INDEX
- Abbema, Louisa, [317]
- Abbey, Henry, American impresario—
- The American tour, [335], [368];
- in New York, [370], [373], [374];
- visit to Edison, [376];
- travelling arrangements, [380];
- in Montreal, [388];
- letter of, to the Bishop of Chicago, [401]–2;
- the American receipts, [402];
- the attempted train robbery, [405]–8;
- the crossing to New Orleans, [414]–16;
- journey to Chicago, [421]–22;
- the visit to Niagara, [427]–32
- Adrienne Lecouvreur, [335], [339], [342], [343], [373], [393], [440]
- Agar, Mme.—
- Aicard, Jean, Othello, [291]
- Albany, [433]
- Albemarle Hotel, New York, [364], [374], [376]
- Alicante, Sarah Bernhardt’s visit to, [113]–15
- Allou, Maître, advocate of the Comédie Française, [334], [336]
- Ambre, Emilie, [416]
- Ambigu Theatre, the, [120], [236]
- American Falls, the, [428]
- Amiens, [195]
- Amphytrion, first visit of Sarah Bernhardt to, [57]–58
- Anderson, Mary, [433]
- Andromaque, [249], [337]
- Angelo, artiste, [393], [415], [432]
- Annette, Aunt, [157]
- Antoine, M., comments of Sarah Bernhardt, [330]
- Aricie, [62]
- Arville, Renée d’, [28]
- Athalie, [126]
- Atlanta, [420]
- Auber, M., director of the Conservatoire, [59]–60, [68]–69
- Audierne in Brittany, [260]
- Augier, Emile—
- Auteuil, [6]–11, [127]
- Aventurière, L’, by E. Augier, [331]–34
- Avenue des Acacias, [304]
- Baden-Baden, [183]
- Baie des Trépassés, Brittany, [260]
- Baltimore, [433];
- Sarah Bernhardt’s impressions, [399]
- Barbédienne, clock-maker, [72]
- Barboux, Maître, advocate, [334], [336]
- Baretta, Blanche, [96]
- —— Rose, [96], [102], [104], [141]–42
- Baron, Messrs., dresses from, for the American tour, [335]
- Barrett, tragedian, [419]
- Bartet, comments of Sarah Bernhardt, [329]
- Batifoulé, Father, of Audierne, [260], [264]
- Bazaine, treachery of, [154]
- Beauvallet, M.—
- Benedict, Sir Julius, [294]
- Berendt, Aunt Rosine—
- Visits to the Convent of Grand-Champs, [15]–20;
- at the family council, [48]–55;
- decides to take Sarah Bernhardt to the Théâtre Français, [55]–56;
- saying of, repeated to M. Doucet by Régina, [76]–77;
- proposes the fencing-lessons, [79];
- lends dress to Sarah Bernhardt, [91];
- and carriage, [92];
- dinner given by, [93];
- present of the ponies, [127]–28;
- gambling propensities, [183];
- return to Paris, [216];
- otherwise mentioned, [3]–6, [11]–12, [35]–36, [44]
- Bernhardt, Jeanne—
- Characteristics, [48], [89];
- reception of Sarah Bernhardt on her return from Spain, [116];
- her mother’s love for her, [118]–19;
- faces the crowd in New York, [376];
- visit to Edison, [376];
- in Boston, [383];
- in Montreal, [391]–92;
- visit to the Iroquois, [393];
- escapade on the St. Lawrence, [396]–97;
- the crossing to New Orleans, [415]–16;
- journey to Chicago, [421]–22;
- at Niagara, [432];
- the return from America, [437];
- otherwise mentioned, [35], [37], [50], [72], [338]
- —— Mme.—
- Visits to Sarah Bernhardt in childhood, [1]–5;
- takes her to the Convent of Grand-Champs, [16]–20;
- announces death of her father to Sarah Bernhardt, [35]–36;
- at Cauterets, [38];
- friendship of Mme. Croizette for, [40];
- the family council, [47]–55;
- takes Sarah Bernhardt to the Française, [55]–58;
- sends her to the Conservatoire with Mme. Guérard, [59]–60;
- receives her on her return, [71]–72;
- favours suit of M. Bed——, [74];
- moved by the recital of “L’Ame du Purgatoire,” [93];
- attends the Comédie Française, [98];
- anger of, at Sarcey’s article, [100];
- the arrangements for Sarah Bernhardt’s engagement at the Gymnase, [107]–8;
- illness of, [115]–17;
- her love for Jeanne, [118]–19;
- visit to the Odéon, [128];
- visit to the Rue Auber flat, [140]–41;
- note to Sarah Bernhardt during the siege, [172];
- return to Paris, [216];
- her fainting fit at the Odéon, [247]–48;
- otherwise mentioned, [6], [15], [44]
- —— Mme., grandmother, [49], [74], [116]
- —— M., [11], [12];
- —— Régina—
- —— Sarah—
- Childhood, [1]–5;
- at boarding school, [6]–11;
- at the Convent of Grand-Champs, [16]–26;
- her début in Tobit recovering his Eyesight, [27]–34;
- baptism and confirmation, [34]–37;
- visit to Cauterets, [38]–39;
- return to the convent and incident of the shako, [40]–45;
- the family council, [47]–55;
- her first visit to the Française, [55]–58;
- literary tastes, [59];
- interview with M. Auber of the Conservatoire, [59]–60;
- first lesson in elocution from Mlle. de Brabender, [61]–63;
- first examination at the Conservatoire, [64]–72;
- a marriage proposal, [73]–75;
- Conservatoire successes, [75];
- life at the Conservatoire:
- second prize for comedy, [80]–86;
- progress under Samson, [80];
- incident of the hairdressing, [80]–82;
