SURGICAL CASES
It is impossible to mention more than a few of the most typical cases of diseases of this sort.
I. Explosio, or Loss of Buttons, is the commonest malady demanding surgical treatment. It consists of a succession of minor fractures, possibly internal, which at first excite no alarm. A vague sense of uneasiness is presently felt, which often leads the patient to seek relief in the string habit—a habit which, if unduly indulged in, may assume the proportions of a ruling passion. The use of sealing-wax, while admirable as a temporary remedy for Explosio, should never be allowed to gain a permanent hold upon the system. There is no doubt that a persistent indulgence in the string habit, or the constant use of sealing-wax, will result in—
II. Fractura Suspendorum, or Snapping of the Braces, which amounts to a general collapse of the system. The patient is usually seized with a severe attack of explosio, followed by a sudden sinking feeling and sense of loss. A sound constitution may rally from the shock, but a system undermined by the string habit invariably succumbs.
III. Sectura Pantalunae, or Ripping of the Trousers, is generally caused by sitting upon warm beeswax or leaning against a hook. In the case of the very young it is not unfrequently accompanied by a distressing suppuration of the shirt. This, however, is not remarked in adults. The malady is rather mental than bodily, the mind of the patient being racked by a keen sense of indignity and a feeling of unworthiness. The only treatment is immediate isolation, with a careful stitching of the affected part.
In conclusion, it may be stated that at the first symptom of disease the patient should not hesitate to put himself in the hands of a professional tailor. In so brief a compass as the present article the discussion has of necessity been rather suggestive than exhaustive. Much yet remains to be done, and the subject opens wide to the inquiring eye. The writer will, however, feel amply satisfied if this brief outline may help to direct the attention of medical men to what is yet an unexplored field.
The Poet Answered
Dear sir:
In answer to your repeated questions and requests which have appeared for some years past in the columns of the rural press, I beg to submit the following solutions of your chief difficulties:—
Topic I.—You frequently ask, where are the friends of your childhood, and urge that they shall be brought back to you. As far as I am able to learn, those of your friends who are not in jail are still right there in your native village. You point out that they were wont to share your gambols. If so, you are certainly entitled to have theirs now.
Topic II.—You have taken occasion to say:
"Give me not silk, nor rich attire,
Nor gold, nor jewels rare."
But, my dear fellow, this is preposterous. Why, these are the very things I had bought for you. If you won't take any of these, I shall have to give you factory cotton and cordwood.
Topic III.—You also ask, "How fares my love across the sea?" Intermediate, I presume. She would hardly travel steerage.
Topic IV.—"Why was I born? Why should I breathe?" Here I quite agree with you. I don't think you ought to breathe.
Topic V.—You demand that I shall show you the man whose soul is dead and then mark him. I am awfully sorry; the man was around here all day yesterday, and if I had only known I could easily have marked him so that we could pick him out again.
Topic VI.—I notice that you frequently say, "Oh, for the sky of your native land." Oh, for it, by all means, if you wish. But remember that you already owe for a great deal.
Topic VII.—On more than one occasion you wish to be informed, "What boots it, that you idly dream?" Nothing boots it at present—a fact, sir, which ought to afford you the highest gratification.
The Force of Statistics
They were sitting on a seat of the car, immediately in front of me. I was consequently able to hear all that they were saying. They were evidently strangers who had dropped into a conversation. They both had the air of men who considered themselves profoundly interesting as minds. It was plain that each laboured under the impression that he was a ripe thinker.
One had just been reading a book which lay in his lap.
"I've been reading some very interesting statistics," he was saying to the other thinker.
"Ah, statistics" said the other; "wonderful things, sir, statistics; very fond of them myself."
"I find, for instance," the first man went on, "that a drop of water is filled with little ... with little ... I forget just what you call them ... little—er—things, every cubic inch containing—er—containing ... let me see...."
"Say a million," said the other thinker, encouragingly.
"Yes, a million, or possibly a billion ... but at any rate, ever so many of them."
"Is it possible?" said the other. "But really, you know there are wonderful things in the world. Now, coal ... take coal...."
"Very, good," said his friend, "let us take coal," settling back in his seat with the air of an intellect about to feed itself.
"Do you know that every ton of coal burnt in an engine will drag a train of cars as long as ... I forget the exact length, but say a train of cars of such and such a length, and weighing, say so much ... from ... from ... hum! for the moment the exact distance escapes me ... drag it from...."
"From here to the moon," suggested the other.
"Ah, very likely; yes, from here to the moon. Wonderful, isn't it?"
"But the most stupendous calculation of all, sir, is in regard to the distance from the earth to the sun. Positively, sir, a cannon-ball—er—fired at the sun...."
"Fired at the sun," nodded the other, approvingly, as if he had often seen it done.
"And travelling at the rate of ... of...."
"Of three cents a mile," hinted the listener.
"No, no, you misunderstand me,—but travelling at a fearful rate, simply fearful, sir, would take a hundred million—no, a hundred billion—in short would take a scandalously long time in getting there—"
At this point I could stand no more. I interrupted—"Provided it were fired from Philadelphia," I said, and passed into the smoking-car.
Men Who have Shaved Me
A barber is by nature and inclination a sport. He can tell you at what exact hour the ball game of the day is to begin, can foretell its issue without losing a stroke of the razor, and can explain the points of inferiority of all the players, as compared with better men that he has personally seen elsewhere, with the nicety of a professional. He can do all this, and then stuff the customer's mouth with a soap-brush, and leave him while he goes to the other end of the shop to make a side bet with one of the other barbers on the outcome of the Autumn Handicap. In the barber-shops they knew the result of the Jeffries-Johnson prize-fight long before it happened. It is on information of this kind that they make their living. The performance of shaving is only incidental to it. Their real vocation in life is imparting information. To the barber the outside world is made up of customers, who are to be thrown into chairs, strapped, manacled, gagged with soap, and then given such necessary information on the athletic events of the moment as will carry them through the business hours of the day without open disgrace.
