BRAVO, PHILANDER!
It is impossible for them to understand just at the moment what has occurred.
They are in a part of the Maltese city that Europeans might well hesitate to visit at the hour of midnight, however much they would frequent it in daylight.
The natives of Valetta have not all become reconciled to British rule, and although no open outbreak occurs, more than once has it been placed in evidence that there is a deep feeling of resentful distrust in certain quarters, which only awaits an opportunity to show its ugly teeth.
Knowing this fact, it is general principles more than anything else that causes Philander to have concern.
When those loud cries break forth close at hand, he knows his fears were not without foundation.
John Craig is also suddenly brought to a realization of the fact that he has hardly been prudent in his action.
He stows the paper away with a single movement of his hand. It is precious to him, and must be kept for future study.
Then he is ready to face those who, by their presence and outcries, announce themselves as the foes of foreigners.
There are many secret societies on the famous island besides the Knights of Malta, and it is not at all improbable that an organization exists which has for its main object the eventual uprising of the Maltese and their freedom from the British yoke.
This would naturally be kept a secret, and not proclaimed from the flat roofs of Valetta, or the platform of St. Lazarus.
Philander has shown remarkable traits upon this night of nights, traits which Doctor Chicago never suspected he possessed. He now proves that, in addition to these other commendable qualities, he has wonderful presence of mind, and that no sudden emergency can stupefy his senses.
Just as soon as the outcry is heard, he draws the small, cimeter-shaped paper-knife, which he claimed would make a serviceable weapon.
At the same time he cries out:
"We're in for it, John, my boy! Don't be too proud to run. Legs, do your duty!"
With which remark Philander starts his lower extremities into action, turning his head to make sure that his companion has not hesitated to follow.
If the professor is a small man, he has the faculty for getting over ground at quite an astonishing rate of speed. His short legs fairly twinkle as they measure off the yards; and, given a fair show, he would lead any ordinary runner a race.
The darkness, the uneven street, and his unfamiliarity with his surroundings, are all against him now, so that he cannot do himself justice.
Suddenly he misses his companion. John was close beside him ten seconds before—John, who is a sprinter from athletic education, and who could have distanced the professor with only half an effort had he wished, but who moderated his speed to conform with that of his less favored friend.
The shouts have continued all this while, proving that the citizens of Valetta have steadfastly pursued them with some dark purpose in view.
Just as soon as Philander Sharpe makes this discovery, his action is one that proves him a hero.
He stops in his tracks, and no longer keeps up his flight.
"Turn the other way, boys! At 'em like thunder! As Sheridan said at Cedar Creek: 'We'll lick 'em out of their boots,'" is the astonishing cry he sends forth, as he begins to travel over the back trail.
This speedily brings him upon the scene of action. Several dark figures have come to a halt around a prostrate object. They are the men of Valetta, who have organized this secret vendetta against all foreigners.
It is easy to understand why they thus halt. John Craig is the recumbent, struggling figure on the roadway; John Craig, who has possibly been lassoed by some expert among the pursuers, and who kicks with the vim and energy of a free American citizen.
This Philander understands instantly, and also comprehending that he must do something very speedily, throws himself into the midst of the dusky Maltese thugs.
The advent of a wild-cat could not produce more astonishment and consternation than this sudden coming of the energetic little man.
He accompanies his assault with the most energetic movements of both arms and legs, and his shrill voice keeps time to the music.
As he holds the cimeter-knife in one hand, his movements are not without certain painful accompaniments. The men fall back in dismay. A momentary panic is upon them. Philander is shrewd enough to know this will not last, and he does not attempt to pursue them.
Upon finding that for the time being the scene is left to him, and that he is the master of the situation, the professor bends down to free his companion from the noose that binds his arms.
Already has John managed to gain a sitting posture, as the fellow at the other end of the rope forgets to pull steadily upon it in his alarm at the new phase of affairs.
Before he can collect his wits, and once more stretch the line, Philander's keen blade of Damascus steel is pressed against the rope, and as it comes taut it instantly separates.
This is enough for John, who has now gained his feet, and throws aside the entangling loop.
His tumble has had a queer effect on the young doctor; usually cool and cautious, he has been transformed into a Hotspur; there is a sudden desire for revenge.
In his hand he holds a cudgel, which he snatched from the street as he arose. It is the spoke of a wheel belonging to some light vehicle, and which no doubt one of the assailants carried.
With this flourishing about his head, Doctor Chicago leaps in among the Maltese and belabors them right and left.
As Philander, seeing what is going on, and knowing his assistance would be appreciated, springs to his side, the dusky sons of Malta break and run.
They realize, perhaps, that they have waked up the wrong customers, and immediate flight is the only thing that will save them from the result of their impetuosity.
The two Americans make a pretense of pursuing them, but truth to tell their course really lies in an altogether different direction, and, as if by mutual consent, they suddenly turn right about face.
