FOOTNOTES:
[812:1] Preface, Prologue, and Epilogue do not appear in the 1834 edition.
[812:2] The long passage here placed within square brackets [ ] appeared in the first edition only.
[812:3] of] for MS. R. (For MS. R see p. [819].)
[812:4] Richard Brinsley Sheridan.
[812:5] Tragedy for his theatre MS. R.
[812:6] I need not say to Authors, that as to the essentials of a Poem, little can be superinduced without dissonance, after the first warmth of conception and composition. [Note by S. T. C., first edition.]
[812:7] would condescend to point out MS. R.
[813:1] not only returned MS. R.
[813:2] and] not only MS. R.
[813:3] that he] not only MS. R.
[813:4] I for the first time saw MS. R.
[813:5] likewise . . . assured] not only asserted MS. R.
[813:6] but finally (and it is this last fact alone, which was malice for which no excuse of indolence self-made is adduced which determined me to refer to what I had already forgiven and almost forgotten) in the year 1806 MS. R.
[813:7] the] this MS. R.
[813:8] (Private.) Had the Piece been really silly (and I have proof positive that Sheridan did not think it so) yet 10 years afterwards to have committed a breach of confidence in order to injure the otherwise . . . that on the ground of an indiscretion into which he had himself seduced the writer, and the writer, too, a man whose reputation was his Bread—a man who had devoted the firstlings of his talents to the celebration of Sheridan's genius—and who after he met treatment not only never spoke unkindly or resentfully of it, but actually was zealous and frequent in defending and praising his public principles of conduct in the Morning Post—and all this in the presence of men of Rank previously disposed to think highly . . . I am sure you will not be surprised that this did provoke me, and that it justifies to my heart the detail here printed.
S. T. Coleridge.
P.S.—I never spoke severely of R. B. S. but once and then I confess, I did say that Sheridan was Sheridan. MS. R.
[813:9] The fourth act of the play in its original shape, and, presumably, as sent to Sheridan, opened with the following lines:—
'Drip! drip! drip! drip!—in such a place as this
It has nothing else to do but drip! drip! drip!
I wish it had not dripp'd upon my torch.'
In MS. III the opening lines are erased and the fourth Act opens thus:—
| This ceaseless dreary sound of |
| dropping water | |
| I would they had not fallen upon my Torch! | |||
After the lapse of sixteen years Coleridge may have confused the corrected version with the original. There is no MS. authority for the line as quoted in the Preface.
[814:1] 'This circumstance.' Second edition.
[814:2] The caste was as follows:—Marquis Valdez, Mr. Pope; Don Alvar, Mr. Elliston; Don Ordonio, Mr. Rae; Monviedro, Mr. Powell; Zulimez, Mr. Crooke; Isidore, Mr. De Camp; Naomi, Mr. Wallack; Donna Teresa, Miss Smith; Alhadra, Mrs. Glover.
[814:3] Mrs. G.'s eldest child was buried on the Thursday—two others were ill, and one, with croup given over (tho' it has since recovered) and spite of her's, the physician's and my most passionate remonstrances, she was forced to act Alhadra on the Saturday!!!
Mrs. Glover (I do not much like her, in some respects) was duped into a marriage with a worthless Sharper, who passed himself off on her as a man of rank and fortune and who now lives and feeds himself and his vices on her salary—and hence all her affections flow in the channel of her maternal feelings. She is a passionately fond mother, and to act Alhadra on the Saturday after the Thursday's Burial! MS. H. (For MS. H see p. [819].)
[815:1] Poor Rae! a good man as Friend, Husband, Father. He did his best! but his person is so insignificant, tho' a handsome man off the stage—and, worse than that, the thinness and an insufficiency of his voice—yet Ordonio has done him service. MS. H.
