Whilomville Stories

by Stephen Crane

II

It now becomes the duty of the unfortunate writer to exhibit these children to their fond parents. "Come on, Jimmie," cried little Cora, "let's go show mamma." And they hurried off, these happy children, to show mamma.

The Trescotts and their guests were assembled indolently awaiting the luncheon-bell. Jimmie and the angel child burst in upon them. "Oh, mamma," shrieked little Cora, "see how fine I am! I've had my hair cut! Isn't it splendid? And Jimmie too!"

The wretched mother took one sight, emitted one yell, and fell into a chair. Mrs. Trescott dropped a large lady's journal and made a nerveless mechanical clutch at it. The painter gripped the arms of his chair and leaned forward, staring until his eyes were like two little clock faces. Dr. Trescott did not move or speak.

To the children the next moments were chaotic. There was a loudly wailing mother, and a pale-faced, aghast mother; a stammering father, and a grim and terrible father. The angel child did not understand anything of it save the voice of calamity, and in a moment all her little imperialism went to the winds. She ran sobbing to her mother. "Oh, mamma! mamma! mamma!"

The desolate Jimmie heard out of this inexplicable situation a voice which he knew well, a sort of colonel's voice, and he obeyed like any good soldier. "Jimmie!"

He stepped three paces to the front. "Yes, sir."

"How did this—how did this happen?" said Trescott.

Now Jimmie could have explained how had happened anything which had happened, but he did not know what had happened, so he said, "I—I—nothin'."

"And, oh, look at her frock!" said Mrs. Trescott, brokenly.

"'LOOK!' SHE DECLAIMED"

The words turned the mind of the mother of the angel child. She looked up, her eyes blazing. "Frock!" she repeated. "Frock! What do I care for her frock? Frock!" she choked out again from the depths of her bitterness. Then she arose suddenly, and whirled tragically upon her husband. "Look!" she declaimed. "All—her lovely—hair—all her lovely hair—gone—gone!" The painter was apparently in a fit; his jaw was set, his eyes were glazed, his body was stiff and straight. "All gone—all—her lovely hair—all gone—my poor little darlin'—my—poor—little—darlin'!" And the angel child added her heart-broken voice to her mother's wail as they fled into each other's arms.

In the mean time Trescott was patiently unravelling some skeins of Jimmie's tangled intellect. "And then you went to this barber's on the hill. Yes. And where did you get the money? Yes. I see. And who besides you and Cora had their hair cut? The Margate twi—Oh, lord!"

Over at the Margate place old Eldridge Margate, the grandfather of the twins, was in the back garden picking pease and smoking ruminatively to himself. Suddenly he heard from the house great noises. Doors slammed, women rushed up-stairs and down-stairs calling to each other in voices of agony. And then full and mellow upon the still air arose the roar of the twins in pain.

Old Eldridge stepped out of the pea-patch and moved towards the house, puzzled, staring, not yet having decided that it was his duty to rush forward. Then around the corner of the house shot his daughter Mollie, her face pale with horror.

"What's the matter?" he cried.

"Oh, father," she gasped, "the children! They—"

Then around the corner of the house came the twins, howling at the top of their power, their faces flowing with tears. They were still hand in hand, the ruling passion being strong even in this suffering. At sight of them old Eldridge took his pipe hastily out of his mouth. "Good God!" he said.

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And now what befell one William Neeltje, a barber by trade? And what was said by angry parents of the mother of such an angel child? And what was the fate of the angel child herself?

There was surely a tempest. With the exception of the Margate twins, the boys could well be eliminated from the affair. Of course it didn't matter if their hair was cut. Also the two little Phelps girls had had very short hair, anyhow, and their parents were not too greatly incensed. In the case of Ella Earl, it was mainly the pathos of the little girl's own grieving; but her mother played a most generous part, and called upon Mrs. Trescott, and condoled with the mother of the angel child over their equivalent losses. But the Margate contingent! They simply screeched.

"AROUND THE CORNER OF THE HOUSE CAME THE TWINS"

Trescott, composed and cool-blooded, was in the middle of a giddy whirl. He was not going to allow the mobbing of his wife's cousins, nor was he going to pretend that the spoliation of the Margate twins was a virtuous and beautiful act. He was elected, gratuitously, to the position of a buffer.

But, curiously enough, the one who achieved the bulk of the misery was old Eldridge Margate, who had been picking pease at the time. The feminine Margates stormed his position as individuals, in pairs, in teams, and en masse. In two days they may have aged him seven years. He must destroy the utter Neeltje. He must midnightly massacre the angel child and her mother. He must dip his arms in blood to the elbows.

Trescott took the first opportunity to express to him his concern over the affair, but when the subject of the disaster was mentioned, old Eldridge, to the doctor's great surprise, actually chuckled long and deeply. "Oh, well, look-a-here," he said. "I never was so much in love with them there damn curls. The curls was purty—yes—but then I'd a darn sight rather see boys look more like boys than like two little wax figgers. An', ye know, the little cusses like it themselves. They never took no stock in all this washin' an' combin' an' fixin' an' goin' to church an' paradin' an' showin' off. They stood it because they were told to. That's all. Of course this here Neel-te-gee, er whatever his name is, is a plumb dumb ijit, but I don't see what's to be done, now that the kids is full well cropped. I might go and burn his shop over his head, but that wouldn't bring no hair back onto the kids. They're even kicking on sashes now, and that's all right, 'cause what fer does a boy want a sash?"

Whereupon Trescott perceived that the old man wore his brains above his shoulders, and Trescott departed from him rejoicing greatly that it was only women who could not know that there was finality to most disasters, and that when a thing was fully done, no amount of door-slammings, rushing up-stairs and down-stairs, calls, lamentations, tears, could bring back a single hair to the heads of twins.

AT THE RAILWAY STATION

But the rains came and the winds blew in the most biblical way when a certain fact came to light in the Trescott household. Little Cora, corroborated by Jimmie, innocently remarked that five dollars had been given her by her father on her birthday, and with this money the evil had been wrought. Trescott had known it, but he—thoughtful man—had said nothing. For her part, the mother of the angel child had up to that moment never reflected that the consummation of the wickedness must have cost a small sum of money. But now it was all clear to her. He was the guilty one—he! "My angel child!"

The scene which ensued was inspiriting. A few days later, loungers at the railway station saw a lady leading a shorn and still undaunted lamb. Attached to them was a husband and father, who was plainly bewildered, but still more plainly vexed, as if he would be saying: "Damn 'em! Why can't they leave me alone?"

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[II]

LYNX-HUNTING

JIMMIE lounged about the dining-room and watched his mother with large, serious eyes. Suddenly he said, "Ma—now—can I borrow pa's gun?"

She was overcome with the feminine horror which is able to mistake preliminary words for the full accomplishment of the dread thing. "Why, Jimmie!" she cried. "Of al-l wonders! Your father's gun! No indeed you can't!"

He was fairly well crushed, but he managed to mutter, sullenly, "Well, Willie Dalzel, he's got a gun." In reality his heart had previously been beating with such tumult—he had himself been so impressed with the daring and sin of his request—that he was glad that all was over now, and his mother could do very little further harm to his sensibilities. He had been influenced into the venture by the larger boys.

"'MA—NOW—CAN I BORROW PA'S GUN?'"

"Huh!" the Dalzel urchin had said; "your father's got a gun, hasn't he? Well, why don't you bring that?"

Puffing himself, Jimmie had replied, "Well, I can, if I want to." It was a black lie, but really the Dalzel boy was too outrageous with his eternal bill-posting about the gun which a beaming uncle had intrusted to him. Its possession made him superior in manfulness to most boys in the neighborhood—or at least they enviously conceded him such position—but he was so overbearing, and stuffed the fact of his treasure so relentlessly down their throats, that on this occasion the miserable Jimmie had lied as naturally as most animals swim.

Willie Dalzel had not been checkmated, for he had instantly retorted, "Why don't you get it, then?"

"Well, I can, if I want to."

"Well, get it, then!"

"Well, I can, if I want to."

Thereupon Jimmie had paced away with great airs of surety as far as the door of his home, where his manner changed to one of tremulous misgiving as it came upon him to address his mother in the dining-room. There had happened that which had happened.

When Jimmie returned to his two distinguished companions he was blown out with a singular pomposity. He spoke these noble words: "Oh, well, I guess I don't want to take the gun out to-day."

They had been watching him with gleaming ferret eyes, and they detected his falsity at once. They challenged him with shouted gibes, but it was not in the rules for the conduct of boys that one should admit anything whatsoever, and so Jimmie, backed into an ethical corner, lied as stupidly, as desperately, as hopelessly as ever lone savage fights when surrounded at last in his jungle.

Such accusations were never known to come to any point, for the reason that the number and kind of denials always equalled or exceeded the number of accusations, and no boy was ever brought really to book for these misdeeds.

In the end they went off together, Willie Dalzel with his gun being a trifle in advance and discoursing upon his various works. They passed along a maple-lined avenue, a highway common to boys bound for that free land of hills and woods in which they lived in some part their romance of the moment, whether it was of Indians, miners, smugglers, soldiers, or outlaws. The paths were their paths, and much was known to them of the secrets of the dark green hemlock thickets, the wastes of sweet-fern and huckleberry, the cliffs of gaunt bluestone with the sumach burning red at their feet. Each boy had, I am sure, a conviction that some day the wilderness was to give forth to him a marvellous secret. They felt that the hills and the forest knew much, and they heard a voice of it in the silence. It was vague, thrilling, fearful, and altogether fabulous. The grown folk seemed to regard these wastes merely as so much distance between one place and another place, or as a rabbit-cover, or as a district to be judged according to the value of the timber; but to the boys it spoke some great inspiring word, which they knew even as those who pace the shore know the enigmatic speech of the surf. In the mean time they lived there, in season, lives of ringing adventure—by dint of imagination.

The boys left the avenue, skirted hastily through some private grounds, climbed a fence, and entered the thickets. It happened that at school the previous day Willie Dalzel had been forced to read and acquire in some part a solemn description of a lynx. The meagre information thrust upon him had caused him grimaces of suffering, but now he said, suddenly, "I'm goin' to shoot a lynx."

The other boys admired this statement, but they were silent for a time. Finally Jimmie said, meekly, "What's a lynx?" He had endured his ignorance as long as he was able.

