CONTENTS

[Introduction][ix]
[Chapter I]
History of Music in Medicine[1]
Primitive use and the medicine man. Ancient civilizations. Music against animal bites and mental disease. Magic and the Middle Ages. The magic flute. Recent developments.
[Chapter II]
Philosophy and Psychology of Music[15]
Physiology of musical elements—pitch, intensity, timbre, duration, rhythm, melody, mode, key. Color in sound. Music interpretation. Live music and the human voice. Listening and appreciation. Musical taste and appetite.
[Chapter III]
Music as Occupational Therapy[44]
Origins of occupational therapy. Advantages of music as a modality. Analysis of motion in piano playing. Analysis of string, plectrum, foot, wind and percussion instruments. Use of voice as exercise.
[Chapter IV]
Psychiatry and Music[59]
Criteria of therapeutics. Classification of mental diseases. Description of diseases and indications for music.
[Chapter V]
Background Music[73]
Counter-irritation. Music in the operating room. Effect on physical exercise. Use with calisthenics. Eurhythmics. Remedial exercise. Industrial music.
[Chapter VI]
Mealtime Music[82]
Criteria for mealtime music. Examples of orchestras and songs most suitable. List of suggested recordings.
[Chapter VII]
Music in Bed[89]
Needs of children. Slumber music. Bedside radio. Program distribution systems. Head phones versus loud speakers. Personalized music. Instruction in bed. Toneless instruments.
[Chapter VIII]
Diversion and Entertainment[98]
Need for entertainment in hospitals. Programming for patient groups. Amateur show. Group singing. Music instruction.
[Chapter IX]
Public Address System[105]
Basic equipment and personnel. Programming.
[Chapter X]
Equipment and Library[110]
Patient band. Instruments and rooms. Record library. Holiday music.
[Chapter XI]
Direction[118]
Medical direction. Qualifications and duties of the hospital musician. Training program and curriculum for music aides.
[Bibliography][125]
[Index][129]