As soon as the barber has properly filled up the customer with information of this sort, he rapidly removes his whiskers as a sign that the man is now fit to talk to, and lets him out of the chair.
The public has grown to understand the situation. Every reasonable business man is willing to sit and wait half an hour for a shave which he could give himself in three minutes, because he knows that if he goes down town without understanding exactly why Chicago lost two games straight he will appear an ignoramus.
At times, of course, the barber prefers to test his customer with a question or two. He gets him pinned in the chair, with his head well back, covers the customer's face with soap, and then planting his knee on his chest and holding his hand firmly across the customer's mouth, to prevent all utterance and to force him to swallow the soap, he asks: "Well, what did you think of the Detroit-St. Louis game yesterday?" This is not really meant for a question at all. It is only equivalent to saying: "Now, you poor fool, I'll bet you don't know anything about the great events of your country at all." There is a gurgle in the customer's throat as if he were trying to answer, and his eyes are seen to move sideways, but the barber merely thrusts the soap-brush into each eye, and if any motion still persists, he breathes gin and peppermint over the face, till all sign of life is extinct. Then he talks the game over in detail with the barber at the next chair, each leaning across an inanimate thing extended under steaming towels that was once a man.
To know all these things barbers have to be highly educated. It is true that some of the greatest barbers that have ever lived have begun as uneducated, illiterate men, and by sheer energy and indomitable industry have forced their way to the front. But these are exceptions. To succeed nowadays it is practically necessary to be a college graduate. As the courses at Harvard and Yale have been found too superficial, there are now established regular Barbers' Colleges, where a bright young man can learn as much in three weeks as he would be likely to know after three years at Harvard. The courses at these colleges cover such things as: (1) Physiology, including Hair and its Destruction, The Origin and Growth of Whiskers, Soap in its Relation to Eyesight; (2) Chemistry, including lectures on Florida Water; and How to Make it out of Sardine Oil; (3) Practical Anatomy, including The Scalp and How to Lift it, The Ears and How to Remove them, and, as the Major Course for advanced students, The Veins of the Face and how to open and close them at will by the use of alum.
The education of the customer is, as I have said, the chief part of the barber's vocation. But it must be remembered that the incidental function of removing his whiskers in order to mark him as a well-informed man is also of importance, and demands long practice and great natural aptitude. In the barbers' shops of modern cities shaving has been brought to a high degree of perfection. A good barber is not content to remove the whiskers of his client directly and immediately. He prefers to cook him first. He does this by immersing the head in hot water and covering the victim's face with steaming towels until he has him boiled to a nice pink. From time to time the barber removes the towels and looks at the face to see if it is yet boiled pink enough for his satisfaction. If it is not, he replaces the towels again and jams them down firmly with his hand until the cooking is finished. The final result, however, amply justifies this trouble, and the well-boiled customer only needs the addition of a few vegetables on the side to present an extremely appetizing appearance.
During the process of the shave, it is customary for the barber to apply the particular kind of mental torture known as the third degree. This is done by terrorizing the patient as to the very evident and proximate loss of all his hair and whiskers, which the barber is enabled by his experience to foretell. "Your hair," he says, very sadly and sympathetically, "is all falling out. Better let me give you a shampoo?" "No." "Let me singe your hair to close up the follicles?" "No." "Let me plug up the ends of your hair with sealing-wax, it's the only thing that will save it for you?" "No." "Let me rub an egg on your scalp?" "No." "Let me squirt a lemon on your eyebrows?" "No."
The barber sees that he is dealing with a man of determination, and he warms to his task. He bends low and whispers into the prostrate ear: "You've got a good many grey hairs coming in; better let me give you an application of Hairocene, only cost you half a dollar?" "No." "Your face," he whispers again, with a soft, caressing voice, "is all covered with wrinkles; better let me rub some of this Rejuvenator into the face."
This process is continued until one of two things happens. Either the customer is obdurate, and staggers to his feet at last and gropes his way out of the shop with the knowledge that he is a wrinkled, prematurely senile man, whose wicked life is stamped upon his face, and whose unstopped hair-ends and failing follicles menace him with the certainty of complete baldness within twenty-four hours—or else, as in nearly all instances, he succumbs. In the latter case, immediately on his saying "yes" there is a shout of exultation from the barber, a roar of steaming water, and within a moment two barbers have grabbed him by the feet and thrown him under the tap, and, in spite of his struggles, are giving him the Hydro-magnetic treatment. When he emerges from their hands, he steps out of the shop looking as if he had been varnished.
But even the application of the Hydro-magnetic and the Rejuvenator do not by any means exhaust the resources of the up-to-date barber. He prefers to perform on the customer a whole variety of subsidiary services not directly connected with shaving, but carried on during the process of the shave.
In a good, up-to-date shop, while one man is shaving the customer, others black his boots; brush his clothes, darn his socks, point his nails, enamel his teeth, polish his eyes, and alter the shape of any of his joints which they think unsightly. During this operation they often stand seven or eight deep round a customer, fighting for a chance to get at him.
All of these remarks apply to barber-shops in the city, and not to country places. In the country there is only one barber and one customer at a time. The thing assumes the aspect of a straight-out, rough-and-tumble, catch-as-catch-can fight, with a few spectators sitting round the shop to see fair play. In the city they can shave a man without removing any of his clothes. But in the country, where the customer insists on getting the full value for his money, they remove the collar and necktie, the coat and the waistcoat, and, for a really good shave and hair-cut, the customer is stripped to the waist. The barber can then take a rush at him from the other side of the room, and drive the clippers up the full length of the spine, so as to come at the heavier hair on the back of the head with the impact of a lawn-mower driven into long grass.