The Dalzel boy mocked him. "Why, don't you know what a lynx is? A lynx? Why, a lynx is a animal somethin' like a cat, an' it's got great big green eyes, and it sits on the limb of a tree an' jus' glares at you. It's a pretty bad animal, I tell you. Why, when I—"

"Huh!" said the third boy. "Where'd you ever see a lynx?"

"Oh, I've seen 'em—plenty of 'em. I bet you'd be scared if you seen one once."

Jimmie and the other boy each demanded, "How do you know I would?"

They penetrated deeper into the wood. They climbed a rocky zigzag path which led them at times where with their hands they could almost touch the tops of giant pines. The gray cliffs sprang sheer towards the sky. Willie Dalzel babbled about his impossible lynx, and they stalked the mountain-side like chamois-hunters, although no noise of bird or beast broke the stillness of the hills. Below them Whilomville was spread out somewhat like the cheap green and black lithograph of the time—"A Bird's-eye View of Whilomville, N. Y."

THE DALZEL BOY TAKING THE PART OF A BANDIT CHIEF

In the end the boys reached the top of the mountain and scouted off among wild and desolate ridges. They were burning with the desire to slay large animals. They thought continually of elephants, lions, tigers, crocodiles. They discoursed upon their immaculate conduct in case such monsters confronted them, and they all lied carefully about their courage.

The breeze was heavy with the smell of sweet-fern. The pines and hemlocks sighed as they waved their branches. In the hollows the leaves of the laurels were lacquered where the sunlight found them. No matter the weather, it would be impossible to long continue an expedition of this kind without a fire, and presently they built one, snapping down for fuel the brittle under-branches of the pines. About this fire they were willed to conduct a sort of play, the Dalzel boy taking the part of a bandit chief, and the other boys being his trusty lieutenants. They stalked to and fro, long-strided, stern yet devil-may-care, three terrible little figures.

Jimmie had an uncle who made game of him whenever he caught him in this kind of play, and often this uncle quoted derisively the following classic: "Once aboard the lugger, Bill, and the girl is mine. Now to burn the château and destroy all evidence of our crime. But, hark'e, Bill, no wiolence." Wheeling abruptly, he addressed these dramatic words to his comrades. They were impressed; they decided at once to be smugglers, and in the most ribald fashion they talked about carrying off young women.

At last they continued their march through the woods. The smuggling motif was now grafted fantastically upon the original lynx idea, which Willie Dalzel refused to abandon at any price.

Once they came upon an innocent bird who happened to be looking another way at the time. After a great deal of manœvering and big words, Willie Dalzel reared his fowling-piece and blew this poor thing into a mere rag of wet feathers, of which he was proud.

Afterwards the other big boy had a turn at another bird. Then it was plainly Jimmie's chance. The two others had, of course, some thought of cheating him out of this chance, but of a truth he was timid to explode such a thunderous weapon, and as soon as they detected this fear they simply overbore him, and made it clearly understood that if he refused to shoot he would lose his caste, his scalp-lock, his girdle, his honor.

They had reached the old death-colored snake-fence which marked the limits of the upper pasture of the Fleming farm. Under some hickory-trees the path ran parallel to the fence. Behold! a small priestly chipmonk came to a rail, and folding his hands on his abdomen, addressed them in his own tongue. It was Jimmie's shot. Adjured by the others, he took the gun. His face was stiff with apprehension. The Dalzel boy was giving forth fine words. "Go ahead. Aw, don't be afraid. It's nothin' to do. Why, I've done it a million times. Don't shut both your eyes, now. Jus' keep one open and shut the other one. He'll get away if you don't watch out. Now you're all right. Why don't you let'er go? Go ahead."

"THERE WAS A FRIGHTFUL ROAR"

Jimmie, with his legs braced apart, was in the centre of the path. His back was greatly bent, owing to the mechanics of supporting the heavy gun. His companions were screeching in the rear. There was a wait.

Then he pulled trigger. To him there was a frightful roar, his cheek and his shoulder took a stunning blow, his face felt a hot flush of fire, and opening his two eyes, he found that he was still alive. He was not too dazed to instantly adopt a becoming egotism. It had been the first shot of his life.

But directly after the well-mannered celebration of this victory a certain cow, which had been grazing in the line of fire, was seen to break wildly across the pasture, bellowing and bucking. The three smugglers and lynx-hunters looked at each other out of blanched faces. Jimmie had hit the cow. The first evidence of his comprehension of this fact was in the celerity with which he returned the discharged gun to Willie Dalzel.

They turned to flee. The land was black, as if it had been overshadowed suddenly with thick storm-clouds, and even as they fled in their horror a gigantic Swedish farm-hand came from the heavens and fell upon them, shrieking in eerie triumph. In a twinkle they were clouted prostrate. The Swede was elate and ferocious in a foreign and fulsome way. He continued to beat them and yell.

From the ground they raised their dismal appeal. "Oh, please, mister, we didn't do it! He did it! I didn't do it! We didn't do it! We didn't mean to do it! Oh, please, mister!"

In these moments of childish terror little lads go half-blind, and it is possible that few moments of their after-life made them suffer as they did when the Swede flung them over the fence and marched them towards the farm-house. They begged like cowards on the scaffold, and each one was for himself. "Oh, please let me go, mister! I didn't do it, mister! He did it! Oh, p-l-ease let me go, mister!"

"'I THOUGHT SHE WAS A LYNX'"

The boyish view belongs to boys alone, and if this tall and knotted laborer was needlessly without charity, none of the three lads questioned it. Usually when they were punished they decided that they deserved it, and the more they were punished the more they were convinced that they were criminals of a most subterranean type. As to the hitting of the cow being a pure accident, and therefore not of necessity a criminal matter, such reading never entered their heads. When things happened and they were caught, they commonly paid dire consequences, and they were accustomed to measure the probabilities of woe utterly by the damage done, and not in any way by the culpability. The shooting of the cow was plainly heinous, and undoubtedly their dungeons would be knee-deep in water.

"He did it, mister!" This was a general outcry. Jimmie used it as often as did the others. As for them, it is certain that they had no direct thought of betraying their comrade for their own salvation. They thought themselves guilty because they were caught; when boys were not caught they might possibly be innocent. But captured boys were guilty. When they cried out that Jimmie was the culprit, it was principally a simple expression of terror.

Old Henry Fleming, the owner of the farm, strode across the pasture towards them. He had in his hand a most cruel whip. This whip he flourished. At his approach the boys suffered the agonies of the fire regions. And yet anybody with half an eye could see that the whip in his hand was a mere accident, and that he was a kind old man—when he cared.

When he had come near he spoke crisply. "What you boys ben doin' to my cow?" The tone had deep threat in it. They all answered by saying that none of them had shot the cow. Their denials were tearful and clamorous, and they crawled knee by knee. The vision of it was like three martyrs being dragged towards the stake. Old Fleming stood there, grim, tight-lipped. After a time he said, "Which boy done it?"

There was some confusion, and then Jimmie spake. "I done it, mister."

Fleming looked at him. Then he asked, "Well, what did you shoot 'er fer?"

Jimmie thought, hesitated, decided, faltered, and then formulated this: "I thought she was a lynx."

Old Fleming and his Swede at once lay down in the grass and laughed themselves helpless.

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[III]

THE LOVER AND THE TELLTALE

WHEN the angel child returned with her parents to New York, the fond heart of Jimmie Trescott felt its bruise greatly. For two days he simply moped, becoming a stranger to all former joys. When his old comrades yelled invitation, as they swept off on some interesting quest, he replied with mournful gestures of disillusion.

He thought often of writing to her, but of course the shame of it made him pause. Write a letter to a girl? The mere enormity of the idea caused him shudders. Persons of his quality never wrote letters to girls. Such was the occupation of mollycoddles and snivellers. He knew that if his acquaintances and friends found in him evidences of such weakness and general milkiness, they would fling themselves upon him like so many wolves, and bait him beyond the borders of sanity.

However, one day at school, in that time of the morning session when children of his age were allowed fifteen minutes of play in the school-grounds, he did not as usual rush forth ferociously to his games. Commonly he was of the worst hoodlums, preying upon his weaker brethren with all the cruel disregard of a grown man. On this particular morning he stayed in the school-room, and with his tongue stuck from the corner of his mouth, and his head twisting in a painful way, he wrote to little Cora, pouring out to her all the poetry of his hungry soul, as follows: "My dear Cora I love thee with all my hart oh come bac again, bac, bac gain for I love thee best of all oh come bac again When the spring come again we'l fly and we'l fly like a brid."

As for the last word, he knew under normal circumstances perfectly well how to spell "bird," but in this case he had transposed two of the letters through excitement, supreme agitation.

Nor had this letter been composed without fear and furtive glancing. There was always a number of children who, for the time, cared more for the quiet of the school-room than for the tempest of the play-ground, and there was always that dismal company who were being forcibly deprived of their recess—who were being "kept in." More than one curious eye was turned upon the desperate and lawless Jimmie Trescott suddenly taken to ways of peace, and as he felt these eyes he flushed guiltily, with felonious glances from side to side.

It happened that a certain vigilant little girl had a seat directly across the aisle from Jimmie's seat, and she had remained in the room during the intermission, because of her interest in some absurd domestic details concerning her desk. Parenthetically it might be stated that she was in the habit of imagining this desk to be a house, and at this time, with an important little frown, indicative of a proper matron, she was engaged in dramatizing her ideas of a household.

But this small Rose Goldege happened to be of a family which numbered few males. It was, in fact, one of those curious middle-class families that hold much of their ground, retain most of their position, after all their visible means of support have been dropped in the grave. It contained now only a collection of women who existed submissively, defiantly, securely, mysteriously, in a pretentious and often exasperating virtue. It was often too triumphantly clear that they were free of bad habits. However, bad habits is a term here used in a commoner meaning, because it is certainly true that the principal and indeed solitary joy which entered their lonely lives was the joy of talking wickedly and busily about their neighbors. It was all done without dream of its being of the vulgarity of the alleys. Indeed it was simply a constitutional but not incredible chastity and honesty expressing itself in its ordinary superior way of the whirling circles of life, and the vehemence of the criticism was not lessened by a further infusion of an acid of worldly defeat, worldly suffering, and worldly hopelessness.

