PLANNING THE GAINSBOROUGH ROBBERY
As I have said, Raymond had not been long in London before he had forced his way into a commanding position in the criminal world. The cleverest thieves of every nation sought him out as soon as they set foot in England. They sought his advice, carried out his orders, and gladly shared with him the profits of their illegal enterprises. Crimes in every corner of the globe were planned in his luxurious home—and there, often, the final division of booty was made.
No crime seemed too difficult or too daring for Raymond to undertake. It was his almost unbroken record of success in getting large amounts of plunder and in escaping punishment for crimes that gave the underworld such confidence in him and made all the cleverest criminals his accomplices. Another reason for his leadership was his unwavering loyalty to his friends. Raymond never "squealed"—he never deserted a friend. When one of his associates ran foul of the law he would give as freely of his brains and money to secure his release as if his own liberty were at stake. It was his loyalty to a friend—a thief named Tom Warren—which led to his bold theft of the famous Gainsborough portrait for which J. Pierpont Morgan later paid $125,000. Here is how it came about:
Warren was in jail in London for his share in one of Raymond's forgeries. He was a great favorite of Raymond's and Harry vowed he would have him out before his case ever came to trial. This, however, was no easy matter, because England is not like this country, where almost anyone can furnish bond. The bondsman in England must be a freeholder and of good reputation.
While Raymond was searching his fertile brain for some way out of the difficulty, he and an English thief named Jack Philips happened to be walking through Bond Street and noticed the large number of fashionable carriages stopping at Agnew & Company's art gallery. To satisfy their curiosity they entered the gallery and found that everybody was crowding about a wonderful portrait of the Duchess of Devonshire, painted by the master hand of the great artist Gainsborough.
It was Gainsborough's masterpiece, and the Agnews were considering a number of bids that had been made for the painting. They had one offer of $100,000 from an American, but they were holding it on exhibition in the belief that a still better bid would be made.
Raymond stood long and thoughtfully on the edge of the crowd, studied the painting, took in the doors, walls, windows, chatted with an attendant, and slowly sauntered out, swinging his cane.
"I have the idea," exclaimed Raymond the instant they were in the street again. "We'll steal that picture and use it as a club to compel the Agnews to go bail for Tom Warren."
"You don't want that picture," said Philips. "It's a clumsy thing to do anything with."
"Of course I don't want the picture—but Agnew does," Raymond replied. "If I get it and send word that Tom Warren, who is in jail, knows where it's hidden—don't you suppose Agnew will hurry down to Old Bailey Prison, bail poor Tom out mighty quick, and pay him something besides if Warren digs up the picture for him?"
"He might," admitted Philips.
"Why, of course he will," persisted Raymond. "And it's the only way I can see to make sure of getting Tom Warren out before he is called for trial. When they try him they'll convict him; and then it's too late."
Philips was not enthusiastic over the scheme. In the first place he thought it too risky. Even if they did succeed in getting the picture he feared it would prove an elephant on their hands. Raymond, however, was a man who seldom receded from a decision, no matter how quickly it had been made. He argued away Philip's objections and with the assistance of Joe Elliott, a forger whom they took into their confidence, they proceeded with their plans for the robbery.