- aim of, to define the author’s idea, [86]–87;
- début at the Comédie in rôle of Iphigénie, [90]–101;
- her motto of “Quand-même,” [99], [309], [310];
- incident which caused her first departure from the Française, [101]–6;
- revenge of Mme. Nathalie, [105];
- the expedition to Spain, [110]–15;
- return and resolve to live independently, [116]–17;
- the flat in the Rue Duphot, [118]–19;
- engagement at the Odéon, [122]–24;
- introduces Coppée’s Le Passant to Duquesnel, [132]–34;
- its success, [135]–40;
- fire in the Rue Auber, [140]–45;
- subsequent benefit at the Odéon, [145]–46;
- visit to Eaux-Bonnes, [153]–55;
- return to Paris, [155];
- removal of her family before the siege, [157]–59;
- organisation of the Odéon ambulance, [160]–61;
- working of, and incidents, [172]–87;
- collecting the dead from the Châtillon Plateau, [183];
- preparations for leaving Paris, [187]–88;
- the journey through the German lines to Homburg, [189]–215;
- adventure at Cologne, [212]–13;
- return to Paris and establishment in the Rue Rome, [216]–18;
- friends of, [218]–21;
- removal to St. Germain-en-Laye, [221]–24;
- return to Paris and reopening of the Odéon, [224]–25;
- letter from M. Perrin, [235]–36;
- interview with Duquesnel and De Chilly, [235]–37;
- engagement with the Comédie, [238]–39;
- the supper at the Odéon, [239]–43;
- treatment of M. Perrin, [250]–53;
- passion for sculpture, [257];
- incident of the coffin, [257]–58;
- visit to Brittany, [259]–64;
- painting, [260]–61;
- descent of the Enfer du Plogoff, [261]–64;
- return to Paris, [264];
- Sociétaire of the Comédie, [269];
- building of the new mansion, [269]–71;
- Perrin’s tricks on, in staging L’Etrangère, [272]–74;
- her anger with Dumas, [274]–75;
- lunch with Victor Hugo, [280];
- quarrels with Perrin, [282]–83, [288];
- balloon trip in the “Dona Sol,” [284]–88;
- illness and visit to the South, [289];
- sale of the group After the Tempest, [289]–90;
- strained relations with Perrin, [291];
- appointed Sociétaire permanently, [293];
- dispute with the committee of the Comédie, [294]–95;
- the Journey to London, [295]–300;
- reception at Folkestone, [297]–98;
- her hatred of reporters, [299]–300, [324];
- impressions of English society, [300]–2;
- impressions of London life, [303]–4;
- first appearance at the Gaiety Theatre, [305]–8;
- stage fright, [305]–6;
- illness after first appearance and immediate performance of L’Etrangère, [309]–13;
- exhibition of sculpture and painting in Piccadilly, [313]–15;
- conversation with Mr. Gladstone, [314];
- the visit to Cross’s Zoo and purchase of the animals, [315]–18;
- Press attacks and trouble with the Française, [320]–25;
- open letter to Albert Wolff, [321]–22;
- return to Paris, and opening ceremony at the Française, [326]–28;
- comments on artistes, [328]–30;
- performance of L’Aventurière and departure from the Française, [331]–34;
- illness at Hâvre, [333]–34;
- contract for the American tour signed, [334]–35;
- second visit to London, [338]–41;
- tour in Denmark, [342]–47;
- decorated by the King of Denmark, [344];
- the supper in Copenhagen, and toast of Baron Magnus, [345]–47;
- farewell reception in Paris, [347]–48;
- “The Twenty-eight Days of Sarah Bernhardt,” [348]–49;
- contract with M. Bertrand signed, [349]–50;
- experiences on board ship from Hâvre to New York, [352]–60;
- her fête day on board, [359]–60;
- arrival in New York, [361]–67;
- the New York reporters, [367]–68;
- visit to Mr. Edison, [376]–79;
- arrival in Boston and story of the whale, [381]–87;
- reception in Montreal, [388]–93;
- visit to the Iroquois, [393]–94;
- escapade on the St. Lawrence, [396]–97;
- welcome to Chicago, [399]–400;
- visit to the stock-yards, [400]–01;
- visit to the grotto of St. Louis, [402]–3;
- the incident of the jewellery exhibition and attempted train robbery, [403]–8;
- opinions concerning capital punishment, [408]–13;
- the crossing to New Orleans, [414]–16;
- difficulties of playing in Mobile, [418]–420;
- journey from Springfield to Chicago, blocked by the snow, [421]–22;
- a visit to the Falls of Niagara, [427]–32;
- the professional matinée in New York, [433]–34;
- the return journey, [433]–38;
- the welcome at Hâvre, [438]–40
- American Tour—
- Baltimore, [399];
- Boston, Hernani, [384];
- Chicago, Phèdre, [401];
- Milwaukee, Froufrou and La Dame aux Camélias, [422];
- Montreal, Hernani, [395];
- New York, Adrienne Lecouvreur, Froufrou, etc., [374];
- Philadelphia, Phèdre, [399];
- Pittsburg, La Princesse Georges, [426];
- Springfield, La Dame aux Camélias, [398]
- Comédie Française—
- Andromaque, [249];
- L’Aventurière, [331]–34;
- La Belle Paule, [254];
- Britannicus, [248]–49;