Out of this family circle had sprung the typical little girl who discovered Jimmie Trescott agonizingly writing a letter to his sweetheart. Of course all the children were the most abandoned gossips, but she was peculiarly adapted to the purpose of making Jimmie miserable over this particular point. It was her life to sit of evenings about the stove and hearken to her mother and a lot of spinsters talk of many things. During these evenings she was never licensed to utter an opinion either one way or the other way. She was then simply a very little girl sitting open-eyed in the gloom, and listening to many things which she often interpreted wrongly. They on their part kept up a kind of a smug-faced pretence of concealing from her information in detail of the widespread crime, which pretence may have been more elaborately dangerous than no pretence at all. Thus all her home-teaching fitted her to recognize at once in Jimmie Trescott's manner that he was concealing something that would properly interest the world. She set up a scream. "Oh! Oh! Oh! Jimmie Trescott's writing to his girl! Oh! Oh!"

Jimmie cast a miserable glance upon her—a glance in which hatred mingled with despair. Through the open window he could hear the boisterous cries of his friends—his hoodlum friends—who would no more understand the utter poetry of his position than they would understand an ancient tribal sign-language. His face was set in a truer expression of horror than any of the romances describe upon the features of a man flung into a moat, a man shot in the breast with an arrow, a man cleft in the neck with a battle-axe. He was suppedaneous of the fullest power of childish pain. His one course was to rush upon her and attempt, by an impossible means of strangulation, to keep her important news from the public.

The teacher, a thoughtful young woman at her desk upon the platform, saw a little scuffle which informed her that two of her scholars were larking. She called out sharply. The command penetrated to the middle of an early world struggle. In Jimmie's age there was no particular scruple in the minds of the male sex against laying warrior hands upon their weaker sisters. But, of course, this voice from the throne hindered Jimmie in what might have been a berserk attack.

Even the little girl was retarded by the voice, but, without being unlawful, she managed soon to shy through the door and out upon the play-ground, yelling, "Oh, Jimmie Trescott's been writing to his girl!"

The unhappy Jimmie was following as closely as he was allowed by his knowledge of the decencies to be preserved under the eye of the teacher.

Jimmie himself was mainly responsible for the scene which ensued on the play-ground. It is possible that the little girl might have run, shrieking his infamy, without exciting more than a general but unmilitant interest. These barbarians were excited only by the actual appearance of human woe; in that event they cheered and danced. Jimmie made the strategic mistake of pursuing little Rose, and thus exposed his thin skin to the whole school. He had in his cowering mind a vision of a hundred children turning from their play under the maple-trees and speeding towards him over the gravel with sudden wild taunts. Upon him drove a yelping demoniac mob, to which his words were futile. He saw in this mob boys that he dimly knew, and his deadly enemies, and his retainers, and his most intimate friends. The virulence of his deadly enemy was no greater than the virulence of his intimate friend. From the outskirts the little informer could be heard still screaming the news, like a toy parrot with clock-work inside of it. It broke up all sorts of games, not so much because of the mere fact of the letter-writing, as because the children knew that some sufferer was at the last point, and, like little blood-fanged wolves, they thronged to the scene of his destruction. They galloped about him shrilly chanting insults. He turned from one to another, only to meet with howls. He was baited.

Then, in one instant, he changed all this with a blow. Bang! The most pitiless of the boys near him received a punch, fairly and skilfully, which made him bellow out like a walrus, and then Jimmie laid desperately into the whole world, striking out frenziedly in all directions. Boys who could handily whip him, and knew it, backed away from this onslaught. Here was intention—serious intention. They themselves were not in frenzy, and their cooler judgment respected Jimmie's efforts when he ran amuck. They saw that it really was none of their affair. In the mean time the wretched little girl who had caused the bloody riot was away, by the fence, weeping because boys were fighting.

"THEY GALLOPED ABOUT HIM, SHRILLY CHANTING INSULTS."

Jimmie several times hit the wrong boy—that is to say, he several times hit a wrong boy hard enough to arouse also in him a spirit of strife. Jimmie wore a little shirt-waist. It was passing now rapidly into oblivion. He was sobbing, and there was one blood stain upon his cheek. The school-ground sounded like a pinetree when a hundred crows roost in it at night.

Then upon the situation there pealed a brazen bell. It was a bell that these children obeyed, even as older nations obey the formal law which is printed in calf-skin. It smote them into some sort of inaction; even Jimmie was influenced by its potency, although, as a finale, he kicked out lustily into the legs of an intimate friend who had been one of the foremost in the torture.

When they came to form into line for the march into the school-room it was curious that Jimmie had many admirers. It was not his prowess; it was the soul he had infused into his gymnastics; and he, still panting, looked about him with a stern and challenging glare.

And yet when the long tramping line had entered the school-room his status had again changed. The other children then began to regard him as a boy in disrepair, and boys in disrepair were always accosted ominously from the throne. Jimmie's march towards his seat was a feat. It was composed partly of a most slinking attempt to dodge the perception of the teacher and partly of pure braggadocio erected for the benefit of his observant fellow-men.

The teacher looked carefully down at him. "Jimmie Trescott," she said.

"Yes'm," he answered, with businesslike briskness, which really spelled out falsity in all its letters.

"Come up to the desk."

He rose amid the awe of the entire school-room. When he arrived she said,

"Jimmie, you've been fighting."

"Yes'm," he answered. This was not so much an admission of the fact as it was a concessional answer to anything she might say.

"Who have you been fighting?" she asked.

"I dunno', 'm."

Whereupon the empress blazed out in wrath. "You don't know who you've been fighting?"

Jimmie looked at her gloomily. "No, 'm."

She seemed about to disintegrate to mere flaming fagots of anger. "You don't know who you've been fighting?" she demanded, blazing. "Well, you stay in after school until you find out."

As he returned to his place all the children knew by his vanquished air that sorrow had fallen upon the house of Trescott. When he took his seat he saw gloating upon him the satanic black eyes of the little Goldege girl.

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[IV]

"SHOWIN' OFF"

JIMMIE TRESCOTT'S new velocipede had the largest front wheel of any velocipede in Whilomville. When it first arrived from New York he wished to sacrifice school, food, and sleep to it. Evidently he wished to become a sort of a perpetual velocipede-rider. But the powers of the family laid a number of judicious embargoes upon him, and he was prevented from becoming a fanatic. Of course this caused him to retain a fondness for the three-wheeled thing much longer than if he had been allowed to debauch himself for a span of days. But in the end it was an immaterial machine to him. For long periods he left it idle in the stable.

One day he loitered from school towards home by a very circuitous route. He was accompanied by only one of his retainers. The object of this détour was the wooing of a little girl in a red hood. He had been in love with her for some three weeks. His desk was near her desk in school, but he had never spoken to her. He had been afraid to take such a radical step. It was not customary to speak to girls. Even boys who had school-going sisters seldom addressed them during that part of a day which was devoted to education.

The reasons for this conduct were very plain. First, the more robust boys considered talking with girls an unmanly occupation; second, the greater part of the boys were afraid; third, they had no idea of what to say, because they esteemed the proper sentences should be supernaturally incisive and eloquent. In consequence, a small contingent of blue-eyed weaklings were the sole intimates of the frail sex, and for it they were boisterously and disdainfully called "girl-boys."

But this situation did not prevent serious and ardent wooing. For instance, Jimmie and the little girl who wore the red hood must have exchanged glances at least two hundred times in every school-hour, and this exchange of glances accomplished everything. In them the two children renewed their curious inarticulate vows.

Jimmie had developed a devotion to school which was the admiration of his father and mother. In the mornings he was so impatient to have it made known to him that no misfortune had befallen his romance during the night that he was actually detected at times feverishly listening for the "first bell." Dr. Trescott was exceedingly complacent of the change, and as for Mrs. Trescott, she had ecstatic visions of a white-haired Jimmie leading the nations in knowledge, comprehending all from bugs to comets. It was merely the doing of the little girl in the red hood.

When Jimmie made up his mind to follow his sweetheart home from school, the project seemed such an arbitrary and shameless innovation that he hastily lied to himself about it. No, he was not following Abbie. He was merely making his way homeward through the new and rather longer route of Bryant Street and Oakland Park. It had nothing at all to do with a girl. It was a mere eccentric notion.

"Come on," said Jimmie, gruffly, to his retainer. "Let's go home this way."

"What fer?" demanded the retainer.

"Oh, b'cause."

"Huh?"

"Oh, it's more fun—goin' this way."

The retainer was bored and loath, but that mattered very little. He did not know how to disobey his chief. Together they followed the trail of red-hooded Abbie and another small girl. These latter at once understood the object of the chase, and looking back giggling, they pretended to quicken their pace. But they were always looking back. Jimmie now began his courtship in earnest. The first thing to do was to prove his strength in battle. This was transacted by means of the retainer. He took that devoted boy and flung him heavily to the ground, meanwhile mouthing a preposterous ferocity.

The retainer accepted this behavior with a sort of bland resignation. After his overthrow he raised himself, coolly brushed some dust and dead leaves from his clothes, and then seemed to forget the incident.

"I can jump farther'n you can," said Jimmie, in a loud voice.

"I know it," responded the retainer, simply.

But this would not do. There must be a contest.

"Come on," shouted Jimmie, imperiously. "Let's see you jump."

The retainer selected a footing on the curb, balanced and calculated a moment, and jumped without enthusiasm. Jimmie's leap of course was longer.

"There!" he cried, blowing out his lips. "I beat you, didn't I? Easy. I beat you." He made a great hubbub, as if the affair was unprecedented.

"Yes," admitted the other, emotionless.

Later, Jimmie forced his retainer to run a race with him, held more jumping matches, flung him twice to earth, and generally behaved as if a retainer was indestructible. If the retainer had been in the plot, it is conceivable that he would have endured this treatment with mere whispered, half-laughing protests. But he was not in the plot at all, and so he became enigmatic. One cannot often sound the profound well in which lie the meanings of boyhood.

Following the two little girls, Jimmie eventually passed into that suburb of Whilomville which is called Oakland Park. At his heels came a badly battered retainer. Oakland Park was a somewhat strange country to the boys. They were dubious of the manners and customs, and of course they would have to meet the local chieftains, who might look askance upon this invasion.

Jimmie's girl departed into her home with a last backward glance that almost blinded the thrilling boy. On this pretext and that pretext, he kept his retainer in play before the house. He had hopes that she would emerge as soon as she had deposited her school-bag.

A boy came along the walk. Jimmie knew him at school. He was Tommie Semple, one of the weaklings who made friends with the fair sex. "Hello, Tom," said Jimmie. "You live round here?"

