CHRISTCHURCH PRIORY FROM WICK FERRY

This is one of the finest churches of non-Cathedral rank in the country, both with regard to size and its value to students of architecture. It is larger than many a Cathedral.

On 28th January, 1855, Sir Edmund Lyons, afterwards "Lord Lyons of Christchurch", received a public welcome in the town, on his return from his brilliant action before Sebastopol. At Mudeford, near by, lived William Steward Rose, to whom Sir Walter Scott paid occasional visits. Scott is said to have corrected the proofs of "Marmion" while at Mudeford, where, in 1816, Coleridge was staying.

The town once had a leper hospital in Barrack Street, dedicated to St. Mary Magdalen, but all traces of it have disappeared.

The views around the town, especially perhaps that from the top of the church tower, are very extensive, from the New Forest on the east to the hills of Purbeck and Swanage on the west, while the view seawards includes the sweeping curve of Christchurch Bay, the English Channel, and the Isle of Wight. The conspicuous eminence seen on the west of the river is St. Catherine's Hill, where the monks first began to build their Priory, and on it some traces of a small chapel have been found. Hengistbury Head is a wild and deserted spot, with remains of an ancient fosse cut between the Stour and the sea, possibly for defensive purposes, as there is a rampart on each side of the entrenchment, to which there are three entrances.

At the end of the long High Street stands the Priory church, with examples to show of each definite period of our national ecclesiastical architecture, from an early Norman crypt to Renaissance chantries. The extreme length of the church is 311 feet, it being in this respect of greater length than the cathedrals of Rochester, Oxford, Bristol, Exeter, Carlisle, Ripon, and Southwell.

So vast a building naturally costs a large sum of money every year to keep in repair, and in this respect the parishioners of the ancient borough owe much to Bournemouth, whose visitors, by their fees, provide more than sufficient funds for this purpose. The wonderful purity of the air has been a great factor in preserving the crispness of the masonry, and in keeping the mouldings and carvings almost as sharp in profile as when they were first cut by the mediæval masons.

The out-of-the-way position of the Priory no doubt accounts for the slight and fragmentary references to it in early chronicles, the only old writer of note to mention it being Knyghton (temp. Richard II), who speaks of it as "the Priory of Twynham, which is now called Christchurch". Even Camden, many years later, merely says that "Christchurch had a castle and church founded in the time of the Saxons". It is mentioned in the Domesday Survey, when its value was put at £8 yearly, an increase of two pounds since the days of Edward the Confessor. The Cartulary of the Priory is in the British Museum, but it contains no notes of architectural interest.

According to tradition the first builders began to erect a church on St. Catherine's Hill, but by some miraculous agency the stones were removed every night, and deposited on the promontory between the two rivers, at a spot which became known by the Saxon name of Tweoxneham, or Twynham. The site for the church having been divinely revealed, the monks began to build on the sacred spot; but even then there was no cessation of supernatural intervention. Every day a strange workman came and toiled; but he never took any food to sustain him, and never demanded any wages. Once, when a rafter was too short for its allotted place, the stranger stretched it to the required length with his hands, and this miraculous beam is still to be seen within the church. When at last the building was finished, and the workmen were gathered together to see the fruits of their labour receive the episcopal consecration, the strange workman was nowhere to be found. The monks came to the conclusion that He was none other than Christ Himself, and the church which owed so much to His miraculous help became known as Christchurch, or Christchurch Twynham, although it had been officially dedicated to the Holy Trinity in the reign of Edward the Confessor, and the title of Christchurch does not appear to have been in general use until the twelfth century.

The early history of the foundation is very obscure. King Aethelstan is said to have founded the first monastery. More certain is it that, in the reign of Edward the Confessor, the church at Twynham was held by Secular Canons, who remained there until 1150, when they were displaced by Augustinians, or Austin Canons. The early church was pulled down by Ralf Flambard, afterwards Bishop of Durham. He was the builder of the fine Norman nave of Christchurch, and the still grander nave of Durham Cathedral. He was Chaplain to William Rufus, and his life was as evil and immoral as his skill in building was great. He died in 1128, and was buried in his great northern cathedral. Much of Flambard's Norman work at Christchurch remains in the triforium, the arcading of the nave, and the transepts. A little later we get the nave clerestory, Early English work, put up soon after the dawn of the thirteenth century, the approximate date also of the nave aisle vaulting, the north porch, and a chapel attached to the north transept. To the fourteenth century belong the massive stone rood-screen, and the reredos. The Perpendicular Lady Chapel was finished about the close of the thirteenth century, while the fourteenth century gave us the western tower, and most of the choir, although the vaulting was put up much later, as the bosses of the south choir aisle bear the initials W. E., indicating William Eyre, Prior from 1502 to 1520. Last of all in architectural chronology come the chantry of Prior Draper, built in 1529, and that of Margaret, Countess of Salisbury, niece of Edward IV, and mother of the famous Cardinal Pole. She was not destined, however, to lie here, as she was beheaded at the Tower in 1541.

The church now consists of nave, aisles, choir, unaisled transepts, western tower, and Lady Chapel. The cloisters and the domestic buildings have disappeared. It is highly probable that there was once a central tower, an almost invariable accompaniment of a Norman conventual church. There is no documentary evidence relating to a central tower, but the massive piers and arches at the corners of the transepts seem to indicate that provision was made for one, and the representation of a tower of two stages on an old Priory seal, may be either the record of an actual structure, or an intelligent anticipation of a feature that never took an architectural form, although it was contemplated.

In the churchyard are tombstones to the memory of some of the passengers lost in the wreck of the Halsewell, off Durlston Head, on 6th January, 1786. The churchyard is large, and a walk round it allows a view of the whole of the north side of the church. On the south side a modern house and its grounds have displaced the cloisters and the domestic buildings attached to the foundation. Prominent features on the north side are a circular transept stairway, rich in diaper work, the arcading round the transept, the wide windows of the clerestory of the choir, and the upper portion of the Lady Chapel. The fifteenth-century tower is set so far within the nave as to leave two spaces at the ends of the aisles, one used as a vestry, the other as a store-room. In the spandrels of the tower doorway are two shields charged with the arms of the Priory and of the Earls of Salisbury. Above the doorway is a large window, and above this again a niche containing a figure of Christ. The octagonal stair turret is at the north-east angle. The north porch, much restored, is of great size, and its side walls are of nearly the same height as the clerestory of the nave. On the west side is a recess with shafts of Purbeck marble and foliated cusps. Around the wall is a low stone seat, used, it is said, by the parishioners and others who came to see the Prior on business. The roof has some very beautiful groining, much restored in 1862. Above the porch is a lofty room, probably used as the muniment room of the Priory. Entrance to the church from this porch is through a double doorway of rich Early English work.