- Dalila, [249];
- L’Etrangère, [272]–75;
- La Fille de Roland, [266]–68;
- Gabrielle, [269];
- Hernani, [282];
- Iphigénie, [90]–97;
- Mlle. de Belle-Isle, [245]–48;
- Le Mariage de Figaro, [249];
- Mithridate, [291];
- Phèdre, [249], [264]–66;
- Rome Vaincue, [279];
- Ruy Blas, [291];
- Le Sphinx, [251]–54;
- Zaïre, [254]–56
- Denmark, Tour in—
- London, the Gaiety Theatre—
- Odéon Theatre—
- L’Affranchi, [150];
- Athalie, [126];
- L’Autre, [150];
- Le Bâtard, [150];
- La biche au bois, [119]–22;
- François le Champi, [128];
- Jean-Marie, [150], [224]–225;
- Le jeu de l’amour et du hasard, [125];
- Kean, [130]–31;
- La loterie du mariage, [131];
- Le Marquis de Villemer, [128];
- Ruy Blas, [226]–30;
- Le testament de César, [130]
- Painting—
- Sculpture—
- “Bernhardtists,” the, at the Comédie, [252]–254
- Berton, Pierre, [131], [329], [338]
- Bertrand, M. Eugène, director of the Variétés, [349]–50
- Bismarck, Prince, [186], [346]
- Bloas, Désiré, [185]
- Bocher, Emmanuel, [191]–92
- Bois de Boulogne, [304]
- Booth, actor, [354]
- Booth’s Theatre, New York, [369], [373]
- Bornier, Henri de, [266]–68, [351]
- Boston—
- Bouilhet, M., [129];
- Boulevard Medicis, ambulance of, [174]
- Bourbaki, M., defence of Paris, [165]
- Bourg de Batz, [259]
- Boyer, Georges, [179], [438]
- Brabender, Mlle. de—
- Bradford, [427]
- Bressant, M.—
- Britannicus, [57], [248]–49
- Brittany, visit of Sarah Bernhardt, [259]–64
- Brohan, Augustine, [68]–69
- —— Madeleine, [245];
- her advice to Sarah Bernhardt, [318]–19
- —— Marie, [245]
- Brooklyn Bridge, [372]
- Brussels, [211];
- Sarah Bernhardt’s impressions, [342]
- Buffalo, [422], [426], [427]
- Buguet, Louise, [28]–31
- —— Marie, [28]
- Busigny, [211]
- Busnach, William, wit of, [233]–34
- Butin, [269]
- Campbell, Beatrice Patrick, [330]
- Canadian Falls, the, [431]
- Canrobert, Marshal, at Saint-Privat, [154];
- Cap Martin, [289]
- Capital, punishment, opinions of Sarah Bernhardt concerning, [408]–13
- Cardaños, Dolores, [21]
- —— Pepa, [21]
- Caroline, maid, journey to Spain, [110]–15, [119]
- Carthusians, the, [14]
- Cateau, [205], [211]
- Catherine, servant, [143]
- Caughnanwaga, [394]
- Cauterets, the visit to, [37]–39
- Caux, Marquis de, [145]
- —— Marquise de; see Patti, Adelina
- Célimène played by Marie Lloyd, [86]
- Cerise, Baron, [12]
- César, the convent dog, [29]–33, [43]
- Chanzy, defence of Paris, [165]
- Charing Cross Station, first arrival of Sarah Bernhardt, [298]
- Charmel, Eugénie, [28]–32
- Châtelain, pupil at the Conservatoire, [79], [88]
- Châtillon Plateau, collecting the dead from, [183]
- Chatterton, M., secretary, [406]
- Chesneau, Commandant Monfils, [188]
- Chester Square, [298]–300
- Cheval-Blanc, Hôtel du, Amiens, [195]
- Chez l’Avocat, [249], [337]
- Chicago—
- Chilly, M. de—
- Chrysagère, the tortoise, [145]
- Cincinnati, [414], [420]
- Cladel, Léon, [280]
- Clairin, Georges—
- Clamart, [176], [413]
- Claretie, Jules, [278]
- Clarisse, Mlle., [47]–48
- Claude, serving-man, [154], [259]–61, [297], [415]–16, [421]
- Cleveland, [422]
- Coblentz, Mlle., [98]
- Colas, Mlle. Stella, [9]
- Cologne, Sarah Bernhardt’s adventure at, [212]–13
- Colt gun factory, [398]
- Columbus, [420]
- Comédie Française, the—
- First visit of Sarah Bernhardt to, [55]–58;
- her first engagement as Iphigénie, [90]–97;
- her début, [98]–101;
- Molière’s anniversary ceremony, [101];
- the Sociétaires, [101], [102], [269];
- resignations of Sarah Bernhardt, [101]–6, [331]–34;
- social spirit of the, [127];
- letter from M. Perrin to Sarah Bernhardt, [235]–36;
- her engagement signed with M. Perrin, [238]–39;
- the “Croizettists” and “Bernhardtists,” [252]–54;
- Sarah Bernhardt becomes a Sociétaire, [269];
- transference of the company to London, [293];
- their request to Mr. Johnson, [312];
- Sarah Bernhardt’s trouble with, [320]–25;
- their return to Paris and the opening ceremony, [326]–28;
- the law-suit against Sarah Bernhardt, [334], [336]–38;
- receipts from the Gaiety performances, [336]–38
- Commune, the Paris, [174], [221]–24, [304]
- Compagnie Transatlantique, [352]
- “Complaint of the Hungry Stomachs,” quoted, [270]
- Connaught, Duke of, [298]
- Conservatoire, the—
- Copenhagen, Sarah Bernhardt’s week in, [342]–47
- Coppée, François, [351];
- success of Le Passant, [132]–39
- Coquelin, M.—
- Creil, [192]
- Croizette, Mme., [40]
- —— Pauline, [39]
- —— Sophie—
- “Croizettists,” the, at the Comédie, [252]–54
- Cross, Mr., his Zoo in Liverpool, visit of Sarah Bernhardt, [315]–17
- Custom-House, the New York, [369]–373
- Daily Telegraph, tribute to Sarah Bernhardt, [307]
- Dalila, by Octave Feuillet, [249]
- Damien, Hortense, [300]–301
- Davenant, [337]