Getting the Thread of It
Have you ever had a man try to explain to you what happened in a book as far as he has read? It is a most instructive thing. Sinclair, the man who shares my rooms with me, made such an attempt the other night. I had come in cold and tired from a walk and found him full of excitement, with a bulky magazine in one hand and a paper-cutter gripped in the other.
"Say, here's a grand story," he burst out as soon as I came in; "it's great! most fascinating thing I ever read. Wait till I read you some of it. I'll just tell you what has happened up to where I am—you'll easily catch the thread of it—and then we'll finish it together."
I wasn't feeling in a very responsive mood, but I saw no way to stop him, so I merely said, "All right, throw me your thread, I'll catch it."
"Well," Sinclair began with great animation, "this count gets this letter...."
"Hold on," I interrupted, "what count gets what letter?"
"Oh, the count it's about, you know. He gets this letter from this Porphirio."
"From which Porphirio?"
"Why, Porphirio sent the letter, don't you see, he sent it," Sinclair exclaimed a little impatiently—"sent it through Demonio and told him to watch for him with him, and kill him when he got him."
"Oh, see here!" I broke in, "who is to meet who, and who is to get stabbed?"
"They're going to stab Demonio."
"And who brought the letter?"
"Demonio."
"Well, now, Demonio must be a clam! What did he bring it for?"
"Oh, but he don't know what's in it, that's just the slick part of it," and Sinclair began to snigger to himself at the thought of it. "You see, this Carlo Carlotti the Condottiere...."
"Stop right there," I said. "What's a Condottiere?"
"It's a sort of brigand. He, you understand, was in league with this Fra Fraliccolo...."
A suspicion flashed across my mind. "Look here," I said firmly, "if the scene of this story is laid in the Highlands, I refuse to listen to it. Call it off."
"No, no," Sinclair answered quickly, "that's all right. It's laid in Italy ... time of Pius the something. He comes in—say, but he's great! so darned crafty. It's him, you know, that persuades this Franciscan...."
"Pause," I said, "what Franciscan?"
"Fra Fraliccolo, of course," Sinclair said snappishly. "You see, Pio tries to...."
"Whoa!" I said, "who is Pio?"
"Oh, hang it all, Pio is Italian, it's short for Pius. He tries to get Fra Fraliccolo and Carlo Carlotti the Condottiere to steal the document from ... let me see; what was he called?...Oh, yes ... from the Dog of Venice, so that ... or ... no, hang it, you put me out, that's all wrong. It's the other way round. Pio wasn't clever at all; he's a regular darned fool. It's the Dog that's crafty. By Jove, he's fine," Sinclair went on; warming up to enthusiasm again, "he just does anything he wants. He makes this Demonio (Demonio is one of those hirelings, you know, he's the tool of the Dog)...makes him steal the document off Porphirio, and...."
"But how does he get him to do that?" I asked.
"Oh, the Dog has Demonio pretty well under his thumb, so he makes Demonio scheme round till he gets old Pio—er—gets him under his thumb, and then, of course, Pio thinks that Porphirio—I mean he thinks that he has Porphirio—er—has him under his thumb."
"Half a minute, Sinclair," I said, "who did you say was under the Dog's thumb?"
"Demonio."
"Thanks. I was mixed in the thumbs. Go on."
"Well, just when things are like this...."
"Like what?"
"Like I said."
"All right."
"Who should turn up and thwart the whole scheme, but this Signorina Tarara in her domino...."
"Hully Gee!" I said, "you make my head ache. What the deuce does she come in her domino for?"
"Why, to thwart it."
"To thwart what?"
"Thwart the whole darned thing," Sinclair exclaimed emphatically.
"But can't she thwart it without her domino?"
"I should think not! You see, if it hadn't been for the domino, the Dog would have spotted her quick as a wink. Only when he sees her in the domino with this rose in her hair, he thinks she must be Lucia dell' Esterolla."
"Say, he fools himself, doesn't he? Who's this last girl?"
"Lucia? Oh, she's great!" Sinclair said. "She's one of those Southern natures, you know, full of—er—full of...."
"Full of fun," I suggested.
"Oh, hang it all, don't make fun of it! Well, anyhow, she's sister, you understand, to the Contessa Carantarata, and that's why Fra Fraliccolo, or ... hold on, that's not it, no, no, she's not sister to anybody. She's cousin, that's it; or, anyway, she thinks she is cousin to Fra Fraliccolo himself, and that's why Pio tries to stab Fra Fraliccolo."
"Oh, yes," I assented, "naturally he would."
"Ah," Sinclair said hopefully, getting his paper-cutter ready to cut the next pages, "you begin to get the thread now, don't you?"
"Oh, fine!" I said. "The people in it are the Dog and Pio, and Carlo Carlotti the Condottiere, and those others that we spoke of."
"That's right," Sinclair said. "Of course, there are more still that I can tell you about if...."
"Oh, never mind," I said, "I'll work along with those, they're a pretty representative crowd. Then Porphirio is under Pio's thumb, and Pio is under Demonio's thumb, and the Dog is crafty, and Lucia is full of something all the time. Oh, I've got a mighty clear idea of it," I concluded bitterly.
"Oh, you've got it," Sinclair said, "I knew you'd like it. Now we'll go on. I'll just finish to the bottom of my page and then I'll go on aloud."
He ran his eyes rapidly over the lines till he came to the bottom of the page, then he cut the leaves and turned over. I saw his eye rest on the half-dozen lines that confronted him on the next page with an expression of utter consternation.
"Well, I will be cursed!" he said at length.
"What's the matter?" I said gently, with a great joy at my heart.
