thought that Descartes had been much misinterpreted.
"When we got on the subject of poetry and Southey, he gave us a critique of the Curse of Kehama, the fault of which he thought consisted in the association of a plot and a machinery so very wild with feelings so sober and tender: but he gave the poem high commendation, admired the art displayed in the employment of the Hindu monstrosities, and begged us to observe the noble feeling excited of the superiority of virtue over vice; that Kehama went on, from the beginning to the end of the poem, increasing in power, whilst Kailyal gradually lost her hopes and her protectors; and yet by the time we got to the end, we had arrived at an utter contempt and even carelessness of the power of evil, as exemplified in the almighty Rajah, and felt a complete confidence in the safety of the unprotected virtue of the maiden. This he thought the very great merit of the poem.
"When we walked home with him to the inn, he got on the subject of the English Essay for the year at Oxford, and thought some consideration of the corruption of language should he introduced into it.
[Footnote: On Etymology.] It originated, he thought, in a desire to abbreviate all expression as much as possible; and no doubt, if in one word, without violating idiom, I can express what others have done in more, and yet be as fully and easily understood, I have manifestly made an improvement; but if, on the other hand, it becomes harder, and takes more time to comprehend a thought or image put in one word by Apuleius than when expressed in a whole sentence by Cicero, the saving is merely of pen and ink, and the alteration is evidently a corruption."
"April 21.—Richmond._
"Before breakfast we went into Mr. May's delightful book-room, where he was again silent in admiration of the prospect. After breakfast, we walked to church. He seemed full of calm piety, and said he always felt the most delightful sensations in a Sunday church-yard,—that it struck him as if God had given to man fifty-two springs in every year. After the service, he was vehement against the sermon, as common-place, and invidious in its tone towards the poor. Then he gave many texts from the lessons and gospel of the day, as affording fit subjects for discourses. He ridiculed the absurdity of refusing to believe every thing that you could not understand; and mentioned a rebuke of Dr. Parr's to a man of the name of Frith, and that of another clergyman to a young man, who said he would believe nothing which he could not understand:—'Then, young man, your creed will be the shortest of any man's I know.'
"As we walked up Mr. Cambridge's meadows towards Twickenham, he criticised Johnson and Gray as poets, and did not seem to allow them high merit. The excellence of verse, he said, was to be untranslatable into any other words without detriment to the beauty of the passage;—the position of a single word could not be altered in Milton without injury. Gray's personifications, he said, were mere printer's devils' personifications— persons with a capital letter, abstract qualities with a small one. He thought Collins had more genius than Gray, who was a singular instance of a man of taste, poetic feeling, and fancy, without imagination. He contrasted Dryden's opening of the 10th satire of Juvenal with Johnson's:—
"'Let observation, with extensive view,
Survey mankind from Ganges to Peru.'
which was as much as to say,—
"'Let observation with extensive observation observe mankind.'
"After dinner he told us a humorous story of his enthusiastic fondness for Quakerism, when he was at Cambridge, and his attending one of their meetings, which had entirely cured him. When the little children came in, he was in raptures with them, and descanted upon the delightful mode of treating them now, in comparison with what he had experienced in childhood. He lamented the haughtiness with which Englishmen treated all foreigners abroad, and the facility with which our government had always given up any people which had allied itself to us, at the end of a war; and he particularly remarked upon our abandonment of Minorca. These two things, he said, made us universally disliked on the Continent; though, as a people, most highly respected. He thought a war with America inevitable; and expressed his opinion, that the United States were unfortunate in the prematureness of their separation from this country, before they had in themselves the materials of moral society—before they had a gentry and a learned class,—the former looking backwards, and giving the sense of stability—the latter looking forwards, and regulating the feelings of the people.
"Afterwards, in the drawing-room, he sat down by Professor Rigaud, with whom he entered into a discussion of Kant's System of Metaphysics. The little knots of the company were speedily silent: Mr. C.'s voice grew louder; and abstruse as the subject was, yet his language was so ready, so energetic, and so eloquent, and his illustrations so very neat and apposite, that the ladies even paid him the most solicitous and respectful attention. They were really entertained with Kant's Metaphysics! At last I took one of them, a very sweet singer, to the piano-forte; and, when there was a pause, she began an Italian air. She was anxious to please him, and he was enraptured. His frame quivered with emotion, and there was a titter of uncommon delight on his countenance. When it was over, he praised the singer warmly, and prayed she might finish those strains in heaven!
"This is nearly all, except some anecdotes, which I recollect of our meeting with this most interesting, most wonderful man. Some of his topics and arguments I have enumerated; but the connection and the words are lost. And nothing that I can say can give any notion of his eloquence and manner,—of the hold which he soon got on his audience—of the variety of his stores of information—or, finally, of the artlessness of his habits, or the modesty and temper with which he listened to, and answered arguments, contradictory to his own."—J. T. C.
The following address has been printed before; but it cannot be too widely circulated, and it will form an appropriate conclusion to this volume.
To Adam Steinmetz K——.
MY DEAR GODCHILD,
I offer up the same fervent prayer for you now, as I did kneeling before the altar, when you were baptized into Christ, and solemnly received as a living member of his spiritual body, the Church.
Years must pass before you will be able to read, with an understanding heart, what I now write. But I trust that the all-gracious God, the Father of our Lord Jesus Christ, the Father of Mercies, who, by his only-begotten Son, (all mercies in one sovereign mercy!) has redeemed you from the evil ground, and willed you to be born out of darkness, but into light—out of death, but into life—out of sin, but into righteousness, even into the Lord our Righteousness; I trust that He will graciously hear the prayers of your dear parents, and be with you as the spirit of health and growth in body and mind!
My dear Godchild!—You received from Christ's minister at the baptismal font, as your Christian name, the name of a most dear friend of your father's, and who was to me even as a son, the late Adam Steinmetz, whose fervent aspiration, and ever-paramount aim, even from early youth, was to be a Christian in thought, word, and deed—in will, mind, and affections.
I too, your Godfather, have known what the enjoyments and advantages of this life are, and what the more refined pleasures which learning and intellectual power can bestow; and with all the experience that more than threescore years can give, I now, on the eve of my departure, declare to you, (and earnestly pray that you may hereafter live and act on the conviction,) that health is a great blessing,—competence obtained by honourable industry a great blessing,—and a great blessing it is to have kind, faithful, and loving friends and relatives; but that the greatest of all blessings, as it is the most ennobling of all privileges, is to be indeed a Christian. But I have been likewise, through a large portion of my later life, a sufferer, sorely afflicted with bodily pains, languors, and manifold infirmities; and, for the last three or four years, have, with few and brief intervals, been confined to a sick-room, and, at this moment, in great weakness and heaviness, write from a sick-bed, hopeless of a recovery, yet without prospect of a speedy removal; and I, thus on the very brink of the grave, solemnly bear witness to you, that the Almighty Redeemer, most gracious in his promises to them that truly seek him, is faithful to perform what he hath promised, and has preserved, under all my pains and infirmities, the inward peace that passeth all understanding, with the supporting assurance of a reconciled God, who will not withdraw his spirit from me in the conflict, and in his own time will deliver me from the Evil One!
O, my dear Godchild! eminently blessed are those who begin early to seek, fear, and love their God, trusting wholly in the righteousness and mediation of their Lord, Redeemer, Saviour, and everlasting High Priest, Jesus Christ!
O preserve this as a legacy and bequest from your unseen Godfather and friend,
S. T. COLERIDGE.
Grove, Highgate, July 13. 1834.
He died on the 25th day of the same month.