- Davennes, M., of the Comédie, [94]–95, [104]
- Dayton, [420]
- Debay, Mlle., in La biche au bois, [119]–22
- Delaunay, M.—
- Delavigne, Casimir—
- Delorme, René, [278]
- Delpit, Albert, [157]
- Denayrouse, Louis, La Belle Paule, [254]
- Denmark—
- Depaul, Virginie, [28]
- Deschamp, Georges, visit to Sarah Bernhardt, [317]–18
- Deshayes, Paul, [129]–30
- Deslandes, Raymond, Un mari qui lance sa femme, [109], [349]
- Desmoulins, M. de la Tour, [89]
- Despagne, Dr., [44]
- Detroit, [422]
- Devoyod, Mme., [94], [338]
- Diamond, the vessel, [438]
- Dieudonnée, Mme., [113], [338]
- “Dona Sol,” the balloon, [284]
- Doré, Gustave, lunch with Victor Hugo, [280]–81;
- visit to Sarah Bernhardt, [317]
- Doucet, M. Camille, Sarah Bernhardt’s interview with, [76]–77;
- Doutre, Mr. Jos., [389]
- Drouet, Mme., [233], [280]–81
- Dubourg, Léonie, [160]
- Duchesne, Dr., surgeon at the Odéon ambulance, [167]–68, [170], [178]
- Dudlay, Mlle., [339]
- Dudley, Lady, [294]
- —— Lord, [300]
- Duez, [269]
- Dumas, Alexandre—
- Dupuis, the Communard, [280]
- Duquesnel, Mme., [134]
- —— Félix—
- Manager Of the Odéon, [122]–24, [126]–27, [130]–31;
- production of Athalie, [126];
- accepts Coppée’s Le Passant, [132]–34;
- benefit performance for Sarah Bernhardt, [145]–46;
- arrangements for the Odéon ambulance, [160];
- production of Ruy Blas, [226]–30;
- Sarah Bernhardt’s treatment of, [235]–37, [239];
- at the Odéon supper, [240]–43;
- at Sarah Bernhardt’s farewell reception, [347]–48;
- arranges the “Twenty-eight Days of Sarah Bernhardt,” [348]–49
- Durieux, Mme., [182]–83
- —— Victor, “Toto,” the errand boy, [180]–83
- Duse, Eleonora, comments of Sarah Bernhardt, [329]–30
- Eaux-Bonnes, Sarah Bernhardt ordered to, [153]–55
- Ecole Chrétienne brothers, collecting the dead from the Châtillon Plateau, [183]
- —— Polytechnique, [254]
- Edison, Thomas, receives Sarah Bernhardt at Menlo Park, [375]–79
- —— Mrs., [377]
- Elie, M., deportment class of, [78]–79
- Elsinore, visit of Sarah Bernhardt, [343]–34
- Emerainville, [287]
- Emmanuel, Victor, [115]
- Enfer du Plogoff, Sarah Bernhardt’s descent into, [261]–264
- English hospitality, Sarah Bernhardt’s impressions, [303]–4
- Erie, [427]
- Escalier, Félix, [269]
- Essler, Jane, [226]
- Estebenet, M., [88]
- Eugénie, Empress, [289];
- Faille, M., [120]–22
- Fallesen, Baron, [343]–45
- Faure, Mme., [12]–15, [17], [35], [44], [99]
- —— Félix, uncle, [11], [12]–15, [147];
- at the family council, [50]–55
- —— Félix, afterwards President, [157]
- Favart, Mlle., [95], [100], [104]–5
- Favre, Jules, [186]
- Febvre, Frédéric, [247];
- Fédora, by Victorien Sardou, [440]
- Félicie, the maid, [155], [262], [359], [363]–65, [371], [372], [415]–16
- Ferrier, Paul, Chez l’Avocat by, [249]
- Ferrières, the wood of, [285]
- Feuillet, Octave, Dalila, [249];
- Le Sphinx, [251]–54
- Figaro criticisms quoted, [312], [332], [338], [343]
- Finistère, [259]
- Flaubert, Gustave, [225];
- death of, [399]
- Fleury, the artist, [7]
- —— General, [136], [139]
- Flourens, M., [220]
- Folkestone, reception of Sarah Bernhardt in, [297]–98
- Fortin, soldier, [171], [177]
- Fould, Henri, [164]
- Fournier, Marc, [119], [120]
- François le Champi, [128]
- Franco-Prussian War, outbreak and incidents, [151]–59
- Fréchette, Louis, his “A Sarah Bernhardt” quoted, [389]–91;
- his service to Jeanne Bernhardt, [391]–92
- Fressard, Mme., her boarding school, [7]–11
- Fressard, Mlle. Caroline, [10]–11
- Frossard, General, [153]
- Froufrou, [335], [339]–40, [342]–44, [374], [393], [422], [426], [440]
- Gabrielle, by E. Augier, [269]
- Gaiety Theatre, London—
- Gaîté Theatre, the, [236]
- Gallec, Marie Le, [168]
- Gambard of Nice buys the group, After the Tempest, [289]–90
- Gambetta, M., defence of Paris, [165];
- sketch of, [218]–19
- Gare St. Lazare, [216]
- Gaulois, the, criticisms, [307], [333]
- Gautier, Théophile, [240]
- Geffroy, M., [226], [229];
- Gérard, Mlle. Laurence, [120]–21
- Gerbois, M., [108]
- German demands on Paris, [186];
- Gérôme, portrait of Rachel, [105]
- Gerson, M., [190], [194], [195]
- Gibert, Dr., [333]
- Giffard, M., balloon of, [283]–87
- Girardin, Emile de—
- Gladstone, Mr., [314]
- Godard, Louis, balloon ascent of, [284]–87
- Gonesse, [190]
- Gordon, Mr. Max, of Boston, [383]
- Got, M., of the Comédie Française, [272], [293], [306], [318], [320], [323], [340]
- Grand Rapids, [422]
- Grand-Champs Convent—
- Greece, the Queen of, [344]
- Grévy, Presidency of, [304]
- Griffon, René, [189]–90
- Gringoire, [337]
- Grosos, M., cable message from, [435];
- reads address to Sarah Bernhardt at Hâvre, [439]
- Guadacelli, chocolate maker, [142]
- Guérard, Ernest, [37]
- —— Mme.—