"Yeh," said Tom, with composed pride. At school he was afraid of Jimmie, but he did not evince any of this fear as he strolled well inside his own frontiers. Jimmie and his retainer had not expected this boy to display the manners of a minor chief, and they contemplated him attentively. There was a silence. Finally Jimmie said:

"I can put you down." He moved forward briskly. "Can't I?" he demanded.

The challenged boy backed away. "I know you can," he declared, frankly and promptly.

The little girl in the red hood had come out with a hoop. She looked at Jimmie with an air of insolent surprise in the fact that he still existed, and began to trundle her hoop off towards some other little girls who were shrilly playing near a nurse-maid and a perambulator.

Jimmie adroitly shifted his position until he too was playing near the perambulator, pretentiously making mince-meat out of his retainer and Tommie Semple.

Of course little Abbie had defined the meaning of Jimmie's appearance in Oakland Park. Despite this nonchalance and grand air of accident, nothing could have been more plain. Whereupon she of course became insufferably vain in manner, and whenever Jimmie came near her she tossed her head and turned away her face, and daintily swished her skirts as if he were contagion itself. But Jimmie was happy. His soul was satisfied with the mere presence of the beloved object so long as he could feel that she furtively gazed upon him from time to time and noted his extraordinary prowess, which he was proving upon the persons of his retainer and Tommie Semple. And he was making an impression. There could be no doubt of it. He had many times caught her eye fixed admiringly upon him as he mauled the retainer. Indeed, all the little girls gave attention to his deeds, and he was the hero of the hour.

Presently a boy on a velocipede was seen to be tooling down towards them. "Who's this comin'?" said Jimmie, bluntly, to the Semple boy.

"That's Horace Glenn," said Tommie, "an' he's got a new velocipede, an' he can ride it like anything."

"Can you lick him?" asked Jimmie.

"I don't—I never fought with 'im," answered the other. He bravely tried to appear as a man of respectable achievement, but with Horace coming towards them the risk was too great. However, he added, "Maybe I could."

The advent of Horace on his new velocipede created a sensation which he haughtily accepted as a familiar thing. Only Jimmie and his retainer remained silent and impassive. Horace eyed the two invaders.

"Hello, Jimmie!"

"Hello, Horace!"

After the typical silence Jimmie said, pompously, "I got a velocipede."

"Have you?" asked Horace, anxiously. He did not wish anybody in the world but himself to possess a velocipede.

"Yes," sang Jimmie. "An' it's a bigger one than that, too! A good deal bigger! An' it's a better one, too!"

"Huh!" retorted Horace, sceptically.

"'Ain't I, Clarence? 'Ain't I? 'Ain't I got one bigger'n that?"

The retainer answered with alacrity:

"Yes, he has! A good deal bigger! An' it's a dindy, too!"

This corroboration rather disconcerted Horace, but he continued to scoff at any statement that Jimmie also owned a velocipede. As for the contention that this supposed velocipede could be larger than his own, he simply wouldn't hear of it.

Jimmie had been a very gallant figure before the coming of Horace, but the new velocipede had relegated him to a squalid secondary position. So he affected to look with contempt upon it. Voluminously he bragged of the velocipede in the stable at home. He painted its virtues and beauty in loud and extravagant words, flaming words. And the retainer stood by, glibly endorsing everything.

The little company heeded him, and he passed on vociferously from extravagance to utter impossibility. Horace was very sick of it. His defence was reduced to a mere mechanical grumbling: "Don't believe you got one 'tall. Don't believe you got one 'tall."

Jimmie turned upon him suddenly. "How fast can you go? How fast can you go?" he demanded. "Let's see. I bet you can't go fast."

Horace lifted his spirits and answered with proper defiance. "Can't I?" he mocked. "Can't I?"

"No, you can't," said Jimmie. "You can't go fast."

Horace cried: "Well, you see me now! I'll show you! I'll show you if I can't go fast!" Taking a firm seat on his vermilion machine, he pedalled furiously up the walk, turned, and pedalled back again. "There, now!" he shouted, triumphantly. "Ain't that fast? There, now!" There was a low murmur of appreciation from the little girls. Jimmie saw with pain that even his divinity was smiling upon his rival. "There! Ain't that fast? Ain't that fast?" He strove to pin Jimmie down to an admission. He was exuberant with victory.

Notwithstanding a feeling of discomfiture, Jimmie did not lose a moment of time. "Why," he yelled, "that ain't goin' fast 'tall! That ain't goin' fast 'tall! Why, I can go almost twice as fast as that! Almost twice as fast! Can't I, Clarence?"

The royal retainer nodded solemnly at the wide-eyed group. "Course you can!"

"Why," spouted Jimmie, "you just ought to see me ride once! You just ought to see me! Why, I can go like the wind! Can't I, Clarence? And I can ride far, too—oh, awful far! Can't I, Clarence? Why, I wouldn't have that one! 'Tain't any good! You just ought to see mine once!"

The overwhelmed Horace attempted to reconstruct his battered glories. "I can ride right over the curb-stone—at some of the crossin's," he announced, brightly.

Jimmie's derision was a splendid sight. "'Right over the curb-stone!' Why, that wouldn't be nothin' for me to do! I've rode mine down Bridge Street hill. Yessir! 'Ain't I, Clarence? Why, it ain't nothin' to ride over a curb-stone—not for me! Is it, Clarence?"

"Down Bridge Street hill? You never!" said Horace, hopelessly.

"Well, didn't I, Clarence? Didn't I, now?"

The faithful retainer again nodded solemnly at the assemblage.

At last Horace, having fallen as low as was possible, began to display a spirit for climbing up again. "Oh, you can do wonders!" he said, laughing. "You can do wonders! I s'pose you could ride down that bank there?" he asked, with art. He had indicated a grassy terrace some six feet in height which bounded one side of the walk. At the bottom was a small ravine in which the reckless had flung ashes and tins. "I s'pose you could ride down that bank?"

"'I—' HE BEGAN. THEN HE VANISHED FROM THE EDGE OF THE WALK."

All eyes now turned upon Jimmie to detect a sign of his weakening, but he instantly and sublimely arose to the occasion. "That bank?" he asked, scornfully. "Why, I've ridden down banks like that many a time. 'Ain't I, Clarence?"

This was too much for the company. A sound like the wind in the leaves arose; it was the song of incredulity and ridicule. "O—o—o—o—o!" And on the outskirts a little girl suddenly shrieked out, "Story-teller!"

Horace had certainly won a skirmish. He was gleeful. "Oh, you can do wonders!" he gurgled. "You can do wonders!" The neighborhood's superficial hostility to foreigners arose like magic under the influence of his sudden success, and Horace had the delight of seeing Jimmie persecuted in that manner known only to children and insects.

Jimmie called angrily to the boy on the velocipede, "If you'll lend me yours, I'll show you whether I can or not."

Horace turned his superior nose in the air. "Oh no! I don't ever lend it." Then he thought of a blow which would make Jimmie's humiliation complete. "Besides," he said, airily, "'tain't really anything hard to do. I could do it—easy—if I wanted to."

But his supposed adherents, instead of receiving this boast with cheers, looked upon him in a sudden blank silence. Jimmie and his retainer pounced like cats upon their advantage.

"Oh," they yelled, "you could, eh? Well, let's see you do it, then! Let's see you do it! Let's see you do it! Now!" In a moment the crew of little spectators were gibing at Horace.

The blow that would make Jimmie's humiliation complete! Instead, it had boomeranged Horace into the mud. He kept up a sullen muttering:

"'Tain't really anything! I could if I wanted to!"

"Dare you to!" screeched Jimmie and his partisans. "Dare you to! Dare you to! Dare you to!"

There were two things to be done—to make gallant effort or to retreat. Somewhat to their amazement, the children at last found Horace moving through their clamor to the edge of the bank. Sitting on the velocipede, he looked at the ravine, and then, with gloomy pride, at the other children. A hush came upon them, for it was seen that he was intending to make some kind of an ante-mortem statement.

"I—" he began. Then he vanished from the edge of the walk. The start had been unintentional—an accident.

The stupefied Jimmie saw the calamity through a haze. His first clear vision was when Horace, with a face as red as a red flag, arose bawling from his tangled velocipede. He and his retainer exchanged a glance of horror and fled the neighborhood. They did not look back until they had reached the top of the hill near the lake. They could see Horace walking slowly under the maples towards his home, pushing his shattered velocipede before him. His chin was thrown high, and the breeze bore them the sound of his howls.

---

[V]

MAKING AN ORATOR

IN the school at Whilomville it was the habit, when children had progressed to a certain class, to have them devote Friday afternoon to what was called elocution. This was in the piteously ignorant belief that orators were thus made. By process of school law, unfortunate boys and girls were dragged up to address their fellow-scholars in the literature of the mid-century. Probably the children who were most capable of expressing themselves, the children who were most sensitive to the power of speech, suffered the most wrong. Little blockheads who could learn eight lines of conventional poetry, and could get up and spin it rapidly at their classmates, did not undergo a single pang. The plan operated mainly to agonize many children permanently against arising to speak their thought to fellow-creatures.

Jimmie Trescott had an idea that by exhibition of undue ignorance he could escape from being promoted into the first class room which exacted such penalty from its inmates. He preferred to dwell in a less classic shade rather than venture into a domain where he was obliged to perform a certain duty which struck him as being worse than death. However, willy-nilly, he was somehow sent ahead into the place of torture.

Every Friday at least ten of the little children had to mount the stage beside the teacher's desk and babble something which none of them understood. This was to make them orators. If it had been ordered that they should croak like frogs, it would have advanced most of them just as far towards oratory.

Alphabetically Jimmie Trescott was near the end of the list of victims, but his time was none the less inevitable. "Tanner, Timmens, Trass, Trescott—" He saw his downfall approaching.

He was passive to the teacher while she drove into his mind the incomprehensible lines of "The Charge of the Light Brigade":

Half a league, half a league,
Half a league onward—

He had no conception of a league. If in the ordinary course of life somebody had told him that he was half a league from home, he might have been frightened that half a league was fifty miles; but he struggled manfully with the valley of death and a mystic six hundred, who were performing something there which was very fine, he had been told. He learned all the verses.

But as his own Friday afternoon approached he was moved to make known to his family that a dreadful disease was upon him, and was likely at any time to prevent him from going to his beloved school.

On the great Friday when the children of his initials were to speak their pieces Dr. Trescott was away from home, and the mother of the boy was alarmed beyond measure at Jimmie's curious illness, which caused him to lie on the rug in front of the fire and groan cavernously.

