INDEX.
- Bracquemond. His originality and limitation, p. [iii].
- Claude. His Bouvier and Shepherd and Shepherdess conversing, p. [4].
- Crome. His etchings, p. [9].
- Earlom. His flower-pieces in mezzotint, p. [25].
- Gonse. His catalogue of Jacquemart’s etchings, p. [18].
- Haden. His quality of vigour, p. [2];
- his judgment of Méryon, p. [4];
- his earliest etchings, p. [5];
- Mytton Hall, p. [7];
- Egham, p. [7];
- Water Meadow, p. [7];
- Calais Pier, p. [7];
- Penton Hook, p. [8];
- Sunset on the Thames, p. [9];
- Erith Marshes, p. [9];
- Agamemnon, p. [10];
- Sawley Abbey, p. [10];
- Dusty Millers, p. [10];
- his Dorsetshire etchings, p. [11].
- Hamerton, p. iii. and p. [17].
- Jacquemart. His happy circumstances, p. [12];
- he renders the soul of matter, p. [14];
- his etchings of Oriental and Sèvres porcelain, p. [15];
- Brocca Italienne, p. [16];
- Vase de Vieux Vincennes, p. [17];
- Miroir Français, p. [20];
- Vénus Marine, p. [21];
- Salière de Troyes, p. [21];
- his etchings after pictures, p. [23];
- his flower-pieces, p. [25];
- his work in water colour, p. [25];
- his concern with Art, not nature, p. [27].
- Legros. Essentially an etcher, p. [41];
- Macbeth, p. iii.
- Méryon. His method with architecture, p. [35].
- Rembrandt. His Ephraim Bonus and Clément de Jonghe, p. [4];
- his Portrait of a woman lightly etched, p. [15].
- Thibaudeau. His catalogue of Legros’s etchings, p. [41].
- Tissot, p. iii.
- Vandyke. A decisive sketcher, p. [3].
- Whistler. His quality of exquisiteness, p. [28];
- his decorative arrangements, p. [29];
- painted portraits, p. [30];
- his etched portraits, p. [32];
- Fanny Leyland, p. [33];
- The Kitchen, p. [33];
- La Vieille aux Loques, p. [34];
- his Venice series, p. [35];
- Free Trade Wharf, p. [37];
- Billingsgate, p. [37];
- Hungerford Bridge, p. [38];
- Thames Police, p. [38];
- Tyzack Whiteley, p. [38];
- Black Lion Wharf, p. [38].
LONDON
PRINTED BY J. S. VIRTUE AND CO., LIMITED,
CITY ROAD.
OTHER WORKS BY MR. WEDMORE.
7s. 6d. EACH.
STUDIES IN ENGLISH ART.
GAINSBOROUGH, MORLAND, REYNOLDS, FLAXMAN, STOTHARD,
CROME, COTMAN, TURNER, CONSTABLE, DE WINT, DAVID COX,
CRUIKSHANK.
Two Volumes. Second Edition.
THE MASTERS OF GENRE PAINTING.
REMBRANDT, DE HOOGH, NICHOLAS MAES, METSU, TERBURG,
JAN STEEN, WATTEAU, LANCRET, PATER, CHARDIN, FRAGONARD,
HOGARTH, and WILKIE.
With Sixteen Illustrations.
PASTORALS OF FRANCE.
“A LAST LOVE AT PORNIC,” “YVONNE OF CROISIC,” “THE FOUR
BELLS OF CHARTRES.”
Second Edition.
ETCHINGS
ON SALE BY THE FINE ART SOCIETY.
By FRANCIS SEYMOUR HADEN.