- At Cauterets, [37], [38];
- at the family council, [50]–55;
- attends the interview with M. Auber, [59]–60;
- notes, &c. kept by, [61];
- accompanies Sarah Bernhardt to the Conservatoire, [62]–72, [82]–84, [88];
- visit to M. Doucet, [76];
- notes of, to Sarah Bernhardt, [90], [116];
- visit to M. Thierry, [92]–93;
- accompanies Sarah Bernhardt to the Comédie Française, [98];
- aids the preparations for the Spanish trip, [110]–12;
- telegram sent to Spain by, [115];
- visit to the Rue Duphot, [118]–19;
- accompanies Sarah Bernhardt to the Odéon, [124];
- to the Tuileries, [135]–39;
- return from Eaux-Bonnes, [155];
- remains in Paris for the siege, [158];
- visit to the Prefect of Police, [161]–63;
- nurse at the Odéon ambulance, [167], [168], [173], [176]–77, [182], [186], [187];
- as secretary, [235];
- goes for news of Mme. Bernhardt, [248];
- illness of, [259];
- lunch in the new mansion, [271];
- portrait of, by Sarah Bernhardt, [282];
- her terror of the animals, [317];
- at Hâvre, [333], [335];
- journey to America, [353], [359], [360];
- in New York, [364], [365], [373];
- in Boston, [382], [383];
- the crossing to New Orleans, [415]–416;
- at Niagara, [432];
- otherwise mentioned, [74], [91]–92, [104], [107], [149], [232]
- —— M., [89], [111], [188];
- “The Life of St. Louis,” [51]
- Guillaume, attendant, [168]
- Guitry, M., [329]
- Gymnase, Théâtre du, [127], [236];
- engagement of Sarah Bernhardt, [107]–9
- Haarlem, [12]
- Haas, Charles, [141]–44
- Hague, The, [172]
- Hamlet’s tomb, Elsinore, [344]
- Haraucourt, [351]
- Hartford, [386]
- Hâvre—
- Hayné, Captain, [420]
- Henry V. of France, [23]–24
- Herisson, M., mayor of Paris, [173]
- Hernani, by Victor Hugo, [219], [280]–82, [335], [337], [374], [384], [393], [395], [440]
- Herz, Henri, [28]
- Her Majesty’s Theatre, [294]
- Hocquigny, Mlle.—
- Holland, Queen of, present at Sarah Bernhardt’s performance of Le Passant, [138]–39
- Hollingshead, John, of the Gaiety, London, [293], [309]–10, [336], [340]
- Holmes, Augusta, [347]
- Homburg, [18], [214]–15
- Hôtel d’Angleterre, Buffalo, [427]
- —— du Nord, Cologne, [212]–13
- —— de la Puerta del Sol, Madrid, [115]
- —— Vendome, Boston, [382]
- —— Windsor, Montreal, [391]
- Hudson river, the, [361]
- Hugo, Victor—
- Hyde Park, Sarah Bernhardt’s impressions, [341]
- Ibé, hairdresser, [418]
- “Ignotus,” paragraph in the Figaro quoted, [131]
- Il faut qu’une porte soit ouverte ou fermée, [337]
- Il ne faut jurer de rien, [337]
- Imperial, the Prince, baptism, [24];
- Indianapolis, [420]
- Iphigénie, [94]–101
- Iroquois, visit of Sarah Bernhardt to the, [393]–94
- Irving, Henry, [299], [329]
- Ivry, [185]
- Jadin, M., [269]
- Jarrett, Mr.—
- Arranges with Sarah Bernhardt for the drawing-room entertainments, [292]–94;
- his way with reporters, [299]–300, [364], [367], [381], [426]–27;
- contract for first American tour, [334]–35;
- in New York, [362], [368], [370], [373], [375], [434];
- personality, [365]–66;
- visit to Edison, [376];
- action regarding Henry Smith, [385]–87;
- in Montreal, [388], [392]–93, [396];
- visit to the Iroquois, [393]–94;
- the American receipts, [402];
- his arrangement with the St. Louis jeweller, [403]–4;
- the attempted train robbery, [405]–8;
- the crossing to New Orleans, [414]–16;
- visit to Niagara, [427]–32;
- journey to Chicago, [421]–22;
- the return from America, [434];
- his influence over Sarah Bernhardt, [441]
- Jean-Marie, by André Theuriet, [150], [224]–25
- Johnson, T., London correspondent of the Figaro, [312]
- Josephine, maid, [146]
- Josse, of the Porte St. Martin Théâtre, [119]–20
- Jouassain, M., [245]
- Jouclas, Captain, [354], [357], [434]
- Joussian, Théodore, [190]–91, [194]–96
- Jullien, Mary, [338]
- Kalb, M., [338]
- Kalil Bey, [144]
- Kapenist, Count, [347]
- Kean, by A. Dumas, [130]
- Kératry, Comte de, [93];
- Knoedler, M., [367]
- Kremlin, the, [176]
- Kronborg, castle of, [344]
- L’Amérique, the boat, [352]–60, [434]
- L’Autre, [150]
- La Belle Paule, [254]
- La Bénédiction, [337]
- La bergère d’Ivry, by Thiboust, [120]
- La biche au bois, [119]
- La Dame aux Camélias, [335], [374], [375], [393], [398], [419]–20, [422], [433], [440]
- L’Ecole des femmes, [63]
- L’Ecole des Viellards, by Delavigne, [80]
- L’Etincelle, [337]
- La fausse Agnès, [75]
- La Fille de Roland, [266]–68
- La Fille du Cid, by Delavigne, [80]
- La Foncière fire insurance company, [140];
- La Hêve, [333]
- La loterie du mariage, [130]
- La maison sans enfants, [109]
- La Princesse Georges, [335], [426], [433]–34, [440]
- “La Quenelle,” his invention, [295]–97
- Lacour, Marie de, [28]
- Lacroix, Eulalie, [28]
- Laferrière, Count de, [135]–36
- —— Messrs., dresses from, [335]
