II

If a writer wished to create a character who would most aptly personify the past thirty years of English or of world history, he would have to create a character very like Mr. Wells: a questioning, variable, demanding person, with some impatience and testiness of temper, with, at times, a fantastic and wayward manner, but always superimposed on these superficialities, an eager and unthwartable desire for a true belief. Mr. Chesterton said of him once that "you lie awake at night and hear him grow," and fundamentally that is true, in spite of the temptation one has at times to believe that one lies awake at night and merely hears him changing his mind. One could, were one silly enough to do so, construct a plausible indictment of Mr. Wells of hurriedly accepting a belief and as hurriedly rejecting it; but to do so would be to charge oneself with a superficial mind. Mr. Wells, in his eagerness to discover a reasonable and sane society in which the spirit of man may grow and develop and achieve, has sometimes accepted a theory too swiftly, but his scientific mind has come, sooner or later, to the rescue of his eager heart and has caused him to reject proposals which he had previously found acceptable.

In "First and Last Things" he decides against the community of austere aristocrats who won his advocacy in "A Modern Utopia." The self-disregard of the Samurai of Japan had pleased him as it must please all who contemplate it, and he imagined a state in which the best men would govern "the average, sensual men," formulating their laws and doctrines from the sanctuary of a sort of monastic establishment in which their fleshly desires would be chastened and perhaps eliminated. Mr. Wells, having felt the allure of a select company of selfless aristocrats, devoting themselves to the good government of less gifted men, soon discovered that good government cannot be administered by men who are remote from the emotions and desires of the governed and so, with characteristic courage, he abandoned his Samurai and boldly marched into the company of the crowd. Can any one find ground for sneering in such behaviour as that? Are not those who try to find solutions to puzzles more likely to be successful in their efforts because Mr. Wells has offered one solution and then, finding it useless, repudiated it and tried another?

There was a time when he saw hope for the world in the establishment of a universal language, but I doubt whether he holds to that hope now. A common speech does not keep men at peace any more than a common purpose does, and, in any event, man's incorrigible habit of localizing universal things until they cease to be universal tends in time to make a common speech an impossible possession. The Catholic Church has a common speech in the Latin tongue, but an Italian priest can preach to an English priest in that language and remain incomprehensible. The British and the American people have a common speech, but it has become so permeated with local words that very often the two races are unintelligible to each other, apart altogether from the difficulty of accent.

Mr. Wells has plunged into a few bog-holes of that sort, but he has always extricated himself from them, and less and less, as he develops, does he insist upon uniformity and machinery, and more and more does he insist on diversity and spirit. "Let us be Catholics in this great matter," Mr. Birrell writes on Browning's poetry, "and burn our candles at many shrines. In the pleasant realms of poesy, no liveries are worn, no paths prescribed; you may wander where you will, stop where you like, and worship whom you love. Nothing is demanded of you, save this, that in all your wanderings and worships, you keep two objects steadily in view—two, and two only—truth and beauty." It may fairly be said of Mr. Wells that in all his "wanderings and worships" he has tried to do so.