| £. | s. | d. | |
| A By-road in Tipperary | 6 | 6 | 0 |
| A Water Meadow | 4 | 4 | 0 |
| Amalfi | 1 | 11 | 6 |
| Amstelodam | 1 | 11 | 6 |
| A Cottage Window | 2 | 12 | 6 |
| Battersea | 4 | 4 | 0 |
| Breaking up of the Agamemnon. First State £7 7 0 Second State | 5 | 5 | 0 |
| Barque Refitting | 1 | 1 | 0 |
| Brentford Ferry | 2 | 12 | 6 |
| By Inveraron | 3 | 3 | 0 |
| Brig at Anchor | 3 | 3 | 0 |
| Cottages behind Horsley’s House | 3 | 3 | 0 |
| Cranbrook | 3 | 3 | 0 |
| Cardigan Bridge | 2 | 12 | 6 |
| Combe Bottom | 4 | 4 | 0 |
| Calais Pier. Second State | 21 | 0 | 0 |
| Do. Small | 1 | 11 | 6 |
| Dusty Millers | 3 | 3 | 0 |
| Evening | 1 | 1 | 0 |
| Early Morning—Richmond Park | 2 | 12 | 6 |
| Egham | 2 | 2 | 0 |
| Egham Lock | 2 | 2 | 0 |
| Erith Marshes | 4 | 4 | 0 |
| Fulham | 2 | 12 | 6 |
| Greenwich | 8 | 8 | 0 |
| Grim Spain—Burgos | 3 | 3 | 0 |
| House of the Smith | 2 | 12 | 6 |
| Hic Terminus Hæret | 1 | 11 | 6 |
| Horsley’s House at Willesley | 4 | 4 | 0 |
| Kensington Gardens. The Large Plate £2 12 6 Small Plate | 3 | 3 | 0 |
| Kew Side | 2 | 12 | 6 |
| Kilgaren Castle | 2 | 12 | 6 |
| Kenarth | 2 | 12 | 6 |
| Kidwelly Town | 2 | 2 | 0 |
| Mount’s Bay | 3 | 3 | 0 |
| Newcastle in Emlyn | 2 | 12 | 6 |
| O Laborum! | 1 | 11 | 6 |
| Out of Study Window | 2 | 2 | 0 |
| On the Test. First State | 5 | 5 | 0 |
| Purfleet | 3 | 3 | 0 |
| Penton Hook | 4 | 4 | 0 |
| Puff Asleep | — | ||
| Railway Encroachment | 2 | 2 | 0 |
| Ruins in Wales | 1 | 11 | 6 |
| Sub Tegmine | 3 | 3 | 0 |
| Sonning Almshouses | 2 | 2 | 0 |
| Shepperton | 2 | 2 | 0 |
| Shere Millpond | 5 | 5 | 0 |
| Sunset on the Thames. First State £3 3 0 Second State | 3 | 3 | 0 |
| Sketch on Back of Zinc Plate | 1 | 11 | 6 |
| Sunset in Ireland | 4 | 4 | 0 |
| Sonning | 3 | 3 | 0 |
| Study of Stems | 1 | 11 | 6 |
| Twickenham Bushes | 0 | 10 | 6 |
| The Mill-Wheel. First State £3 3 0 Second State | 3 | 3 | 0 |
| Thomas Haden of Derby | 2 | 2 | 0 |
| Thames Fishermen | 4 | 4 | 0 |
| The Herd | 4 | 4 | 0 |
| The Two Sheep | 1 | 11 | 6 |
| The Holly Field | 1 | 1 | 0 |
| Twickenham Church | 3 | 3 | 0 |
| Towing-Path. First State £4 4 0 Second State | 4 | 4 | 0 |
| The Three Sisters | 4 | 4 | 0 |
| The Inn at Sawley. (Unfinished) | 4 | 4 | 0 |
| The Grande Chartreuse. (From Drawing by Turner) | 2 | 2 | 0 |
| The Moat House | 3 | 3 | 0 |
| The Two Asses | 1 | 11 | 6 |
| The Turkish Bath, with One Figure | 2 | 12 | 6 |
| The Turkish Bath, with Two Figures | 3 | 3 | 0 |
| The Assignation | 3 | 3 | 0 |
| Thames Ditton | 4 | 4 | 0 |
| Willow Bank | 2 | 2 | 0 |
| Windmill Hill | 3 | 3 | 0 |
| Windsor | 8 | 8 | 0 |
| Ye Compleate Angler | 3 | 3 | 0 |
| Yacht Tavern, Erith | 4 | 4 | 0 |
| The Volume of “Études” | 36 | 15 | 0 |
By J. A. McN. WHISTLER.
VENICE. A Series of Twelve Etchings.