- Lafontaine, M., in Ruy Blas, [229], [291];
- at the Odéon supper, [241]
- —— Victoria, [109]
- Lambquin, Mme.—
- Lapommeraye, criticisms of, [338], [339]
- Larcher, Père, gardener at the Grand-Champs Convent, [19]–21, [24], [30], [41], [42]
- Laroche, M., [245], [255]
- Laroque, Mme., [157]
- Larrey, Baron, [2]–3, [37], [44];
- L’Absent, by Eugène Manuel, [249]
- L’Affranchi, [150]
- L’Ami Fritz, [337]
- L’Assommoir, [332]
- L’Avare, [337]
- Le Barbier de Seville, [337]
- Le Bâtard, [150]
- Le Demi-Monde, [337]
- Le demon du jeu, [109]
- Le Dépit amoureux, [337]
- L’Eté de la St. Martin, [337]
- L’Etourdi, [337]
- L’Etrangère, by A. Dumas, [272]–75, [309]–13, [335]–37, [340], [374]
- Le fils naturel, [336]
- Le jeu de l’amour et du hasard, [125], [337]
- Le Juif errant, [120]
- Le Luthier de Crémône, [337]
- Le Mariage de Figaro, [249]
- Le Mariage de Victorine, [337]
- Le Marquis de Villemer, [128], [337]
- Le Médecin malgré lui, [337]
- Le Menteur, [337]
- Le Misanthrope, [336], [337]
- Le Passant, [132]–39
- Le Post-scriptum, [337]
- Le Sphinx, by Octave Feuillet, [251]–54, [335], [337], [374], [440]
- Le testament de César, by Girodot, [130]
- Léautaud of the Conservatoire, [66], [67], [82]
- Leavenworth, [421]
- Lecouvreur, Adrienne, bust in the Française, [94]
- Legouvé, M., [393], [395]
- Leighton, Frederic, [314]
- Lemaître, Jules, [351]
- Leopold, Prince, [314]
- Lepaul, costumier, story of the Phèdre costume, [335]–36
- Les Caprices de Marianne, [337]
- Les Femmes Savantes, [100], [337]
- Les Fourberies de Scapin, [337]
- Les Fourchambault, [337]
- Les Plaideurs, [337]
- Les Précieuses Ridicules, [337]
- Lesseps, Ferdinand de, [256]
- Lethurgi, the Abbé, [34]
- Leudet, Dr., [153], [155]
- Lincoln, President, [354]
- Lind, Jenny, [366]
- “Little Incline,” [405]
- Liverpool, Cross’s Zoo, [315]–17
- Lloyd, Marie—
- Loire, the Army of the, [165]
- London, Sarah Bernhardt’s impressions, [303]–4, [340]–41;
- capital punishment in, [410]
- Lorne, Marquis of, Governor of Canada, [395]
- Louisville, [420]
- Lucas, Père, lighthouse keeper, [261], [262]
- Luxembourg Gardens, the, [180]
- MacMahon, Marshal, [154], [304]
- Mademoiselle Aïssé, [325]
- Mademoiselle de Belle-Isle, [245]–48, [337]
- Mademoiselle de la Seiglière, [337]
- Madrid, visit of Sarah Bernhardt, [115];
- garrotting in, [410]
- Magnus, Baron, his toast of “To France,” [345]–47
- Manuel, Eugène, L’Absent, [249]
- Marguerite, servant, [38], [47], [48], [49], [50], [64], [67], [71], [91], [101], [107], [112], [115], [234]
- Marie, maid at Neuilly, [14]–16
- —— Sister, of the Grand-Champs Convent, [22], [23]
- Marienlyst, castle of, Elsinore, [344]
- Mariquita, dancing of, [119]
- Marivaux, Le jeu de l’amour et du hasard, [125]
- Marquis, chocolate maker, [8]
- Marseilles, [113]
- Martel, M., in Phèdre, [266];
- poses to Sarah Bernhardt, [277]–78
- Massin, Léontine, [96]–97
- Massin, M., [96]–97
- Masson, Cécile, [40]
- —— M., antiquary, [40]
- Mathilde, Princess, [135]
- Maubant, M., [94], [236];
- the man and the actor, [328]–29
- Maunoir, M., [155]
- Mauvoy, Nathalie, [67]
- Mayer, Frantz, German soldier at the Odéon ambulance, [177]–78, [180], [186]
- —— Mr., of the Gaiety, [293], [309]–10, [320], [336], [340]
- Mélingue, M., [231]
- Memphis, [420]
- Mendès, Catulle, [351]
- Menesson, Captain, [170]
- Menier, M., [165]
- Menlo Park, New York, [375]–79
- Mentone, [289]
- Mercadet, [337]
- Mercier, M., [362]
- Merlou, M. Pierre, [9]
- —— Mme. Pierre, [9]–10
- Meunier, Dr., of Tergnier, [205]
- Meurice, Paul—
- Meusnier, Mathieu, [276]
- Meydieu, M.—
- Meyer, Arthur, [142]–44, [145], [349]
- —— Marcus, [420]
- Millais, [300]
- Milwaukee, [422]
- Mithridate, [291]
- Mobile, difficulties of playing in, [418]–20
- Mohère, anniversary ceremony at the Comédie, [101]
- Monbel, M. de, [234]
- Monod, Dr., [12], [44]
- Montalant, Céline, [109]
- Montbel, Raymond de, [347]
- Montigny, M., manager of the Gymnase Theatre, [108]–109, [112]–13
- Montreal—
- Monval, M., [108], [113]
- Morning Post, tribute to Sarah Bernhardt, [308]
- Morny, Duc de, his advice concerning the Conservatoire, [48]–52;
- Moscow, [176]
- Mounet-Sully, M.—
- Britannicus, in, [248]–49;
- in rôle of Orestes, [249];
- in Zaïre, [255];
- in Phèdre, [266];
- in Rome Vaincue, [279];
- in Hernani, [281]–82;
- in Othello, [291];
- in Ruy Blas, [291];
- supports Sarah Bernhardt on her first appearance at the Gaiety, [307]–8;
- advice to Sarah Bernhardt, [322], [323];
- comments of Sarah Bernhardt on, [329]
- Multon, Miss, bust of, [257]
- Murray, John, tribute to Sarah Bernhardt, [307]
- Napoleon III., [24], [304];
- —— Prince Jerome, “Plon-Plon,” [129], [284]