She bathed his feet in hot mustard water until they were lobster-red. She also placed a mustard plaster on his chest.

He announced that these remedies did him no good at all—no good at all. With an air of martyrdom he endured a perfect downpour of motherly attention all that day. Thus the first Friday was passed in safety.

With singular patience he sat before the fire in the dining-room and looked at picture-books, only complaining of pain when he suspected his mother of thinking that he was getting better.

The next day being Saturday and a holiday, he was miraculously delivered from the arms of disease, and went forth to play, a blatantly healthy boy.

He had no further attack until Thursday night of the next week, when he announced that he felt very, very poorly. The mother was already chronically alarmed over the condition of her son, but Dr. Trescott asked him questions which denoted some incredulity. On the third Friday Jimmie was dropped at the door of the school from the doctor's buggy. The other children, notably those who had already passed over the mountain of distress, looked at him with glee, seeing in him another lamb brought to butchery. Seated at his desk in the school-room, Jimmie sometimes remembered with dreadful distinctness every line of "The Charge of the Light Brigade," and at other times his mind was utterly empty of it. Geography, arithmetic, and spelling—usually great tasks—quite rolled off him. His mind was dwelling with terror upon the time when his name should be called and he was obliged to go up to the platform, turn, bow, and recite his message to his fellow-men.

Desperate expedients for delay came to him. If he could have engaged the services of a real pain, he would have been glad. But steadily, inexorably, the minutes marched on towards his great crisis, and all his plans for escape blended into a mere panic fear.

The maples outside were defeating the weakening rays of the afternoon sun, and in the shadowed school-room had come a stillness, in which, nevertheless, one could feel the complacence of the little pupils who had already passed through the flames. They were calmly prepared to recognize as a spectacle the torture of others.

Little Johnnie Tanner opened the ceremony. He stamped heavily up to the platform, and bowed in such a manner that he almost fell down. He blurted out that it would ill befit him to sit silent while the name of his fair Ireland was being reproached, and he appealed to the gallant soldier before him if every British battle-field was not sown with the bones of sons of the Emerald Isle. He was also heard to say that he had listened with deepening surprise and scorn to the insinuation of the honorable member from North Glenmorganshire that the loyalty of the Irish regiments in her Majesty's service could be questioned. To what purpose, then, he asked, had the blood of Irishmen flowed on a hundred fields? To what purpose had Irishmen gone to their death with bravery and devotion in every part of the world where the victorious flag of England had been carried? If the honorable member for North Glenmorganshire insisted upon construing a mere pothouse row between soldiers in Dublin into a grand treachery to the colors and to her Majesty's uniform, then it was time for Ireland to think bitterly of her dead sons, whose graves now marked every step of England's progress, and yet who could have their honors stripped from them so easily by the honorable member for North Glenmorganshire. Furthermore, the honorable member for North Glenmorganshire—

It is needless to say that little Johnnie Tanner's language made it exceedingly hot for the honorable member for North Glenmorganshire. But Johnnie was not angry. He was only in haste. He finished the honorable member for North Glenmorganshire in what might be called a gallop.

Susie Timmens then went to the platform, and with a face as pale as death whisperingly reiterated that she would be Queen of the May. The child represented there a perfect picture of unnecessary suffering. Her small lips were quite blue, and her eyes, opened wide, stared with a look of horror at nothing.

The phlegmatic Trass boy, with his moon face only expressing peasant parentage, calmly spoke some undeniably true words concerning destiny.

In his seat Jimmie Trescott was going half blind with fear of his approaching doom. He wished that the Trass boy would talk forever about destiny. If the school-house had taken fire he thought that he would have felt simply relief. Anything was better. Death amid the flames was preferable to a recital of "The Charge of the Light Brigade."

But the Trass boy finished his remarks about destiny in a very short time. Jimmie heard the teacher call his name, and he felt the whole world look at him. He did not know how he made his way to the stage. Parts of him seemed to be of lead, and at the same time parts of him seemed to be light as air, detached. His face had gone as pale as had been the face of Susie Timmens. He was simply a child in torment; that is all there is to be said specifically about it; and to intelligent people the exhibition would have been not more edifying than a dog-fight.

"AND THEN HE SUDDENLY SAID, 'HALF A LEG—'"

He bowed precariously, choked, made an inarticulate sound, and then he suddenly said,

"Half a leg—"

"League," said the teacher, coolly.

"Half a leg—"

"League," said the teacher.

"League," repeated Jimmie, wildly.

"Half a league, half a league, half a league onward."

He paused here and looked wretchedly at the teacher.

"Half a league," he muttered—"half a league—"

He seemed likely to keep continuing this phrase indefinitely, so after a time the teacher said, "Well, go on."

"Half a league," responded Jimmie.

The teacher had the opened book before her, and she read from it:

"'All in the valley of Death
Rode the—'

Go on," she concluded.

Jimmie said,

"All in the valley of Death
Rode the—the—the—"

He cast a glance of supreme appeal upon the teacher, and breathlessly whispered, "Rode the what?"

The young woman flushed with indignation to the roots of her hair.

"Rode the six hundred,"

she snapped at him.

The class was arustle with delight at this cruel display. They were no better than a Roman populace in Nero's time.

Jimmie started off again:

"Half a leg—league, half a league, half a league onward.
All in the valley of death rode the six hundred.
Forward—forward—forward—"

"The Light Brigade," suggested the teacher, sharply.

"The Light Brigade," said Jimmie. He was about to die of the ignoble pain of his position.

As for Tennyson's lines, they had all gone grandly out of his mind, leaving it a whited wall.

The teacher's indignation was still rampant. She looked at the miserable wretch before her with an angry stare.

"You stay in after school and learn that all over again," she commanded. "And be prepared to speak it next Friday. I am astonished at you, Jimmie. Go to your seat."

If she had suddenly and magically made a spirit of him and left him free to soar high above all the travail of our earthly lives she could not have overjoyed him more. He fled back to his seat without hearing the low-toned gibes of his schoolmates. He gave no thought to the terrors of the next Friday. The evils of the day had been sufficient, and to a childish mind a week is a great space of time.

With the delightful inconsistency of his age he sat in blissful calm, and watched the sufferings of an unfortunate boy named Zimmerman, who was the next victim of education. Jimmie, of course, did not know that on this day there had been laid for him the foundation of a finished incapacity for public speaking which would be his until he died.

---

[VI]

SHAME

DON'T come in here botherin' me," said the cook, intolerantly. "What with your mother bein' away on a visit, an' your father comin' home soon to lunch, I have enough on my mind—and that without bein' bothered with you. The kitchen is no place for little boys, anyhow. Run away, and don't be interferin' with my work." She frowned and made a grand pretence of being deep in herculean labors; but Jimmie did not run away.

"Now—they're goin' to have a picnic," he said, half audibly.

"What?"

"Now—they're goin' to have a picnic."

"Who's goin' to have a picnic?" demanded the cook, loudly. Her accent could have led one to suppose that if the projectors did not turn out to be the proper parties, she immediately would forbid this picnic.

Jimmie looked at her with more hopefulness. After twenty minutes of futile skirmishing, he had at least succeeded in introducing the subject. To her question he answered, eagerly:

"Oh, everybody! Lots and lots of boys and girls. Everybody."

"Who's everybody?"

According to custom, Jimmie began to singsong through his nose in a quite indescribable fashion an enumeration of the prospective picnickers: "Willie Dalzel an' Dan Earl an' Ella Earl an' Wolcott Margate an' Reeves Margate an' Walter Phelps an' Homer Phelps an' Minnie Phelps an'—oh—lots more girls an'—everybody. An' their mothers an' big sisters too." Then he announced a new bit of information: "They're goin' to have a picnic."

"Well, let them," said the cook, blandly.

Jimmie fidgeted for a time in silence. At last he murmured, "I—now—I thought maybe you'd let me go."

The cook turned from her work with an air of irritation and amazement that Jimmie should still be in the kitchen. "Who's stoppin' you?" she asked, sharply. "I ain't stoppin' you, am I?"

"No," admitted Jimmie, in a low voice.

"Well, why don't you go, then? Nobody's stoppin' you."

"But," said Jimmie, "I—you—now—each fellow has got to take somethin' to eat with 'm."

"Oh ho!" cried the cook, triumphantly. "So that's it, is it? So that's what you've been shyin' round here fer, eh? Well, you may as well take yourself off without more words. What with your mother bein' away on a visit, an' your father comin' home soon to his lunch, I have enough on my mind—an' that without being bothered with you!"

Jimmie made no reply, but moved in grief towards the door. The cook continued: "Some people in this house seem to think there's 'bout a thousand cooks in this kitchen. Where I used to work b'fore, there was some reason in 'em. I ain't a horse. A picnic!"

Jimmie said nothing, but he loitered.

"Seems as if I had enough to do, without havin' you come round talkin' about picnics. Nobody ever seems to think of the work I have to do. Nobody ever seems to think of it. Then they come and talk to me about picnics! What do I care about picnics?"

Jimmie loitered.

"Where I used to work b'fore, there was some reason in 'em. I never heard tell of no picnics right on top of your mother bein' away on a visit an' your father comin' home soon to his lunch. It's all foolishness."

Little Jimmie leaned his head flat against the wall and began to weep. She stared at him scornfully. "Cryin', eh? Cryin'? What are you cryin' fer?"

"N-n-nothin'," sobbed Jimmie.

There was a silence, save for Jimmie's convulsive breathing. At length the cook said: "Stop that blubberin', now. Stop it! This kitchen ain't no place fer it. Stop it!... Very well! If you don't stop, I won't give you nothin' to go to the picnic with—there!"

For the moment he could not end his tears. "You never said," he sputtered—"you never said you'd give me anything."

"An' why would I?" she cried, angrily. "Why would I—with you in here a-cryin' an' a-blubberin' an' a-bleatin' round? Enough to drive a woman crazy! I don't see how you could expect me to! The idea!"

Suddenly Jimmie announced: "I've stopped cryin'. I ain't goin' to cry no more 'tall."

"Well, then," grumbled the cook—"well, then, stop it. I've got enough on my mind." It chanced that she was making for luncheon some salmon croquettes. A tin still half full of pinky prepared fish was beside her on the table. Still grumbling, she seized a loaf of bread and, wielding a knife, she cut from this loaf four slices, each of which was as big as a six-shilling novel. She profligately spread them with butter, and jabbing the point of her knife into the salmon-tin, she brought up bits of salmon, which she flung and flattened upon the bread. Then she crashed the pieces of bread together in pairs, much as one would clash cymbals. There was no doubt in her own mind but that she had created two sandwiches.

