THE PREFACE.
Though it ought to be the care of all Governments that public representations should have nothing in them but what is agreeable to the manners, laws, religion, and policy of the place or nation in which they are exhibited; yet is it the general complaint of the more learned and virtuous amongst us, that the English stage has extremely offended in this kind. I thought, therefore, it would be an honest ambition to attempt a Comedy which might be no improper entertainment in a Christian commonwealth.
In order to this, the spark of this play is introduced with as much agility and life as he brought with him from France, and as much humour as I could bestow upon him in England. But he uses the advantages of a learned education, a ready fancy, and a liberal fortune, without the circumspection and good sense which should always attend the pleasures of a gentleman; that is to say, a reasonable creature.
Thus he makes false love, gets drunk, and kills his man; but in the fifth Act awakes from his debauch, with the compunction and remorse which is suitable to a man's finding himself in a gaol for the death of his friend, without his knowing why.
The anguish he there expresses, and the mutual sorrow between an only child and a tender father in that distress, are, perhaps, an injury to the rules of comedy, but I am sure they are a justice to those of morality. And passages of such a nature being so frequently applauded on the stage, it is high time that we should no longer draw occasions of mirth from those images which the religion of our country tells us we ought to tremble at with horror.
But her Most Excellent Majesty has taken the stage into her consideration;[41] and we may hope, by her gracious influence on the Muses, wit will recover from its apostasy; and that, by being encouraged in the interests of virtue, it will strip vice of the gay habit in which it has too long appeared, and clothe it in its native dress of shame, contempt, and dishonour.