- Narrey, Charles, [256]
- Nashville, [420]
- Nathalie, Mme., the incident with Sarah Bernhardt, [101]–4;
- her revenge, [105]
- National, the, [295]
- Neuilly, visits to, [3], [11]–15
- New Haven, [385]
- New Orleans, the crossing to, [414]–16;
- Sarah Bernhardt’s impressions, [416]–18
- New York—
- Newark, [433]
- Niagara Falls, [426];
- visit of Sarah Bernhardt, [427]–32
- Nittis the painter, [317]
- Noe, Mme. Lily, [386]
- Nordenskjold, M., [347]
- Novelli, [330]
- O’Connor, Captain, [222]–24, [347]
- Odéon, the—
- Success of Athalie, [126]–27;
- sociability among the actors, [127], [244];
- reception of Dumas père, [130]–31;
- success of Le Passant, [135]–39;
- enthusiasm of the students for Sarah Bernhardt, [139];
- benefit for Sarah Bernhardt, [145]–46;
- welcome to Adelina Patti, [145]–46;
- the Sarah Bernhardt ambulance, [160]–87;
- patients of, transferred to the Val-de-Grâce, [186];
- reopened after the Treaty of Paris, [224];
- Sarah Bernhardt’s break with the, [234]–36;
- Victor Hugo’s supper to the artistes, [239]–43
- Ohio river, the, [423]
- On ne badine pas avec l’amour, [121], [337]
- Opéra, the, [163]
- Ophelia, the spring of, Elsinore, [344]
- Orange, Prince of, [138]
- Othello, [291]
- Palais de l’Industrie, [166]
- Palmer House, Chicago, the, [400]
- Parc Monceau, [187]
- Paris—
- Popular feeling on outbreak of Franco-Prussian War, [151]–53;
- siege proclaimed, [155]–59;
- organisation of the defence, [160];
- the Odéon ambulance, [160]–87;
- bombarding of, [172]–87;
- effect of the sufferings on the morale of the people, [185]–86;
- the armistice, [186];
- sights after, [187];
- the Commune, [217]–24;
- the peace signed, [224];
- Presidents, [304];
- capital punishment in, [410]–13
- Parodi, M., [351];
- Rome Vaincue, [279]
- Parrot, M., artist, [269]
- ——, Dr., [309]–10
- “Part,” use of the term, [33]
- Patti, Adelina, [145]–46
- Pelissier, General, [190], [195]
- Père Lachaise Cemetery, [174]
- Perrin, M.—
- Engagement of Sarah Bernhardt, [235]–36, [238]–39, [245];
- staging of Dalila, [249];
- fury of, [249]–50;
- incident of the “moon” in Le Sphinx, [251]–53;
- insists on Sarah Bernhardt playing Zaïre, [254]–55;
- strained relations with Sarah Bernhardt, [256], [282]–83, [288], [291];
- staging of Phèdre, [264]–66;
- discussion concerning La Fille de Roland, [267]–68;
- his tricks in L’Etrangère, [272]–75;
- anger at the balloon ascent, [284], [288];
- the agreement with John Hollingshead, [293];
- attitude regarding the drawing-room entertainments, [294]–95;
- letter to Sarah Bernhardt from Paris, [322];
- his lecture on her return, [326]–27;
- production of L’Aventurière and resignation of Sarah Bernhardt, [331]–34;
- influences Coquelin to leave London, [340]
- Petit, Mlle. Dica, at the Conservatoire, [66], [67]
- ——, Mme., visit to M. Massin, [96]–97
- Phèdre, [249], [265]–66, [305]–8, [335], [337], [399], [401], [440]
- Philadelphia, [399], [433]
- Philiberte, [337]
- Picard, [269]
- Pierson, Blanche, [109]
- Pisa, [49]
- Pittsburg, Sarah Bernhardt’s impressions, [422]–23
- Place de la Roquette, executions in, [410]–13
- Pluche, Amélie, [28]
- Poissy, prisoners of, [222]
- Polhes, General, [35]
- Pons, M., [79]
- Pont, l’Abbé, [259]
- Porel, M. Paul, [85], [150];
- Porte Saint Martin Theatre, [119]–22
- Potin, Félix, [165]
- Potter-Palmer, Mr., [400]
- Providence, [433]
- Provost, M.—
- Prudhon, artiste, [319]
- Public buildings, Sarah Bernhardt’s opinion of seeing, [349]
- Puget, Louise, [28]
- Quand-même, Sarah Bernhardt’s motto, [99]
- Quimperlé, [1]
- Quincy, [421]
- Rachel, [53], [56], [266], [339], [347];
- Gérôme’s portrait, [105]
- Racine, Phèdre, [265]–66
- Raz, Pointe du, ascent of, [259]–60;
- “Sarah Bernhardt’s Arm-chair,” [264]
- Régis, M.—
- Godfather of Sarah Bernhardt, [7], [35], [39], [45], [100];
- the family council, [48]–55;
- interest in welfare of Sarah Bernhardt, [57]–59, [61]–63, [72], [89], [90], [140];
- arranges the marriage proposal, [73]–74;
- obtains the engagement at the Gymnase for Sarah Bernhardt, [107]–8;
- his relations with Mme. Bernhardt, [116]–17
- Régnier, M. Prof.—
- Réjane, Mme., [85], [329]
- Rémusat, Paul de, [187], [234];
- Renaissance Theatre, the, [411]
- Richepin, M., [351]
- Rigault, Raoul, [220]–21
- Robert Houdin Theatre, the, [55]
- Robertson, Forbes, [297]
- Rochester, [433]
- Rochefort, M., [219]
- Roger, Marie, [101], [102]
- Rome Vaincue, [279]
- Rossini, M., [11]–12, [93]
- Rostand, Edmond, [351]
- Rothschild, Baron Alphonse—
- Rotten Row, Sarah Bernhardt’s impressions, [300], [303]–4, [341]
- Rousseil, Mlle. Roselia, [265]
- Rudcowitz, Mme., [115]
- Rue Auber flat, the fire at, [140]–45