"There," she cried. "That'll do you all right. Lemme see. What 'll I put 'em in? There—I've got it." She thrust the sandwiches into a small pail and jammed on the lid. Jimmie was ready for the picnic. "Oh, thank you, Mary!" he cried, joyfully, and in a moment he was off, running swiftly.

The picnickers had started nearly half an hour earlier, owing to his inability to quickly attack and subdue the cook, but he knew that the rendezvous was in the grove of tall, pillarlike hemlocks and pines that grew on a rocky knoll at the lake shore. His heart was very light as he sped, swinging his pail. But a few minutes previously his soul had been gloomed in despair; now he was happy. He was going to the picnic, where privilege of participation was to be bought by the contents of the little tin pail.

When he arrived in the outskirts of the grove he heard a merry clamor, and when he reached the top of the knoll he looked down the slope upon a scene which almost made his little breast burst with joy. They actually had two camp-fires! Two camp-fires! At one of them Mrs. Earl was making something—chocolate, no doubt—and at the other a young lady in white duck and a sailor hat was dropping eggs into boiling water. Other grown-up people had spread a white cloth and were laying upon it things from baskets. In the deep cool shadow of the trees the children scurried, laughing. Jimmie hastened forward to join his friends.

Homer Phelps caught first sight of him. "Ho!" he shouted; "here comes Jimmie Trescott! Come on, Jimmie; you be on our side!" The children had divided themselves into two bands for some purpose of play. The others of Homer Phelps's party loudly endorsed his plan. "Yes, Jimmie, you be on our side." Then arose the usual dispute. "Well, we got the weakest side."

"'Tain't any weaker'n ours."

Homer Phelps suddenly started, and looking hard, said, "What you got in the pail, Jim?"

Jimmie answered, somewhat uneasily, "Got m' lunch in it."

Instantly that brat of a Minnie Phelps simply tore down the sky with her shrieks of derision. "Got his lunch in it! In a pail!" She ran screaming to her mother. "Oh, mamma! Oh, mamma! Jimmie Trescott's got his picnic in a pail!"

Now there was nothing in the nature of this fact to particularly move the others—notably the boys, who were not competent to care if he had brought his luncheon in a coal-bin; but such is the instinct of childish society that they all immediately moved away from him. In a moment he had been made a social leper. All old intimacies were flung into the lake, so to speak. They dared not compromise themselves. At safe distances the boys shouted, scornfully: "Huh! Got his picnic in a pail!" Never again during that picnic did the little girls speak of him as Jimmie Trescott. His name now was Him.

His mind was dark with pain as he stood, the hangdog, kicking the gravel, and muttering as defiantly as he was able, "Well, I can have it in a pail if I want to." This statement of freedom was of no importance, and he knew it, but it was the only idea in his head.

"'JIMMY TRESCOTT'S GOT HIS PICNIC IN A PAIL!'"

He had been baited at school for being detected in writing a letter to little Cora, the angel child, and he had known how to defend himself, but this situation was in no way similar. This was a social affair, with grown people on all sides. It would be sweet to catch the Margate twins, for instance, and hammer them into a state of bleating respect for his pail; but that was a matter for the jungles of childhood, where grown folk seldom penetrated. He could only glower.

The amiable voice of Mrs. Earl suddenly called: "Come, children! Everything's ready!" They scampered away, glancing back for one last gloat at Jimmie standing there with his pail.

He did not know what to do. He knew that the grown folk expected him at the spread, but if he approached he would be greeted by a shameful chorus from the children—more especially from some of those damnable little girls. Still, luxuries beyond all dreaming were heaped on that cloth. One could not forget them. Perhaps if he crept up modestly, and was very gentle and very nice to the little girls, they would allow him peace. Of course it had been dreadful to come with a pail to such a grand picnic, but they might forgive him.

Oh no, they would not! He knew them better. And then suddenly he remembered with what delightful expectations he had raced to this grove, and self-pity overwhelmed him, and he thought he wanted to die and make every one feel sorry.

The young lady in white duck and a sailor hat looked at him, and then spoke to her sister, Mrs. Earl. "Who's that hovering in the distance, Emily?"

Mrs. Earl peered. "Why, it's Jimmie Trescott! Jimmie, come to the picnic! Why don't you come to the picnic, Jimmie?" He began to sidle towards the cloth.

But at Mrs. Earl's call there was another outburst from many of the children. "He's got his picnic in a pail! In a pail! Got it in a pail!"

Minnie Phelps was a shrill fiend. "Oh, mamma, he's got it in that pail! See! Isn't it funny? Isn't it dreadful funny?"

"What ghastly prigs children are, Emily!" said the young lady. "They are spoiling that boy's whole day, breaking his heart, the little cats! I think I'll go over and talk to him."

"Maybe you had better not," answered Mrs. Earl, dubiously. "Somehow these things arrange themselves. If you interfere, you are likely to prolong everything."

"Well, I'll try, at least," said the young lady.

At the second outburst against him Jimmie had crouched down by a tree, half hiding behind it, half pretending that he was not hiding behind it. He turned his sad gaze towards the lake. The bit of water seen through the shadows seemed perpendicular, a slate-colored wall. He heard a noise near him, and turning, he perceived the young lady looking down at him. In her hand she held plates. "May I sit near you?" she asked, coolly.

Jimmie could hardly believe his ears. After disposing herself and the plates upon the pine needles, she made brief explanation. "They're rather crowded, you see, over there. I don't like to be crowded at a picnic, so I thought I'd come here. I hope you don't mind."

Jimmie made haste to find his tongue. "Oh, I don't mind! I like to have you here." The ingenuous emphasis made it appear that the fact of his liking to have her there was in the nature of a law-dispelling phenomenon, but she did not smile.

"How large is that lake?" she asked.

Jimmie, falling into the snare, at once began to talk in the manner of a proprietor of the lake. "Oh, it's almost twenty miles long, an' in one place it's almost four miles wide! an' it's deep too—awful deep—an' it's got real steamboats on it, an'—oh—lots of other boats, an'—an'—an'—"

"Do you go out on it sometimes?"

"Oh, lots of times! My father's got a boat," he said, eying her to note the effect of his words.

She was correctly pleased and struck with wonder. "Oh, has he?" she cried, as if she never before had heard of a man owning a boat.

Jimmie continued: "Yes, an' it's a grea' big boat, too, with sails, real sails; an' sometimes he takes me out in her, too; an' once he took me fishin', an' we had sandwiches, plenty of 'em, an' my father he drank beer right out of the bottle—right out of the bottle!"

The young lady was properly overwhelmed by this amazing intelligence. Jimmie saw the impression he had created, and he enthusiastically resumed his narrative: "An' after, he let me throw the bottles in the water, and I throwed 'em 'way, 'way, 'way out. An' they sank, an'—never comed up," he concluded, dramatically.

His face was glorified; he had forgotten all about the pail; he was absorbed in this communion with a beautiful lady who was so interested in what he had to say.

She indicated one of the plates, and said, indifferently: "Perhaps you would like some of those sandwiches. I made them. Do you like olives? And there's a deviled egg. I made that also."

"Did you really?" said Jimmie, politely. His face gloomed for a moment because the pail was recalled to his mind, but he timidly possessed himself of a sandwich.

"Hope you are not going to scorn my deviled egg," said his goddess. "I am very proud of it." He did not; he scorned little that was on the plate.

Their gentle intimacy was ineffable to the boy. He thought he had a friend, a beautiful lady, who liked him more than she did anybody at the picnic, to say the least. This was proved by the fact that she had flung aside the luxuries of the spread cloth to sit with him, the exile. Thus early did he fall a victim to woman's wiles.

"Where do you live?" he asked, suddenly.

"Oh, a long way from here! In New York."

His next question was put very bluntly. "Are you married?"

"Oh no!" she answered, gravely.

Jimmie was silent for a time, during which he glanced shyly and furtively up at her face. It was evident that he was somewhat embarrassed. Finally he said, "When I grow up to be a man—"

"Oh, that is some time yet!" said the beautiful lady.

"But when I do, I—I should like to marry you."

"Well, I will remember it," she answered; "but don't talk of it now, because it's such a long time; and—I wouldn't wish you to consider yourself bound." She smiled at him.

He began to brag. "When I grow up to be a man, I'm goin' to have lots an' lots of money, an' I'm goin' to have a grea' big house, an' a horse an' a shot-gun, an' lots an' lots of books 'bout elephants an' tigers, an' lots an' lots of ice-cream an' pie an'—caramels." As before, she was impressed; he could see it. "An' I'm goin' to have lots an' lots of children—'bout three hundred, I guess—an' there won't none of 'em be girls. They'll all be boys—like me."

"Oh, my!" she said.

His garment of shame was gone from him. The pail was dead and well buried. It seemed to him that months elapsed as he dwelt in happiness near the beautiful lady and trumpeted his vanity.

At last there was a shout. "Come on! we're going home." The picnickers trooped out of the grove. The children wished to resume their jeering, for Jimmie still gripped his pail, but they were restrained by the circumstances. He was walking at the side of the beautiful lady.

During this journey he abandoned many of his habits. For instance, he never travelled without skipping gracefully from crack to crack between the stones, or without pretending that he was a train of cars, or without some mumming device of childhood. But now he behaved with dignity. He made no more noise than a little mouse. He escorted the beautiful lady to the gate of the Earl home, where he awkwardly, solemnly, and wistfully shook hands in good-by. He watched her go up the walk; the door clanged.

On his way home he dreamed. One of these dreams was fascinating. Supposing the beautiful lady was his teacher in school! Oh, my! wouldn't he be a good boy, sitting like a statuette all day long, and knowing every lesson to perfection, and—everything. And then supposing that a boy should sass her. Jimmie painted himself waylaying that boy on the homeward road, and the fate of the boy was a thing to make strong men cover their eyes with their hands. And she would like him more and more—more and more. And he—he would be a little god.