Taking advantage of the enemy's discomfiture, they are enabled to make good their escape, and presently reach the vicinity of the hotel, rather out of breath, and looking somewhat the worse for their strange adventures.
Professor Sharpe has been glowing with pride and satisfaction up to the moment they reach the caravansary, then all of a sudden he seems to collapse.
A sound comes from a window above; a clear, sibilant sound; a human voice uttering one word, but investing it with a volume of reproach beyond description.
That word:
"Philander!"
The doughty little professor, who has proved himself as brave as a lion in the face of actual and overwhelming danger, now shows positive signs of flunking. He clutches the arm of his fellow-adventurer, and whispers:
"John Craig, remember your solemn promise."
"Never fear; I'll stand by you, professor."
"Philander Sharpe!"
This time the inflection is more positive and acrid. It is no longer a tone of plaint and entreaty, but touches the Caudle lecture style. Of course, he can no longer ignore the presence of his better half.
"It's I, Gwendolin," he says, meekly.
"Oh, it is! You've condescended to take some notice of me at last. Well, I'm glad to see you. Come up stairs at once, and confess that you've treated me abominably, you bad man."
"For Heaven's sake let's get in before a crowd gathers," groans the professor, with a glance of horror up in the direction of the white-capped head protruding from, the second-story window.
Craig is amused, but takes pity on his companion, so they enter the hotel together.
"Will you tell her all?" he asks.
"She'll never rest content now until she discovers it," says Philander, sadly.
"Then make a clean breast. I give you permission to speak of my affairs, only—"
"What?"
"Somehow I'd rather not have Lady Ruth know about Pauline Potter, and the foolish whim that causes her to pursue me."
At this Philander chuckles, being able to see through a millstone with a hole in it.
"I'll warn Gwendolin, then. She entertains a warm feeling for you, John—always has since making your acquaintance; and after the event of to-day, or rather yesterday, since it is past the witching hour of midnight, she is ready to do anything for you."
"Well, good-night, professor," with a warm shake of the hand, for what they have passed through in common to-night will make these two the best of friends.
When John Craig finds himself alone, he does not at once retire to his small room. Sleep is one of the last things he thinks of just at present, his mind has been so wrought up by the events of the night.
The hotel remains open. It is not customary, for there are no late trains to come in at Valetta, and the people keep early hours, as a usual thing, but this is an exceptional time of the year, preceding Lent, and there may be some other reason besides that causes an all-night open house.
Doctor Chicago finds a chair, and seats himself, first of all to reflect upon the singular train of events that has marked a red cross in his career since the last sunrise.
His stricken arm pains him, but he has not the slightest fear as to the ultimate outcome of that episode; the self-inflicted scorching with the hot iron effectually ended that.
At last he draws out the piece of paper which Philander secured in the room that marked their downfall, the paper that bears the signature of Sister Magdalen.
Lady Ruth's reminiscence has thus proved of great value to him.
He takes out one of the notes which came periodically to him—it is the one that bore the postmark of Valetta, Malta. Holding the two side by side, he eagerly compares them.
"Yes, the same hand penned both—I would swear to that."
Long he muses, sitting there. The papers have been put away, his cigar falls unheeded to the floor, and his thoughts fly far away.
Finally he arises, with a sigh, and seeks his room, to rest very poorly, between the pain of his arm and the worry of his mind.
Another day dawns upon Valetta.
As yet the tourists, who sojourn at the city of Malta by the sea, have received no intimation that the disabled steamer is in a condition to proceed.
This means another day on the island, for which few are really sorry, as Valetta is not an unpleasant place in winter.
Our friends gather around the breakfast-table, and conversation is brisk. More than once Lady Ruth watches the face of John Craig. She is anxious to hear what success he met with on the preceding night, and will doubtless find an opportunity for a quiet little chat after the meal.
On his part, Craig is uneasy, feeling that he owes her a recital of facts, and yet loth to tell her anything about Pauline Potter, for he is ashamed of his boyish infatuation with regard to the Chicago actress.
So he dallies over his breakfast, hoping that something will turn up to lead their thoughts in another channel, and at least give them a longer respite. Perhaps a message will come from the steamer announcing an immediate sailing.
He is eager to be off. Whatever was in the note Philander picked up in the house of the Strada Mezzodi, it has given John a feverish anxiety to reach some other port.
Ah! here is the good captain of the Hyperion himself, a jolly sea-dog whom every passenger clings to in time of storm and trouble, and who buoys up trembling souls, fearful of the worst, with his hearty, good-natured manner.
He announces aloud for the benefit of his passengers that a notice just posted in the office of the hotel gives the time of the vessel's sailing at seven in the evening, and all passengers are requested to be on board before that hour, if possible.
This means another day on shore. It means that John Craig cannot longer elude the recital of his night's adventures to Lady Ruth.