"This infernal thing's a serial," he gasped, as he pointed at the words, "To be continued," "and that's all there is in this number."
Telling His Faults
"Oh, do, Mr. Sapling," said the beautiful girl at the summer hotel, "do let me read the palm of your hand! I can tell you all your faults."
Mr. Sapling gave an inarticulate gurgle and a roseate flush swept over his countenance as he surrendered his palm to the grasp of the fair enchantress.
"Oh, you're just full of faults, just full of them, Mr. Sapling!" she cried.
Mr. Sapling looked it.
"To begin with," said the beautiful girl, slowly and reflectingly, "you are dreadfully cynical: you hardly believe in anything at all, and you've utterly no faith in us poor women."
The feeble smile that had hitherto kindled the features of Mr. Sapling into a ray of chastened imbecility, was distorted in an effort at cynicism.
"Then your next fault is that you are too determined; much too determined. When once you have set your will on any object, you crush every obstacle under your feet."
Mr. Sapling looked meekly down at his tennis shoes, but began to feel calmer, more lifted up. Perhaps he had been all these things without knowing it.
"Then you are cold and sarcastic."
Mr. Sapling attempted to look cold and sarcastic. He succeeded in a rude leer.
"And you're horribly world-weary, you care for nothing. You have drained philosophy to the dregs, and scoff at everything."
Mr. Sapling's inner feeling was that from now on he would simply scoff and scoff and scoff.
"Your only redeeming quality is that you are generous. You have tried to kill even this, but cannot. Yes," concluded the beautiful girl, "those are your faults, generous still, but cold, cynical, and relentless. Good night, Mr. Sapling."
And resisting all entreaties the beautiful girl passed from the verandah of the hotel and vanished.
And when later in the evening the brother of the beautiful girl borrowed Mr. Sapling's tennis racket, and his bicycle for a fortnight, and the father of the beautiful girl got Sapling to endorse his note for a couple of hundreds, and her uncle Zephas borrowed his bedroom candle and used his razor to cut up a plug of tobacco, Mr. Sapling felt proud to be acquainted with the family.
Winter Pastimes
It is in the depth of winter, when the intense cold renders it desirable to stay at home, that the really Pleasant Family is wont to serve invitations upon a few friends to spend a Quiet Evening.
It is at these gatherings that that gay thing, the indoor winter game, becomes rampant. It is there that the old euchre deck and the staring domino become fair and beautiful things; that the rattle of the Loto counter rejoices the heart, that the old riddle feels the sap stirring in its limbs again, and the amusing spilikin completes the mental ruin of the jaded guest. Then does the Jolly Maiden Aunt propound the query: What is the difference between an elephant and a silk hat? Or declare that her first is a vowel, her second a preposition, and her third an archipelago. It is to crown such a quiet evening, and to give the finishing stroke to those of the visitors who have not escaped early, with a fierce purpose of getting at the saloons before they have time to close, that the indoor game or family reservoir of fun is dragged from its long sleep. It is spread out upon the table. Its paper of directions is unfolded. Its cards, its counters, its pointers and its markers are distributed around the table, and the visitor forces a look of reckless pleasure upon his face. Then the "few simple directions" are read aloud by the Jolly Aunt, instructing each player to challenge the player holding the golden letter corresponding to the digit next in order, to name a dead author beginning with X, failing which the player must declare himself in fault, and pay the forfeit of handing over to the Jolly Aunt his gold watch and all his money, or having a hot plate put down his neck.
With a view to bringing some relief to the guests at entertainments of this kind, I have endeavoured to construct one or two little winter pastimes of a novel character. They are quite inexpensive, and as they need no background of higher arithmetic or ancient history, they are within reach of the humblest intellect. Here is one of them. It is called Indoor Football, or Football without a Ball.
In this game any number of players, from fifteen to thirty, seat themselves in a heap on any one player, usually the player next to the dealer. They then challenge him to get up, while one player stands with a stop-watch in his hand and counts forty seconds. Should the first player fail to rise before forty seconds are counted, the player with the watch declares him suffocated. This is called a "Down" and counts one. The player who was the Down is then leant against the wall; his wind is supposed to be squeezed out. The player called the referee then blows a whistle and the players select another player and score a down off him. While the player is supposed to be down, all the rest must remain seated as before, and not rise from him until the referee by counting forty and blowing his whistle announces that in his opinion the other player is stifled. He is then leant against the wall beside the first player. When the whistle again blows the player nearest the referee strikes him behind the right ear. This is a "Touch," and counts two.
It is impossible, of course, to give all the rules in detail. I might add, however, that while it counts TWO to strike the referee, to kick him counts THREE. To break his arm or leg counts FOUR, and to kill him outright is called GRAND SLAM and counts one game.
Here is another little thing that I have worked out, which is superior to parlour games in that it combines their intense excitement with sound out-of-door exercise.
It is easily comprehended, and can be played by any number of players, old and young. It requires no other apparatus than a trolley car of the ordinary type, a mile or two of track, and a few thousand volts of electricity. It is called:
The Suburban Trolley Car
A Holiday Game for Old and Young.
The chief part in the game is taken by two players who station themselves one at each end of the car, and who adopt some distinctive costumes to indicate that they are "it." The other players occupy the body of the car, or take up their position at intervals along the track.
The object of each player should be to enter the car as stealthily as possible in such a way as to escape the notice of the players in distinctive dress. Should he fail to do this he must pay the philopena or forfeit. Of these there are two: philopena No. 1, the payment of five cents, and philopena No. 2, being thrown off the car by the neck. Each player may elect which philopena he will pay. Any player who escapes paying the philopena scores one.
The players who are in the car may elect to adopt a standing attitude, or to seat themselves, but no player may seat himself in the lap of another without the second player's consent. The object of those who elect to remain standing is to place their feet upon the toes of those who sit; when they do this they score. The object of those who elect to sit is to elude the feet of the standing players. Much merriment is thus occasioned.