Limited to 100 Sets, 50 Guineas the Set; or separately as follows:—
| The Little Venice | £4 | 4 | 0 |
| The Two Doorways | 6 | 6 | 0 |
| The Beggars | 8 | 8 | 0 |
| The Nocturne | 5 | 5 | 0 |
| The Doorway | 8 | 8 | 0 |
| The River | 5 | 5 | 0 |
| The Little Mast | 5 | 5 | 0 |
| The Little Lagoon | 4 | 4 | 0 |
| The Palaces | 8 | 8 | 0 |
| The Mast | 5 | 5 | 0 |
| The Traghetto | 8 | 8 | 0 |
| The Piazzetta | 4 | 4 | 0 |
SIXTEEN THAMES ETCHINGS.
Price 14 Guineas the Set in Portfolio; or separately as follows—
| 1. Black Lion Wharf | £1 | 15 | 0 |
| 2. Wapping Wharf | 1 | 11 | 6 |
| 3. The Forge | 2 | 2 | 0 |
| 4. Old Westminster Bridge | 1 | 5 | 0 |
| 5. Wapping | 2 | 12 | 6 |
| 6. Old Hungerford | 1 | 11 | 6 |
| 7. The Pool | 1 | 11 | 6 |
| 8. The Fiddler | 1 | 11 | 6 |
| 9. The Limeburners | 2 | 2 | 0 |
| 10. The Little Pool | 1 | 5 | 0 |
| 11. Eagle Wharf | 1 | 15 | 0 |
| 12. Limehouse | 1 | 11 | 6 |
| 13. Thames Warehouses | 1 | 5 | 0 |
| 14. Millbank | 1 | 5 | 0 |
| 15. Early Morning (Battersea) | 1 | 1 | 0 |
| 16. Chelsea Bridge and Church | 0 | 10 | 6 |
| THE LITTLE LIMEHOUSE. One Hundred Proofs Only | £1 | 11 | 6 |
| HURLINGHAM. Sixty Artist’s Proofs | £3 | 3 | 0 |
| FULHAM. Sixty Artist’s Proofs | £3 | 3 | 0 |
| PUTNEY. Sixty Artist’s Proofs | £3 | 3 | 0 |
| PUTNEY BRIDGE. Proofs | £6 | 6 | 0 |
| BATTERSEA BRIDGE. Proofs | £6 | 6 | 0 |
By SAMUEL PALMER.
THE LONELY TOWER. From “Il Penseroso.”
THE HERDSMAN’S COTTAGE (1850). Plate destroyed.
THE BELLMAN. From “Il Penseroso” (1879). Sixty Remarque Proofs (of which few remain unsold) £4 4 0
Plain Impressions 2 2 0
THE SKYLARK (1850). Plate destroyed £4 4 0
CHRISTMAS; or, Folding the Last Sheep. From Bampfylde’s “Sonnet” (1850). A few Fine Proofs £3 3 0
THE WILLOW (1850). Mr. Palmer’s First Etching £0 10 6
THE SLEEPING SHEPHERD. Plate destroyed £4 4 0
EARLY MORNING—Opening the Fold. Remarque Proofs all sold. Artist’s Proofs £2 2 0
THE VINE. Two Subjects on one Plate. Plate destroyed £5 5 0
THE EARLY PLOUGHMAN £2 2 0
THE HERDSMAN. Plate destroyed £6 6 0
THE MORNING OF LIFE. Plate destroyed £5 5 0
THE RISING MOON. Plate destroyed £5 5 0
In addition to these, a large number of examples of Etchings by J. C. Hook, R.A., Rajon, Flameng, Unger, Gaillard, Waltner, Brunet-Debaines, F. Bracquemond, Jacquemart, Chifflart, Daubigny, Le Rat, Veyrassat, Appian, Tissot, Legros, Herkomer, &c., &c.
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J. F. Millet—A Biography by W. E. Henley. Illustrated with Twenty Etchings and Woodcuts, reproduced in facsimile. Large-paper Edition, limited to 500 copies, £1 1s.
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- Transcriber’s Notes:
- Missing or obscured punctuation was silently corrected.
- Typographical errors were silently corrected.
- Inconsistent spelling and hyphenation were made consistent only when a predominant form was found in this book.