But as he was entering his father's grounds an appalling recollection came to him. He was returning with the bread-and-butter and the salmon untouched in the pail! He could imagine the cook, nine feet tall, waving her fist. "An' so that's what I took trouble for, is it? So's you could bring it back? So's you could bring it back?" He skulked towards the house like a marauding bushranger. When he neared the kitchen door he made a desperate rush past it, aiming to gain the stables and there secrete his guilt. He was nearing them, when a thunderous voice hailed him from the rear:

"Jimmie Trescott, where you goin' with that pail?"

It was the cook. He made no reply, but plunged into the shelter of the stables. He whirled the lid from the pail and dashed its contents beneath a heap of blankets. Then he stood panting, his eyes on the door. The cook did not pursue, but she was bawling:

"Jimmie Trescott, what you doin' with that pail?"

He came forth, swinging it. "Nothin'," he said, in virtuous protest.

"I know better," she said, sharply, as she relieved him of his curse.

In the morning Jimmie was playing near the stable, when he heard a shout from Peter Washington, who attended Dr. Trescott's horse:

"Jim! Oh, Jim!"

"What?"

"Come yah."

Jimmie went reluctantly to the door of the stable, and Peter Washington asked:

"Wut's dish yere fish an' brade doin' unner dese yer blankups?"

"I don't know. I didn't have nothin' to do with it," answered Jimmie, indignantly.

"Don' tell me!" cried Peter Washington, as he flung it all away—"don' tell me! When I fin' fish an' brade unner dese yer blankups, I don' go an' think dese yer ho'ses er yer pop's put 'em. I know. An' if I caitch enny more dish yer fish an' brade in dish yer stable, I'll tell yer pop."

---

[VII]

THE CARRIAGE-LAMPS

IT was the fault of a small nickel-plated revolver, a most incompetent weapon, which, wherever one aimed, would fling the bullet as the devil willed, and no man, when about to use it, could tell exactly what was in store for the surrounding country. This treasure had been acquired by Jimmie Trescott after arduous bargaining with another small boy. Jimmie wended homeward, patting his hip pocket at every three paces.

Peter Washington, working in the carriage-house, looked out upon him with a shrewd eye. "Oh, Jim," he called, "wut you got in yer hind pocket?"

"Nothin'," said Jimmie, feeling carefully under his jacket to make sure that the revolver wouldn't fall out.

Peter chuckled. "S'more foolishness, I raikon. You gwine be hung one day, Jim, you keep up all dish yer nonsense."

Jimmie made no reply, but went into the back garden, where he hid the revolver in a box under a lilac-bush. Then he returned to the vicinity of Peter, and began to cruise to and fro in the offing, showing all the signals of one wishing to open treaty. "Pete," he said, "how much does a box of cartridges cost?"

Peter raised himself violently, holding in one hand a piece of harness, and in the other an old rag. "Ca'tridgers! Ca'tridgers! Lan'sake! wut the kid want with ca'tridgers? Knew it! Knew it! Come home er-holdin' on to his hind pocket like he got money in it. An' now he want ca'tridgers."

Jimmie, after viewing with dismay the excitement caused by his question, began to move warily out of the reach of a possible hostile movement.

"Ca'tridgers!" continued Peter, in scorn and horror. "Kid like you! No bigger'n er minute! Look yah, Jim, you done been swappin' round, an' you done got hol' of er pistol!" The charge was dramatic.

The wind was almost knocked out of Jimmie by this display of Peter's terrible miraculous power, and as he backed away his feeble denials were more convincing than a confession.

"I'll tell yer pop!" cried Peter, in virtuous grandeur. "I'll tell yer pop!"

In the distance Jimmie stood appalled. He knew not what to do. The dread adult wisdom of Peter Washington had laid bare the sin, and disgrace stared at Jimmie.

There was a whirl of wheels, and a high, lean trotting-mare spun Doctor Trescott's buggy towards Peter, who ran forward busily. As the doctor climbed out, Peter, holding the mare's head, began his denunciation:

"Docteh, I gwine tell on Jim. He come home er-holdin' on to his hind pocket, an' proud like he won a tuhkey-raffle, an' I sure know what he been up to, an' I done challenge him, an' he nev' say he didn't."

"Why, what do you mean?" said the doctor. "What's this, Jimmie?"

The boy came forward, glaring wrathfully at Peter. In fact, he suddenly was so filled with rage at Peter that he forgot all precautions. "It's about a pistol," he said, bluntly. "I've got a pistol. I swapped for it."

"I done tol' 'im his pop wouldn' stand no fiah-awms, an' him a kid like he is. I done tol' 'im. Lan' sake! he strut like he was a soldier! Come in yere proud, an' er-holdin' on to his hind pocket. He think he was Jesse James, I raikon. But I done tol' 'im his pop stan' no sech foolishness. First thing—blam—he shoot his haid off. No, seh, he too tinety t' come in yere er-struttin' like he jest bought Main Street. I tol' 'im. I done tol' 'im—shawp. I don' wanter be loafin' round dis yer stable if Jim he gwine go shootin' round an' shootin' round—blim—blam—blim—blam! No, seh. I retiahs. I retiahs. It's all right if er grown man got er gun, but ain't no kids come foolishin' round me with fiah-awms. No, seh. I retiahs."

"Oh, be quiet, Peter!" said the doctor. "Where is this thing, Jimmie?"

The boy went sulkily to the box under the lilac-bush and returned with the revolver. "Here 'tis," he said, with a glare over his shoulder at Peter. The doctor looked at the silly weapon in critical contempt.

"It's not much of a thing, Jimmie, but I don't think you are quite old enough for it yet. I'll keep it for you in one of the drawers of my desk."

Peter Washington burst out proudly: "I done tol' 'im th' docteh wouldn' stan' no traffickin' round yere with fiah-awms. I done tol' 'im."

Jimmie and his father went together into the house, and as Peter unharnessed the mare he continued his comments on the boy and the revolver. He was not cast down by the absence of hearers. In fact, he usually talked better when there was no one to listen save the horses. But now his observations bore small resemblance to his earlier and public statements. Admiration and the keen family pride of a Southern negro who has been long in one place were now in his tone.

"That boy! He's er devil! When he get to be er man—wow! He'll jes take an' make things whirl round yere. Raikon we'll all take er back seat when he come erlong er-raisin' Cain."

He had unharnessed the mare, and with his back bent was pushing the buggy into the carriage-house.

"Er pistol! An' him no bigger than er minute!"

A small stone whizzed past Peter's head and clattered on the stable. He hastily dropped all occupation and struck a curious attitude. His right knee was almost up to his chin, and his arms were wreathed protectingly about his head. He had not looked in the direction from which the stone had come, but he had begun immediately to yell:

"'YOU JIM! QUIT! QUIT, I TELL YER!'"

"You Jim! Quit! Quit, I tell yer, Jim! Watch out! You gwine break somethin', Jim!"

"Yah!" taunted the boy, as with the speed and ease of a light-cavalryman he manœuvred in the distance. "Yah! Told on me, did you! Told on me, hey! There! How do you like that?" The missiles resounded against the stable.

"Watch out, Jim! You gwine break something, Jim, I tell yer! Quit yer foolishness, Jim! Ow! Watch out, boy! I—"

There was a crash. With diabolic ingenuity, one of Jimmie's pebbles had entered the carriage-house and had landed among a row of carriage-lamps on a shelf, creating havoc which was apparently beyond all reason of physical law. It seemed to Jimmie that the racket of falling glass could have been heard in an adjacent county.

Peter was a prophet who after persecution was suffered to recall everything to the mind of the persecutor. "There! Knew it! Knew it! Now I raikon you'll quit. Hi! jes look ut dese yer lamps! Fer lan' sake! Oh, now yer pop jes break ev'ry bone in yer body!"

In the doorway of the kitchen the cook appeared with a startled face. Jimmie's father and mother came suddenly out on the front veranda. "What was that noise?" called the the doctor.

Peter went forward to explain. "Jim he was er-heavin' rocks at me, docteh, an' erlong come one rock an' go blam inter all th' lamps an' jes skitter 'em t' bits. I declayah—"

Jimmie, half blinded with emotion, was nevertheless aware of a lightning glance from his father, a glance which cowed and frightened him to the ends of his toes. He heard the steady but deadly tones of his father in a fury: "Go into the house and wait until I come."

Bowed in anguish, the boy moved across the lawn and up the steps. His mother was standing on the veranda still gazing towards the stable. He loitered in the faint hope that she might take some small pity on his state. But she could have heeded him no less if he had been invisible. He entered the house.

When the doctor returned from his investigation of the harm done by Jimmie's hand, Mrs. Trescott looked at him anxiously, for she knew that he was concealing some volcanic impulses. "Well?" she asked.

"It isn't the lamps," he said at first. He seated himself on the rail. "I don't know what we are going to do with that boy. It isn't so much the lamps as it is the other thing. He was throwing stones at Peter because Peter told me about the revolver. What are we going to do with him?"

"I'm sure I don't know," replied the mother. "We've tried almost everything. Of course much of it is pure animal spirits. Jimmie is not naturally vicious—"

"Oh, I know," interrupted the doctor, impatiently. "Do you suppose, when the stones were singing about Peter's ears, he cared whether they were flung by a boy who was naturally vicious or a boy who was not? The question might interest him afterward, but at the time he was mainly occupied in dodging these effects of pure animal spirits."

"Don't be too hard on the boy, Ned. There's lots of time yet. He's so young yet, and—I believe he gets most of his naughtiness from that wretched Dalzel boy. That Dalzel boy—well, he's simply awful!" Then, with true motherly instinct to shift blame from her own boy's shoulders, she proceeded to sketch the character of the Dalzel boy in lines that would have made that talented young vagabond stare. It was not admittedly her feeling that the doctor's attention should be diverted from the main issue and his indignation divided among the camps, but presently the doctor felt himself burn with wrath for the Dalzel boy.

"Why don't you keep Jimmie away from him?" he demanded. "Jimmie has no business consorting with abandoned little predestined jail-birds like him. If I catch him on the place I'll box his ears."

"It is simply impossible, unless we kept Jimmie shut up all the time," said Mrs. Trescott. "I can't watch him every minute of the day, and the moment my back is turned, he's off."

"I should think those Dalzel people would hire somebody to bring up their child for them," said the doctor. "They don't seem to know how to do it themselves."

Presently you would have thought from the talk that one Willie Dalzel had been throwing stones at Peter Washington because Peter Washington had told Doctor Trescott that Willie Dalzel had come into possession of a revolver.