The player in distinctive costume at the front of the car controls a crank, by means of which he is enabled to bring the car to a sudden stop, or to cause it to plunge violently forward. His aim in so doing is to cause all the standing players to fall over backward. Every time he does this he scores. For this purpose he is generally in collusion with the other player in distinctive costume, whose business it is to let him know by a series of bells and signals when the players are not looking, and can be easily thrown down. A sharp fall of this sort gives rise to no end of banter and good-natured drollery, directed against the two players who are "it."
Should a player who is thus thrown backward save himself from falling by sitting down in the lap of a female player, he scores one. Any player who scores in this manner is entitled to remain seated while he may count six, after which he must remove himself or pay philopena No. 2.
Should the player who controls the crank perceive a player upon the street desirous of joining in the game by entering the car, his object should be: primo, to run over him and kill him; secundo, to kill him by any other means in his power; tertio, to let him into the car, but to exact the usual philopena.
Should a player, in thus attempting to get on the car from without, become entangled in the machinery, the player controlling the crank shouts "huff!" and the car is supposed to pass over him. All within the car score one.
A fine spice of the ludicrous may be added to the game by each player pretending that he has a destination or stopping-place, where he would wish to alight. It now becomes the aim of the two players who are "it" to carry him past his point. A player who is thus carried beyond his imaginary stopping-place must feign a violent passion, and imitate angry gesticulations. He may, in addition, feign a great age or a painful infirmity, which will be found to occasion the most convulsive fun for the other players in the game.
These are the main outlines of this most amusing pastime. Many other agreeable features may, of course, be readily introduced by persons of humour and imagination.
Number Fifty-Six
What I narrate was told me one winter's evening by my friend Ah-Yen in the little room behind his laundry. Ah-Yen is a quiet little celestial with a grave and thoughtful face, and that melancholy contemplative disposition so often noticed in his countrymen. Between myself and Ah-Yen there exists a friendship of some years' standing, and we spend many a long evening in the dimly lighted room behind his shop, smoking a dreamy pipe together and plunged in silent meditation. I am chiefly attracted to my friend by the highly imaginative cast of his mind, which is, I believe, a trait of the Eastern character and which enables him to forget to a great extent the sordid cares of his calling in an inner life of his own creation. Of the keen, analytical side of his mind, I was in entire ignorance until the evening of which I write.
The room where we sat was small and dingy, with but little furniture except our chairs and the little table at which we filled and arranged our pipes, and was lighted only by a tallow candle. There were a few pictures on the walls, for the most part rude prints cut from the columns of the daily press and pasted up to hide the bareness of the room. Only one picture was in any way noticeable, a portrait admirably executed in pen and ink. The face was that of a young man, a very beautiful face, but one of infinite sadness. I had long been aware, although I know not how, that Ah-Yen had met with a great sorrow, and had in some way connected the fact with this portrait. I had always refrained, however, from asking him about it, and it was not until the evening in question that I knew its history.
We had been smoking in silence for some time when Ah-Yen spoke. My friend is a man of culture and wide reading, and his English is consequently perfect in its construction; his speech is, of course, marked by the lingering liquid accent of his country which I will not attempt to reproduce.
"I see," he said, "that you have been examining the portrait of my unhappy friend, Fifty-Six. I have never yet told you of my bereavement, but as to-night is the anniversary of his death, I would fain speak of him for a while."
Ah-Yen paused; I lighted my pipe afresh, and nodded to him to show that I was listening.
"I do not know," he went on, "at what precise time Fifty-Six came into my life. I could indeed find it out by examining my books, but I have never troubled to do so. Naturally I took no more interest in him at first than in any other of my customers—less, perhaps, since he never in the course of our connection brought his clothes to me himself but always sent them by a boy. When I presently perceived that he was becoming one of my regular customers, I allotted to him his number, Fifty-Six, and began to speculate as to who and what he was. Before long I had reached several conclusions in regard to my unknown client. The quality of his linen showed me that, if not rich, he was at any rate fairly well off. I could see that he was a young man of regular Christian life, who went out into society to a certain extent; this I could tell from his sending the same number of articles to the laundry, from his washing always coming on Saturday night, and from the fact that he wore a dress shirt about once a week. In disposition he was a modest, unassuming fellow, for his collars were only two inches high."
I stared at Ah-Yen in some amazement, the recent publications of a favourite novelist had rendered me familiar with this process of analytical reasoning, but I was prepared for no such revelations from my Eastern friend.
"When I first knew him," Ah-Yen went on, "Fifty-Six was a student at the university. This, of course, I did not know for some time. I inferred it, however, in the course of time, from his absence from town during the four summer months, and from the fact that during the time of the university examinations the cuffs of his shirts came to me covered with dates, formulas, and propositions in geometry. I followed him with no little interest through his university career. During the four years which it lasted, I washed for him every week; my regular connection with him and the insight which my observation gave me into the lovable character of the man, deepened my first esteem into a profound affection and I became most anxious for his success. I helped him at each succeeding examination, as far as lay in my power, by starching his shirts half-way to the elbow, so as to leave him as much room as possible for annotations. My anxiety during the strain of his final examination I will not attempt to describe. That Fifty-Six was undergoing the great crisis of his academic career, I could infer from the state of his handkerchiefs which, in apparent unconsciousness, he used as pen-wipers during the final test. His conduct throughout the examination bore witness to the moral development which had taken place in his character during his career as an undergraduate; for the notes upon his cuffs which had been so copious at his earlier examinations were limited now to a few hints, and these upon topics so intricate as to defy an ordinary memory. It was with a thrill of joy that I at last received in his laundry bundle one Saturday early in June, a ruffled dress shirt, the bosom of which was thickly spattered with the spillings of the wine-cup, and realized that Fifty-Six had banqueted as a Bachelor of Arts.