- —— de la Chaussée d’Antin, [11]
- —— Duphot, the posters of, [98];
- Sarah Bernhardt’s flat in, [118]–19
- —— Notre Dame de Champs, convent of the, [45], [124]
- —— St. Honoré, posters of, [98]
- —— Taitbout, patients from the Odéon established at, [186]
- Ruth and Boaz, [219]
- Ruy Blas, [226]–30, [239]–43, [291], [337]
- Saarbruck, [153]
- St. Alexis, Mother, of the Grand-Champs Convent, [27], [32], [33]
- St. Appoline, Mother, of the Grand-Champs Convent, [20], [53]
- St. Cécile, Sister, [29]
- St. Cloud, [128]
- St. Denis, [216]
- St. Germain-en-Laye, [221]–24
- St. Jeanne, Sister, [29]
- St. Joseph, [420]–21
- St. Lawrence river, Sarah Bernhardt’s escapade, [396]–97
- St. Louis, Sarah Bernhardt’s visit to the grotto, [402]–3;
- the jewellery exhibition and the attempted train robbery, [403]–8
- St. Quentin, after the battle, [209]–11
- St. Sophie, Mother, of the Grand-Champs Convent, [17], [21], [23];
- St. Sulpice, the priest of, [169], [171]
- St. Thérèse, Mother, Tobit recovering his Eyesight, [28]–34
- Saint-Privat, battle of, [153]–54
- Saints-Pères Bridge, [284]
- Salon of 1876, honourable mention for Sarah Bernhardt, [278]
- Salvini, M., [433]
- Samson, M., [68], [80], [99]
- Sand, Mme. George, [7];
- Ste. Adresse, Hâvre, [440]
- Santelli, Captain, [434], [437]
- “Sara-dotards,” the, [220]
- “Sarah Bernhardt’s Arm-chair” at the Pointe du Raz, [264]
- Sarcey, Francisque, articles on Sarah Bernhardt quoted, [100]–101, [246], [320], [338]–40
- Sardou, Victorien—
- Sarony, Adèle, [53]
- Sassoon, Alfred, [282]
- Satory barracks, the, [16];
- incident of the shako, [40]–45
- —— woods, the, [20]
- Scribe, M., Adrienne Lecouvreur, [393], [395]
- Sedan, battle of, [154]–55
- Séraphine, Sister, of the Grand-Champs Convent, [18], [27]–28
- Severin, Bassompierre, [144]
- Seylor, Suzanne, [235]
- Sibour, Monseigneur, visit to the Grand-Champs Convent, [27]–34;
- death of, [34]
- Smith, Henry, of Boston—
- Snowstorm at sea, Sarah Bernhardt’s description, [354]–55
- Sociétaires of the Comédie Française, [101]
- Sohège, M., [143]–44
- Sologne, [277]
- Soubise, Mlle., [188];
- the journey through the German lines, [191]–216
- Spa, [183]
- Spain, visit of Sarah Bernhardt to, [110]–15
- Springfield, Illinois, [421]
- —— Massachusetts, [398]–99
- Stage fright, [305]–6
- Standard, the, tribute to Sarah Bernhardt, [307]
- Stevens, Alfred, [282]
- Syracuse, [433]
- Talbot, M., [338]
- Talien, M., in Ruy Blas, [228]–30;
- at the Odéon supper, [241]–42
- Tartufe, [320], [337]
- Tergnier, [202], [204]–5
- Théâtre de la Monnaie, Brussels, [342]
- Theatre Royal, Copenhagen, [342]–47
- Thénard, Mlle., [306]
- Theuriet, André, Jean-Marie, [150], [224]–25
- Thiboust, Lambert, [120]–21
- Thierry, M., director of the Française, [91], [94];
- attitude concerning affair of Mme. Nathalie, [103]–5
- Thiers, M.—
- Times, the, paragraph from, quoted, [294]
- Tissandier, M., [283]–84
- Titine, child friend, [4]
- Toronto, [427]
- Train, [338]
- Triel, [222]
- Trochu, M., defence of Paris, [165]
- Troy, [433]
- Tuileries, Sarah Bernhardt commanded to the, [135]–39;
- her second visit, [161]
- Turquet, M., [288]
- Ulgade, Mme., in La biche au bois, [119]–20
- Un mari qui lance sa femme, [109], [349]
- Utica, [433]
- Vachère, descent of the “Dona Sol” at, [286]
- Vacquerie, Auguste, [226], [229]
- Vaillant, execution of, [411]–13
- Val-de-Grâce military hospital, [167], [169], [170], [176];
- the Odéon patients transferred to, [186]
- Vallès, Jules, [351]
- Variétés, the, [349]
- Vaudeville, the, [76]–77, [236], [349]
- Verger, murderer, [34]
- Versailles, [16], [36], [40], [223]
- Victor, Paul de St., at the Odéon supper, [240]–41;
- adverse criticism of Sarah Bernhardt, [266]
- Villa Montmorency at Auteuil, [127]
- Villaret, M., [190], [193], [195]
- Vintras, Dr., [309]–10
- Vitu, Auguste, Figaro articles of, quoted, [332], [338]–39
- Wagner, Sarah Bernhardt’s opinion of, [213]
- Wales, Prince of, visit to the Piccadilly exhibition, [313]–14
- —— Princess of, at the Theatre Royal, Copenhagen, [343]–44
- Walewski, M. de, [93]
- Walt, Robert, [345]
- Washington, [433]
- Weiss, J. J., [351]
- Wilde, Oscar, [298]
- Winterhalter, [138]
- Wirbyn, Albert, [408]
- Wolff, Albert, of the Figaro, Sarah Bernhardt’s letter to, [321]–22
- Worcester, [433]
- Worms, M.—
- Yvon, the artist, [10]
- Zaïre, [75], [254]–56, [315], [337]
- Zelern, Baron van, [157]
- Zerbinette, the tortoise, [145]
- Zola, M., [332], [333], [351]
Printed by Ballantyne & Co. Limited
Tavistock Street, London
TRANSCRIBER’S NOTES
- Silently corrected obvious typographical errors and variations in spelling.
- Retained archaic, non-standard, and uncertain spellings as printed.