In the mean time Jimmie had gone into the house to await the coming of his father. He was in a rebellious mood. He had not intended to destroy the carriage-lamps. He had been merely hurling stones at a creature whose perfidy deserved such action, and the hitting of the lamps had been merely another move of the great conspirator Fate to force one Jimmie Trescott into dark and troublous ways. The boy was beginning to find the world a bitter place. He couldn't win appreciation for a single virtue; he could only achieve quick, rigorous punishment for his misdemeanors. Everything was an enemy. Now there were those silly old lamps—what were they doing up on that shelf, anyhow? It would have been just as easy for them at the time to have been in some other place. But no; there they had been, like the crowd that is passing under the wall when the mason for the first time in twenty years lets fall a brick. Furthermore, the flight of that stone had been perfectly unreasonable. It had been a sort of freak in physical law. Jimmie understood that he might have thrown stones from the same fatal spot for an hour without hurting a single lamp. He was a victim—that was it. Fate had conspired with the detail of his environment to simply hound him into a grave or into a cell.

But who would understand? Who would understand? And here the boy turned his mental glance in every direction, and found nothing but what was to him the black of cruel ignorance. Very well; some day they would—

From somewhere out in the street he heard a peculiar whistle of two notes. It was the common signal of the boys in the neighborhood, and judging from the direction of the sound, it was apparently intended to summon him. He moved immediately to one of the windows of the sitting-room. It opened upon a part of the grounds remote from the stables and cut off from the veranda by a wing. He perceived Willie Dalzel loitering in the street. Jimmie whistled the signal after having pushed up the window-sash some inches. He saw the Dalzel boy turn and regard him, and then call several other boys. They stood in a group and gestured. These gestures plainly said: "Come out. We've got something on hand." Jimmie sadly shook his head.

But they did not go away. They held a long consultation. Presently Jimmie saw the intrepid Dalzel boy climb the fence and begin to creep among the shrubbery, in elaborate imitation of an Indian scout. In time he arrived under Jimmie's window, and raised his face to whisper: "Come on out! We're going on a bear-hunt."

A bear-hunt! Of course Jimmie knew that it would not be a real bear-hunt, but would be a sort of carouse of pretension and big talking and preposterous lying and valor, wherein each boy would strive to have himself called Kit Carson by the others. He was profoundly affected. However, the parental word was upon him, and he could not move. "No," he answered, "I can't. I've got to stay in."

"Are you a prisoner?" demanded the Dalzel boy, eagerly.

"No-o—yes—I s'pose I am."

The other lad became much excited, but he did not lose his wariness. "Don't you want to be rescued?"

"Why—no—I dun'no'," replied Jimmie, dubiously.

Willie Dalzel was indignant. "Why, of course you want to be rescued! We'll rescue you. I'll go and get my men." And thinking this a good sentence, he repeated, pompously, "I'll go and get my men." He began to crawl away, but when he was distant some ten paces he turned to say: "Keep up a stout heart. Remember that you have friends who will be faithful unto death. The time is not now far off when you will again view the blessed sunlight."

The poetry of these remarks filled Jimmie with ecstasy, and he watched eagerly for the coming of the friends who would be faithful unto death. They delayed some time, for the reason that Willie Dalzel was making a speech.

"Now, men," he said, "our comrade is a prisoner in yon—in yond—in that there fortress. We must to the rescue. Who volunteers to go with me?" He fixed them with a stern eye.

There was a silence, and then one of the smaller boys remarked,

"If Doc Trescott ketches us trackin' over his lawn—"

Willie Dalzel pounced upon the speaker and took him by the throat. The two presented a sort of a burlesque of the wood-cut on the cover of a dime novel which Willie had just been reading—The Red Captain: A Tale of the Pirates of the Spanish Main.

"You are a coward!" said Willie, through his clinched teeth.

"No, I ain't, Willie," piped the other, as best he could.

"I say you are," cried the great chieftain, indignantly. "Don't tell me I'm a liar." He relinquished his hold upon the coward and resumed his speech. "You know me, men. Many of you have been my followers for long years. You saw me slay Six-handed Dick with my own hand. You know I never falter. Our comrade is a prisoner in the cruel hands of our enemies. Aw, Pete Washington? He dassent. My pa says if Pete ever troubles me he'll brain 'im. Come on! To the rescue! Who will go with me to the rescue? Aw, come on! What are you afraid of?"

"HE TURNED TO SAY: 'KEEP UP A STOUT HEART'"

It was another instance of the power of eloquence upon the human mind. There was only one boy who was not thrilled by this oration, and he was a boy whose favorite reading had been of the road-agents and gun-fighters of the great West, and he thought the whole thing should be conducted in the Deadwood Dick manner. This talk of a "comrade" was silly; "pard" was the proper word. He resolved that he would make a show of being a pirate, and keep secret the fact that he really was Hold-up Harry, the Terror of the Sierras.

But the others were knit close in piratical bonds. One by one they climbed the fence at a point hidden from the house by tall shrubs. With many a low-breathed caution they went upon their perilous adventure.

Jimmie was grown tired of waiting for his friends who would be faithful unto death. Finally he decided that he would rescue himself. It would be a gross breach of rule, but he couldn't sit there all the rest of the day waiting for his faithful-unto-death friends. The window was only five feet from the ground. He softly raised the sash and threw one leg over the sill. But at the same time he perceived his friends snaking among the bushes. He withdrew his leg and waited, seeing that he was now to be rescued in an orthodox way. The brave pirates came nearer and nearer.

Jimmie heard a noise of a closing door, and turning, he saw his father in the room looking at him and the open window in angry surprise. Boys never faint, but Jimmie probably came as near to it as may the average boy.

"What's all this?" asked the doctor, staring. Involuntarily Jimmie glanced over his shoulder through the window. His father saw the creeping figures. "What are those boys doing?" he said, sharply, and he knit his brows.

"Nothin'."

"Nothing! Don't tell me that. Are they coming here to the window?"

"Y-e-s, sir."

"What for?"

"To—to see me."

"What about?"

"About—about nothin'."

"What about?"

Jimmie knew that he could conceal nothing.

"THE BOY TURNED AGAIN TO HIS FRIEND"

He said, "They're comin' to—to—to rescue me." He began to whimper.

The doctor sat down heavily.

"What? To rescue you?" he gasped.

"Y-yes, sir."

The doctor's eyes began to twinkle. "Very well," he said presently. "I will sit here and observe this rescue. And on no account do you warn them that I am here. Understand?"

Of course Jimmie understood. He had been mad to warn his friends, but his father's mere presence had frightened him from doing it. He stood trembling at the window, while the doctor stretched in an easy-chair near at hand. They waited. The doctor could tell by his son's increasing agitation that the great moment was near. Suddenly he heard Willie Dalzel's voice hiss out a word: "S-s-silence!" Then the same voice addressed Jimmie at the window: "Good cheer, my comrade. The time is now at hand. I have come. Never did the Red Captain turn his back on a friend. One minute more and you will be free. Once aboard my gallant craft and you can bid defiance to your haughty enemies. Why don't you hurry up? What are you standin' there lookin' like a cow for?"

"I—er—now—you—" stammered Jimmie.

Here Hold-up Harry, the Terror of the Sierras, evidently concluded that Willie Dalzel had had enough of the premier part, so he said:

"Brace up, pard. Don't ye turn white-livered now, fer ye know that Hold-up Harry, the Terrar of the Sarahs, ain't the man ter—"

"Oh, stop it!" said Willie Dalzel. "He won't understand that, you know. He's a pirate. Now, Jimmie, come on. Be of light heart, my comrade. Soon you—"

"I 'low arter all this here long time in jail ye thought ye had no friends mebbe, but I tell ye Hold-up Harry, the Terrar of the Sarahs—"

"A boat is waitin'—"

"I have ready a trusty horse—"

Willie Dalzel could endure his rival no longer.

"Look here, Henry, you're spoilin' the whole thing. We're all pirates, don't you see, and you're a pirate too."

"I ain't a pirate. I'm Hold-up Harry, the Terrar of the Sarahs."

"You ain't, I say," said Willie, in despair. "You're spoilin' everything, you are. All right, now. You wait. I'll fix you for this, see if I don't! Oh, come on, Jimmie. A boat awaits us at the foot of the rocks. In one short hour you'll be free forever from your ex—exewable enemies, and their vile plots. Hasten, for the dawn approaches."

"THEY WHIRLED AND SCAMPERED AWAY LIKE DEER"

The suffering Jimmie looked at his father, and was surprised at what he saw. The doctor was doubled up like a man with the colic. He was breathing heavily. The boy turned again to his friends. "I—now—look here," he began, stumbling among the words. "You—I—I don't think I'll be rescued to-day."

The pirates were scandalized. "What?" they whispered, angrily. "Ain't you goin' to be rescued? Well, all right for you, Jimmie Trescott. That's a nice way to act, that is!" Their upturned eyes glowered at Jimmie.

Suddenly Doctor Trescott appeared at the window with Jimmie. "Oh, go home, boys!" he gasped, but they did not hear him. Upon the instant they had whirled and scampered away like deer. The first lad to reach the fence was the Red Captain, but Hold-up Harry, the Terror of the Sierras, was so close that there was little to choose between them.

Doctor Trescott lowered the window, and then spoke to his son in his usual quiet way. "Jimmie, I wish you would go and tell Peter to have the buggy ready at seven o'clock."

"Yes, sir," said Jimmie, and he swaggered out to the stables. "Pete, father wants the buggy ready at seven o'clock."

Peter paid no heed to this order, but with the tender sympathy of a true friend he inquired, "Hu't?"

"Hurt? Did what hurt?"

"Yer trouncin'."

"Trouncin'!" said Jimmie, contemptuously. "I didn't get any trouncin'."

"No?" said Peter. He gave Jimmie a quick shrewd glance, and saw that he was telling the truth. He began to mutter and mumble over his work. "Ump! Ump! Dese yer white folks act like they think er boy's made er glass. No trouncin'! Ump!" He was consumed with curiosity to learn why Jimmie had not felt a heavy parental hand, but he did not care to lower his dignity by asking questions about it. At last, however, he reached the limits of his endurance, and in a voice pretentiously careless he asked, "Didn' yer pop take on like mad er-bout dese yer cay'ge-lamps?"

"Carriage-lamps?" inquired Jimmie.

"Ump."

"No, he didn't say anything about carriage-lamps—not that I remember. Maybe he did, though. Lemme see.... No, he never mentioned 'em."

---

[VIII]

THE KNIFE