"In the following winter the habit of wiping his pen upon his handkerchief, which I had remarked during his final examination, became chronic with him, and I knew that he had entered upon the study of law. He worked hard during that year, and dress shirts almost disappeared from his weekly bundle. It was in the following winter, the second year of his legal studies, that the tragedy of his life began. I became aware that a change had come over his laundry; from one, or at most two a week, his dress shirts rose to four, and silk handkerchiefs began to replace his linen ones. It dawned upon me that Fifty-Six was abandoning the rigorous tenor of his student life and was going into society. I presently perceived something more; Fifty-Six was in love. It was soon impossible to doubt it. He was wearing seven shirts a week; linen handkerchiefs disappeared from his laundry; his collars rose from two inches to two and a quarter, and finally to two and a half. I have in my possession one of his laundry lists of that period; a glance at it will show the scrupulous care which he bestowed upon his person. Well do I remember the dawning hopes of those days, alternating with the gloomiest despair. Each Saturday I opened his bundle with a trembling eagerness to catch the first signs of a return of his love. I helped my friend in every way that I could. His shirts and collars were masterpieces of my art, though my hand often shook with agitation as I applied the starch. She was a brave noble girl, that I knew; her influence was elevating the whole nature of Fifty-Six; until now he had had in his possession a certain number of detached cuffs and false shirt-fronts. These he discarded now,—at first the false shirt-fronts, scorning the very idea of fraud, and after a time, in his enthusiasm, abandoning even the cuffs. I cannot look back upon those bright happy days of courtship without a sigh.
"The happiness of Fifty-Six seemed to enter into and fill my whole life. I lived but from Saturday to Saturday. The appearance of false shirt-fronts would cast me to the lowest depths of despair; their absence raised me to a pinnacle of hope. It was not till winter softened into spring that Fifty-Six nerved himself to learn his fate. One Saturday he sent me a new white waistcoat, a garment which had hitherto been shunned by his modest nature, to prepare for his use. I bestowed upon it all the resources of my art; I read his purpose in it. On the Saturday following it was returned to me and, with tears of joy, I marked where a warm little hand had rested fondly on the right shoulder, and knew that Fifty-Six was the accepted lover of his sweetheart."
Ah-Yen paused and sat for some time silent; his pipe had sputtered out and lay cold in the hollow of his hand; his eye was fixed upon the wall where the light and shadows shifted in the dull flickering of the candle. At last he spoke again:
"I will not dwell upon the happy days that ensued—days of gaudy summer neckties and white waistcoats, of spotless shirts and lofty collars worn but a single day by the fastidious lover. Our happiness seemed complete and I asked no more from fate. Alas! it was not destined to continue! When the bright days of summer were fading into autumn, I was grieved to notice an occasional quarrel—only four shirts instead of seven, or the reappearance of the abandoned cuffs and shirt-fronts. Reconciliations followed, with tears of penitence upon the shoulder of the white waistcoat, and the seven shirts came back. But the quarrels grew more frequent and there came at times stormy scenes of passionate emotion that left a track of broken buttons down the waistcoat. The shirts went slowly down to three, then fell to two, and the collars of my unhappy friend subsided to an inch and three-quarters. In vain I lavished my utmost care upon Fifty-Six. It seemed to my tortured mind that the gloss upon his shirts and collars would have melted a heart of stone. Alas! my every effort at reconciliation seemed to fail. An awful month passed; the false fronts and detached cuffs were all back again; the unhappy lover seemed to glory in their perfidy. At last, one gloomy evening, I found on opening his bundle that he had bought a stock of celluloids, and my heart told me that she had abandoned him for ever. Of what my poor friend suffered at this time, I can give you no idea; suffice it to say that he passed from celluloid to a blue flannel shirt and from blue to grey. The sight of a red cotton handkerchief in his wash at length warned me that his disappointed love had unhinged his mind, and I feared the worst. Then came an agonizing interval of three weeks during which he sent me nothing, and after that came the last parcel that I ever received from him an enormous bundle that seemed to contain all his effects. In this, to my horror, I discovered one shirt the breast of which was stained a deep crimson with his blood, and pierced by a ragged hole that showed where a bullet had singed through into his heart.
"A fortnight before, I remembered having heard the street boys crying the news of an appalling suicide, and I know now that it must have been he. After the first shock of my grief had passed, I sought to keep him in my memory by drawing the portrait which hangs beside you. I have some skill in the art, and I feel assured that I have caught the expression of his face. The picture is, of course, an ideal one, for, as you know, I never saw Fifty-Six."
The bell on the door of the outer shop tinkled at the entrance of a customer. Ah-Yen rose with that air of quiet resignation that habitually marked his demeanour, and remained for some time in the shop. When he returned he seemed in no mood to continue speaking of his lost friend. I left him soon after and walked sorrowfully home to my lodgings. On my way I mused much upon my little Eastern friend and the sympathetic grasp of his imagination. But a burden lay heavy on my heart—something I would fain have told him but which I could not bear to mention. I could not find it in my heart to shatter the airy castle of his fancy. For my life has been secluded and lonely and I have known no love like that of my ideal friend. Yet I have a haunting recollection of a certain huge bundle of washing that I sent to him about a year ago. I had been absent from town for three weeks and my laundry was much larger than usual in consequence. And if I mistake not there was in the bundle a tattered shirt that had been grievously stained by the breaking of a bottle of red ink in my portmanteau, and burnt in one place where an ash fell from my cigar as I made up the bundle. Of all this I cannot feel absolutely certain, yet I know at least that until a year ago, when I transferred my custom to a more modern establishment, my laundry number with Ah-Yen was Fifty-Six.
Aristocratic Education
House of Lords, Jan. 25, 1920.—The House of Lords commenced to-day in Committee the consideration of Clause No. 52,000 of the Education Bill, dealing with the teaching of Geometry in the schools.
The Leader of the Government in presenting the clause urged upon their Lordships the need of conciliation. The Bill, he said, had now been before their Lordships for sixteen years. The Government had made every concession. They had accepted all the amendments of their Lordships on the opposite side in regard to the original provisions of the Bill. They had consented also to insert in the Bill a detailed programme of studies of which the present clause, enunciating the fifth proposition of Euclid, was a part. He would therefore ask their Lordships to accept the clause drafted as follows:
"The angles at the base of an isosceles triangle are equal, and if the equal sides of the triangle are produced, the exterior angles will also be equal."
He would hasten to add that the Government had no intention of producing the sides. Contingencies might arise to render such a course necessary, but in that case their Lordships would receive an early intimation of the fact.
The Archbishop of Canterbury spoke against the clause. He considered it, in its present form, too secular. He should wish to amend the clause so as to make it read:
"The angles at the base of an isosceles triangle are, in every Christian community, equal, and if the sides be produced by a member of a Christian congregation, the exterior angles will be equal."
He was aware, he continued, that the angles at the base of an isosceles triangle are extremely equal, but he must remind the Government that the Church had been aware of this for several years past. He was willing also to admit that the opposite sides and ends of a parallelogram are equal, but he thought that such admission should be coupled with a distinct recognition of the existence of a Supreme Being.
The Leader of the Government accepted His Grace's amendment with pleasure. He considered it the brightest amendment His Grace had made that week. The Government, he said, was aware of the intimate relation in which His Grace stood to the bottom end of a parallelogram and was prepared to respect it.
Lord Halifax rose to offer a further amendment. He thought the present case was one in which the "four-fifths" clause ought to apply: he should wish it stated that the angles are equal for two days every week, except in the case of schools where four-fifths of the parents are conscientiously opposed to the use of the isosceles triangle.
The Leader of the Government thought the amendment a singularly pleasing one. He accepted it and would like it understood that the words isosceles triangle were not meant in any offensive sense.
Lord Rosebery spoke at some length. He considered the clause unfair to Scotland, where the high state of morality rendered education unnecessary. Unless an amendment in this sense was accepted, it might be necessary to reconsider the Act of Union of 1707.
The Leader of the Government said that Lord Rosebery's amendment was the best he had heard yet. The Government accepted it at once. They were willing to make every concession. They would, if need be, reconsider the Norman Conquest.
The Duke of Devonshire took exception to the part of the clause relating to the production of the sides. He did not think the country was prepared for it. It was unfair to the producer. He would like the clause altered to read, "if the sides be produced in the home market."
The Leader of the Government accepted with pleasure His Grace's amendment. He considered it quite sensible. He would now, as it was near the hour of rising, present the clause in its revised form. He hoped, however, that their Lordships would find time to think out some further amendments for the evening sitting.
The clause was then read.
His Grace of Canterbury then moved that the House, in all humility, adjourn for dinner.
The Conjurer's Revenge
"Now, ladies and gentlemen," said the conjurer, "having shown you that the cloth is absolutely empty, I will proceed to take from it a bowl of goldfish. Presto!"
All around the hall people were saying, "Oh, how wonderful! How does he do it?"
But the Quick Man on the front seat said in a big whisper to the people near him, "He-had-it-up-his-sleeve."
Then the people nodded brightly at the Quick Man and said, "Oh, of course"; and everybody whispered round the hall, "He-had-it-up-his-sleeve."
"My next trick," said the conjurer, "is the famous Hindostanee rings. You will notice that the rings are apparently separate; at a blow they all join (clang, clang, clang)—Presto!"
There was a general buzz of stupefaction till the Quick Man was heard to whisper, "He-must-have-had-another-lot-up-his-sleeve."
Again everybody nodded and whispered, "The-rings-were- up-his-sleeve."
The brow of the conjurer was clouded with a gathering frown.
"I will now," he continued, "show you a most amusing trick by which I am enabled to take any number of eggs from a hat. Will some gentleman kindly lend me his hat? Ah, thank you—Presto!"
He extracted seventeen eggs, and for thirty-five seconds the audience began to think that he was wonderful. Then the Quick Man whispered along the front bench, "He-has-a-hen-up-his-sleeve," and all the people whispered it on. "He-has-a-lot-of-hens-up-his-sleeve."
The egg trick was ruined.
It went on like that all through. It transpired from the whispers of the Quick Man that the conjurer must have concealed up his sleeve, in addition to the rings, hens, and fish, several packs of cards, a loaf of bread, a doll's cradle, a live guinea-pig, a fifty-cent piece, and a rocking-chair.
The reputation of the conjurer was rapidly sinking below zero. At the close of the evening he rallied for a final effort.
"Ladies and gentlemen," he said, "I will present to you, in conclusion, the famous Japanese trick recently invented by the natives of Tipperary. Will you, sir," he continued turning toward the Quick Man, "will you kindly hand me your gold watch?"
It was passed to him.
"Have I your permission to put it into this mortar and pound it to pieces?" he asked savagely.
The Quick Man nodded and smiled.
The conjurer threw the watch into the mortar and grasped a sledge hammer from the table. There was a sound of violent smashing, "He's-slipped-it-up-his-sleeve," whispered the Quick Man.
"Now, sir," continued the conjurer, "will you allow me to take your handkerchief and punch holes in it? Thank you. You see, ladies and gentlemen, there is no deception; the holes are visible to the eye."
The face of the Quick Man beamed. This time the real mystery of the thing fascinated him.
"And now, sir, will you kindly pass me your silk hat and allow me to dance on it? Thank you."
The conjurer made a few rapid passes with his feet and exhibited the hat crushed beyond recognition.
"And will you now, sir, take off your celluloid collar and permit me to burn it in the candle? Thank you, sir. And will you allow me to smash your spectacles for you with my hammer? Thank you."
By this time the features of the Quick Man were assuming a puzzled expression. "This thing beats me," he whispered, "I don't see through it a bit."
There was a great hush upon the audience. Then the conjurer drew himself up to his full height and, with a withering look at the Quick Man, he concluded:
"Ladies and gentlemen, you will observe that I have, with this gentleman's permission, broken his watch, burnt his collar, smashed his spectacles, and danced on his hat. If he will give me the further permission to paint green stripes on his overcoat, or to tie his suspenders in a knot, I shall be delighted to entertain you. If not, the performance is at an end."
And amid a glorious burst of music from the orchestra the curtain fell, and the audience dispersed, convinced that there are some tricks, at any rate, that are not done up the conjurer's sleeve.
Hints to Travellers
The following hints and observations have occurred to me during a recent trip across the continent: they are written in no spirit of complaint against existing railroad methods, but merely in the hope that they may prove useful to those who travel, like myself, in a spirit of meek, observant ignorance.
1. Sleeping in a Pullman car presents some difficulties to the novice. Care should be taken to allay all sense of danger. The frequent whistling of the engine during the night is apt to be a source of alarm. Find out, therefore, before travelling, the meaning of the various whistles. One means "station," two, "railroad crossing," and so on. Five whistles, short and rapid, mean sudden danger. When you hear whistles in the night, sit up smartly in your bunk and count them. Should they reach five, draw on your trousers over your pyjamas and leave the train instantly. As a further precaution against accident, sleep with the feet towards the engine if you prefer to have the feet crushed, or with the head towards the engine, if you think it best to have the head crushed. In making this decision try to be as unselfish as possible. If indifferent, sleep crosswise with the head hanging over into the aisle.
2. I have devoted some thought to the proper method of changing trains. The system which I have observed to be the most popular with travellers of my own class, is something as follows: Suppose that you have been told on leaving New York that you are to change at Kansas City. The evening before approaching Kansas City, stop the conductor in the aisle of the car (you can do this best by putting out your foot and tripping him), and say politely, "Do I change at Kansas City?" He says "Yes." Very good. Don't believe him. On going into the dining-car for supper, take a negro aside and put it to him as a personal matter between a white man and a black, whether he thinks you ought to change at Kansas City. Don't be satisfied with this. In the course of the evening pass through the entire train from time to time, and say to people casually, "Oh, can you tell me if I change at Kansas City?" Ask the conductor about it a few more times in the evening: a repetition of the question will ensure pleasant relations with him. Before falling asleep watch for his passage and ask him through the curtains of your berth, "Oh, by the way, did you say I changed at Kansas City?" If he refuses to stop, hook him by the neck with your walking-stick, and draw him gently to your bedside. In the morning when the train stops and a man calls, "Kansas City! All change!" approach the conductor again and say, "Is this Kansas City?" Don't be discouraged at his answer. Pick yourself up and go to the other end of the car and say to the brakesman, "Do you know, sir, if this is Kansas City?" Don't be too easily convinced. Remember that both brakesman and conductor may be in collusion to deceive you. Look around, therefore, for the name of the station on the signboard. Having found it, alight and ask the first man you see if this is Kansas City. He will answer, "Why, where in blank are your blank eyes? Can't you see it there, plain as blank?" When you hear language of this sort, ask no more. You are now in Kansas and this is Kansas City.
3. I have observed that it is now the practice of the conductors to stick bits of paper in the hats of the passengers. They do this, I believe, to mark which ones they like best. The device is pretty, and adds much to the scenic appearance of the car. But I notice with pain that the system is fraught with much trouble for the conductors. The task of crushing two or three passengers together, in order to reach over them and stick a ticket into the chinks of a silk skull cap is embarrassing for a conductor of refined feelings. It would be simpler if the conductor should carry a small hammer and a packet of shingle nails and nail the paid-up passenger to the back of the seat. Or better still, let the conductor carry a small pot of paint and a brush, and mark the passengers in such a way that he cannot easily mistake them. In the case of bald-headed passengers, the hats might be politely removed and red crosses painted on the craniums. This will indicate that they are bald. Through passengers might be distinguished by a complete coat of paint. In the hands of a man of taste, much might be effected by a little grouping of painted passengers and the leisure time of the conductor agreeably occupied.
4. I have observed in travelling in the West that the irregularity of railroad accidents is a fruitful cause of complaint. The frequent disappointment of the holders of accident policy tickets on western roads is leading to widespread protest. Certainly the conditions of travel in the West are altering rapidly and accidents can no longer be relied upon. This is deeply to be regretted, in so much as, apart from accidents, the tickets may be said to be practically valueless.
A Manual of Education
The few selections below are offered as a specimen page of a little book which I have in course of preparation.
Every man has somewhere in the back of his head the wreck of a thing which he calls his education. My book is intended to embody in concise form these remnants of early instruction.
Educations are divided into splendid educations, thorough classical educations, and average educations. All very old men have splendid educations; all men who apparently know nothing else have thorough classical educations; nobody has an average education.
An education, when it is all written out on foolscap, covers nearly ten sheets. It takes about six years of severe college training to acquire it. Even then a man often finds that he somehow hasn't got his education just where he can put his thumb on it. When my little book of eight or ten pages has appeared, everybody may carry his education in his hip pocket.
Those who have not had the advantage of an early training will be enabled, by a few hours of conscientious application, to put themselves on an equal footing with the most scholarly.
The selections are chosen entirely at random.